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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D355DF it is the complementary color #2CAA20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D355DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D355DF shade: #D855DA, #E967ED, #FA79FF, #FF8BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D355DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D355DF shade: #D355DF, #C243CC, #B131B9, #A01FA6 and #8F0D93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D355DF shade: #D254DE, #DE54C5, #DE54A0, #DE547A and #DE5455

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D355DF shade: #D254DE, #AD54DE, #8754DE, #6254DE and #5454DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D355DF shade matches the following richer shades: #D254DE and #E043EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D355DF shade: #D254DE, #C564CE, #B775BD, #A985AD and #9C969C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D355DF shade: #8754DE, #AB54DE, #D054DE, #DE54C7 and #DE54A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D355DF shade: #AF24BC, #C931D8, #D254DE, #DB76E5 and #E499EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D355DF shade: #D355DF, #DE6254 and #54DE99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D355DF shade: #D355DF, #DED054 and #54DED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D355DF shade: #D355DF, #DE6254, #62DE54 and #54D0DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D355DF shade: #D355DF, #DE8B54, #62DE54 and #54A7DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 62 / 0 / 13

HEX #D355DF

RGB 211 85 223

HSL 294.78, 0.68%, 0.6%

LAB 57.73, 67.33, -47.51

 

Complementary color

CMYK 74 / 0 / 81 / 33

HEX #2CAA20

RGB 44 170 32

HSL 114.78, 0.68%, 0.4%

LAB 61.12, -58.24, 55.97

 

CMYK 1 / 61 / 0 / 15

HEX #D855DA

RGB 216 85 218

HSL 299.1, 0.64%, 0.59%

LAB 58.19, 67.67, -43.92

 

CMYK 2 / 57 / 0 / 7

HEX #E967ED

RGB 233 103 237

HSL 298.21, 0.79%, 0.67%

LAB 64.27, 67.45, -44.8

 

CMYK 2 / 53 / 0 / 0

HEX #FA79FF

RGB 250 121 255

HSL 297.76, 1%, 0.74%

LAB 70.33, 66.85, -45.03

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 5 / 62 / 0 / 13

HEX #D355DF

RGB 211 85 223

HSL 294.78, 0.68%, 0.6%

LAB 57.73, 67.33, -47.51

 

CMYK 5 / 67 / 0 / 20

HEX #C243CC

RGB 194 67 204

HSL 295.62, 0.57%, 0.53%

LAB 51.66, 67.27, -46.49

 

CMYK 4 / 74 / 0 / 27

HEX #B131B9

RGB 177 49 185

HSL 296.47, 0.58%, 0.46%

LAB 45.7, 66.7, -45.13

 

CMYK 4 / 81 / 0 / 35

HEX #A01FA6

RGB 160 31 166

HSL 297.33, 0.69%, 0.39%

LAB 39.93, 65.33, -43.25

 

CMYK 3 / 91 / 0 / 42

HEX #8F0D93

RGB 143 13 147

HSL 298.21, 0.84%, 0.31%

LAB 34.47, 62.73, -40.64

 

CMYK 5 / 62 / 0 / 13

HEX #D254DE

RGB 210 84 222

HSL 294.78, 0.68%, 0.6%

LAB 57.38, 67.34, -47.5

 

CMYK 0 / 62 / 11 / 13

HEX #DE54C5

RGB 222 84 197

HSL 310.87, 0.68%, 0.6%

LAB 57.94, 66.22, -32.31

 

CMYK 0 / 62 / 28 / 13

HEX #DE54A0

RGB 222 84 160

HSL 326.96, 0.68%, 0.6%

LAB 56.49, 61.09, -13.15

 

CMYK 0 / 62 / 45 / 13

HEX #DE547A

RGB 222 84 122

HSL 343.48, 0.68%, 0.6%

LAB 55.35, 56.88, 7.54

 

CMYK 0 / 62 / 62 / 13

HEX #DE5455

RGB 222 84 85

HSL 359.57, 0.68%, 0.6%

LAB 54.58, 53.93, 28.26

 

CMYK 5 / 62 / 0 / 13

HEX #D254DE

RGB 210 84 222

HSL 294.78, 0.68%, 0.6%

LAB 57.38, 67.34, -47.5

 

CMYK 22 / 62 / 0 / 13

HEX #AD54DE

RGB 173 84 222

HSL 278.7, 0.68%, 0.6%

LAB 52.4, 58.69, -55.75

 

CMYK 39 / 62 / 0 / 13

HEX #8754DE

RGB 135 84 222

HSL 262.17, 0.68%, 0.6%

LAB 47.96, 50.31, -63.11

 

CMYK 56 / 62 / 0 / 13

HEX #6254DE

RGB 98 84 222

HSL 246.09, 0.68%, 0.6%

LAB 44.53, 43.22, -68.84

 

CMYK 62 / 62 / 0 / 13

HEX #5454DE

RGB 84 84 222

HSL 240, 0.68%, 0.6%

LAB 43.51, 40.96, -70.56

 

CMYK 5 / 62 / 0 / 13

HEX #D254DE

RGB 210 84 222

HSL 294.78, 0.68%, 0.6%

LAB 57.38, 67.34, -47.5

 

CMYK 6 / 72 / 0 / 6

HEX #E043EF

RGB 224 67 239

HSL 294.77, 0.84%, 0.6%

LAB 58.13, 79.57, -55.74

 

CMYK 5 / 62 / 0 / 13

HEX #D254DE

RGB 210 84 222

HSL 294.78, 0.68%, 0.6%

LAB 57.38, 67.34, -47.5

 

CMYK 4 / 51 / 0 / 19

HEX #C564CE

RGB 197 100 206

HSL 294.91, 0.52%, 0.6%

LAB 57.5, 53.84, -38.38

 

CMYK 3 / 38 / 0 / 26

HEX #B775BD

RGB 183 117 189

HSL 295, 0.35%, 0.6%

LAB 58.47, 37.63, -27.33

 

CMYK 2 / 23 / 0 / 32

HEX #A985AD

RGB 169 133 173

HSL 294, 0.2%, 0.6%

LAB 60.09, 20.9, -15.86

 

CMYK 0 / 4 / 0 / 39

HEX #9C969C

RGB 156 150 156

HSL 300, 0.03%, 0.6%

LAB 62.74, 3.34, -2.37

 

CMYK 39 / 62 / 0 / 13

HEX #8754DE

RGB 135 84 222

HSL 262.17, 0.68%, 0.6%

LAB 47.96, 50.31, -63.11

 

CMYK 23 / 62 / 0 / 13

HEX #AB54DE

RGB 171 84 222

HSL 277.83, 0.68%, 0.6%

LAB 52.14, 58.23, -56.16

 

CMYK 6 / 62 / 0 / 13

HEX #D054DE

RGB 208 84 222

HSL 293.91, 0.68%, 0.6%

LAB 57.1, 66.86, -47.97

 

CMYK 0 / 62 / 10 / 13

HEX #DE54C7

RGB 222 84 199

HSL 310, 0.68%, 0.6%

LAB 58.03, 66.52, -33.31

 

CMYK 0 / 62 / 27 / 13

HEX #DE54A2

RGB 222 84 162

HSL 326.09, 0.68%, 0.6%

LAB 56.56, 61.34, -14.21

 

CMYK 7 / 81 / 0 / 26

HEX #AF24BC

RGB 175 36 188

HSL 294.87, 0.68%, 0.44%

LAB 44.24, 70.58, -49.23

 

CMYK 7 / 77 / 0 / 15

HEX #C931D8

RGB 201 49 216

HSL 294.61, 0.68%, 0.52%

LAB 51.35, 76.68, -53.79

 

CMYK 5 / 62 / 0 / 13

HEX #D254DE

RGB 210 84 222

HSL 294.78, 0.68%, 0.6%

LAB 57.38, 67.34, -47.5

 

CMYK 4 / 48 / 0 / 10

HEX #DB76E5

RGB 219 118 229

HSL 294.59, 0.68%, 0.68%

LAB 64.7, 55.32, -39.81

 

CMYK 3 / 35 / 0 / 7

HEX #E499EC

RGB 228 153 236

HSL 294.22, 0.69%, 0.76%

LAB 73.11, 41.28, -30.53

 

CMYK 5 / 62 / 0 / 13

HEX #D355DF

RGB 211 85 223

HSL 294.78, 0.68%, 0.6%

LAB 57.73, 67.33, -47.51

 

CMYK 0 / 56 / 62 / 13

HEX #DE6254

RGB 222 98 84

HSL 6.09, 0.68%, 0.6%

LAB 56.98, 47.49, 31.87

 

CMYK 62 / 0 / 31 / 13

HEX #54DE99

RGB 84 222 153

HSL 150, 0.68%, 0.6%

LAB 79.86, -53, 23.04

 

CMYK 5 / 62 / 0 / 13

HEX #D355DF

RGB 211 85 223

HSL 294.78, 0.68%, 0.6%

LAB 57.73, 67.33, -47.51

 

CMYK 0 / 6 / 62 / 13

HEX #DED054

RGB 222 208 84

HSL 53.91, 0.68%, 0.6%

LAB 82.53, -9.87, 61.44

 

CMYK 62 / 0 / 6 / 13

HEX #54DED0

RGB 84 222 208

HSL 173.91, 0.68%, 0.6%

LAB 81.12, -40.31, -4.21

 

CMYK 5 / 62 / 0 / 13

HEX #D355DF

RGB 211 85 223

HSL 294.78, 0.68%, 0.6%

LAB 57.73, 67.33, -47.51

 

CMYK 0 / 56 / 62 / 13

HEX #DE6254

RGB 222 98 84

HSL 6.09, 0.68%, 0.6%

LAB 56.98, 47.49, 31.87

 

CMYK 56 / 0 / 62 / 13

HEX #62DE54

RGB 98 222 84

HSL 113.91, 0.68%, 0.6%

LAB 79.32, -60.28, 55.87

 

CMYK 62 / 6 / 0 / 13

HEX #54D0DE

RGB 84 208 222

HSL 186.09, 0.68%, 0.6%

LAB 77.44, -29.97, -17.17

 

CMYK 5 / 62 / 0 / 13

HEX #D355DF

RGB 211 85 223

HSL 294.78, 0.68%, 0.6%

LAB 57.73, 67.33, -47.51

 

CMYK 0 / 37 / 62 / 13

HEX #DE8B54

RGB 222 139 84

HSL 23.91, 0.68%, 0.6%

LAB 65.46, 26.52, 42.19

 

CMYK 56 / 0 / 62 / 13

HEX #62DE54

RGB 98 222 84

HSL 113.91, 0.68%, 0.6%

LAB 79.32, -60.28, 55.87

 

CMYK 62 / 25 / 0 / 13

HEX #54A7DE

RGB 84 167 222

HSL 203.91, 0.68%, 0.6%

LAB 65.59, -8.77, -35.33

 

Description

Color code: HEX #D355DF | qconv.com Color code: HEX #D355DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 85 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 85 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 62 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 62% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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