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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D35F4D it is the complementary color #2CA0B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D35F4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D35F4D shade: #D85F48, #E9715B, #FA836E, #FF9581 and #FFA794

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D35F4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D35F4D shade: #D35F4D, #C24D3A, #B13B27, #A02914 and #8F1701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D35F4D shade: #D25E4B and #D24B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D35F4D shade: #D25E4B, #D2824B, #D2A64B, #D2CA4B and #B5D24B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D35F4D shade matches the following richer shades: #D25E4B, #E45039 and #F64327

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D35F4D shade: #D25E4B, #C06B5E, #AE7870, #9C8582 and #8A9394

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D35F4D shade: #D24B81, #D24B5D, #D25D4B, #D2814B and #D2A54B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D35F4D shade: #A23929, #C34531, #D25E4B, #DA7B6C and #E3998D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D35F4D shade: #D35F4D, #A5D24B and #4B6FD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D35F4D shade: #D35F4D, #4BD25D and #5D4BD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D35F4D shade: #D35F4D, #A5D24B, #4BC0D2 and #784BD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D35F4D shade: #D35F4D, #7DD24B, #4BC0D2 and #A14BD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 64 / 17

HEX #D35F4D

RGB 211 95 77

HSL 8.06, 0.6%, 0.56%

LAB 54.63, 44.48, 32.52

 

Complementary color

CMYK 75 / 10 / 0 / 30

HEX #2CA0B2

RGB 44 160 178

HSL 188.06, 0.6%, 0.44%

LAB 60.69, -25.21, -18.46

 

CMYK 0 / 56 / 67 / 15

HEX #D85F48

RGB 216 95 72

HSL 9.58, 0.65%, 0.56%

LAB 55.33, 46.01, 36.35

 

CMYK 0 / 52 / 61 / 9

HEX #E9715B

RGB 233 113 91

HSL 9.3, 0.76%, 0.64%

LAB 61.56, 44.7, 34.03

 

CMYK 0 / 48 / 56 / 2

HEX #FA836E

RGB 250 131 110

HSL 9, 0.93%, 0.71%

LAB 67.79, 43.43, 31.97

 

CMYK 0 / 42 / 49 / 0

HEX #FF9581

RGB 255 149 129

HSL 9.52, 1%, 0.75%

LAB 72.46, 37.77, 27.83

 

CMYK 0 / 35 / 42 / 0

HEX #FFA794

RGB 255 167 148

HSL 10.65, 1%, 0.79%

LAB 76.7, 30.31, 23.24

 

CMYK 0 / 55 / 64 / 17

HEX #D35F4D

RGB 211 95 77

HSL 8.06, 0.6%, 0.56%

LAB 54.63, 44.48, 32.52

 

CMYK 0 / 60 / 70 / 24

HEX #C24D3A

RGB 194 77 58

HSL 8.38, 0.54%, 0.49%

LAB 48.36, 45.75, 35.09

 

CMYK 0 / 67 / 78 / 31

HEX #B13B27

RGB 177 59 39

HSL 8.7, 0.64%, 0.42%

LAB 42.19, 46.89, 37.98

 

CMYK 0 / 74 / 88 / 37

HEX #A02914

RGB 160 41 20

HSL 9, 0.78%, 0.35%

LAB 36.2, 47.7, 40.93

 

CMYK 0 / 84 / 99 / 44

HEX #8F1701

RGB 143 23 1

HSL 9.3, 0.99%, 0.28%

LAB 30.53, 47.73, 43.18

 

CMYK 0 / 55 / 64 / 18

HEX #D25E4B

RGB 210 94 75

HSL 8.44, 0.6%, 0.56%

LAB 54.25, 44.47, 33.16

 

CMYK 0 / 64 / 64 / 18

HEX #D24B4B

RGB 210 75 75

HSL 0, 0.6%, 0.56%

LAB 50.97, 53.15, 29.09

 

CMYK 0 / 55 / 64 / 18

HEX #D25E4B

RGB 210 94 75

HSL 8.44, 0.6%, 0.56%

LAB 54.25, 44.47, 33.16

 

CMYK 0 / 38 / 64 / 18

HEX #D2824B

RGB 210 130 75

HSL 24.44, 0.6%, 0.56%

LAB 61.8, 25.83, 42.16

 

CMYK 0 / 21 / 64 / 18

HEX #D2A64B

RGB 210 166 75

HSL 40.44, 0.6%, 0.56%

LAB 70.51, 6.38, 52.02

 

CMYK 0 / 4 / 64 / 18

HEX #D2CA4B

RGB 210 202 75

HSL 56.44, 0.6%, 0.56%

LAB 79.87, -12.4, 62.06

 

CMYK 14 / 0 / 64 / 18

HEX #B5D24B

RGB 181 210 75

HSL 72.89, 0.6%, 0.56%

LAB 79.86, -28.23, 61.38

 

CMYK 0 / 55 / 64 / 18

HEX #D25E4B

RGB 210 94 75

HSL 8.44, 0.6%, 0.56%

LAB 54.25, 44.47, 33.16

 

CMYK 0 / 65 / 75 / 11

HEX #E45039

RGB 228 80 57

HSL 8.07, 0.76%, 0.56%

LAB 54.58, 56.2, 44.16

 

CMYK 0 / 73 / 84 / 4

HEX #F64327

RGB 246 67 39

HSL 8.12, 0.92%, 0.56%

LAB 55.84, 66.22, 55.35

 

CMYK 0 / 55 / 64 / 18

HEX #D25E4B

RGB 210 94 75

HSL 8.44, 0.6%, 0.56%

LAB 54.25, 44.47, 33.16

 

CMYK 0 / 44 / 51 / 25

HEX #C06B5E

RGB 192 107 94

HSL 7.96, 0.44%, 0.56%

LAB 54.58, 32.42, 22.19

 

CMYK 0 / 31 / 36 / 32

HEX #AE7870

RGB 174 120 112

HSL 7.74, 0.28%, 0.56%

LAB 55.69, 20.08, 12.91

 

CMYK 0 / 15 / 17 / 39

HEX #9C8582

RGB 156 133 130

HSL 6.92, 0.12%, 0.56%

LAB 57.52, 8.22, 4.85

 

CMYK 7 / 1 / 0 / 42

HEX #8A9394

RGB 138 147 148

HSL 186, 0.04%, 0.56%

LAB 60.26, -3.04, -1.66

 

CMYK 0 / 64 / 39 / 18

HEX #D24B81

RGB 210 75 129

HSL 336, 0.6%, 0.56%

LAB 52.2, 57.68, -1.44

 

CMYK 0 / 64 / 56 / 18

HEX #D24B5D

RGB 210 75 93

HSL 352, 0.6%, 0.56%

LAB 51.29, 54.37, 18.86

 

CMYK 0 / 56 / 64 / 18

HEX #D25D4B

RGB 210 93 75

HSL 8, 0.6%, 0.56%

LAB 54.07, 44.96, 32.93

 

CMYK 0 / 39 / 64 / 18

HEX #D2814B

RGB 210 129 75

HSL 24, 0.6%, 0.56%

LAB 61.58, 26.37, 41.9

 

CMYK 0 / 21 / 64 / 18

HEX #D2A54B

RGB 210 165 75

HSL 40, 0.6%, 0.56%

LAB 70.26, 6.91, 51.74

 

CMYK 0 / 65 / 75 / 36

HEX #A23929

RGB 162 57 41

HSL 7.93, 0.6%, 0.4%

LAB 39.19, 42.53, 32.84

 

CMYK 0 / 65 / 75 / 24

HEX #C34531

RGB 195 69 49

HSL 8.22, 0.6%, 0.48%

LAB 47.08, 49.27, 38.69

 

CMYK 0 / 55 / 64 / 18

HEX #D25E4B

RGB 210 94 75

HSL 8.44, 0.6%, 0.56%

LAB 54.25, 44.47, 33.16

 

CMYK 0 / 44 / 50 / 15

HEX #DA7B6C

RGB 218 123 108

HSL 8.18, 0.6%, 0.64%

LAB 61.79, 35.31, 24.41

 

CMYK 0 / 33 / 38 / 11

HEX #E3998D

RGB 227 153 141

HSL 8.37, 0.61%, 0.72%

LAB 70.2, 26.28, 17.62

 

CMYK 0 / 55 / 64 / 17

HEX #D35F4D

RGB 211 95 77

HSL 8.06, 0.6%, 0.56%

LAB 54.63, 44.48, 32.52

 

CMYK 21 / 0 / 64 / 18

HEX #A5D24B

RGB 165 210 75

HSL 80, 0.6%, 0.56%

LAB 78.81, -34.49, 59.95

 

CMYK 64 / 47 / 0 / 18

HEX #4B6FD2

RGB 75 111 210

HSL 224, 0.6%, 0.56%

LAB 48.91, 18.71, -55

 

CMYK 0 / 55 / 64 / 17

HEX #D35F4D

RGB 211 95 77

HSL 8.06, 0.6%, 0.56%

LAB 54.63, 44.48, 32.52

 

CMYK 64 / 0 / 56 / 18

HEX #4BD25D

RGB 75 210 93

HSL 128, 0.6%, 0.56%

LAB 75.06, -60.12, 46.79

 

CMYK 56 / 64 / 0 / 18

HEX #5D4BD2

RGB 93 75 210

HSL 248, 0.6%, 0.56%

LAB 41.24, 43.91, -67.36

 

CMYK 0 / 55 / 64 / 17

HEX #D35F4D

RGB 211 95 77

HSL 8.06, 0.6%, 0.56%

LAB 54.63, 44.48, 32.52

 

CMYK 21 / 0 / 64 / 18

HEX #A5D24B

RGB 165 210 75

HSL 80, 0.6%, 0.56%

LAB 78.81, -34.49, 59.95

 

CMYK 64 / 9 / 0 / 18

HEX #4BC0D2

RGB 75 192 210

HSL 188, 0.6%, 0.56%

LAB 72.13, -27.08, -18.74

 

CMYK 43 / 64 / 0 / 18

HEX #784BD2

RGB 120 75 210

HSL 260, 0.6%, 0.56%

LAB 43.77, 48.88, -63.13

 

CMYK 0 / 55 / 64 / 17

HEX #D35F4D

RGB 211 95 77

HSL 8.06, 0.6%, 0.56%

LAB 54.63, 44.48, 32.52

 

CMYK 40 / 0 / 64 / 18

HEX #7DD24B

RGB 125 210 75

HSL 97.78, 0.6%, 0.56%

LAB 76.66, -48.76, 57

 

CMYK 64 / 9 / 0 / 18

HEX #4BC0D2

RGB 75 192 210

HSL 188, 0.6%, 0.56%

LAB 72.13, -27.08, -18.74

 

CMYK 23 / 64 / 0 / 18

HEX #A14BD2

RGB 161 75 210

HSL 278.22, 0.6%, 0.56%

LAB 48.59, 57.61, -55.11

 

Description

Color code: HEX #D35F4D | qconv.com Color code: HEX #D35F4D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 95 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 95 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 64 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 64% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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