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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D38336 it is the complementary color #2C7CC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D38336. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D38336 shade: #D88331, #E99544, #FAA757, #FFB96A and #FFCB7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D38336. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D38336 shade: #D38336, #C27123, #B15F10, #A04D00 and #8F3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D38336 shade: #D38336, #D35936 and #D33636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D38336 shade: #D38336, #D3AD36, #CED336, #A4D336 and #7AD336

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D38336 shade matches the following richer shades: #D38336, #E78322 and #FB820F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D38336 shade: #D38336, #BF834A, #AB845E, #988472 and #848585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D38336 shade: #D3363E, #D35836, #D38236, #D3AC36 and #D0D336

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D38336 shade: #965A21, #B86F28, #D38336, #DA9858 and #E2AD7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D38336 shade: #D38336, #68D336 and #4336D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D38336 shade: #D38336, #36D382 and #8236D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D38336 shade: #D38336, #68D336, #3687D3 and #A136D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D38336 shade: #D38336, #39D336, #3687D3 and #D036D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

Complementary color

CMYK 78 / 38 / 0 / 21

HEX #2C7CC9

RGB 44 124 201

HSL 209.43, 0.64%, 0.48%

LAB 50.88, 2.98, -46.78

 

CMYK 0 / 39 / 77 / 15

HEX #D88331

RGB 216 131 49

HSL 29.46, 0.68%, 0.52%

LAB 62.55, 26.46, 55.51

 

CMYK 0 / 36 / 71 / 9

HEX #E99544

RGB 233 149 68

HSL 29.45, 0.79%, 0.59%

LAB 68.92, 24.79, 54.27

 

CMYK 0 / 33 / 65 / 2

HEX #FAA757

RGB 250 167 87

HSL 29.45, 0.94%, 0.66%

LAB 75.23, 23.32, 52.85

 

CMYK 0 / 27 / 58 / 0

HEX #FFB96A

RGB 255 185 106

HSL 31.81, 1%, 0.71%

LAB 80.18, 17.17, 49.52

 

CMYK 0 / 20 / 51 / 0

HEX #FFCB7D

RGB 255 203 125

HSL 36, 1%, 0.75%

LAB 84.72, 9.31, 45.65

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 0 / 42 / 82 / 24

HEX #C27123

RGB 194 113 35

HSL 29.43, 0.69%, 0.45%

LAB 55.48, 26.38, 53.55

 

CMYK 0 / 46 / 91 / 31

HEX #B15F10

RGB 177 95 16

HSL 29.44, 0.83%, 0.38%

LAB 48.97, 28.42, 53.66

 

CMYK 0 / 52 / 100 / 37

HEX #A04D00

RGB 160 77 0

HSL 28.88, 1%, 0.31%

LAB 42.43, 30.68, 52.14

 

CMYK 0 / 59 / 100 / 44

HEX #8F3B00

RGB 143 59 0

HSL 24.76, 1%, 0.28%

LAB 35.92, 33.1, 46.93

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 0 / 58 / 74 / 17

HEX #D35936

RGB 211 89 54

HSL 13.38, 0.64%, 0.52%

LAB 53.23, 46.13, 43.45

 

CMYK 0 / 74 / 74 / 17

HEX #D33636

RGB 211 54 54

HSL 0, 0.64%, 0.52%

LAB 47.95, 60.38, 37.68

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 0 / 18 / 74 / 17

HEX #D3AD36

RGB 211 173 54

HSL 45.48, 0.64%, 0.52%

LAB 72.23, 1.96, 62.66

 

CMYK 2 / 0 / 74 / 17

HEX #CED336

RGB 206 211 54

HSL 61.91, 0.64%, 0.52%

LAB 81.83, -19.62, 71.56

 

CMYK 22 / 0 / 74 / 17

HEX #A4D336

RGB 164 211 54

HSL 77.96, 0.64%, 0.52%

LAB 78.9, -36.63, 67.76

 

CMYK 42 / 0 / 74 / 17

HEX #7AD336

RGB 122 211 54

HSL 94.01, 0.64%, 0.52%

LAB 76.67, -51.67, 64.84

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 0 / 43 / 85 / 9

HEX #E78322

RGB 231 131 34

HSL 29.54, 0.8%, 0.52%

LAB 64.43, 32.2, 63.56

 

CMYK 0 / 48 / 94 / 2

HEX #FB820F

RGB 251 130 15

HSL 29.24, 0.97%, 0.52%

LAB 66.91, 40.41, 71.43

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 0 / 31 / 61 / 25

HEX #BF834A

RGB 191 131 74

HSL 29.23, 0.48%, 0.52%

LAB 59.71, 17.23, 39.64

 

CMYK 0 / 23 / 45 / 33

HEX #AB845E

RGB 171 132 94

HSL 29.61, 0.31%, 0.52%

LAB 58.01, 9.96, 26.23

 

CMYK 0 / 13 / 25 / 40

HEX #988472

RGB 152 132 114

HSL 28.42, 0.16%, 0.52%

LAB 56.48, 4.66, 12.52

 

CMYK 1 / 0 / 0 / 48

HEX #848585

RGB 132 133 133

HSL 180, 0%, 0.52%

LAB 55.46, -0.37, -0.14

 

CMYK 0 / 74 / 71 / 17

HEX #D3363E

RGB 211 54 62

HSL 356.94, 0.64%, 0.52%

LAB 48.05, 60.73, 33.18

 

CMYK 0 / 58 / 74 / 17

HEX #D35836

RGB 211 88 54

HSL 12.99, 0.64%, 0.52%

LAB 53.05, 46.6, 43.26

 

CMYK 0 / 38 / 74 / 17

HEX #D38236

RGB 211 130 54

HSL 29.04, 0.64%, 0.52%

LAB 61.72, 25.11, 52.3

 

CMYK 0 / 18 / 74 / 17

HEX #D3AC36

RGB 211 172 54

HSL 45.1, 0.64%, 0.52%

LAB 71.97, 2.49, 62.41

 

CMYK 1 / 0 / 74 / 17

HEX #D0D336

RGB 208 211 54

HSL 61.15, 0.64%, 0.52%

LAB 81.98, -18.78, 71.76

 

CMYK 0 / 40 / 78 / 41

HEX #965A21

RGB 150 90 33

HSL 29.23, 0.64%, 0.36%

LAB 44.1, 19.93, 41.56

 

CMYK 0 / 40 / 78 / 28

HEX #B86F28

RGB 184 111 40

HSL 29.58, 0.64%, 0.44%

LAB 53.72, 23.37, 49.38

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 0 / 30 / 60 / 15

HEX #DA9858

RGB 218 152 88

HSL 29.54, 0.64%, 0.6%

LAB 68.07, 18.18, 43.12

 

CMYK 0 / 23 / 46 / 11

HEX #E2AD7A

RGB 226 173 122

HSL 29.42, 0.64%, 0.68%

LAB 74.48, 13.13, 33.62

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 51 / 0 / 74 / 17

HEX #68D336

RGB 104 211 54

HSL 100.89, 0.64%, 0.52%

LAB 75.95, -57.14, 63.88

 

CMYK 68 / 74 / 0 / 17

HEX #4336D3

RGB 67 54 211

HSL 244.97, 0.64%, 0.52%

LAB 35.07, 52.39, -78.13

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 74 / 0 / 38 / 17

HEX #36D382

RGB 54 211 130

HSL 149.04, 0.64%, 0.52%

LAB 75.44, -58.14, 28.9

 

CMYK 38 / 74 / 0 / 17

HEX #8236D3

RGB 130 54 211

HSL 269.04, 0.64%, 0.52%

LAB 41.35, 61.09, -67.58

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 51 / 0 / 74 / 17

HEX #68D336

RGB 104 211 54

HSL 100.89, 0.64%, 0.52%

LAB 75.95, -57.14, 63.88

 

CMYK 74 / 36 / 0 / 17

HEX #3687D3

RGB 54 135 211

HSL 209.04, 0.64%, 0.52%

LAB 54.88, 1.21, -46.08

 

CMYK 24 / 74 / 0 / 17

HEX #A136D3

RGB 161 54 211

HSL 280.89, 0.64%, 0.52%

LAB 45.52, 66.62, -60.62

 

CMYK 0 / 38 / 74 / 17

HEX #D38336

RGB 211 131 54

HSL 29.43, 0.64%, 0.52%

LAB 61.95, 24.57, 52.53

 

CMYK 73 / 0 / 74 / 17

HEX #39D336

RGB 57 211 54

HSL 118.85, 0.64%, 0.52%

LAB 74.65, -67.64, 62.17

 

CMYK 74 / 36 / 0 / 17

HEX #3687D3

RGB 54 135 211

HSL 209.04, 0.64%, 0.52%

LAB 54.88, 1.21, -46.08

 

CMYK 1 / 74 / 0 / 17

HEX #D036D3

RGB 208 54 211

HSL 298.85, 0.64%, 0.52%

LAB 52.68, 75.81, -48.75

 

Description

Color code: HEX #D38336 | qconv.com Color code: HEX #D38336 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 131 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 131 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 74 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 74% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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