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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D370C9 it is the complementary color #2C8F36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D370C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D370C9 shade: #D870C4, #E982D7, #FA94EA, #FFA6FD and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D370C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D370C9 shade: #D370C9, #C25EB6, #B14CA3, #A03A90 and #8F287D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D370C9 shade: #D36FC9, #D36FAE, #D36F93, #D36F78 and #D36F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D370C9 shade: #D36FC9, #C26FD3, #A76FD3, #8C6FD3 and #716FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D370C9 shade matches the following richer shades: #D36FC9, #E25FD5 and #F150E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D370C9 shade: #D36FC9, #C37EBC, #B48DB0, #A59CA4 and #96AC98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D370C9 shade: #A76FD3, #C26FD3, #D36FC9, #D36FAE and #D36F93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D370C9 shade: #B738AA, #C94FBD, #D36FC9, #DC8ED4 and #E6AEE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D370C9 shade: #D370C9, #D38D6F and #6FD3B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D370C9 shade: #D370C9, #C9D36F and #6FC9D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D370C9 shade: #D370C9, #D38D6F, #6FD379 and #6FB5D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D370C9 shade: #D370C9, #D3AB6F, #6FD379 and #6F97D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 5 / 17

HEX #D370C9

RGB 211 112 201

HSL 306.06, 0.53%, 0.63%

LAB 61.35, 51.01, -29.41

 

Complementary color

CMYK 69 / 0 / 62 / 44

HEX #2C8F36

RGB 44 143 54

HSL 126.06, 0.53%, 0.37%

LAB 52.34, -47.07, 38.36

 

CMYK 0 / 48 / 9 / 15

HEX #D870C4

RGB 216 112 196

HSL 311.54, 0.57%, 0.64%

LAB 61.8, 51.66, -25.84

 

CMYK 0 / 44 / 8 / 9

HEX #E982D7

RGB 233 130 215

HSL 310.49, 0.7%, 0.71%

LAB 68.16, 50.96, -26.53

 

CMYK 0 / 41 / 6 / 2

HEX #FA94EA

RGB 250 148 234

HSL 309.41, 0.91%, 0.78%

LAB 74.47, 50.24, -27.14

 

CMYK 0 / 35 / 1 / 0

HEX #FFA6FD

RGB 255 166 253

HSL 301.35, 1%, 0.83%

LAB 79.4, 45.86, -29.82

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 47 / 5 / 17

HEX #D370C9

RGB 211 112 201

HSL 306.06, 0.53%, 0.63%

LAB 61.35, 51.01, -29.41

 

CMYK 0 / 52 / 6 / 24

HEX #C25EB6

RGB 194 94 182

HSL 307.2, 0.45%, 0.56%

LAB 54.92, 51.65, -28.7

 

CMYK 0 / 57 / 8 / 31

HEX #B14CA3

RGB 177 76 163

HSL 308.32, 0.4%, 0.5%

LAB 48.46, 52.15, -27.82

 

CMYK 0 / 64 / 10 / 37

HEX #A03A90

RGB 160 58 144

HSL 309.41, 0.47%, 0.43%

LAB 42.02, 52.4, -26.68

 

CMYK 0 / 72 / 13 / 44

HEX #8F287D

RGB 143 40 125

HSL 310.49, 0.56%, 0.36%

LAB 35.67, 52.14, -25.12

 

CMYK 0 / 47 / 5 / 17

HEX #D36FC9

RGB 211 111 201

HSL 306, 0.53%, 0.63%

LAB 61.16, 51.51, -29.71

 

CMYK 0 / 47 / 18 / 17

HEX #D36FAE

RGB 211 111 174

HSL 322.2, 0.53%, 0.63%

LAB 60.14, 47.11, -15.9

 

CMYK 0 / 47 / 30 / 17

HEX #D36F93

RGB 211 111 147

HSL 338.4, 0.53%, 0.63%

LAB 59.27, 43.29, -1.63

 

CMYK 0 / 47 / 43 / 17

HEX #D36F78

RGB 211 111 120

HSL 354.6, 0.53%, 0.63%

LAB 58.58, 40.1, 13.02

 

CMYK 0 / 47 / 47 / 17

HEX #D36F6F

RGB 211 111 111

HSL 0, 0.53%, 0.63%

LAB 58.38, 39.19, 17.95

 

CMYK 0 / 47 / 5 / 17

HEX #D36FC9

RGB 211 111 201

HSL 306, 0.53%, 0.63%

LAB 61.16, 51.51, -29.71

 

CMYK 8 / 47 / 0 / 17

HEX #C26FD3

RGB 194 111 211

HSL 289.8, 0.53%, 0.63%

LAB 59.47, 48.41, -38.15

 

CMYK 21 / 47 / 0 / 17

HEX #A76FD3

RGB 167 111 211

HSL 273.6, 0.53%, 0.63%

LAB 56.37, 40.8, -43.23

 

CMYK 34 / 47 / 0 / 17

HEX #8C6FD3

RGB 140 111 211

HSL 257.4, 0.53%, 0.63%

LAB 53.65, 33.49, -47.72

 

CMYK 46 / 47 / 0 / 17

HEX #716FD3

RGB 113 111 211

HSL 241.2, 0.53%, 0.63%

LAB 51.36, 26.78, -51.51

 

CMYK 0 / 47 / 5 / 17

HEX #D36FC9

RGB 211 111 201

HSL 306, 0.53%, 0.63%

LAB 61.16, 51.51, -29.71

 

CMYK 0 / 58 / 6 / 11

HEX #E25FD5

RGB 226 95 213

HSL 305.95, 0.69%, 0.63%

LAB 60.92, 65.14, -36.71

 

CMYK 0 / 67 / 7 / 5

HEX #F150E1

RGB 241 80 225

HSL 305.96, 0.85%, 0.63%

LAB 61.55, 76.61, -42.32

 

CMYK 0 / 47 / 5 / 17

HEX #D36FC9

RGB 211 111 201

HSL 306, 0.53%, 0.63%

LAB 61.16, 51.51, -29.71

 

CMYK 0 / 35 / 4 / 24

HEX #C37EBC

RGB 195 126 188

HSL 306.09, 0.37%, 0.63%

LAB 61.79, 36.39, -21.55

 

CMYK 0 / 22 / 2 / 29

HEX #B48DB0

RGB 180 141 176

HSL 306.15, 0.21%, 0.63%

LAB 63.25, 20.78, -12.69

 

CMYK 0 / 5 / 1 / 35

HEX #A59CA4

RGB 165 156 164

HSL 306.67, 0.05%, 0.63%

LAB 65.32, 4.77, -3

 

CMYK 13 / 0 / 12 / 33

HEX #96AC98

RGB 150 172 152

HSL 125.45, 0.12%, 0.63%

LAB 68.21, -11.56, 7.73

 

CMYK 21 / 47 / 0 / 17

HEX #A76FD3

RGB 167 111 211

HSL 273.6, 0.53%, 0.63%

LAB 56.37, 40.8, -43.23

 

CMYK 8 / 47 / 0 / 17

HEX #C26FD3

RGB 194 111 211

HSL 289.8, 0.53%, 0.63%

LAB 59.47, 48.41, -38.15

 

CMYK 0 / 47 / 5 / 17

HEX #D36FC9

RGB 211 111 201

HSL 306, 0.53%, 0.63%

LAB 61.16, 51.51, -29.71

 

CMYK 0 / 47 / 18 / 17

HEX #D36FAE

RGB 211 111 174

HSL 322.2, 0.53%, 0.63%

LAB 60.14, 47.11, -15.9

 

CMYK 0 / 47 / 30 / 17

HEX #D36F93

RGB 211 111 147

HSL 338.4, 0.53%, 0.63%

LAB 59.27, 43.29, -1.63

 

CMYK 0 / 69 / 7 / 28

HEX #B738AA

RGB 183 56 170

HSL 306.14, 0.53%, 0.47%

LAB 46.71, 63.18, -34.63

 

CMYK 0 / 61 / 6 / 21

HEX #C94FBD

RGB 201 79 189

HSL 305.9, 0.53%, 0.55%

LAB 53.69, 61.61, -34.59

 

CMYK 0 / 47 / 5 / 17

HEX #D36FC9

RGB 211 111 201

HSL 306, 0.53%, 0.63%

LAB 61.16, 51.51, -29.71

 

CMYK 0 / 35 / 4 / 14

HEX #DC8ED4

RGB 220 142 212

HSL 306.15, 0.53%, 0.71%

LAB 68.98, 40.2, -23.75

 

CMYK 0 / 24 / 3 / 10

HEX #E6AEE0

RGB 230 174 224

HSL 306.43, 0.53%, 0.79%

LAB 77.57, 28.52, -17.19

 

CMYK 0 / 47 / 5 / 17

HEX #D370C9

RGB 211 112 201

HSL 306.06, 0.53%, 0.63%

LAB 61.35, 51.01, -29.41

 

CMYK 0 / 33 / 47 / 17

HEX #D38D6F

RGB 211 141 111

HSL 18, 0.53%, 0.63%

LAB 65, 23.23, 26.84

 

CMYK 47 / 0 / 14 / 17

HEX #6FD3B5

RGB 111 211 181

HSL 162, 0.53%, 0.63%

LAB 78.05, -36.45, 5.84

 

CMYK 0 / 47 / 5 / 17

HEX #D370C9

RGB 211 112 201

HSL 306.06, 0.53%, 0.63%

LAB 61.35, 51.01, -29.41

 

CMYK 5 / 0 / 47 / 17

HEX #C9D36F

RGB 201 211 111

HSL 66, 0.53%, 0.63%

LAB 81.92, -17.77, 48.02

 

CMYK 47 / 5 / 0 / 17

HEX #6FC9D3

RGB 111 201 211

HSL 186, 0.53%, 0.63%

LAB 75.98, -24.29, -13.35

 

CMYK 0 / 47 / 5 / 17

HEX #D370C9

RGB 211 112 201

HSL 306.06, 0.53%, 0.63%

LAB 61.35, 51.01, -29.41

 

CMYK 0 / 33 / 47 / 17

HEX #D38D6F

RGB 211 141 111

HSL 18, 0.53%, 0.63%

LAB 65, 23.23, 26.84

 

CMYK 47 / 0 / 43 / 17

HEX #6FD379

RGB 111 211 121

HSL 126, 0.53%, 0.63%

LAB 76.89, -47.9, 35.69

 

CMYK 47 / 14 / 0 / 17

HEX #6FB5D3

RGB 111 181 211

HSL 198, 0.53%, 0.63%

LAB 70.27, -14.02, -21.99

 

CMYK 0 / 47 / 5 / 17

HEX #D370C9

RGB 211 112 201

HSL 306.06, 0.53%, 0.63%

LAB 61.35, 51.01, -29.41

 

CMYK 0 / 19 / 47 / 17

HEX #D3AB6F

RGB 211 171 111

HSL 36, 0.53%, 0.63%

LAB 72.31, 7.01, 36.3

 

CMYK 47 / 0 / 43 / 17

HEX #6FD379

RGB 111 211 121

HSL 126, 0.53%, 0.63%

LAB 76.89, -47.9, 35.69

 

CMYK 47 / 28 / 0 / 17

HEX #6F97D3

RGB 111 151 211

HSL 216, 0.53%, 0.63%

LAB 61.84, 2.55, -34.98

 

Description

Color code: HEX #D370C9 | qconv.com Color code: HEX #D370C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 112 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 112 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 5 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 5% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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