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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3887B it is the complementary color #2C7784. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3887B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3887B shade: #D88876, #E99A89, #FAAC9C, #FFBEAF and #FFD0C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3887B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3887B shade: #D3887B, #C27668, #B16455, #A05242 and #8F402F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3887B shade: #D28679 and #D27979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3887B shade: #D28679, #D29E79, #D2B679, #D2CF79 and #BED279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3887B shade matches the following richer shades: #D28679, #E17C6B, #EF725C and #FE684E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3887B shade: #D28679, #C49088, #B59B96, #A7A5A4 and #99AFB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3887B shade: #D2799D, #D27985, #D28579, #D29D79 and #D2B579

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3887B shade: #BB513E, #C86A5A, #D28679, #DDA298 and #E7BEB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3887B shade: #D3887B, #B5D279 and #7991D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3887B shade: #D3887B, #79D285 and #8579D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3887B shade: #D3887B, #B5D279, #79C6D2 and #9779D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3887B shade: #D3887B, #9AD279, #79C6D2 and #B279D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 42 / 17

HEX #D3887B

RGB 211 136 123

HSL 8.86, 0.5%, 0.65%

LAB 64.07, 27.19, 18.91

 

Complementary color

CMYK 67 / 10 / 0 / 48

HEX #2C7784

RGB 44 119 132

HSL 188.86, 0.5%, 0.35%

LAB 46.17, -18.54, -13.92

 

CMYK 0 / 37 / 45 / 15

HEX #D88876

RGB 216 136 118

HSL 11.02, 0.56%, 0.65%

LAB 64.58, 28.61, 22.5

 

CMYK 0 / 34 / 41 / 9

HEX #E99A89

RGB 233 154 137

HSL 10.63, 0.69%, 0.73%

LAB 71.04, 27.59, 21.09

 

CMYK 0 / 31 / 38 / 2

HEX #FAAC9C

RGB 250 172 156

HSL 10.21, 0.9%, 0.8%

LAB 77.42, 26.68, 19.81

 

CMYK 0 / 25 / 31 / 0

HEX #FFBEAF

RGB 255 190 175

HSL 11.25, 1%, 0.84%

LAB 82.48, 21.39, 16.72

 

CMYK 0 / 18 / 24 / 0

HEX #FFD0C2

RGB 255 208 194

HSL 13.77, 1%, 0.88%

LAB 87.13, 14.49, 13.18

 

CMYK 0 / 36 / 42 / 17

HEX #D3887B

RGB 211 136 123

HSL 8.86, 0.5%, 0.65%

LAB 64.07, 27.19, 18.91

 

CMYK 0 / 39 / 46 / 24

HEX #C27668

RGB 194 118 104

HSL 9.33, 0.42%, 0.58%

LAB 57.49, 28.25, 20.38

 

CMYK 0 / 44 / 52 / 31

HEX #B16455

RGB 177 100 85

HSL 9.78, 0.37%, 0.51%

LAB 50.82, 29.43, 22.06

 

CMYK 0 / 49 / 59 / 37

HEX #A05242

RGB 160 82 66

HSL 10.21, 0.42%, 0.44%

LAB 44.09, 30.74, 24.01

 

CMYK 0 / 55 / 67 / 44

HEX #8F402F

RGB 143 64 47

HSL 10.63, 0.51%, 0.37%

LAB 37.32, 32.17, 26.33

 

CMYK 0 / 36 / 42 / 18

HEX #D28679

RGB 210 134 121

HSL 8.76, 0.5%, 0.65%

LAB 63.45, 27.66, 19.17

 

CMYK 0 / 42 / 42 / 18

HEX #D27979

RGB 210 121 121

HSL 0, 0.5%, 0.65%

LAB 60.57, 34.62, 15.19

 

CMYK 0 / 36 / 42 / 18

HEX #D28679

RGB 210 134 121

HSL 8.76, 0.5%, 0.65%

LAB 63.45, 27.66, 19.17

 

CMYK 0 / 25 / 42 / 18

HEX #D29E79

RGB 210 158 121

HSL 24.94, 0.5%, 0.65%

LAB 69.14, 14.64, 26.83

 

CMYK 0 / 13 / 42 / 18

HEX #D2B679

RGB 210 182 121

HSL 41.12, 0.5%, 0.65%

LAB 75.16, 1.76, 34.72

 

CMYK 0 / 1 / 42 / 18

HEX #D2CF79

RGB 210 207 121

HSL 57.98, 0.5%, 0.65%

LAB 81.68, -11.2, 42.99

 

CMYK 10 / 0 / 42 / 18

HEX #BED279

RGB 190 210 121

HSL 73.48, 0.5%, 0.65%

LAB 80.97, -20.55, 41.78

 

CMYK 0 / 36 / 42 / 18

HEX #D28679

RGB 210 134 121

HSL 8.76, 0.5%, 0.65%

LAB 63.45, 27.66, 19.17

 

CMYK 0 / 45 / 52 / 12

HEX #E17C6B

RGB 225 124 107

HSL 8.64, 0.66%, 0.65%

LAB 62.91, 37.37, 26.64

 

CMYK 0 / 52 / 62 / 6

HEX #EF725C

RGB 239 114 92

HSL 8.98, 0.82%, 0.65%

LAB 62.64, 46.48, 35.02

 

CMYK 0 / 59 / 69 / 0

HEX #FE684E

RGB 254 104 78

HSL 8.86, 0.99%, 0.65%

LAB 62.95, 55.66, 43.52

 

CMYK 0 / 36 / 42 / 18

HEX #D28679

RGB 210 134 121

HSL 8.76, 0.5%, 0.65%

LAB 63.45, 27.66, 19.17

 

CMYK 0 / 27 / 31 / 23

HEX #C49088

RGB 196 144 136

HSL 8, 0.34%, 0.65%

LAB 64.53, 18.56, 11.98

 

CMYK 0 / 14 / 17 / 29

HEX #B59B96

RGB 181 155 150

HSL 9.68, 0.17%, 0.65%

LAB 66.11, 8.78, 6.17

 

CMYK 0 / 1 / 2 / 35

HEX #A7A5A4

RGB 167 165 164

HSL 20, 0.02%, 0.65%

LAB 67.88, 0.53, 0.76

 

CMYK 15 / 2 / 0 / 30

HEX #99AFB3

RGB 153 175 179

HSL 189.23, 0.15%, 0.65%

LAB 69.96, -6.73, -4.62

 

CMYK 0 / 42 / 25 / 18

HEX #D2799D

RGB 210 121 157

HSL 335.73, 0.5%, 0.65%

LAB 61.49, 39.12, -4.14

 

CMYK 0 / 42 / 37 / 18

HEX #D27985

RGB 210 121 133

HSL 351.91, 0.5%, 0.65%

LAB 60.84, 35.99, 8.7

 

CMYK 0 / 37 / 42 / 18

HEX #D28579

RGB 210 133 121

HSL 8.09, 0.5%, 0.65%

LAB 63.22, 28.2, 18.86

 

CMYK 0 / 25 / 42 / 18

HEX #D29D79

RGB 210 157 121

HSL 24.27, 0.5%, 0.65%

LAB 68.89, 15.18, 26.51

 

CMYK 0 / 14 / 42 / 18

HEX #D2B579

RGB 210 181 121

HSL 40.45, 0.5%, 0.65%

LAB 74.91, 2.29, 34.39

 

CMYK 0 / 57 / 67 / 27

HEX #BB513E

RGB 187 81 62

HSL 9.12, 0.5%, 0.49%

LAB 48, 41.49, 32.11

 

CMYK 0 / 47 / 55 / 22

HEX #C86A5A

RGB 200 106 90

HSL 8.73, 0.5%, 0.57%

LAB 55.41, 35.72, 25.78

 

CMYK 0 / 36 / 42 / 18

HEX #D28679

RGB 210 134 121

HSL 8.76, 0.5%, 0.65%

LAB 63.45, 27.66, 19.17

 

CMYK 0 / 27 / 31 / 13

HEX #DDA298

RGB 221 162 152

HSL 8.7, 0.5%, 0.73%

LAB 71.88, 20.5, 13.8

 

CMYK 0 / 18 / 21 / 9

HEX #E7BEB7

RGB 231 190 183

HSL 8.75, 0.5%, 0.81%

LAB 80.31, 13.58, 9.04

 

CMYK 0 / 36 / 42 / 17

HEX #D3887B

RGB 211 136 123

HSL 8.86, 0.5%, 0.65%

LAB 64.07, 27.19, 18.91

 

CMYK 14 / 0 / 42 / 18

HEX #B5D279

RGB 181 210 121

HSL 79.55, 0.5%, 0.65%

LAB 80.35, -24, 40.86

 

CMYK 42 / 31 / 0 / 18

HEX #7991D2

RGB 121 145 210

HSL 223.82, 0.5%, 0.65%

LAB 60.75, 8.24, -36.07

 

CMYK 0 / 36 / 42 / 17

HEX #D3887B

RGB 211 136 123

HSL 8.86, 0.5%, 0.65%

LAB 64.07, 27.19, 18.91

 

CMYK 42 / 0 / 37 / 18

HEX #79D285

RGB 121 210 133

HSL 128.09, 0.5%, 0.65%

LAB 77.19, -42.74, 30.04

 

CMYK 37 / 42 / 0 / 18

HEX #8579D2

RGB 133 121 210

HSL 248.09, 0.5%, 0.65%

LAB 55.39, 25.52, -44.43

 

CMYK 0 / 36 / 42 / 17

HEX #D3887B

RGB 211 136 123

HSL 8.86, 0.5%, 0.65%

LAB 64.07, 27.19, 18.91

 

CMYK 14 / 0 / 42 / 18

HEX #B5D279

RGB 181 210 121

HSL 79.55, 0.5%, 0.65%

LAB 80.35, -24, 40.86

 

CMYK 42 / 6 / 0 / 18

HEX #79C6D2

RGB 121 198 210

HSL 188.09, 0.5%, 0.65%

LAB 75.52, -20.68, -13.47

 

CMYK 28 / 42 / 0 / 18

HEX #9779D2

RGB 151 121 210

HSL 260.22, 0.5%, 0.65%

LAB 56.98, 30.44, -41.82

 

CMYK 0 / 36 / 42 / 17

HEX #D3887B

RGB 211 136 123

HSL 8.86, 0.5%, 0.65%

LAB 64.07, 27.19, 18.91

 

CMYK 27 / 0 / 42 / 18

HEX #9AD279

RGB 154 210 121

HSL 97.75, 0.5%, 0.65%

LAB 78.66, -33.88, 38.37

 

CMYK 42 / 6 / 0 / 18

HEX #79C6D2

RGB 121 198 210

HSL 188.09, 0.5%, 0.65%

LAB 75.52, -20.68, -13.47

 

CMYK 15 / 42 / 0 / 18

HEX #B279D2

RGB 178 121 210

HSL 278.43, 0.5%, 0.65%

LAB 59.7, 38.23, -37.36

 

Description

Color code: HEX #D3887B | qconv.com Color code: HEX #D3887B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 136 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 136 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 42 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 42% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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