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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D360D0 it is the complementary color #2C9F2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D360D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D360D0 shade: #D860CB, #E972DE, #FA84F1, #FF96FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D360D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D360D0 shade: #D360D0, #C24EBD, #B13CAA, #A02A97 and #8F1884

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D360D0 shade: #D35FD0, #D35FB1, #D35F91, #D35F72 and #D35F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D360D0 shade: #D35FD0, #B75FD3, #975FD3, #785FD3 and #5F5FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D360D0 shade matches the following richer shades: #D35FD0, #E44EE0 and #F43EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D360D0 shade: #D35FD0, #C36FC0, #B280B1, #A290A1 and #91A192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D360D0 shade: #975FD3, #B65FD3, #D35FD1, #D35FB2 and #D35F93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D360D0 shade: #AF30AC, #CA3EC7, #D35FD0, #DC7FDA and #E5A0E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D360D0 shade: #D360D0, #D3785F and #5FD3A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D360D0 shade: #D360D0, #D1D35F and #5FD1D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D360D0 shade: #D360D0, #D3785F, #5FD361 and #5FBAD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D360D0 shade: #D360D0, #D39B5F, #5FD361 and #5F97D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 1 / 17

HEX #D360D0

RGB 211 96 208

HSL 301.57, 0.57%, 0.6%

LAB 58.76, 59.9, -37.41

 

Complementary color

CMYK 72 / 0 / 70 / 38

HEX #2C9F2F

RGB 44 159 47

HSL 121.57, 0.57%, 0.4%

LAB 57.59, -53.48, 47.22

 

CMYK 0 / 56 / 6 / 15

HEX #D860CB

RGB 216 96 203

HSL 306.5, 0.61%, 0.61%

LAB 59.23, 60.41, -33.79

 

CMYK 0 / 51 / 5 / 9

HEX #E972DE

RGB 233 114 222

HSL 305.55, 0.73%, 0.68%

LAB 65.46, 59.92, -34.6

 

CMYK 0 / 47 / 4 / 2

HEX #FA84F1

RGB 250 132 241

HSL 304.58, 0.92%, 0.75%

LAB 71.68, 59.31, -35.28

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 55 / 1 / 17

HEX #D360D0

RGB 211 96 208

HSL 301.57, 0.57%, 0.6%

LAB 58.76, 59.9, -37.41

 

CMYK 0 / 60 / 3 / 24

HEX #C24EBD

RGB 194 78 189

HSL 302.59, 0.49%, 0.53%

LAB 52.5, 60.22, -36.52

 

CMYK 0 / 66 / 4 / 31

HEX #B13CAA

RGB 177 60 170

HSL 303.59, 0.49%, 0.46%

LAB 46.29, 60.22, -35.36

 

CMYK 0 / 74 / 6 / 37

HEX #A02A97

RGB 160 42 151

HSL 304.58, 0.58%, 0.4%

LAB 40.19, 59.66, -33.8

 

CMYK 0 / 83 / 8 / 44

HEX #8F1884

RGB 143 24 132

HSL 305.55, 0.71%, 0.33%

LAB 34.31, 58.17, -31.62

 

CMYK 0 / 55 / 1 / 17

HEX #D35FD0

RGB 211 95 208

HSL 301.55, 0.57%, 0.6%

LAB 58.59, 60.36, -37.68

 

CMYK 0 / 55 / 16 / 17

HEX #D35FB1

RGB 211 95 177

HSL 317.59, 0.57%, 0.6%

LAB 57.28, 55.35, -21.98

 

CMYK 0 / 55 / 31 / 17

HEX #D35F91

RGB 211 95 145

HSL 334.14, 0.57%, 0.6%

LAB 56.17, 50.93, -5.04

 

CMYK 0 / 55 / 46 / 17

HEX #D35F72

RGB 211 95 114

HSL 350.17, 0.57%, 0.6%

LAB 55.33, 47.47, 11.98

 

CMYK 0 / 55 / 55 / 17

HEX #D35F5F

RGB 211 95 95

HSL 0, 0.57%, 0.6%

LAB 54.93, 45.78, 22.56

 

CMYK 0 / 55 / 1 / 17

HEX #D35FD0

RGB 211 95 208

HSL 301.55, 0.57%, 0.6%

LAB 58.59, 60.36, -37.68

 

CMYK 13 / 55 / 0 / 17

HEX #B75FD3

RGB 183 95 211

HSL 285.52, 0.57%, 0.6%

LAB 55.03, 53.52, -45.25

 

CMYK 28 / 55 / 0 / 17

HEX #975FD3

RGB 151 95 211

HSL 268.97, 0.57%, 0.6%

LAB 51.23, 45.32, -51.52

 

CMYK 43 / 55 / 0 / 17

HEX #785FD3

RGB 120 95 211

HSL 252.93, 0.57%, 0.6%

LAB 48.11, 37.91, -56.69

 

CMYK 55 / 55 / 0 / 17

HEX #5F5FD3

RGB 95 95 211

HSL 240, 0.57%, 0.6%

LAB 46.07, 32.65, -60.08

 

CMYK 0 / 55 / 1 / 17

HEX #D35FD0

RGB 211 95 208

HSL 301.55, 0.57%, 0.6%

LAB 58.59, 60.36, -37.68

 

CMYK 0 / 66 / 2 / 11

HEX #E44EE0

RGB 228 78 224

HSL 301.6, 0.74%, 0.6%

LAB 59.27, 74.2, -45.47

 

CMYK 0 / 75 / 2 / 4

HEX #F43EEF

RGB 244 62 239

HSL 301.65, 0.89%, 0.6%

LAB 60.7, 85.06, -51.45

 

CMYK 0 / 55 / 1 / 17

HEX #D35FD0

RGB 211 95 208

HSL 301.55, 0.57%, 0.6%

LAB 58.59, 60.36, -37.68

 

CMYK 0 / 43 / 2 / 24

HEX #C36FC0

RGB 195 111 192

HSL 302.14, 0.41%, 0.6%

LAB 58.77, 45.11, -28.47

 

CMYK 0 / 28 / 1 / 30

HEX #B280B1

RGB 178 128 177

HSL 301.2, 0.25%, 0.6%

LAB 59.96, 27.58, -18.26

 

CMYK 0 / 11 / 1 / 36

HEX #A290A1

RGB 162 144 161

HSL 303.33, 0.09%, 0.6%

LAB 61.83, 9.84, -6.5

 

CMYK 10 / 0 / 9 / 37

HEX #91A192

RGB 145 161 146

HSL 123.75, 0.08%, 0.6%

LAB 64.63, -8.6, 5.89

 

CMYK 28 / 55 / 0 / 17

HEX #975FD3

RGB 151 95 211

HSL 268.97, 0.57%, 0.6%

LAB 51.23, 45.32, -51.52

 

CMYK 14 / 55 / 0 / 17

HEX #B65FD3

RGB 182 95 211

HSL 285, 0.57%, 0.6%

LAB 54.9, 53.26, -45.45

 

CMYK 0 / 55 / 1 / 17

HEX #D35FD1

RGB 211 95 209

HSL 301.03, 0.57%, 0.6%

LAB 58.64, 60.53, -38.17

 

CMYK 0 / 55 / 16 / 17

HEX #D35FB2

RGB 211 95 178

HSL 317.07, 0.57%, 0.6%

LAB 57.32, 55.5, -22.5

 

CMYK 0 / 55 / 30 / 17

HEX #D35F93

RGB 211 95 147

HSL 333.1, 0.57%, 0.6%

LAB 56.23, 51.18, -6.12

 

CMYK 0 / 73 / 2 / 31

HEX #AF30AC

RGB 175 48 172

HSL 301.42, 0.57%, 0.44%

LAB 44.53, 64.44, -39.35

 

CMYK 0 / 69 / 1 / 21

HEX #CA3EC7

RGB 202 62 199

HSL 301.29, 0.57%, 0.52%

LAB 51.98, 70.05, -43.04

 

CMYK 0 / 55 / 1 / 17

HEX #D35FD0

RGB 211 95 208

HSL 301.55, 0.57%, 0.6%

LAB 58.59, 60.36, -37.68

 

CMYK 0 / 42 / 1 / 14

HEX #DC7FDA

RGB 220 127 218

HSL 301.29, 0.57%, 0.68%

LAB 66.1, 49.09, -31.51

 

CMYK 0 / 30 / 1 / 10

HEX #E5A0E3

RGB 229 160 227

HSL 301.74, 0.57%, 0.76%

LAB 74.41, 36.22, -23.62

 

CMYK 0 / 55 / 1 / 17

HEX #D360D0

RGB 211 96 208

HSL 301.57, 0.57%, 0.6%

LAB 58.76, 59.9, -37.41

 

CMYK 0 / 43 / 55 / 17

HEX #D3785F

RGB 211 120 95

HSL 12.93, 0.57%, 0.6%

LAB 59.99, 33.05, 29.18

 

CMYK 55 / 0 / 21 / 17

HEX #5FD3A7

RGB 95 211 167

HSL 157.24, 0.57%, 0.6%

LAB 77.17, -43.24, 11.97

 

CMYK 0 / 55 / 1 / 17

HEX #D360D0

RGB 211 96 208

HSL 301.57, 0.57%, 0.6%

LAB 58.76, 59.9, -37.41

 

CMYK 1 / 0 / 55 / 17

HEX #D1D35F

RGB 209 211 95

HSL 61.03, 0.57%, 0.6%

LAB 82.36, -15.95, 56.14

 

CMYK 55 / 1 / 0 / 17

HEX #5FD1D3

RGB 95 209 211

HSL 181.03, 0.57%, 0.6%

LAB 77.72, -31.54, -10.81

 

CMYK 0 / 55 / 1 / 17

HEX #D360D0

RGB 211 96 208

HSL 301.57, 0.57%, 0.6%

LAB 58.76, 59.9, -37.41

 

CMYK 0 / 43 / 55 / 17

HEX #D3785F

RGB 211 120 95

HSL 12.93, 0.57%, 0.6%

LAB 59.99, 33.05, 29.18

 

CMYK 55 / 0 / 54 / 17

HEX #5FD361

RGB 95 211 97

HSL 121.03, 0.57%, 0.6%

LAB 76, -55.47, 46.18

 

CMYK 55 / 12 / 0 / 17

HEX #5FBAD3

RGB 95 186 211

HSL 192.93, 0.57%, 0.6%

LAB 71.05, -20.13, -20.87

 

CMYK 0 / 55 / 1 / 17

HEX #D360D0

RGB 211 96 208

HSL 301.57, 0.57%, 0.6%

LAB 58.76, 59.9, -37.41

 

CMYK 0 / 27 / 55 / 17

HEX #D39B5F

RGB 211 155 95

HSL 31.03, 0.57%, 0.6%

LAB 68.11, 14.18, 39.38

 

CMYK 55 / 0 / 54 / 17

HEX #5FD361

RGB 95 211 97

HSL 121.03, 0.57%, 0.6%

LAB 76, -55.47, 46.18

 

CMYK 55 / 28 / 0 / 17

HEX #5F97D3

RGB 95 151 211

HSL 211.03, 0.57%, 0.6%

LAB 61.02, -1.1, -36.32

 

Description

Color code: HEX #D360D0 | qconv.com Color code: HEX #D360D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 96 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 96 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 1 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 1% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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