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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D364AC it is the complementary color #2C9B53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D364AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D364AC shade: #D864A7, #E976BA, #FA88CD, #FF9AE0 and #FFACF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D364AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D364AC shade: #D364AC, #C25299, #B14086, #A02E73 and #8F1C60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D364AC shade: #D364AC, #D3648E, #D36470 and #D36464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D364AC shade: #D364AC, #D364CA, #BE64D3, #A064D3 and #8264D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D364AC shade matches the following richer shades: #D364AC, #E354B1 and #F344B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D364AC shade: #D364AC, #C374A7, #B384A3, #A3949E and #93A499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D364AC shade: #BF64D3, #D364CA, #D364AC, #D3648F and #D36471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D364AC shade: #B23285, #CA449B, #D364AC, #DC84BD and #E5A4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D364AC shade: #D364AC, #D3A164 and #64D3CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D364AC shade: #D364AC, #ACD364 and #64ACD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D364AC shade: #D364AC, #D3A164, #64D38B and #6496D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D364AC shade: #D364AC, #D3C364, #64D38B and #6475D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

Complementary color

CMYK 72 / 0 / 46 / 39

HEX #2C9B53

RGB 44 155 83

HSL 141.08, 0.56%, 0.39%

LAB 56.69, -47.24, 28.96

 

CMYK 0 / 54 / 23 / 15

HEX #D864A7

RGB 216 100 167

HSL 325.34, 0.6%, 0.62%

LAB 58.51, 53.06, -14.26

 

CMYK 0 / 49 / 20 / 9

HEX #E976BA

RGB 233 118 186

HSL 324.52, 0.72%, 0.69%

LAB 64.82, 52.39, -15.36

 

CMYK 0 / 46 / 18 / 2

HEX #FA88CD

RGB 250 136 205

HSL 323.68, 0.92%, 0.76%

LAB 71.1, 51.67, -16.31

 

CMYK 0 / 40 / 12 / 0

HEX #FF9AE0

RGB 255 154 224

HSL 318.42, 1%, 0.8%

LAB 75.92, 47.13, -19.42

 

CMYK 0 / 33 / 5 / 0

HEX #FFACF3

RGB 255 172 243

HSL 308.67, 1%, 0.84%

LAB 80.31, 41.01, -23.05

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 58 / 21 / 24

HEX #C25299

RGB 194 82 153

HSL 321.96, 0.48%, 0.54%

LAB 51.61, 52.79, -16.84

 

CMYK 0 / 64 / 24 / 31

HEX #B14086

RGB 177 64 134

HSL 322.83, 0.47%, 0.47%

LAB 45.27, 53.11, -15.38

 

CMYK 0 / 71 / 28 / 37

HEX #A02E73

RGB 160 46 115

HSL 323.68, 0.55%, 0.4%

LAB 39.01, 53.01, -13.48

 

CMYK 0 / 80 / 33 / 44

HEX #8F1C60

RGB 143 28 96

HSL 324.52, 0.67%, 0.34%

LAB 32.95, 52.14, -10.92

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 53 / 33 / 17

HEX #D3648E

RGB 211 100 142

HSL 337.3, 0.56%, 0.61%

LAB 56.99, 48.15, -2.07

 

CMYK 0 / 53 / 47 / 17

HEX #D36470

RGB 211 100 112

HSL 353.51, 0.56%, 0.61%

LAB 56.22, 44.84, 14.39

 

CMYK 0 / 53 / 53 / 17

HEX #D36464

RGB 211 100 100

HSL 0, 0.56%, 0.61%

LAB 55.97, 43.75, 21.05

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 53 / 4 / 17

HEX #D364CA

RGB 211 100 202

HSL 304.86, 0.56%, 0.61%

LAB 59.18, 57.01, -33.35

 

CMYK 10 / 53 / 0 / 17

HEX #BE64D3

RGB 190 100 211

HSL 288.65, 0.56%, 0.61%

LAB 56.85, 52.89, -42.31

 

CMYK 24 / 53 / 0 / 17

HEX #A064D3

RGB 160 100 211

HSL 272.43, 0.56%, 0.61%

LAB 53.27, 44.91, -48.21

 

CMYK 38 / 53 / 0 / 17

HEX #8264D3

RGB 130 100 211

HSL 256.22, 0.56%, 0.61%

LAB 50.17, 37.34, -53.33

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 63 / 22 / 11

HEX #E354B1

RGB 227 84 177

HSL 320.98, 0.72%, 0.61%

LAB 57.89, 64.7, -20.83

 

CMYK 0 / 72 / 25 / 5

HEX #F344B6

RGB 243 68 182

HSL 320.91, 0.88%, 0.61%

LAB 58.57, 75.28, -22.45

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 41 / 14 / 24

HEX #C374A7

RGB 195 116 167

HSL 321.27, 0.4%, 0.61%

LAB 58.87, 38.15, -14

 

CMYK 0 / 26 / 9 / 30

HEX #B384A3

RGB 179 132 163

HSL 320.43, 0.24%, 0.61%

LAB 60.54, 23.09, -9.37

 

CMYK 0 / 9 / 3 / 36

HEX #A3949E

RGB 163 148 158

HSL 320, 0.08%, 0.61%

LAB 62.87, 7.38, -3.24

 

CMYK 10 / 0 / 7 / 36

HEX #93A499

RGB 147 164 153

HSL 141.18, 0.09%, 0.61%

LAB 65.79, -8.16, 3.67

 

CMYK 9 / 53 / 0 / 17

HEX #BF64D3

RGB 191 100 211

HSL 289.19, 0.56%, 0.61%

LAB 56.97, 53.16, -42.1

 

CMYK 0 / 53 / 4 / 17

HEX #D364CA

RGB 211 100 202

HSL 304.86, 0.56%, 0.61%

LAB 59.18, 57.01, -33.35

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 53 / 32 / 17

HEX #D3648F

RGB 211 100 143

HSL 336.76, 0.56%, 0.61%

LAB 57.02, 48.27, -2.61

 

CMYK 0 / 53 / 46 / 17

HEX #D36471

RGB 211 100 113

HSL 352.97, 0.56%, 0.61%

LAB 56.24, 44.94, 13.84

 

CMYK 0 / 72 / 25 / 30

HEX #B23285

RGB 178 50 133

HSL 321.09, 0.56%, 0.45%

LAB 43.42, 58.75, -17.58

 

CMYK 0 / 66 / 23 / 21

HEX #CA449B

RGB 202 68 155

HSL 321.04, 0.56%, 0.53%

LAB 50.75, 61.33, -19.23

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 40 / 14 / 14

HEX #DC84BD

RGB 220 132 189

HSL 321.14, 0.56%, 0.69%

LAB 66.05, 41.58, -15.36

 

CMYK 0 / 28 / 10 / 10

HEX #E5A4CE

RGB 229 164 206

HSL 321.23, 0.56%, 0.77%

LAB 74.61, 30.4, -11.83

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 24 / 53 / 17

HEX #D3A164

RGB 211 161 100

HSL 32.97, 0.56%, 0.61%

LAB 69.65, 11.37, 38.69

 

CMYK 53 / 0 / 2 / 17

HEX #64D3CE

RGB 100 211 206

HSL 177.3, 0.56%, 0.61%

LAB 78.32, -32.82, -7.22

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 18 / 0 / 53 / 17

HEX #ACD364

RGB 172 211 100

HSL 81.08, 0.56%, 0.61%

LAB 79.77, -30.15, 50.17

 

CMYK 53 / 18 / 0 / 17

HEX #64ACD3

RGB 100 172 211

HSL 201.08, 0.56%, 0.61%

LAB 67.22, -11.7, -26.7

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 24 / 53 / 17

HEX #D3A164

RGB 211 161 100

HSL 32.97, 0.56%, 0.61%

LAB 69.65, 11.37, 38.69

 

CMYK 53 / 0 / 34 / 17

HEX #64D38B

RGB 100 211 139

HSL 141.08, 0.56%, 0.61%

LAB 76.78, -47.74, 26.23

 

CMYK 53 / 29 / 0 / 17

HEX #6496D3

RGB 100 150 211

HSL 212.97, 0.56%, 0.61%

LAB 60.98, 0.56, -36.36

 

CMYK 0 / 53 / 18 / 17

HEX #D364AC

RGB 211 100 172

HSL 321.08, 0.56%, 0.61%

LAB 57.98, 52.24, -18.02

 

CMYK 0 / 8 / 53 / 17

HEX #D3C364

RGB 211 195 100

HSL 51.35, 0.56%, 0.61%

LAB 78.34, -6.62, 49.21

 

CMYK 53 / 0 / 34 / 17

HEX #64D38B

RGB 100 211 139

HSL 141.08, 0.56%, 0.61%

LAB 76.78, -47.74, 26.23

 

CMYK 53 / 45 / 0 / 17

HEX #6475D3

RGB 100 117 211

HSL 230.81, 0.56%, 0.61%

LAB 51.99, 20.2, -50.56

 

Description

Color code: HEX #D364AC | qconv.com Color code: HEX #D364AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 100 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 100 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 18 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 18% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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