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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D37C5EBF it is the complementary color #2C83A1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D37C5EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D37C5EBF shade: #D87C59BF, #E98E6CBF, #FAA07FBF, #FFB292BF and #FFC4A5BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D37C5EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D37C5EBF shade: #D37C5EBF, #C26A4BBF, #B15838BF, #A04625BF and #8F3412BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D37C5EBF shade: #D37D5F and #D35F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D37C5EBF shade: #D37D5F, #D39C5F, #D3BB5F, #CCD35F and #ACD35F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D37C5EBF shade matches the following richer shades: #D37D5F, #E4754E and #F46D3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D37C5EBF shade: #D37D5F, #C3856F, #B28D80, #A29590 and #919DA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D37C5EBF shade: #D35F80, #D35F61, #D37C5F, #D39B5F and #D3BA5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D37C5EBF shade: #AF5130, #CA623E, #D37D5F, #DC977F and #E5B1A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D37C5EBF shade: #D37C5E, #9FD35F and #5F70D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D37C5EBF shade: #D37C5E, #5FD37C and #7C5FD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D37C5EBF shade: #D37C5E, #9FD35F, #5FB6D3 and #935FD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D37C5EBF shade: #D37C5E, #7CD35F, #5FB6D3 and #B65FD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 42 / 13

HEX #D37C5EBF

RGBA 211 124 94 0.75

HSLA 15.38, 0.57%, 0.6%, 0.75

LABA 60.85, 30.84, 30.83, 0.75

 

Complementary color

CMYK 55 / 14 / 0 / 28

HEX #2C83A1BF

RGBA 44 131 161 0.75

HSLA 195.38, 0.57%, 0.4%, 0.75

LABA 51.08, -15.47, -23.44, 0.75

 

CMYK 0 / 32 / 44 / 11

HEX #D87C59BF

RGBA 216 124 89 0.75

HSLA 16.54, 0.62%, 0.6%, 0.75

LABA 61.43, 32.43, 34.45, 0.75

 

CMYK 0 / 29 / 40 / 6

HEX #E98E6CBF

RGBA 233 142 108 0.75

HSLA 16.32, 0.74%, 0.67%, 0.75

LABA 67.84, 31.15, 32.69, 0.75

 

CMYK 0 / 27 / 37 / 1

HEX #FAA07FBF

RGBA 250 160 127 0.75

HSLA 16.1, 0.92%, 0.74%, 0.75

LABA 74.19, 29.99, 31.09, 0.75

 

CMYK 0 / 23 / 32 / 0

HEX #FFB292BF

RGBA 255 178 146 0.75

HSLA 17.61, 1%, 0.79%, 0.75

LABA 79.14, 24.35, 27.61, 0.75

 

CMYK 0 / 17 / 26 / 0

HEX #FFC4A5BF

RGBA 255 196 165 0.75

HSLA 20.67, 1%, 0.82%, 0.75

LABA 83.68, 17.03, 23.7, 0.75

 

CMYK 0 / 31 / 42 / 13

HEX #D37C5EBF

RGBA 211 124 94 0.75

HSLA 15.38, 0.57%, 0.6%, 0.75

LABA 60.85, 30.84, 30.83, 0.75

 

CMYK 0 / 34 / 46 / 18

HEX #C26A4BBF

RGBA 194 106 75 0.75

HSLA 15.63, 0.49%, 0.53%, 0.75

LABA 54.33, 32.19, 32.72, 0.75

 

CMYK 0 / 38 / 51 / 23

HEX #B15838BF

RGBA 177 88 56 0.75

HSLA 15.87, 0.52%, 0.46%, 0.75

LABA 47.77, 33.69, 34.82, 0.75

 

CMYK 0 / 42 / 58 / 28

HEX #A04625BF

RGBA 160 70 37 0.75

HSLA 16.1, 0.62%, 0.39%, 0.75

LABA 41.2, 35.3, 37.11, 0.75

 

CMYK 0 / 48 / 66 / 33

HEX #8F3412BF

RGBA 143 52 18 0.75

HSLA 16.32, 0.78%, 0.32%, 0.75

LABA 34.68, 36.94, 39.28, 0.75

 

CMYK 0 / 41 / 55 / 17

HEX #D37D5F

RGB 211 125 95

HSL 15.52, 0.57%, 0.6%

LAB 61.08, 30.39, 30.58

 

CMYK 0 / 55 / 55 / 17

HEX #D35F5F

RGB 211 95 95

HSL 0, 0.57%, 0.6%

LAB 54.93, 45.78, 22.56

 

CMYK 0 / 41 / 55 / 17

HEX #D37D5F

RGB 211 125 95

HSL 15.52, 0.57%, 0.6%

LAB 61.08, 30.39, 30.58

 

CMYK 0 / 26 / 55 / 17

HEX #D39C5F

RGB 211 156 95

HSL 31.55, 0.57%, 0.6%

LAB 68.35, 13.64, 39.68

 

CMYK 0 / 11 / 55 / 17

HEX #D3BB5F

RGB 211 187 95

HSL 47.59, 0.57%, 0.6%

LAB 76.2, -2.88, 49.08

 

CMYK 3 / 0 / 55 / 17

HEX #CCD35F

RGB 204 211 95

HSL 63.62, 0.57%, 0.6%

LAB 81.98, -17.98, 55.6

 

CMYK 18 / 0 / 55 / 17

HEX #ACD35F

RGB 172 211 95

HSL 80.17, 0.57%, 0.6%

LAB 79.72, -30.62, 52.42

 

CMYK 0 / 41 / 55 / 17

HEX #D37D5F

RGB 211 125 95

HSL 15.52, 0.57%, 0.6%

LAB 61.08, 30.39, 30.58

 

CMYK 0 / 49 / 66 / 11

HEX #E4754E

RGB 228 117 78

HSL 15.6, 0.74%, 0.6%

LAB 61.45, 40.01, 40.79

 

CMYK 0 / 55 / 75 / 4

HEX #F46D3E

RGB 244 109 62

HSL 15.49, 0.89%, 0.6%

LAB 62.1, 49.12, 50.37

 

CMYK 0 / 41 / 55 / 17

HEX #D37D5F

RGB 211 125 95

HSL 15.52, 0.57%, 0.6%

LAB 61.08, 30.39, 30.58

 

CMYK 0 / 32 / 43 / 24

HEX #C3856F

RGB 195 133 111

HSL 15.71, 0.41%, 0.6%

LAB 61.24, 21.17, 21.5

 

CMYK 0 / 21 / 28 / 30

HEX #B28D80

RGB 178 141 128

HSL 15.6, 0.25%, 0.6%

LAB 61.72, 12.05, 12.26

 

CMYK 0 / 8 / 11 / 36

HEX #A29590

RGB 162 149 144

HSL 16.67, 0.09%, 0.6%

LAB 62.67, 3.91, 4.36

 

CMYK 10 / 2 / 0 / 37

HEX #919DA1

RGB 145 157 161

HSL 195, 0.08%, 0.6%

LAB 63.92, -3.43, -3.56

 

CMYK 0 / 55 / 39 / 17

HEX #D35F80

RGB 211 95 128

HSL 342.93, 0.57%, 0.6%

LAB 55.68, 48.93, 4.23

 

CMYK 0 / 55 / 54 / 17

HEX #D35F61

RGB 211 95 97

HSL 358.97, 0.57%, 0.6%

LAB 54.97, 45.94, 21.45

 

CMYK 0 / 41 / 55 / 17

HEX #D37C5F

RGB 211 124 95

HSL 15, 0.57%, 0.6%

LAB 60.86, 30.92, 30.3

 

CMYK 0 / 27 / 55 / 17

HEX #D39B5F

RGB 211 155 95

HSL 31.03, 0.57%, 0.6%

LAB 68.11, 14.18, 39.38

 

CMYK 0 / 12 / 55 / 17

HEX #D3BA5F

RGB 211 186 95

HSL 47.07, 0.57%, 0.6%

LAB 75.94, -2.35, 48.78

 

CMYK 0 / 54 / 73 / 31

HEX #AF5130

RGB 175 81 48

HSL 15.59, 0.57%, 0.44%

LAB 45.92, 36.1, 37.02

 

CMYK 0 / 51 / 69 / 21

HEX #CA623E

RGB 202 98 62

HSL 15.43, 0.57%, 0.52%

LAB 53.64, 38.71, 39.29

 

CMYK 0 / 41 / 55 / 17

HEX #D37D5F

RGB 211 125 95

HSL 15.52, 0.57%, 0.6%

LAB 61.08, 30.39, 30.58

 

CMYK 0 / 31 / 42 / 14

HEX #DC977F

RGB 220 151 127

HSL 15.48, 0.57%, 0.68%

LAB 68.67, 23.06, 23.11

 

CMYK 0 / 23 / 30 / 10

HEX #E5B1A0

RGB 229 177 160

HSL 14.78, 0.57%, 0.76%

LAB 76.46, 16.55, 15.98

 

CMYK 0 / 41 / 55 / 17

HEX #D37C5E

RGB 211 124 94

HSL 15.38, 0.57%, 0.6%

LAB 60.85, 30.84, 30.83

 

CMYK 25 / 0 / 55 / 17

HEX #9FD35F

RGB 159 211 95

HSL 86.9, 0.57%, 0.6%

LAB 78.92, -35.5, 51.28

 

CMYK 55 / 47 / 0 / 17

HEX #5F70D3

RGB 95 112 211

HSL 231.21, 0.57%, 0.6%

LAB 50.36, 22.2, -53.17

 

CMYK 0 / 41 / 55 / 17

HEX #D37C5E

RGB 211 124 94

HSL 15.38, 0.57%, 0.6%

LAB 60.85, 30.84, 30.83

 

CMYK 55 / 0 / 41 / 17

HEX #5FD37C

RGB 95 211 124

HSL 135, 0.57%, 0.6%

LAB 76.36, -51.54, 33.37

 

CMYK 41 / 55 / 0 / 17

HEX #7C5FD3

RGB 124 95 211

HSL 255, 0.57%, 0.6%

LAB 48.48, 38.82, -56.08

 

CMYK 0 / 41 / 55 / 17

HEX #D37C5E

RGB 211 124 94

HSL 15.38, 0.57%, 0.6%

LAB 60.85, 30.84, 30.83

 

CMYK 25 / 0 / 55 / 17

HEX #9FD35F

RGB 159 211 95

HSL 86.9, 0.57%, 0.6%

LAB 78.92, -35.5, 51.28

 

CMYK 55 / 14 / 0 / 17

HEX #5FB6D3

RGB 95 182 211

HSL 195, 0.57%, 0.6%

LAB 69.89, -18.06, -22.63

 

CMYK 30 / 55 / 0 / 17

HEX #935FD3

RGB 147 95 211

HSL 266.9, 0.57%, 0.6%

LAB 50.79, 44.33, -52.24

 

CMYK 0 / 41 / 55 / 17

HEX #D37C5E

RGB 211 124 94

HSL 15.38, 0.57%, 0.6%

LAB 60.85, 30.84, 30.83

 

CMYK 41 / 0 / 55 / 17

HEX #7CD35F

RGB 124 211 95

HSL 105, 0.57%, 0.6%

LAB 77.1, -47.51, 48.7

 

CMYK 55 / 14 / 0 / 17

HEX #5FB6D3

RGB 95 182 211

HSL 195, 0.57%, 0.6%

LAB 69.89, -18.06, -22.63

 

CMYK 14 / 55 / 0 / 17

HEX #B65FD3

RGB 182 95 211

HSL 285, 0.57%, 0.6%

LAB 54.9, 53.26, -45.45

 

Description

Color code: HEX #D37C5EBF | qconv.com Color code: HEX #D37C5EBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 124 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 124 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 42 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 42% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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