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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D352B5 it is the complementary color #2CAD4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D352B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D352B5 shade: #D852B0, #E964C3, #FA76D6, #FF88E9 and #FF9AFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D352B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D352B5 shade: #D352B5, #C240A2, #B12E8F, #A01C7C and #8F0A69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D352B5 shade: #D251B4, #D25191, #D2516E and #D25151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D352B5 shade: #D251B4, #CD51D2, #AA51D2, #8751D2 and #6551D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D352B5 shade matches the following richer shades: #D251B4, #E43FBD and #F62DC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D352B5 shade: #D251B4, #C062AA, #AF74A1, #9D8697 and #8B988E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D352B5 shade: #A951D2, #CC51D2, #D251B6, #D25194 and #D25171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D352B5 shade: #A62B89, #C633A4, #D251B4, #DB71C2 and #E392D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D352B5 shade: #D352B5, #D28751 and #51D2BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D352B5 shade: #D352B5, #B6D251 and #51B6D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D352B5 shade: #D352B5, #D28751, #51D26D and #519CD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D352B5 shade: #D352B5, #D2AD51, #51D26D and #5175D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 14 / 17

HEX #D352B5

RGB 211 82 181

HSL 313.95, 0.59%, 0.57%

LAB 55.3, 61.74, -27.34

 

Complementary color

CMYK 75 / 0 / 57 / 32

HEX #2CAD4A

RGB 44 173 74

HSL 133.95, 0.59%, 0.43%

LAB 62.44, -55.18, 40.59

 

CMYK 0 / 62 / 19 / 15

HEX #D852B0

RGB 216 82 176

HSL 317.91, 0.63%, 0.58%

LAB 55.85, 62.37, -23.52

 

CMYK 0 / 57 / 16 / 9

HEX #E964C3

RGB 233 100 195

HSL 317.14, 0.75%, 0.65%

LAB 61.98, 62.09, -24.8

 

CMYK 0 / 53 / 14 / 2

HEX #FA76D6

RGB 250 118 214

HSL 316.36, 0.93%, 0.72%

LAB 68.12, 61.61, -25.85

 

CMYK 0 / 47 / 9 / 0

HEX #FF88E9

RGB 255 136 233

HSL 311.09, 1%, 0.77%

LAB 72.73, 57.51, -29.22

 

CMYK 0 / 40 / 1 / 0

HEX #FF9AFC

RGB 255 154 252

HSL 301.78, 1%, 0.8%

LAB 76.92, 51.8, -33.1

 

CMYK 0 / 61 / 14 / 17

HEX #D352B5

RGB 211 82 181

HSL 313.95, 0.59%, 0.57%

LAB 55.3, 61.74, -27.34

 

CMYK 0 / 67 / 16 / 24

HEX #C240A2

RGB 194 64 162

HSL 314.77, 0.52%, 0.51%

LAB 49.19, 61.73, -25.9

 

CMYK 0 / 74 / 19 / 31

HEX #B12E8F

RGB 177 46 143

HSL 315.57, 0.59%, 0.44%

LAB 43.19, 61.2, -24.04

 

CMYK 0 / 83 / 23 / 37

HEX #A01C7C

RGB 160 28 124

HSL 316.36, 0.7%, 0.37%

LAB 37.41, 59.83, -21.56

 

CMYK 0 / 93 / 27 / 44

HEX #8F0A69

RGB 143 10 105

HSL 317.14, 0.87%, 0.3%

LAB 31.98, 57.16, -18.2

 

CMYK 0 / 61 / 14 / 18

HEX #D251B4

RGB 210 81 180

HSL 313.95, 0.59%, 0.57%

LAB 54.95, 61.74, -27.31

 

CMYK 0 / 61 / 31 / 18

HEX #D25191

RGB 210 81 145

HSL 330.23, 0.59%, 0.57%

LAB 53.63, 56.98, -8.83

 

CMYK 0 / 61 / 48 / 18

HEX #D2516E

RGB 210 81 110

HSL 346.51, 0.59%, 0.57%

LAB 52.63, 53.21, 10.54

 

CMYK 0 / 61 / 61 / 18

HEX #D25151

RGB 210 81 81

HSL 0, 0.59%, 0.57%

LAB 52.04, 50.92, 26.94

 

CMYK 0 / 61 / 14 / 18

HEX #D251B4

RGB 210 81 180

HSL 313.95, 0.59%, 0.57%

LAB 54.95, 61.74, -27.31

 

CMYK 2 / 61 / 0 / 18

HEX #CD51D2

RGB 205 81 210

HSL 297.67, 0.59%, 0.57%

LAB 55.6, 65.29, -43.57

 

CMYK 19 / 61 / 0 / 18

HEX #AA51D2

RGB 170 81 210

HSL 281.4, 0.59%, 0.57%

LAB 50.79, 56.87, -51.52

 

CMYK 36 / 61 / 0 / 18

HEX #8751D2

RGB 135 81 210

HSL 265.12, 0.59%, 0.57%

LAB 46.56, 48.83, -58.53

 

CMYK 52 / 61 / 0 / 18

HEX #6551D2

RGB 101 81 210

HSL 249.3, 0.59%, 0.57%

LAB 43.22, 41.85, -64.1

 

CMYK 0 / 61 / 14 / 18

HEX #D251B4

RGB 210 81 180

HSL 313.95, 0.59%, 0.57%

LAB 54.95, 61.74, -27.31

 

CMYK 0 / 72 / 17 / 11

HEX #E43FBD

RGB 228 63 189

HSL 314.18, 0.75%, 0.57%

LAB 55.81, 74.19, -30.96

 

CMYK 0 / 82 / 19 / 4

HEX #F62DC7

RGB 246 45 199

HSL 314.03, 0.92%, 0.57%

LAB 57.65, 84.16, -33.62

 

CMYK 0 / 61 / 14 / 18

HEX #D251B4

RGB 210 81 180

HSL 313.95, 0.59%, 0.57%

LAB 54.95, 61.74, -27.31

 

CMYK 0 / 49 / 11 / 25

HEX #C062AA

RGB 192 98 170

HSL 314.04, 0.43%, 0.57%

LAB 54.91, 47.05, -21.79

 

CMYK 0 / 34 / 8 / 31

HEX #AF74A1

RGB 175 116 161

HSL 314.24, 0.27%, 0.57%

LAB 56.27, 30.29, -14.7

 

CMYK 0 / 15 / 4 / 38

HEX #9D8697

RGB 157 134 151

HSL 315.65, 0.11%, 0.57%

LAB 58.46, 11.79, -5.83

 

CMYK 9 / 0 / 7 / 40

HEX #8B988E

RGB 139 152 142

HSL 133.85, 0.06%, 0.57%

LAB 61.57, -6.64, 3.66

 

CMYK 20 / 61 / 0 / 18

HEX #A951D2

RGB 169 81 210

HSL 280.93, 0.59%, 0.57%

LAB 50.66, 56.63, -51.74

 

CMYK 3 / 61 / 0 / 18

HEX #CC51D2

RGB 204 81 210

HSL 297.21, 0.59%, 0.57%

LAB 55.46, 65.05, -43.81

 

CMYK 0 / 61 / 13 / 18

HEX #D251B6

RGB 210 81 182

HSL 313.02, 0.59%, 0.57%

LAB 55.04, 62.04, -28.34

 

CMYK 0 / 61 / 30 / 18

HEX #D25194

RGB 210 81 148

HSL 328.84, 0.59%, 0.57%

LAB 53.73, 57.35, -10.45

 

CMYK 0 / 61 / 46 / 18

HEX #D25171

RGB 210 81 113

HSL 345.12, 0.59%, 0.57%

LAB 52.71, 53.49, 8.86

 

CMYK 0 / 74 / 17 / 35

HEX #A62B89

RGB 166 43 137

HSL 314.15, 0.59%, 0.41%

LAB 40.64, 58.64, -24.49

 

CMYK 0 / 74 / 17 / 22

HEX #C633A4

RGB 198 51 164

HSL 313.88, 0.59%, 0.49%

LAB 48.33, 67.54, -28.37

 

CMYK 0 / 61 / 14 / 18

HEX #D251B4

RGB 210 81 180

HSL 313.95, 0.59%, 0.57%

LAB 54.95, 61.74, -27.31

 

CMYK 0 / 48 / 11 / 14

HEX #DB71C2

RGB 219 113 194

HSL 314.15, 0.6%, 0.65%

LAB 62.31, 51.74, -23.89

 

CMYK 0 / 36 / 8 / 11

HEX #E392D0

RGB 227 146 208

HSL 314.07, 0.59%, 0.73%

LAB 70.48, 39.65, -19.17

 

CMYK 0 / 61 / 14 / 17

HEX #D352B5

RGB 211 82 181

HSL 313.95, 0.59%, 0.57%

LAB 55.3, 61.74, -27.34

 

CMYK 0 / 36 / 61 / 18

HEX #D28751

RGB 210 135 81

HSL 25.12, 0.59%, 0.57%

LAB 63.03, 23.53, 40.5

 

CMYK 61 / 0 / 11 / 18

HEX #51D2BA

RGB 81 210 186

HSL 168.84, 0.59%, 0.57%

LAB 76.91, -41.08, 1.39

 

CMYK 0 / 61 / 14 / 17

HEX #D352B5

RGB 211 82 181

HSL 313.95, 0.59%, 0.57%

LAB 55.3, 61.74, -27.34

 

CMYK 13 / 0 / 61 / 18

HEX #B6D251

RGB 182 210 81

HSL 73.02, 0.59%, 0.57%

LAB 79.97, -27.4, 59.04

 

CMYK 61 / 13 / 0 / 18

HEX #51B6D2

RGB 81 182 210

HSL 193.02, 0.59%, 0.57%

LAB 69.37, -21.03, -22.92

 

CMYK 0 / 61 / 14 / 17

HEX #D352B5

RGB 211 82 181

HSL 313.95, 0.59%, 0.57%

LAB 55.3, 61.74, -27.34

 

CMYK 0 / 36 / 61 / 18

HEX #D28751

RGB 210 135 81

HSL 25.12, 0.59%, 0.57%

LAB 63.03, 23.53, 40.5

 

CMYK 61 / 0 / 48 / 18

HEX #51D26D

RGB 81 210 109

HSL 133.02, 0.59%, 0.57%

LAB 75.42, -56.66, 39.59

 

CMYK 61 / 26 / 0 / 18

HEX #519CD2

RGB 81 156 210

HSL 205.12, 0.59%, 0.57%

LAB 61.81, -7.05, -34.58

 

CMYK 0 / 61 / 14 / 17

HEX #D352B5

RGB 211 82 181

HSL 313.95, 0.59%, 0.57%

LAB 55.3, 61.74, -27.34

 

CMYK 0 / 18 / 61 / 18

HEX #D2AD51

RGB 210 173 81

HSL 42.79, 0.59%, 0.57%

LAB 72.35, 3.04, 51.27

 

CMYK 61 / 0 / 48 / 18

HEX #51D26D

RGB 81 210 109

HSL 133.02, 0.59%, 0.57%

LAB 75.42, -56.66, 39.59

 

CMYK 61 / 44 / 0 / 18

HEX #5175D2

RGB 81 117 210

HSL 223.26, 0.59%, 0.57%

LAB 50.83, 16.05, -51.9

 

Description

Color code: HEX #D352B5 | qconv.com Color code: HEX #D352B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 82 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 82 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 14 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 14% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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