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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D374A8 it is the complementary color #2C8B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D374A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D374A8 shade: #D874A3, #E986B6, #FA98C9, #FFAADC and #FFBCEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D374A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D374A8 shade: #D374A8, #C26295, #B15082, #A03E6F and #8F2C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D374A8 shade: #D373A8, #D3738E, #D37374 and #D37373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D374A8 shade: #D373A8, #D373C1, #CB73D3, #B173D3 and #9773D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D374A8 shade matches the following richer shades: #D373A8, #E265A9 and #F156AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D374A8 shade: #D373A8, #C482A6, #B591A5, #A6A0A4 and #98AFA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D374A8 shade: #CB73D3, #D373C1, #D373A8, #D3738F and #D37375

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D374A8 shade: #B93B80, #C95494, #D373A8, #DD93BB and #E7B2CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D374A8 shade: #D374A8, #D3B273 and #73CED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D374A8 shade: #D374A8, #A8D373 and #73A8D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D374A8 shade: #D374A8, #D3B273, #73D39E and #7395D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D374A8 shade: #D374A8, #D3CE73, #73D39E and #7378D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 20 / 17

HEX #D374A8

RGB 211 116 168

HSL 327.16, 0.52%, 0.64%

LAB 60.93, 43.66, -11.27

 

Complementary color

CMYK 68 / 0 / 37 / 45

HEX #2C8B57

RGB 44 139 87

HSL 147.16, 0.52%, 0.36%

LAB 51.48, -40.1, 19.97

 

CMYK 0 / 46 / 25 / 15

HEX #D874A3

RGB 216 116 163

HSL 331.8, 0.56%, 0.65%

LAB 61.42, 44.6, -7.59

 

CMYK 0 / 42 / 22 / 9

HEX #E986B6

RGB 233 134 182

HSL 330.91, 0.69%, 0.72%

LAB 67.84, 43.8, -8.59

 

CMYK 0 / 39 / 20 / 2

HEX #FA98C9

RGB 250 152 201

HSL 330, 0.91%, 0.79%

LAB 74.19, 43.01, -9.47

 

CMYK 0 / 33 / 14 / 0

HEX #FFAADC

RGB 255 170 220

HSL 324.71, 1%, 0.83%

LAB 79.14, 38.26, -12.39

 

CMYK 0 / 26 / 6 / 0

HEX #FFBCEF

RGB 255 188 239

HSL 314.33, 1%, 0.87%

LAB 83.68, 31.97, -15.81

 

CMYK 0 / 45 / 20 / 17

HEX #D374A8

RGB 211 116 168

HSL 327.16, 0.52%, 0.64%

LAB 60.93, 43.66, -11.27

 

CMYK 0 / 49 / 23 / 24

HEX #C26295

RGB 194 98 149

HSL 328.13, 0.44%, 0.57%

LAB 54.42, 44.44, -10.24

 

CMYK 0 / 55 / 27 / 31

HEX #B15082

RGB 177 80 130

HSL 329.07, 0.38%, 0.5%

LAB 47.87, 45.16, -9.02

 

CMYK 0 / 61 / 31 / 37

HEX #A03E6F

RGB 160 62 111

HSL 330, 0.44%, 0.44%

LAB 41.32, 45.73, -7.5

 

CMYK 0 / 69 / 36 / 44

HEX #8F2C5C

RGB 143 44 92

HSL 330.91, 0.53%, 0.37%

LAB 34.83, 45.97, -5.52

 

CMYK 0 / 45 / 20 / 17

HEX #D373A8

RGB 211 115 168

HSL 326.88, 0.52%, 0.64%

LAB 60.73, 44.17, -11.57

 

CMYK 0 / 45 / 33 / 17

HEX #D3738E

RGB 211 115 142

HSL 343.13, 0.52%, 0.64%

LAB 59.95, 40.59, 2.24

 

CMYK 0 / 45 / 45 / 17

HEX #D37374

RGB 211 115 116

HSL 359.38, 0.52%, 0.64%

LAB 59.32, 37.62, 16.35

 

CMYK 0 / 45 / 45 / 17

HEX #D37373

RGB 211 115 115

HSL 0, 0.52%, 0.64%

LAB 59.3, 37.51, 16.9

 

CMYK 0 / 45 / 20 / 17

HEX #D373A8

RGB 211 115 168

HSL 326.88, 0.52%, 0.64%

LAB 60.73, 44.17, -11.57

 

CMYK 0 / 45 / 9 / 17

HEX #D373C1

RGB 211 115 193

HSL 311.25, 0.52%, 0.64%

LAB 61.62, 48.13, -24.47

 

CMYK 4 / 45 / 0 / 17

HEX #CB73D3

RGB 203 115 211

HSL 295, 0.52%, 0.64%

LAB 61.36, 48.94, -35.12

 

CMYK 16 / 45 / 0 / 17

HEX #B173D3

RGB 177 115 211

HSL 278.75, 0.52%, 0.64%

LAB 58.33, 41.44, -40.08

 

CMYK 28 / 45 / 0 / 17

HEX #9773D3

RGB 151 115 211

HSL 262.5, 0.52%, 0.64%

LAB 55.63, 34.14, -44.52

 

CMYK 0 / 45 / 20 / 17

HEX #D373A8

RGB 211 115 168

HSL 326.88, 0.52%, 0.64%

LAB 60.73, 44.17, -11.57

 

CMYK 0 / 55 / 25 / 11

HEX #E265A9

RGB 226 101 169

HSL 327.36, 0.68%, 0.64%

LAB 60.2, 55.94, -12.74

 

CMYK 0 / 64 / 29 / 5

HEX #F156AB

RGB 241 86 171

HSL 327.1, 0.85%, 0.64%

LAB 60.16, 67, -13.72

 

CMYK 0 / 45 / 20 / 17

HEX #D373A8

RGB 211 115 168

HSL 326.88, 0.52%, 0.64%

LAB 60.73, 44.17, -11.57

 

CMYK 0 / 34 / 15 / 23

HEX #C482A6

RGB 196 130 166

HSL 327.27, 0.36%, 0.64%

LAB 62.04, 30.75, -8.65

 

CMYK 0 / 20 / 9 / 29

HEX #B591A5

RGB 181 145 165

HSL 326.67, 0.2%, 0.64%

LAB 63.99, 16.88, -5.36

 

CMYK 0 / 4 / 1 / 35

HEX #A6A0A4

RGB 166 160 164

HSL 320, 0.03%, 0.64%

LAB 66.47, 2.92, -1.31

 

CMYK 13 / 0 / 7 / 31

HEX #98AFA2

RGB 152 175 162

HSL 146.09, 0.13%, 0.64%

LAB 69.43, -10.53, 3.98

 

CMYK 4 / 45 / 0 / 17

HEX #CB73D3

RGB 203 115 211

HSL 295, 0.52%, 0.64%

LAB 61.36, 48.94, -35.12

 

CMYK 0 / 45 / 9 / 17

HEX #D373C1

RGB 211 115 193

HSL 311.25, 0.52%, 0.64%

LAB 61.62, 48.13, -24.47

 

CMYK 0 / 45 / 20 / 17

HEX #D373A8

RGB 211 115 168

HSL 326.88, 0.52%, 0.64%

LAB 60.73, 44.17, -11.57

 

CMYK 0 / 45 / 32 / 17

HEX #D3738F

RGB 211 115 143

HSL 342.5, 0.52%, 0.64%

LAB 59.97, 40.72, 1.71

 

CMYK 0 / 45 / 45 / 17

HEX #D37375

RGB 211 115 117

HSL 358.75, 0.52%, 0.64%

LAB 59.34, 37.72, 15.81

 

CMYK 0 / 68 / 31 / 27

HEX #B93B80

RGB 185 59 128

HSL 327.14, 0.52%, 0.48%

LAB 45.64, 56.68, -11.05

 

CMYK 0 / 58 / 26 / 21

HEX #C95494

RGB 201 84 148

HSL 327.18, 0.52%, 0.56%

LAB 52.84, 53.3, -11.94

 

CMYK 0 / 45 / 20 / 17

HEX #D373A8

RGB 211 115 168

HSL 326.88, 0.52%, 0.64%

LAB 60.73, 44.17, -11.57

 

CMYK 0 / 33 / 15 / 13

HEX #DD93BB

RGB 221 147 187

HSL 327.57, 0.52%, 0.72%

LAB 69.35, 33.65, -9.29

 

CMYK 0 / 23 / 10 / 9

HEX #E7B2CF

RGB 231 178 207

HSL 327.17, 0.52%, 0.8%

LAB 78.07, 23.76, -7.2

 

CMYK 0 / 45 / 20 / 17

HEX #D374A8

RGB 211 116 168

HSL 327.16, 0.52%, 0.64%

LAB 60.93, 43.66, -11.27

 

CMYK 0 / 16 / 45 / 17

HEX #D3B273

RGB 211 178 115

HSL 39.38, 0.52%, 0.64%

LAB 74.14, 3.67, 36.55

 

CMYK 45 / 2 / 0 / 17

HEX #73CED3

RGB 115 206 211

HSL 183.13, 0.52%, 0.64%

LAB 77.57, -25.85, -10.95

 

CMYK 0 / 45 / 20 / 17

HEX #D374A8

RGB 211 116 168

HSL 327.16, 0.52%, 0.64%

LAB 60.93, 43.66, -11.27

 

CMYK 20 / 0 / 45 / 17

HEX #A8D373

RGB 168 211 115

HSL 86.88, 0.52%, 0.64%

LAB 79.7, -30.04, 42.83

 

CMYK 45 / 20 / 0 / 17

HEX #73A8D3

RGB 115 168 211

HSL 206.88, 0.52%, 0.64%

LAB 66.79, -6.03, -27.3

 

CMYK 0 / 45 / 20 / 17

HEX #D374A8

RGB 211 116 168

HSL 327.16, 0.52%, 0.64%

LAB 60.93, 43.66, -11.27

 

CMYK 0 / 16 / 45 / 17

HEX #D3B273

RGB 211 178 115

HSL 39.38, 0.52%, 0.64%

LAB 74.14, 3.67, 36.55

 

CMYK 45 / 0 / 25 / 17

HEX #73D39E

RGB 115 211 158

HSL 146.88, 0.52%, 0.64%

LAB 77.7, -40.32, 17.6

 

CMYK 45 / 29 / 0 / 17

HEX #7395D3

RGB 115 149 211

HSL 218.75, 0.52%, 0.64%

LAB 61.52, 4.69, -35.46

 

CMYK 0 / 45 / 20 / 17

HEX #D374A8

RGB 211 116 168

HSL 327.16, 0.52%, 0.64%

LAB 60.93, 43.66, -11.27

 

CMYK 0 / 2 / 45 / 17

HEX #D3CE73

RGB 211 206 115

HSL 56.88, 0.52%, 0.64%

LAB 81.42, -10.89, 45.64

 

CMYK 45 / 0 / 25 / 17

HEX #73D39E

RGB 115 211 158

HSL 146.88, 0.52%, 0.64%

LAB 77.7, -40.32, 17.6

 

CMYK 45 / 43 / 0 / 17

HEX #7378D3

RGB 115 120 211

HSL 236.88, 0.52%, 0.64%

LAB 53.79, 21.83, -47.62

 

Description

Color code: HEX #D374A8 | qconv.com Color code: HEX #D374A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 116 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 116 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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