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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D37942 it is the complementary color #2C86BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D37942. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D37942 shade: #D8793D, #E98B50, #FA9D63, #FFAF76 and #FFC189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D37942. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D37942 shade: #D37942, #C2672F, #B1551C, #A04309 and #8F3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D37942 shade: #D27841, #D25141 and #D24141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D37942 shade: #D27841, #D29F41, #D2C741, #B7D241 and #90D241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D37942 shade matches the following richer shades: #D27841, #E5742E and #F86F1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D37942 shade: #D27841, #BF7D54, #AC8167, #99867A and #878A8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D37942 shade: #D24159, #D25041, #D27641, #D29D41 and #D2C441

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D37942 shade: #9C5225, #BE642C, #D27841, #DA9062 and #E2A884

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D37942 shade: #D37942, #80D241 and #4146D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D37942 shade: #D37942, #41D276 and #7641D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D37942 shade: #D37942, #80D241, #419DD2 and #9341D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D37942 shade: #D37942, #54D241, #419DD2 and #BF41D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 69 / 17

HEX #D37942

RGB 211 121 66

HSL 22.76, 0.62%, 0.54%

LAB 59.81, 30.52, 44.52

 

Complementary color

CMYK 77 / 29 / 0 / 26

HEX #2C86BD

RGB 44 134 189

HSL 202.76, 0.62%, 0.46%

LAB 53.23, -7.36, -36.22

 

CMYK 0 / 44 / 72 / 15

HEX #D8793D

RGB 216 121 61

HSL 23.23, 0.67%, 0.54%

LAB 60.44, 32.29, 47.88

 

CMYK 0 / 40 / 66 / 9

HEX #E98B50

RGB 233 139 80

HSL 23.14, 0.78%, 0.61%

LAB 66.8, 30.73, 46.14

 

CMYK 0 / 37 / 60 / 2

HEX #FA9D63

RGB 250 157 99

HSL 23.05, 0.94%, 0.68%

LAB 73.11, 29.32, 44.44

 

CMYK 0 / 31 / 54 / 0

HEX #FFAF76

RGB 255 175 118

HSL 24.96, 1%, 0.73%

LAB 78.01, 23.32, 40.84

 

CMYK 0 / 24 / 46 / 0

HEX #FFC189

RGB 255 193 137

HSL 28.47, 1%, 0.77%

LAB 82.49, 15.6, 36.75

 

CMYK 0 / 43 / 69 / 17

HEX #D37942

RGB 211 121 66

HSL 22.76, 0.62%, 0.54%

LAB 59.81, 30.52, 44.52

 

CMYK 0 / 47 / 76 / 24

HEX #C2672F

RGB 194 103 47

HSL 22.86, 0.61%, 0.47%

LAB 53.36, 32.19, 46.28

 

CMYK 0 / 52 / 84 / 31

HEX #B1551C

RGB 177 85 28

HSL 22.95, 0.73%, 0.4%

LAB 46.88, 34.04, 47.77

 

CMYK 0 / 58 / 94 / 37

HEX #A04309

RGB 160 67 9

HSL 23.05, 0.89%, 0.33%

LAB 40.42, 36.02, 48.22

 

CMYK 0 / 66 / 100 / 44

HEX #8F3100

RGB 143 49 0

HSL 20.56, 1%, 0.28%

LAB 34.06, 38, 45.9

 

CMYK 0 / 43 / 69 / 18

HEX #D27841

RGB 210 120 65

HSL 22.76, 0.62%, 0.54%

LAB 59.45, 30.59, 44.58

 

CMYK 0 / 61 / 69 / 18

HEX #D25141

RGB 210 81 65

HSL 6.62, 0.62%, 0.54%

LAB 51.8, 49.97, 35.84

 

CMYK 0 / 69 / 69 / 18

HEX #D24141

RGB 210 65 65

HSL 0, 0.62%, 0.54%

LAB 49.33, 56.64, 32.91

 

CMYK 0 / 43 / 69 / 18

HEX #D27841

RGB 210 120 65

HSL 22.76, 0.62%, 0.54%

LAB 59.45, 30.59, 44.58

 

CMYK 0 / 24 / 69 / 18

HEX #D29F41

RGB 210 159 65

HSL 38.9, 0.62%, 0.54%

LAB 68.66, 9.55, 54.55

 

CMYK 0 / 5 / 69 / 18

HEX #D2C741

RGB 210 199 65

HSL 55.45, 0.62%, 0.54%

LAB 79, -11.44, 65.12

 

CMYK 13 / 0 / 69 / 18

HEX #B7D241

RGB 183 210 65

HSL 71.17, 0.62%, 0.54%

LAB 79.92, -28.05, 65.36

 

CMYK 31 / 0 / 69 / 18

HEX #90D241

RGB 144 210 65

HSL 87.31, 0.62%, 0.54%

LAB 77.52, -43.02, 62.15

 

CMYK 0 / 43 / 69 / 18

HEX #D27841

RGB 210 120 65

HSL 22.76, 0.62%, 0.54%

LAB 59.45, 30.59, 44.58

 

CMYK 0 / 49 / 80 / 10

HEX #E5742E

RGB 229 116 46

HSL 22.95, 0.78%, 0.54%

LAB 61.09, 39.44, 56

 

CMYK 0 / 55 / 89 / 3

HEX #F86F1B

RGB 248 111 27

HSL 22.81, 0.94%, 0.54%

LAB 62.85, 48.66, 65.55

 

CMYK 0 / 43 / 69 / 18

HEX #D27841

RGB 210 120 65

HSL 22.76, 0.62%, 0.54%

LAB 59.45, 30.59, 44.58

 

CMYK 0 / 35 / 56 / 25

HEX #BF7D54

RGB 191 125 84

HSL 22.99, 0.46%, 0.54%

LAB 58.4, 21.33, 32.71

 

CMYK 0 / 25 / 40 / 33

HEX #AC8167

RGB 172 129 103

HSL 22.61, 0.29%, 0.54%

LAB 57.51, 13.08, 20.54

 

CMYK 0 / 12 / 20 / 40

HEX #99867A

RGB 153 134 122

HSL 23.23, 0.13%, 0.54%

LAB 57.3, 5.17, 9.09

 

CMYK 4 / 2 / 0 / 45

HEX #878A8D

RGB 135 138 141

HSL 210, 0.03%, 0.54%

LAB 57.32, -0.49, -1.99

 

CMYK 0 / 69 / 58 / 18

HEX #D24159

RGB 210 65 89

HSL 350.07, 0.62%, 0.54%

LAB 49.74, 58.09, 19.17

 

CMYK 0 / 62 / 69 / 18

HEX #D25041

RGB 210 80 65

HSL 6.21, 0.62%, 0.54%

LAB 51.63, 50.42, 35.64

 

CMYK 0 / 44 / 69 / 18

HEX #D27641

RGB 210 118 65

HSL 21.93, 0.62%, 0.54%

LAB 59.01, 31.65, 44.1

 

CMYK 0 / 25 / 69 / 18

HEX #D29D41

RGB 210 157 65

HSL 38.07, 0.62%, 0.54%

LAB 68.17, 10.62, 54.02

 

CMYK 0 / 7 / 69 / 18

HEX #D2C441

RGB 210 196 65

HSL 54.21, 0.62%, 0.54%

LAB 78.21, -9.91, 64.33

 

CMYK 0 / 47 / 76 / 39

HEX #9C5225

RGB 156 82 37

HSL 22.69, 0.62%, 0.38%

LAB 43.12, 27.24, 38.91

 

CMYK 0 / 47 / 77 / 25

HEX #BE642C

RGB 190 100 44

HSL 23.01, 0.62%, 0.46%

LAB 52.11, 32.02, 46.26

 

CMYK 0 / 43 / 69 / 18

HEX #D27841

RGB 210 120 65

HSL 22.76, 0.62%, 0.54%

LAB 59.45, 30.59, 44.58

 

CMYK 0 / 34 / 55 / 15

HEX #DA9062

RGB 218 144 98

HSL 23, 0.62%, 0.62%

LAB 66.32, 23.26, 35.76

 

CMYK 0 / 26 / 42 / 11

HEX #E2A884

RGB 226 168 132

HSL 22.98, 0.62%, 0.7%

LAB 73.44, 16.84, 26.92

 

CMYK 0 / 43 / 69 / 17

HEX #D37942

RGB 211 121 66

HSL 22.76, 0.62%, 0.54%

LAB 59.81, 30.52, 44.52

 

CMYK 39 / 0 / 69 / 18

HEX #80D241

RGB 128 210 65

HSL 93.93, 0.62%, 0.54%

LAB 76.72, -48.57, 61.07

 

CMYK 69 / 67 / 0 / 18

HEX #4146D2

RGB 65 70 210

HSL 237.93, 0.62%, 0.54%

LAB 38.12, 42.8, -72.53

 

CMYK 0 / 43 / 69 / 17

HEX #D37942

RGB 211 121 66

HSL 22.76, 0.62%, 0.54%

LAB 59.81, 30.52, 44.52

 

CMYK 69 / 0 / 44 / 18

HEX #41D276

RGB 65 210 118

HSL 141.93, 0.62%, 0.54%

LAB 75.15, -58.26, 34.69

 

CMYK 44 / 69 / 0 / 18

HEX #7641D2

RGB 118 65 210

HSL 261.93, 0.62%, 0.54%

LAB 41.67, 53.68, -66.56

 

CMYK 0 / 43 / 69 / 17

HEX #D37942

RGB 211 121 66

HSL 22.76, 0.62%, 0.54%

LAB 59.81, 30.52, 44.52

 

CMYK 39 / 0 / 69 / 18

HEX #80D241

RGB 128 210 65

HSL 93.93, 0.62%, 0.54%

LAB 76.72, -48.57, 61.07

 

CMYK 69 / 25 / 0 / 18

HEX #419DD2

RGB 65 157 210

HSL 201.93, 0.62%, 0.54%

LAB 61.56, -10.28, -35

 

CMYK 30 / 69 / 0 / 18

HEX #9341D2

RGB 147 65 210

HSL 273.93, 0.62%, 0.54%

LAB 45.13, 59.21, -60.77

 

CMYK 0 / 43 / 69 / 17

HEX #D37942

RGB 211 121 66

HSL 22.76, 0.62%, 0.54%

LAB 59.81, 30.52, 44.52

 

CMYK 60 / 0 / 69 / 18

HEX #54D241

RGB 84 210 65

HSL 112.14, 0.62%, 0.54%

LAB 75.05, -61.13, 58.81

 

CMYK 69 / 25 / 0 / 18

HEX #419DD2

RGB 65 157 210

HSL 201.93, 0.62%, 0.54%

LAB 61.56, -10.28, -35

 

CMYK 9 / 69 / 0 / 18

HEX #BF41D2

RGB 191 65 210

HSL 292.14, 0.62%, 0.54%

LAB 51.28, 68.42, -50.57

 

Description

Color code: HEX #D37942 | qconv.com Color code: HEX #D37942 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 121 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 121 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 69 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 69% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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