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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3859D it is the complementary color #2C7A62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3859D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3859D shade: #D88598, #E997AB, #FAA9BE, #FFBBD1 and #FFCDE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3859D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3859D shade: #D3859D, #C2738A, #B16177, #A04F64 and #8F3D51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3859D shade: #D2839C, #D28386 and #D28383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3859D shade: #D2839C, #D283B1, #D283C6, #C983D2 and #B483D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3859D shade matches the following richer shades: #D2839C, #E07696, #EE6891 and #FB5A8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3859D shade: #D2839C, #C591A1, #B79FA6, #AAACAB and #9CBAB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3859D shade: #D283C7, #D283B1, #D2839C, #D28387 and #D29483

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3859D shade: #BD476B, #C76583, #D2839C, #DDA2B4 and #E8C0CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3859D shade: #D3859D, #D2C983 and #83BCD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3859D shade: #D3859D, #9CD283 and #839CD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3859D shade: #D3859D, #D2C983, #83D2B9 and #838DD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3859D shade: #D3859D, #C4D283, #83D2B9 and #9283D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 26 / 17

HEX #D3859D

RGB 211 133 157

HSL 341.54, 0.47%, 0.67%

LAB 64.21, 33.1, -0.14

 

Complementary color

CMYK 64 / 0 / 20 / 52

HEX #2C7A62

RGB 44 122 98

HSL 161.54, 0.47%, 0.33%

LAB 46.09, -30.01, 6.16

 

CMYK 0 / 38 / 30 / 15

HEX #D88598

RGB 216 133 152

HSL 346.27, 0.52%, 0.68%

LAB 64.68, 34.22, 3.46

 

CMYK 0 / 35 / 27 / 9

HEX #E997AB

RGB 233 151 171

HSL 345.37, 0.65%, 0.75%

LAB 71.14, 33.38, 2.42

 

CMYK 0 / 32 / 24 / 2

HEX #FAA9BE

RGB 250 169 190

HSL 344.44, 0.89%, 0.82%

LAB 77.53, 32.59, 1.48

 

CMYK 0 / 27 / 18 / 0

HEX #FFBBD1

RGB 255 187 209

HSL 340.59, 1%, 0.87%

LAB 82.6, 27.67, -1.34

 

CMYK 0 / 20 / 11 / 0

HEX #FFCDE4

RGB 255 205 228

HSL 332.4, 1%, 0.9%

LAB 87.25, 21.2, -4.64

 

CMYK 0 / 37 / 26 / 17

HEX #D3859D

RGB 211 133 157

HSL 341.54, 0.47%, 0.67%

LAB 64.21, 33.1, -0.14

 

CMYK 0 / 41 / 29 / 24

HEX #C2738A

RGB 194 115 138

HSL 342.53, 0.39%, 0.61%

LAB 57.62, 33.96, 0.91

 

CMYK 0 / 45 / 33 / 31

HEX #B16177

RGB 177 97 119

HSL 343.5, 0.34%, 0.54%

LAB 50.95, 34.88, 2.11

 

CMYK 0 / 51 / 38 / 37

HEX #A04F64

RGB 160 79 100

HSL 344.44, 0.34%, 0.47%

LAB 44.21, 35.83, 3.54

 

CMYK 0 / 57 / 43 / 44

HEX #8F3D51

RGB 143 61 81

HSL 345.37, 0.4%, 0.4%

LAB 37.43, 36.76, 5.3

 

CMYK 0 / 38 / 26 / 18

HEX #D2839C

RGB 210 131 156

HSL 341.01, 0.47%, 0.67%

LAB 63.62, 33.67, -0.44

 

CMYK 0 / 38 / 36 / 18

HEX #D28386

RGB 210 131 134

HSL 357.72, 0.47%, 0.67%

LAB 63.06, 30.77, 11.26

 

CMYK 0 / 38 / 38 / 18

HEX #D28383

RGB 210 131 131

HSL 0, 0.47%, 0.67%

LAB 62.99, 30.41, 12.87

 

CMYK 0 / 38 / 26 / 18

HEX #D2839C

RGB 210 131 156

HSL 341.01, 0.47%, 0.67%

LAB 63.62, 33.67, -0.44

 

CMYK 0 / 38 / 16 / 18

HEX #D283B1

RGB 210 131 177

HSL 325.06, 0.47%, 0.67%

LAB 64.25, 36.83, -11.43

 

CMYK 0 / 38 / 6 / 18

HEX #D283C6

RGB 210 131 198

HSL 309.11, 0.47%, 0.67%

LAB 64.97, 40.36, -22.17

 

CMYK 4 / 38 / 0 / 18

HEX #C983D2

RGB 201 131 210

HSL 293.16, 0.47%, 0.67%

LAB 64.41, 39.73, -29.85

 

CMYK 14 / 38 / 0 / 18

HEX #B483D2

RGB 180 131 210

HSL 277.22, 0.47%, 0.67%

LAB 62.16, 33.29, -33.51

 

CMYK 0 / 38 / 26 / 18

HEX #D2839C

RGB 210 131 156

HSL 341.01, 0.47%, 0.67%

LAB 63.62, 33.67, -0.44

 

CMYK 0 / 47 / 33 / 12

HEX #E07696

RGB 224 118 150

HSL 341.89, 0.63%, 0.67%

LAB 62.51, 44.6, 1.59

 

CMYK 0 / 56 / 39 / 7

HEX #EE6891

RGB 238 104 145

HSL 341.64, 0.8%, 0.67%

LAB 61.76, 55.45, 3.62

 

CMYK 0 / 64 / 44 / 2

HEX #FB5A8C

RGB 251 90 140

HSL 341.37, 0.95%, 0.67%

LAB 61.41, 65, 6.27

 

CMYK 0 / 38 / 26 / 18

HEX #D2839C

RGB 210 131 156

HSL 341.01, 0.47%, 0.67%

LAB 63.62, 33.67, -0.44

 

CMYK 0 / 26 / 18 / 23

HEX #C591A1

RGB 197 145 161

HSL 341.54, 0.31%, 0.67%

LAB 65.51, 22.06, -0.68

 

CMYK 0 / 13 / 9 / 28

HEX #B79FA6

RGB 183 159 166

HSL 342.5, 0.14%, 0.67%

LAB 67.74, 10, -0.39

 

CMYK 1 / 0 / 1 / 33

HEX #AAACAB

RGB 170 172 171

HSL 150, 0.01%, 0.67%

LAB 70.17, -0.89, 0.26

 

CMYK 16 / 0 / 5 / 27

HEX #9CBAB1

RGB 156 186 177

HSL 162, 0.18%, 0.67%

LAB 73.13, -11.98, 1.16

 

CMYK 0 / 38 / 5 / 18

HEX #D283C7

RGB 210 131 199

HSL 308.35, 0.47%, 0.67%

LAB 65.01, 40.53, -22.67

 

CMYK 0 / 38 / 16 / 18

HEX #D283B1

RGB 210 131 177

HSL 325.06, 0.47%, 0.67%

LAB 64.25, 36.83, -11.43

 

CMYK 0 / 38 / 26 / 18

HEX #D2839C

RGB 210 131 156

HSL 341.01, 0.47%, 0.67%

LAB 63.62, 33.67, -0.44

 

CMYK 0 / 38 / 36 / 18

HEX #D28387

RGB 210 131 135

HSL 356.96, 0.47%, 0.67%

LAB 63.08, 30.9, 10.73

 

CMYK 0 / 30 / 38 / 18

HEX #D29483

RGB 210 148 131

HSL 12.91, 0.47%, 0.67%

LAB 66.92, 21.21, 18.33

 

CMYK 0 / 62 / 43 / 26

HEX #BD476B

RGB 189 71 107

HSL 341.69, 0.47%, 0.51%

LAB 47.48, 50.52, 4.55

 

CMYK 0 / 49 / 34 / 22

HEX #C76583

RGB 199 101 131

HSL 341.63, 0.47%, 0.59%

LAB 55.16, 42.19, 1.5

 

CMYK 0 / 38 / 26 / 18

HEX #D2839C

RGB 210 131 156

HSL 341.01, 0.47%, 0.67%

LAB 63.62, 33.67, -0.44

 

CMYK 0 / 27 / 19 / 13

HEX #DDA2B4

RGB 221 162 180

HSL 341.69, 0.46%, 0.75%

LAB 72.57, 24.49, -0.65

 

CMYK 0 / 17 / 12 / 9

HEX #E8C0CC

RGB 232 192 204

HSL 342, 0.47%, 0.83%

LAB 81.41, 16.15, -0.66

 

CMYK 0 / 37 / 26 / 17

HEX #D3859D

RGB 211 133 157

HSL 341.54, 0.47%, 0.67%

LAB 64.21, 33.1, -0.14

 

CMYK 0 / 4 / 38 / 18

HEX #D2C983

RGB 210 201 131

HSL 53.16, 0.47%, 0.67%

LAB 80.24, -7.06, 36.12

 

CMYK 38 / 10 / 0 / 18

HEX #83BCD2

RGB 131 188 210

HSL 196.71, 0.47%, 0.67%

LAB 73.18, -12.94, -16.93

 

CMYK 0 / 37 / 26 / 17

HEX #D3859D

RGB 211 133 157

HSL 341.54, 0.47%, 0.67%

LAB 64.21, 33.1, -0.14

 

CMYK 26 / 0 / 38 / 18

HEX #9CD283

RGB 156 210 131

HSL 101.01, 0.47%, 0.67%

LAB 78.93, -31.82, 33.67

 

CMYK 38 / 26 / 0 / 18

HEX #839CD2

RGB 131 156 210

HSL 221.01, 0.47%, 0.67%

LAB 64.37, 4.59, -30.41

 

CMYK 0 / 37 / 26 / 17

HEX #D3859D

RGB 211 133 157

HSL 341.54, 0.47%, 0.67%

LAB 64.21, 33.1, -0.14

 

CMYK 0 / 4 / 38 / 18

HEX #D2C983

RGB 210 201 131

HSL 53.16, 0.47%, 0.67%

LAB 80.24, -7.06, 36.12

 

CMYK 38 / 0 / 12 / 18

HEX #83D2B9

RGB 131 210 185

HSL 161.01, 0.47%, 0.67%

LAB 78.71, -29.93, 4.75

 

CMYK 38 / 33 / 0 / 18

HEX #838DD2

RGB 131 141 210

HSL 232.41, 0.47%, 0.67%

LAB 60.36, 13.23, -36.63

 

CMYK 0 / 37 / 26 / 17

HEX #D3859D

RGB 211 133 157

HSL 341.54, 0.47%, 0.67%

LAB 64.21, 33.1, -0.14

 

CMYK 7 / 0 / 38 / 18

HEX #C4D283

RGB 196 210 131

HSL 70.63, 0.47%, 0.67%

LAB 81.55, -17.09, 37.58

 

CMYK 38 / 0 / 12 / 18

HEX #83D2B9

RGB 131 210 185

HSL 161.01, 0.47%, 0.67%

LAB 78.71, -29.93, 4.75

 

CMYK 30 / 38 / 0 / 18

HEX #9283D2

RGB 146 131 210

HSL 251.39, 0.47%, 0.67%

LAB 58.97, 23.24, -38.72

 

Description

Color code: HEX #D3859D | qconv.com Color code: HEX #D3859D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 133 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 133 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 26 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 26% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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