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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D38AA5 it is the complementary color #2C755A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D38AA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D38AA5 shade: #D88AA0, #E99CB3, #FAAEC6, #FFC0D9 and #FFD2EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D38AA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D38AA5 shade: #D38AA5, #C27892, #B1667F, #A0546C and #8F4259

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D38AA5 shade: #D289A4, #D28990 and #D28989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D38AA5 shade: #D289A4, #D289B8, #D289CB, #C589D2 and #B189D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D38AA5 shade matches the following richer shades: #D289A4, #DF7BA0, #ED6E9D and #FA619A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D38AA5 shade: #D289A4, #C596A7, #B8A3AB, #ABB0AE and #9DBDB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D38AA5 shade: #D289CC, #D289B8, #D289A5, #D28991 and #D29489

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D38AA5 shade: #BB4D76, #C76B8D, #D289A4, #DDA7BB and #E9C5D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D38AA5 shade: #D38AA5, #D2C589 and #89C2D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D38AA5 shade: #D38AA5, #A5D289 and #89A5D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D38AA5 shade: #D38AA5, #D2C589, #89D2B6 and #8996D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D38AA5 shade: #D38AA5, #CAD289, #89D2B6 and #9189D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 22 / 17

HEX #D38AA5

RGB 211 138 165

HSL 337.81, 0.45%, 0.68%

LAB 65.55, 31.58, -2.7

 

Complementary color

CMYK 62 / 0 / 23 / 54

HEX #2C755A

RGB 44 117 90

HSL 157.81, 0.45%, 0.32%

LAB 44.23, -29.65, 8.25

 

CMYK 0 / 36 / 26 / 15

HEX #D88AA0

RGB 216 138 160

HSL 343.08, 0.5%, 0.69%

LAB 65.99, 32.65, 0.84

 

CMYK 0 / 33 / 23 / 9

HEX #E99CB3

RGB 233 156 179

HSL 342.08, 0.64%, 0.76%

LAB 72.47, 31.85, -0.09

 

CMYK 0 / 30 / 21 / 2

HEX #FAAEC6

RGB 250 174 198

HSL 341.05, 0.88%, 0.83%

LAB 78.85, 31.11, -0.94

 

CMYK 0 / 25 / 15 / 0

HEX #FFC0D9

RGB 255 192 217

HSL 336.19, 1%, 0.88%

LAB 83.95, 26.27, -3.65

 

CMYK 0 / 18 / 7 / 0

HEX #FFD2EC

RGB 255 210 236

HSL 325.33, 1%, 0.91%

LAB 88.64, 19.91, -6.82

 

CMYK 0 / 35 / 22 / 17

HEX #D38AA5

RGB 211 138 165

HSL 337.81, 0.45%, 0.68%

LAB 65.55, 31.58, -2.7

 

CMYK 0 / 38 / 25 / 24

HEX #C27892

RGB 194 120 146

HSL 338.92, 0.38%, 0.62%

LAB 58.95, 32.39, -1.78

 

CMYK 0 / 42 / 28 / 31

HEX #B1667F

RGB 177 102 127

HSL 340, 0.32%, 0.55%

LAB 52.27, 33.27, -0.72

 

CMYK 0 / 48 / 33 / 37

HEX #A0546C

RGB 160 84 108

HSL 341.05, 0.31%, 0.48%

LAB 45.49, 34.18, 0.51

 

CMYK 0 / 54 / 38 / 44

HEX #8F4259

RGB 143 66 89

HSL 342.08, 0.37%, 0.41%

LAB 38.65, 35.11, 2

 

CMYK 0 / 35 / 22 / 18

HEX #D289A4

RGB 210 137 164

HSL 337.81, 0.45%, 0.68%

LAB 65.18, 31.61, -2.69

 

CMYK 0 / 35 / 31 / 18

HEX #D28990

RGB 210 137 144

HSL 354.25, 0.45%, 0.68%

LAB 64.65, 28.8, 7.85

 

CMYK 0 / 35 / 35 / 18

HEX #D28989

RGB 210 137 137

HSL 0, 0.45%, 0.68%

LAB 64.48, 27.91, 11.58

 

CMYK 0 / 35 / 22 / 18

HEX #D289A4

RGB 210 137 164

HSL 337.81, 0.45%, 0.68%

LAB 65.18, 31.61, -2.69

 

CMYK 0 / 35 / 12 / 18

HEX #D289B8

RGB 210 137 184

HSL 321.37, 0.45%, 0.68%

LAB 65.79, 34.76, -13.06

 

CMYK 0 / 35 / 3 / 18

HEX #D289CB

RGB 210 137 203

HSL 305.75, 0.45%, 0.68%

LAB 66.45, 38.05, -22.72

 

CMYK 6 / 35 / 0 / 18

HEX #C589D2

RGB 197 137 210

HSL 289.32, 0.45%, 0.68%

LAB 65.29, 35.24, -28.52

 

CMYK 16 / 35 / 0 / 18

HEX #B189D2

RGB 177 137 210

HSL 272.88, 0.45%, 0.68%

LAB 63.25, 29.01, -31.83

 

CMYK 0 / 35 / 22 / 18

HEX #D289A4

RGB 210 137 164

HSL 337.81, 0.45%, 0.68%

LAB 65.18, 31.61, -2.69

 

CMYK 0 / 45 / 28 / 13

HEX #DF7BA0

RGB 223 123 160

HSL 337.8, 0.61%, 0.68%

LAB 63.67, 42.99, -2.46

 

CMYK 0 / 54 / 34 / 7

HEX #ED6E9D

RGB 237 110 157

HSL 337.8, 0.78%, 0.68%

LAB 63, 53.69, -1.49

 

CMYK 0 / 61 / 38 / 2

HEX #FA619A

RGB 250 97 154

HSL 337.65, 0.94%, 0.68%

LAB 62.68, 63.22, -0.01

 

CMYK 0 / 35 / 22 / 18

HEX #D289A4

RGB 210 137 164

HSL 337.81, 0.45%, 0.68%

LAB 65.18, 31.61, -2.69

 

CMYK 0 / 24 / 15 / 23

HEX #C596A7

RGB 197 150 167

HSL 338.3, 0.29%, 0.68%

LAB 66.88, 20.27, -2.05

 

CMYK 0 / 11 / 7 / 28

HEX #B8A3AB

RGB 184 163 171

HSL 337.14, 0.13%, 0.68%

LAB 68.99, 9.05, -1.33

 

CMYK 3 / 0 / 1 / 31

HEX #ABB0AE

RGB 171 176 174

HSL 156, 0.03%, 0.68%

LAB 71.39, -2.13, 0.4

 

CMYK 17 / 0 / 6 / 26

HEX #9DBDB2

RGB 157 189 178

HSL 159.38, 0.2%, 0.68%

LAB 74.05, -13.01, 1.95

 

CMYK 0 / 35 / 3 / 18

HEX #D289CC

RGB 210 137 204

HSL 304.93, 0.45%, 0.68%

LAB 66.48, 38.23, -23.22

 

CMYK 0 / 35 / 12 / 18

HEX #D289B8

RGB 210 137 184

HSL 321.37, 0.45%, 0.68%

LAB 65.79, 34.76, -13.06

 

CMYK 0 / 35 / 21 / 18

HEX #D289A5

RGB 210 137 165

HSL 336.99, 0.45%, 0.68%

LAB 65.21, 31.76, -3.21

 

CMYK 0 / 35 / 31 / 18

HEX #D28991

RGB 210 137 145

HSL 353.42, 0.45%, 0.68%

LAB 64.67, 28.94, 7.32

 

CMYK 0 / 30 / 35 / 18

HEX #D29489

RGB 210 148 137

HSL 9.04, 0.45%, 0.68%

LAB 67.04, 21.94, 15.16

 

CMYK 0 / 59 / 37 / 27

HEX #BB4D76

RGB 187 77 118

HSL 337.64, 0.45%, 0.52%

LAB 48.49, 48.34, -0.7

 

CMYK 0 / 46 / 29 / 22

HEX #C76B8D

RGB 199 107 141

HSL 337.83, 0.45%, 0.6%

LAB 56.66, 40.4, -2.16

 

CMYK 0 / 35 / 22 / 18

HEX #D289A4

RGB 210 137 164

HSL 337.81, 0.45%, 0.68%

LAB 65.18, 31.61, -2.69

 

CMYK 0 / 24 / 15 / 13

HEX #DDA7BB

RGB 221 167 187

HSL 337.78, 0.44%, 0.76%

LAB 73.93, 22.89, -2.5

 

CMYK 0 / 15 / 10 / 9

HEX #E9C5D2

RGB 233 197 210

HSL 338.33, 0.45%, 0.84%

LAB 82.87, 14.83, -1.73

 

CMYK 0 / 35 / 22 / 17

HEX #D38AA5

RGB 211 138 165

HSL 337.81, 0.45%, 0.68%

LAB 65.55, 31.58, -2.7

 

CMYK 0 / 6 / 35 / 18

HEX #D2C589

RGB 210 197 137

HSL 49.32, 0.45%, 0.68%

LAB 79.29, -4.29, 31.78

 

CMYK 35 / 8 / 0 / 18

HEX #89C2D2

RGB 137 194 210

HSL 193.15, 0.45%, 0.68%

LAB 75.17, -14.46, -13.9

 

CMYK 0 / 35 / 22 / 17

HEX #D38AA5

RGB 211 138 165

HSL 337.81, 0.45%, 0.68%

LAB 65.55, 31.58, -2.7

 

CMYK 21 / 0 / 35 / 18

HEX #A5D289

RGB 165 210 137

HSL 96.99, 0.45%, 0.68%

LAB 79.56, -27.81, 31.52

 

CMYK 35 / 21 / 0 / 18

HEX #89A5D2

RGB 137 165 210

HSL 216.99, 0.45%, 0.68%

LAB 67.19, 1.19, -26.03

 

CMYK 0 / 35 / 22 / 17

HEX #D38AA5

RGB 211 138 165

HSL 337.81, 0.45%, 0.68%

LAB 65.55, 31.58, -2.7

 

CMYK 0 / 6 / 35 / 18

HEX #D2C589

RGB 210 197 137

HSL 49.32, 0.45%, 0.68%

LAB 79.29, -4.29, 31.78

 

CMYK 35 / 0 / 13 / 18

HEX #89D2B6

RGB 137 210 182

HSL 156.99, 0.45%, 0.68%

LAB 78.92, -28.88, 6.7

 

CMYK 35 / 29 / 0 / 18

HEX #8996D2

RGB 137 150 210

HSL 229.32, 0.45%, 0.68%

LAB 63.16, 9.68, -32.24

 

CMYK 0 / 35 / 22 / 17

HEX #D38AA5

RGB 211 138 165

HSL 337.81, 0.45%, 0.68%

LAB 65.55, 31.58, -2.7

 

CMYK 4 / 0 / 35 / 18

HEX #CAD289

RGB 202 210 137

HSL 66.58, 0.45%, 0.68%

LAB 82.09, -14.06, 35.32

 

CMYK 35 / 0 / 13 / 18

HEX #89D2B6

RGB 137 210 182

HSL 156.99, 0.45%, 0.68%

LAB 78.92, -28.88, 6.7

 

CMYK 31 / 35 / 0 / 18

HEX #9189D2

RGB 145 137 210

HSL 246.58, 0.45%, 0.68%

LAB 60.4, 19.47, -36.5

 

Description

Color code: HEX #D38AA5 | qconv.com Color code: HEX #D38AA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 138 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 138 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 22 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 22% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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