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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D36B51 it is the complementary color #2C94AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D36B51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D36B51 shade: #D86B4C, #E97D5F, #FA8F72, #FFA185 and #FFB398

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D36B51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D36B51 shade: #D36B51, #C2593E, #B1472B, #A03518 and #8F2305

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D36B51 shade: #D36A50 and #D35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D36B51 shade: #D36A50, #D38D50, #D3B150, #D2D350 and #AED350

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D36B51 shade matches the following richer shades: #D36A50, #E55F3E and #F7552C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D36B51 shade: #D36A50, #C17561, #B07F73, #9E8A85 and #8C9497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D36B51 shade: #D3507B, #D35058, #D36A50, #D38D50 and #D3B050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D36B51 shade: #A7432A, #C85032, #D36A50, #DB8671 and #E4A292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D36B51 shade: #D36B51, #9FD350 and #506AD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D36B51 shade: #D36B51, #50D36A and #6A50D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D36B51 shade: #D36B51, #9FD350, #50B9D3 and #8450D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D36B51 shade: #D36B51, #77D350, #50B9D3 and #AC50D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 62 / 17

HEX #D36B51

RGB 211 107 81

HSL 12, 0.6%, 0.57%

LAB 57.03, 38.76, 33.25

 

Complementary color

CMYK 75 / 15 / 0 / 32

HEX #2C94AE

RGB 44 148 174

HSL 192, 0.6%, 0.43%

LAB 56.85, -20.29, -22.04

 

CMYK 0 / 50 / 65 / 15

HEX #D86B4C

RGB 216 107 76

HSL 13.29, 0.64%, 0.57%

LAB 57.69, 40.35, 36.98

 

CMYK 0 / 46 / 59 / 9

HEX #E97D5F

RGB 233 125 95

HSL 13.04, 0.76%, 0.64%

LAB 64.01, 38.97, 34.9

 

CMYK 0 / 43 / 54 / 2

HEX #FA8F72

RGB 250 143 114

HSL 12.79, 0.93%, 0.71%

LAB 70.3, 37.68, 33.04

 

CMYK 0 / 37 / 48 / 0

HEX #FFA185

RGB 255 161 133

HSL 13.77, 1%, 0.76%

LAB 75.1, 31.94, 29.18

 

CMYK 0 / 30 / 40 / 0

HEX #FFB398

RGB 255 179 152

HSL 15.73, 1%, 0.8%

LAB 79.48, 24.46, 24.87

 

CMYK 0 / 49 / 62 / 17

HEX #D36B51

RGB 211 107 81

HSL 12, 0.6%, 0.57%

LAB 57.03, 38.76, 33.25

 

CMYK 0 / 54 / 68 / 24

HEX #C2593E

RGB 194 89 62

HSL 12.27, 0.52%, 0.5%

LAB 50.64, 40.17, 35.51

 

CMYK 0 / 60 / 76 / 31

HEX #B1472B

RGB 177 71 43

HSL 12.54, 0.61%, 0.43%

LAB 44.27, 41.61, 38.02

 

CMYK 0 / 67 / 85 / 37

HEX #A03518

RGB 160 53 24

HSL 12.79, 0.74%, 0.36%

LAB 38, 42.96, 40.58

 

CMYK 0 / 76 / 97 / 44

HEX #8F2305

RGB 143 35 5

HSL 13.04, 0.93%, 0.29%

LAB 31.93, 43.95, 42.53

 

CMYK 0 / 50 / 62 / 17

HEX #D36A50

RGB 211 106 80

HSL 11.91, 0.6%, 0.57%

LAB 56.82, 39.2, 33.54

 

CMYK 0 / 62 / 62 / 17

HEX #D35050

RGB 211 80 80

HSL 0, 0.6%, 0.57%

LAB 52.02, 51.64, 27.54

 

CMYK 0 / 50 / 62 / 17

HEX #D36A50

RGB 211 106 80

HSL 11.91, 0.6%, 0.57%

LAB 56.82, 39.2, 33.54

 

CMYK 0 / 33 / 62 / 17

HEX #D38D50

RGB 211 141 80

HSL 27.94, 0.6%, 0.57%

LAB 64.55, 20.63, 42.83

 

CMYK 0 / 16 / 62 / 17

HEX #D3B150

RGB 211 177 80

HSL 44.43, 0.6%, 0.57%

LAB 73.46, 1.27, 53.01

 

CMYK 0 / 0 / 62 / 17

HEX #D2D350

RGB 210 211 80

HSL 60.46, 0.6%, 0.57%

LAB 82.31, -16.59, 62.58

 

CMYK 18 / 0 / 62 / 17

HEX #AED350

RGB 174 211 80

HSL 76.95, 0.6%, 0.57%

LAB 79.71, -31.1, 59.02

 

CMYK 0 / 50 / 62 / 17

HEX #D36A50

RGB 211 106 80

HSL 11.91, 0.6%, 0.57%

LAB 56.82, 39.2, 33.54

 

CMYK 0 / 59 / 73 / 10

HEX #E55F3E

RGB 229 95 62

HSL 11.86, 0.76%, 0.57%

LAB 57.26, 50.21, 44.49

 

CMYK 0 / 66 / 82 / 3

HEX #F7552C

RGB 247 85 44

HSL 12.12, 0.93%, 0.57%

LAB 58.46, 60.05, 55.49

 

CMYK 0 / 50 / 62 / 17

HEX #D36A50

RGB 211 106 80

HSL 11.91, 0.6%, 0.57%

LAB 56.82, 39.2, 33.54

 

CMYK 0 / 39 / 50 / 24

HEX #C17561

RGB 193 117 97

HSL 12.5, 0.44%, 0.57%

LAB 57, 27.7, 23.7

 

CMYK 0 / 28 / 35 / 31

HEX #B07F73

RGB 176 127 115

HSL 11.8, 0.28%, 0.57%

LAB 57.7, 17.33, 14.02

 

CMYK 0 / 13 / 16 / 38

HEX #9E8A85

RGB 158 138 133

HSL 12, 0.11%, 0.57%

LAB 59.1, 6.67, 5.43

 

CMYK 7 / 2 / 0 / 41

HEX #8C9497

RGB 140 148 151

HSL 196.36, 0.05%, 0.57%

LAB 60.77, -2.27, -2.59

 

CMYK 0 / 62 / 42 / 17

HEX #D3507B

RGB 211 80 123

HSL 340.31, 0.6%, 0.57%

LAB 52.97, 55.24, 3.28

 

CMYK 0 / 62 / 58 / 17

HEX #D35058

RGB 211 80 88

HSL 356.34, 0.6%, 0.57%

LAB 52.16, 52.18, 23.02

 

CMYK 0 / 50 / 62 / 17

HEX #D36A50

RGB 211 106 80

HSL 11.91, 0.6%, 0.57%

LAB 56.82, 39.2, 33.54

 

CMYK 0 / 33 / 62 / 17

HEX #D38D50

RGB 211 141 80

HSL 27.94, 0.6%, 0.57%

LAB 64.55, 20.63, 42.83

 

CMYK 0 / 17 / 62 / 17

HEX #D3B050

RGB 211 176 80

HSL 43.97, 0.6%, 0.57%

LAB 73.21, 1.8, 52.72

 

CMYK 0 / 60 / 75 / 35

HEX #A7432A

RGB 167 67 42

HSL 12, 0.6%, 0.41%

LAB 41.84, 39.73, 35.44

 

CMYK 0 / 60 / 75 / 22

HEX #C85032

RGB 200 80 50

HSL 12, 0.6%, 0.49%

LAB 49.79, 46.15, 41.33

 

CMYK 0 / 50 / 62 / 17

HEX #D36A50

RGB 211 106 80

HSL 11.91, 0.6%, 0.57%

LAB 56.82, 39.2, 33.54

 

CMYK 0 / 39 / 48 / 14

HEX #DB8671

RGB 219 134 113

HSL 11.89, 0.6%, 0.65%

LAB 64.41, 30.35, 25.12

 

CMYK 0 / 29 / 36 / 11

HEX #E4A292

RGB 228 162 146

HSL 11.71, 0.6%, 0.73%

LAB 72.5, 22.43, 18.08

 

CMYK 0 / 49 / 62 / 17

HEX #D36B51

RGB 211 107 81

HSL 12, 0.6%, 0.57%

LAB 57.03, 38.76, 33.25

 

CMYK 25 / 0 / 62 / 17

HEX #9FD350

RGB 159 211 80

HSL 83.82, 0.6%, 0.57%

LAB 78.77, -36.84, 57.74

 

CMYK 62 / 50 / 0 / 17

HEX #506AD3

RGB 80 106 211

HSL 228.09, 0.6%, 0.57%

LAB 47.9, 23.05, -57.18

 

CMYK 0 / 49 / 62 / 17

HEX #D36B51

RGB 211 107 81

HSL 12, 0.6%, 0.57%

LAB 57.03, 38.76, 33.25

 

CMYK 62 / 0 / 50 / 17

HEX #50D36A

RGB 80 211 106

HSL 131.91, 0.6%, 0.57%

LAB 75.66, -57.69, 41.35

 

CMYK 50 / 62 / 0 / 17

HEX #6A50D3

RGB 106 80 211

HSL 251.91, 0.6%, 0.57%

LAB 43.51, 43.67, -64.18

 

CMYK 0 / 49 / 62 / 17

HEX #D36B51

RGB 211 107 81

HSL 12, 0.6%, 0.57%

LAB 57.03, 38.76, 33.25

 

CMYK 25 / 0 / 62 / 17

HEX #9FD350

RGB 159 211 80

HSL 83.82, 0.6%, 0.57%

LAB 78.77, -36.84, 57.74

 

CMYK 62 / 12 / 0 / 17

HEX #50B9D3

RGB 80 185 211

HSL 191.91, 0.6%, 0.57%

LAB 70.25, -22.44, -22.12

 

CMYK 37 / 62 / 0 / 17

HEX #8450D3

RGB 132 80 211

HSL 263.82, 0.6%, 0.57%

LAB 46.1, 48.96, -59.86

 

CMYK 0 / 49 / 62 / 17

HEX #D36B51

RGB 211 107 81

HSL 12, 0.6%, 0.57%

LAB 57.03, 38.76, 33.25

 

CMYK 44 / 0 / 62 / 17

HEX #77D350

RGB 119 211 80

HSL 102.14, 0.6%, 0.57%

LAB 76.73, -50.61, 54.91

 

CMYK 62 / 12 / 0 / 17

HEX #50B9D3

RGB 80 185 211

HSL 191.91, 0.6%, 0.57%

LAB 70.25, -22.44, -22.12

 

CMYK 18 / 62 / 0 / 17

HEX #AC50D3

RGB 172 80 211

HSL 282.14, 0.6%, 0.57%

LAB 50.93, 58.02, -51.84

 

Description

Color code: HEX #D36B51 | qconv.com Color code: HEX #D36B51 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 107 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 107 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 62 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 62% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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