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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D35F714C it is the complementary color #2CA08E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D35F714C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D35F714C shade: #D85F6C4C, #E9717F4C, #FA83924C, #FF95A54C and #FFA7B84C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D35F714C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D35F714C shade: #D35F714C, #C24D5E4C, #B13B4B4C, #A029384C and #8F17254C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D35F714C shade: #D35F71 and #D35F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D35F714C shade: #D35F71, #D35F90, #D35FB0, #D35FCF and #B85FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D35F714C shade matches the following richer shades: #D35F71, #E44E66 and #F43E5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D35F714C shade: #D35F71, #C36F7C, #B28088, #A29093 and #91A19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D35F714C shade: #D35FB0, #D35F91, #D35F72, #D36A5F and #D3895F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D35F714C shade: #AF3044, #CA3E54, #D35F71, #DC7F8E and #E5A0AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D35F714C shade: #D35F71, #CFD35F and #5FA1D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D35F714C shade: #D35F71, #72D35F and #5F72D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D35F714C shade: #D35F71, #CFD35F, #5FD3C0 and #635FD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D35F714C shade: #D35F71, #ACD35F, #5FD3C0 and #865FD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 14 / 5

HEX #D35F714C

RGBA 211 95 113 0.3

HSLA 350.69, 0.57%, 0.6%, 0.3

LABA 55.3, 47.37, 12.53, 0.3

 

Complementary color

CMYK 22 / 0 / 3 / 11

HEX #2CA08E4C

RGBA 44 160 142 0.3

HSLA 170.69, 0.57%, 0.4%, 0.3

LABA 59.55, -35.94, 0.19, 0.3

 

CMYK 0 / 17 / 15 / 5

HEX #D85F6C4C

RGBA 216 95 108 0.3

HSLA 353.55, 0.61%, 0.61%, 0.3

LABA 55.95, 48.64, 16.48, 0.3

 

CMYK 0 / 15 / 14 / 3

HEX #E9717F4C

RGBA 233 113 127 0.3

HSLA 353, 0.73%, 0.68%, 0.3

LABA 62.22, 47.67, 14.54, 0.3

 

CMYK 0 / 14 / 12 / 1

HEX #FA83924C

RGBA 250 131 146 0.3

HSLA 352.44, 0.92%, 0.75%, 0.3

LABA 68.48, 46.69, 12.87, 0.3

 

CMYK 0 / 12 / 11 / 0

HEX #FF95A54C

RGBA 255 149 165 0.3

HSLA 350.94, 1%, 0.79%, 0.3

LABA 73.2, 41.5, 9.05, 0.3

 

CMYK 0 / 10 / 8 / 0

HEX #FFA7B84C

RGBA 255 167 184 0.3

HSLA 348.41, 1%, 0.83%, 0.3

LABA 77.49, 34.59, 4.77, 0.3

 

CMYK 0 / 16 / 14 / 5

HEX #D35F714C

RGBA 211 95 113 0.3

HSLA 350.69, 0.57%, 0.6%, 0.3

LABA 55.3, 47.37, 12.53, 0.3

 

CMYK 0 / 18 / 15 / 7

HEX #C24D5E4C

RGBA 194 77 94 0.3

HSLA 351.28, 0.49%, 0.53%, 0.3

LABA 48.99, 48.24, 14.68, 0.3

 

CMYK 0 / 20 / 17 / 9

HEX #B13B4B4C

RGBA 177 59 75 0.3

HSLA 351.86, 0.5%, 0.46%, 0.3

LABA 42.74, 48.93, 17.3, 0.3

 

CMYK 0 / 22 / 20 / 11

HEX #A029384C

RGBA 160 41 56 0.3

HSLA 352.44, 0.59%, 0.39%, 0.3

LABA 36.64, 49.2, 20.59, 0.3

 

CMYK 0 / 25 / 22 / 13

HEX #8F17254C

RGBA 143 23 37 0.3

HSLA 353, 0.72%, 0.33%, 0.3

LABA 30.85, 48.69, 24.76, 0.3

 

CMYK 0 / 55 / 46 / 17

HEX #D35F71

RGB 211 95 113

HSL 350.69, 0.57%, 0.6%

LAB 55.3, 47.37, 12.53

 

CMYK 0 / 55 / 55 / 17

HEX #D35F5F

RGB 211 95 95

HSL 0, 0.57%, 0.6%

LAB 54.93, 45.78, 22.56

 

CMYK 0 / 55 / 46 / 17

HEX #D35F71

RGB 211 95 113

HSL 350.69, 0.57%, 0.6%

LAB 55.3, 47.37, 12.53

 

CMYK 0 / 55 / 32 / 17

HEX #D35F90

RGB 211 95 144

HSL 334.66, 0.57%, 0.6%

LAB 56.13, 50.81, -4.5

 

CMYK 0 / 55 / 17 / 17

HEX #D35FB0

RGB 211 95 176

HSL 318.1, 0.57%, 0.6%

LAB 57.24, 55.2, -21.46

 

CMYK 0 / 55 / 2 / 17

HEX #D35FCF

RGB 211 95 207

HSL 302.07, 0.57%, 0.6%

LAB 58.54, 60.19, -37.18

 

CMYK 13 / 55 / 0 / 17

HEX #B85FD3

RGB 184 95 211

HSL 286.03, 0.57%, 0.6%

LAB 55.15, 53.78, -45.04

 

CMYK 0 / 55 / 46 / 17

HEX #D35F71

RGB 211 95 113

HSL 350.69, 0.57%, 0.6%

LAB 55.3, 47.37, 12.53

 

CMYK 0 / 66 / 55 / 11

HEX #E44E66

RGB 228 78 102

HSL 350.4, 0.74%, 0.6%

LAB 54.97, 59.56, 18.99

 

CMYK 0 / 75 / 63 / 4

HEX #F43E5A

RGB 244 62 90

HSL 350.77, 0.89%, 0.6%

LAB 55.5, 69.23, 27.28

 

CMYK 0 / 55 / 46 / 17

HEX #D35F71

RGB 211 95 113

HSL 350.69, 0.57%, 0.6%

LAB 55.3, 47.37, 12.53

 

CMYK 0 / 43 / 36 / 24

HEX #C36F7C

RGB 195 111 124

HSL 350.71, 0.41%, 0.6%

LAB 56.51, 34.66, 7.47

 

CMYK 0 / 28 / 24 / 30

HEX #B28088

RGB 178 128 136

HSL 350.4, 0.25%, 0.6%

LAB 58.68, 20.51, 3.36

 

CMYK 0 / 11 / 9 / 36

HEX #A29093

RGB 162 144 147

HSL 350, 0.09%, 0.6%

LAB 61.42, 7.24, 0.86

 

CMYK 10 / 0 / 2 / 37

HEX #91A19E

RGB 145 161 158

HSL 168.75, 0.08%, 0.6%

LAB 64.95, -6.24, -0.37

 

CMYK 0 / 55 / 17 / 17

HEX #D35FB0

RGB 211 95 176

HSL 318.1, 0.57%, 0.6%

LAB 57.24, 55.2, -21.46

 

CMYK 0 / 55 / 31 / 17

HEX #D35F91

RGB 211 95 145

HSL 334.14, 0.57%, 0.6%

LAB 56.17, 50.93, -5.04

 

CMYK 0 / 55 / 46 / 17

HEX #D35F72

RGB 211 95 114

HSL 350.17, 0.57%, 0.6%

LAB 55.33, 47.47, 11.98

 

CMYK 0 / 50 / 55 / 17

HEX #D36A5F

RGB 211 106 95

HSL 5.69, 0.57%, 0.6%

LAB 57.06, 40.32, 25.37

 

CMYK 0 / 35 / 55 / 17

HEX #D3895F

RGB 211 137 95

HSL 21.72, 0.57%, 0.6%

LAB 63.81, 23.94, 34.04

 

CMYK 0 / 73 / 61 / 31

HEX #AF3044

RGB 175 48 68

HSL 350.55, 0.57%, 0.44%

LAB 40.65, 52.13, 18.81

 

CMYK 0 / 69 / 58 / 21

HEX #CA3E54

RGB 202 62 84

HSL 350.57, 0.57%, 0.52%

LAB 47.81, 56.4, 19.35

 

CMYK 0 / 55 / 46 / 17

HEX #D35F71

RGB 211 95 113

HSL 350.69, 0.57%, 0.6%

LAB 55.3, 47.37, 12.53

 

CMYK 0 / 42 / 35 / 14

HEX #DC7F8E

RGB 220 127 142

HSL 350.32, 0.57%, 0.68%

LAB 63.63, 37.57, 7.7

 

CMYK 0 / 30 / 26 / 10

HEX #E5A0AA

RGB 229 160 170

HSL 351.3, 0.57%, 0.76%

LAB 72.7, 27, 5.16

 

CMYK 0 / 55 / 46 / 17

HEX #D35F71

RGB 211 95 113

HSL 350.69, 0.57%, 0.6%

LAB 55.3, 47.37, 12.53

 

CMYK 2 / 0 / 55 / 17

HEX #CFD35F

RGB 207 211 95

HSL 62.07, 0.57%, 0.6%

LAB 82.21, -16.76, 55.92

 

CMYK 55 / 24 / 0 / 17

HEX #5FA1D3

RGB 95 161 211

HSL 205.86, 0.57%, 0.6%

LAB 63.86, -6.75, -31.91

 

CMYK 0 / 55 / 46 / 17

HEX #D35F71

RGB 211 95 113

HSL 350.69, 0.57%, 0.6%

LAB 55.3, 47.37, 12.53

 

CMYK 46 / 0 / 55 / 17

HEX #72D35F

RGB 114 211 95

HSL 110.17, 0.57%, 0.6%

LAB 76.67, -50.54, 48.09

 

CMYK 55 / 46 / 0 / 17

HEX #5F72D3

RGB 95 114 211

HSL 230.17, 0.57%, 0.6%

LAB 50.89, 20.98, -52.34

 

CMYK 0 / 55 / 46 / 17

HEX #D35F71

RGB 211 95 113

HSL 350.69, 0.57%, 0.6%

LAB 55.3, 47.37, 12.53

 

CMYK 2 / 0 / 55 / 17

HEX #CFD35F

RGB 207 211 95

HSL 62.07, 0.57%, 0.6%

LAB 82.21, -16.76, 55.92

 

CMYK 55 / 0 / 9 / 17

HEX #5FD3C0

RGB 95 211 192

HSL 170.17, 0.57%, 0.6%

LAB 77.77, -37.38, -0.53

 

CMYK 53 / 55 / 0 / 17

HEX #635FD3

RGB 99 95 211

HSL 242.07, 0.57%, 0.6%

LAB 46.37, 33.43, -59.59

 

CMYK 0 / 55 / 46 / 17

HEX #D35F71

RGB 211 95 113

HSL 350.69, 0.57%, 0.6%

LAB 55.3, 47.37, 12.53

 

CMYK 18 / 0 / 55 / 17

HEX #ACD35F

RGB 172 211 95

HSL 80.17, 0.57%, 0.6%

LAB 79.72, -30.62, 52.42

 

CMYK 55 / 0 / 9 / 17

HEX #5FD3C0

RGB 95 211 192

HSL 170.17, 0.57%, 0.6%

LAB 77.77, -37.38, -0.53

 

CMYK 36 / 55 / 0 / 17

HEX #865FD3

RGB 134 95 211

HSL 260.17, 0.57%, 0.6%

LAB 49.44, 41.16, -54.48

 

Description

Color code: HEX #D35F714C | qconv.com Color code: HEX #D35F714C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 95 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 95 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 14 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 14% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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