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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D37A8C it is the complementary color #2C8573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D37A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D37A8C shade: #D87A87, #E98C9A, #FA9EAD, #FFB0C0 and #FFC2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D37A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D37A8C shade: #D37A8C, #C26879, #B15666, #A04453 and #8F3240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D37A8C shade: #D2798B and #D27979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D37A8C shade: #D2798B, #D279A3, #D279BB, #D179D2 and #B979D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D37A8C shade matches the following richer shades: #D2798B, #E16B83, #EF5C7A and #FE4E71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D37A8C shade: #D2798B, #C48894, #B5969C, #A7A4A5 and #99B3AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D37A8C shade: #D279BC, #D279A4, #D2798C, #D27E79 and #D29579

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D37A8C shade: #BB3E57, #C85A70, #D2798B, #DD98A6 and #E7B7C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D37A8C shade: #D37A8C, #D2D179 and #79B0D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D37A8C shade: #D37A8C, #8CD279 and #798CD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D37A8C shade: #D37A8C, #D2D179, #79D2BF and #797BD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D37A8C shade: #D37A8C, #B9D279, #79D2BF and #9279D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 34 / 17

HEX #D37A8C

RGB 211 122 140

HSL 347.87, 0.5%, 0.65%

LAB 61.36, 36.68, 5.44

 

Complementary color

CMYK 67 / 0 / 14 / 48

HEX #2C8573

RGB 44 133 115

HSL 167.87, 0.5%, 0.35%

LAB 50.15, -30.74, 2.02

 

CMYK 0 / 44 / 38 / 15

HEX #D87A87

RGB 216 122 135

HSL 351.7, 0.55%, 0.66%

LAB 61.88, 37.9, 9.14

 

CMYK 0 / 40 / 34 / 9

HEX #E98C9A

RGB 233 140 154

HSL 350.97, 0.68%, 0.73%

LAB 68.32, 36.95, 7.84

 

CMYK 0 / 37 / 31 / 2

HEX #FA9EAD

RGB 250 158 173

HSL 350.22, 0.9%, 0.8%

LAB 74.7, 36.06, 6.69

 

CMYK 0 / 31 / 25 / 0

HEX #FFB0C0

RGB 255 176 192

HSL 347.85, 1%, 0.85%

LAB 79.68, 30.97, 3.58

 

CMYK 0 / 24 / 17 / 0

HEX #FFC2D3

RGB 255 194 211

HSL 343.28, 1%, 0.88%

LAB 84.25, 24.29, 0

 

CMYK 0 / 42 / 34 / 17

HEX #D37A8C

RGB 211 122 140

HSL 347.87, 0.5%, 0.65%

LAB 61.36, 36.68, 5.44

 

CMYK 0 / 46 / 38 / 24

HEX #C26879

RGB 194 104 121

HSL 348.67, 0.42%, 0.58%

LAB 54.81, 37.64, 6.79

 

CMYK 0 / 51 / 42 / 31

HEX #B15666

RGB 177 86 102

HSL 349.45, 0.37%, 0.52%

LAB 48.21, 38.63, 8.37

 

CMYK 0 / 58 / 48 / 37

HEX #A04453

RGB 160 68 83

HSL 350.22, 0.4%, 0.45%

LAB 41.58, 39.6, 10.3

 

CMYK 0 / 65 / 55 / 44

HEX #8F3240

RGB 143 50 64

HSL 350.97, 0.48%, 0.38%

LAB 34.99, 40.43, 12.72

 

CMYK 0 / 42 / 34 / 18

HEX #D2798B

RGB 210 121 139

HSL 347.87, 0.5%, 0.65%

LAB 60.99, 36.72, 5.47

 

CMYK 0 / 42 / 42 / 18

HEX #D27979

RGB 210 121 121

HSL 0, 0.5%, 0.65%

LAB 60.57, 34.62, 15.19

 

CMYK 0 / 42 / 34 / 18

HEX #D2798B

RGB 210 121 139

HSL 347.87, 0.5%, 0.65%

LAB 60.99, 36.72, 5.47

 

CMYK 0 / 42 / 22 / 18

HEX #D279A3

RGB 210 121 163

HSL 331.69, 0.5%, 0.65%

LAB 61.67, 39.98, -7.31

 

CMYK 0 / 42 / 11 / 18

HEX #D279BB

RGB 210 121 187

HSL 315.51, 0.5%, 0.65%

LAB 62.48, 43.73, -19.77

 

CMYK 0 / 42 / 0 / 18

HEX #D179D2

RGB 209 121 210

HSL 299.33, 0.5%, 0.65%

LAB 63.25, 47.44, -31.57

 

CMYK 12 / 42 / 0 / 18

HEX #B979D2

RGB 185 121 210

HSL 283.15, 0.5%, 0.65%

LAB 60.46, 40.29, -36.11

 

CMYK 0 / 42 / 34 / 18

HEX #D2798B

RGB 210 121 139

HSL 347.87, 0.5%, 0.65%

LAB 60.99, 36.72, 5.47

 

CMYK 0 / 52 / 42 / 12

HEX #E16B83

RGB 225 107 131

HSL 347.8, 0.66%, 0.65%

LAB 60.03, 48.22, 8.99

 

CMYK 0 / 62 / 49 / 6

HEX #EF5C7A

RGB 239 92 122

HSL 347.76, 0.82%, 0.65%

LAB 59.35, 58.85, 13.56

 

CMYK 0 / 69 / 56 / 0

HEX #FE4E71

RGB 254 78 113

HSL 348.07, 0.99%, 0.65%

LAB 59.63, 68.22, 19.59

 

CMYK 0 / 42 / 34 / 18

HEX #D2798B

RGB 210 121 139

HSL 347.87, 0.5%, 0.65%

LAB 60.99, 36.72, 5.47

 

CMYK 0 / 31 / 24 / 23

HEX #C48894

RGB 196 136 148

HSL 348, 0.34%, 0.65%

LAB 62.91, 24.66, 2.88

 

CMYK 0 / 17 / 14 / 29

HEX #B5969C

RGB 181 150 156

HSL 348.39, 0.17%, 0.65%

LAB 64.99, 12.54, 1.18

 

CMYK 0 / 2 / 1 / 35

HEX #A7A4A5

RGB 167 164 165

HSL 340, 0.02%, 0.65%

LAB 67.64, 1.27, -0.14

 

CMYK 15 / 0 / 3 / 30

HEX #99B3AE

RGB 153 179 174

HSL 168.46, 0.15%, 0.65%

LAB 70.92, -9.9, -0.45

 

CMYK 0 / 42 / 10 / 18

HEX #D279BC

RGB 210 121 188

HSL 314.83, 0.5%, 0.65%

LAB 62.51, 43.9, -20.28

 

CMYK 0 / 42 / 22 / 18

HEX #D279A4

RGB 210 121 164

HSL 331.01, 0.5%, 0.65%

LAB 61.7, 40.13, -7.83

 

CMYK 0 / 42 / 33 / 18

HEX #D2798C

RGB 210 121 140

HSL 347.19, 0.5%, 0.65%

LAB 61.02, 36.85, 4.93

 

CMYK 0 / 40 / 42 / 18

HEX #D27E79

RGB 210 126 121

HSL 3.37, 0.5%, 0.65%

LAB 61.66, 31.96, 16.7

 

CMYK 0 / 29 / 42 / 18

HEX #D29579

RGB 210 149 121

HSL 18.88, 0.5%, 0.65%

LAB 66.96, 19.53, 23.92

 

CMYK 0 / 67 / 53 / 27

HEX #BB3E57

RGB 187 62 87

HSL 348, 0.5%, 0.49%

LAB 45.22, 51.88, 13.57

 

CMYK 0 / 55 / 44 / 22

HEX #C85A70

RGB 200 90 112

HSL 348, 0.5%, 0.57%

LAB 52.69, 45.87, 9.2

 

CMYK 0 / 42 / 34 / 18

HEX #D2798B

RGB 210 121 139

HSL 347.87, 0.5%, 0.65%

LAB 60.99, 36.72, 5.47

 

CMYK 0 / 31 / 25 / 13

HEX #DD98A6

RGB 221 152 166

HSL 347.83, 0.5%, 0.73%

LAB 69.88, 27.8, 3.2

 

CMYK 0 / 21 / 16 / 9

HEX #E7B7C1

RGB 231 183 193

HSL 347.5, 0.5%, 0.81%

LAB 78.87, 18.83, 1.56

 

CMYK 0 / 42 / 34 / 17

HEX #D37A8C

RGB 211 122 140

HSL 347.87, 0.5%, 0.65%

LAB 61.36, 36.68, 5.44

 

CMYK 0 / 0 / 42 / 18

HEX #D2D179

RGB 210 209 121

HSL 59.33, 0.5%, 0.65%

LAB 82.21, -12.21, 43.65

 

CMYK 42 / 16 / 0 / 18

HEX #79B0D2

RGB 121 176 210

HSL 202.92, 0.5%, 0.65%

LAB 69.3, -9.16, -22.87

 

CMYK 0 / 42 / 34 / 17

HEX #D37A8C

RGB 211 122 140

HSL 347.87, 0.5%, 0.65%

LAB 61.36, 36.68, 5.44

 

CMYK 33 / 0 / 42 / 18

HEX #8CD279

RGB 140 210 121

HSL 107.19, 0.5%, 0.65%

LAB 77.9, -38.65, 37.25

 

CMYK 42 / 33 / 0 / 18

HEX #798CD2

RGB 121 140 210

HSL 227.19, 0.5%, 0.65%

LAB 59.41, 11.16, -38.17

 

CMYK 0 / 42 / 34 / 17

HEX #D37A8C

RGB 211 122 140

HSL 347.87, 0.5%, 0.65%

LAB 61.36, 36.68, 5.44

 

CMYK 0 / 0 / 42 / 18

HEX #D2D179

RGB 210 209 121

HSL 59.33, 0.5%, 0.65%

LAB 82.21, -12.21, 43.65

 

CMYK 42 / 0 / 9 / 18

HEX #79D2BF

RGB 121 210 191

HSL 167.19, 0.5%, 0.65%

LAB 78.41, -31.22, 1.06

 

CMYK 42 / 41 / 0 / 18

HEX #797BD2

RGB 121 123 210

HSL 238.65, 0.5%, 0.65%

LAB 54.95, 21.23, -45.19

 

CMYK 0 / 42 / 34 / 17

HEX #D37A8C

RGB 211 122 140

HSL 347.87, 0.5%, 0.65%

LAB 61.36, 36.68, 5.44

 

CMYK 12 / 0 / 42 / 18

HEX #B9D279

RGB 185 210 121

HSL 76.85, 0.5%, 0.65%

LAB 80.62, -22.47, 41.26

 

CMYK 42 / 0 / 9 / 18

HEX #79D2BF

RGB 121 210 191

HSL 167.19, 0.5%, 0.65%

LAB 78.41, -31.22, 1.06

 

CMYK 30 / 42 / 0 / 18

HEX #9279D2

RGB 146 121 210

HSL 256.85, 0.5%, 0.65%

LAB 56.52, 29.05, -42.57

 

Description

Color code: HEX #D37A8C | qconv.com Color code: HEX #D37A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 122 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 122 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 34 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 34% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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