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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D352B1 it is the complementary color #2CAD4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D352B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D352B1 shade: #D852AC, #E964BF, #FA76D2, #FF88E5 and #FF9AF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D352B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D352B1 shade: #D352B1, #C2409E, #B12E8B, #A01C78 and #8F0A65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D352B1 shade: #D251B0, #D2518D, #D2516A and #D25151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D352B1 shade: #D251B0, #D151D2, #AE51D2, #8B51D2 and #6951D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D352B1 shade matches the following richer shades: #D251B0, #E43FB8 and #F62DC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D352B1 shade: #D251B0, #C062A8, #AF749F, #9D8697 and #8B988E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D352B1 shade: #AD51D2, #D051D2, #D251B2, #D2518F and #D2516D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D352B1 shade: #A62B85, #C633A0, #D251B0, #DB71BF and #E392CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D352B1 shade: #D352B1, #D28B51 and #51D2BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D352B1 shade: #D352B1, #B2D251 and #51B2D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D352B1 shade: #D352B1, #D28B51, #51D271 and #5198D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D352B1 shade: #D352B1, #D2B251, #51D271 and #5171D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 16 / 17

HEX #D352B1

RGB 211 82 177

HSL 315.81, 0.59%, 0.57%

LAB 55.13, 61.15, -25.28

 

Complementary color

CMYK 75 / 0 / 55 / 32

HEX #2CAD4E

RGB 44 173 78

HSL 135.81, 0.59%, 0.43%

LAB 62.48, -54.62, 38.71

 

CMYK 0 / 62 / 20 / 15

HEX #D852AC

RGB 216 82 172

HSL 319.7, 0.63%, 0.58%

LAB 55.7, 61.81, -21.44

 

CMYK 0 / 57 / 18 / 9

HEX #E964BF

RGB 233 100 191

HSL 318.95, 0.75%, 0.65%

LAB 61.83, 61.51, -22.76

 

CMYK 0 / 53 / 16 / 2

HEX #FA76D2

RGB 250 118 210

HSL 318.18, 0.93%, 0.72%

LAB 67.97, 61.02, -23.85

 

CMYK 0 / 47 / 10 / 0

HEX #FF88E5

RGB 255 136 229

HSL 313.11, 1%, 0.77%

LAB 72.58, 56.87, -27.25

 

CMYK 0 / 40 / 3 / 0

HEX #FF9AF8

RGB 255 154 248

HSL 304.16, 1%, 0.8%

LAB 76.77, 51.11, -31.17

 

CMYK 0 / 61 / 16 / 17

HEX #D352B1

RGB 211 82 177

HSL 315.81, 0.59%, 0.57%

LAB 55.13, 61.15, -25.28

 

CMYK 0 / 67 / 19 / 24

HEX #C2409E

RGB 194 64 158

HSL 316.62, 0.52%, 0.51%

LAB 49.01, 61.16, -23.8

 

CMYK 0 / 74 / 21 / 31

HEX #B12E8B

RGB 177 46 139

HSL 317.4, 0.59%, 0.44%

LAB 43.01, 60.65, -21.88

 

CMYK 0 / 83 / 25 / 37

HEX #A01C78

RGB 160 28 120

HSL 318.18, 0.7%, 0.37%

LAB 37.23, 59.31, -19.34

 

CMYK 0 / 93 / 29 / 44

HEX #8F0A65

RGB 143 10 101

HSL 318.95, 0.87%, 0.3%

LAB 31.8, 56.67, -15.91

 

CMYK 0 / 61 / 16 / 18

HEX #D251B0

RGB 210 81 176

HSL 315.81, 0.59%, 0.57%

LAB 54.78, 61.15, -25.25

 

CMYK 0 / 61 / 33 / 18

HEX #D2518D

RGB 210 81 141

HSL 332.09, 0.59%, 0.57%

LAB 53.5, 56.49, -6.65

 

CMYK 0 / 61 / 50 / 18

HEX #D2516A

RGB 210 81 106

HSL 348.37, 0.59%, 0.57%

LAB 52.54, 52.85, 12.8

 

CMYK 0 / 61 / 61 / 18

HEX #D25151

RGB 210 81 81

HSL 0, 0.59%, 0.57%

LAB 52.04, 50.92, 26.94

 

CMYK 0 / 61 / 16 / 18

HEX #D251B0

RGB 210 81 176

HSL 315.81, 0.59%, 0.57%

LAB 54.78, 61.15, -25.25

 

CMYK 0 / 61 / 0 / 18

HEX #D151D2

RGB 209 81 210

HSL 299.53, 0.59%, 0.57%

LAB 56.18, 66.27, -42.62

 

CMYK 17 / 61 / 0 / 18

HEX #AE51D2

RGB 174 81 210

HSL 283.26, 0.59%, 0.57%

LAB 51.31, 57.82, -50.66

 

CMYK 34 / 61 / 0 / 18

HEX #8B51D2

RGB 139 81 210

HSL 266.98, 0.59%, 0.57%

LAB 47.01, 49.71, -57.79

 

CMYK 50 / 61 / 0 / 18

HEX #6951D2

RGB 105 81 210

HSL 251.16, 0.59%, 0.57%

LAB 43.57, 42.61, -63.52

 

CMYK 0 / 61 / 16 / 18

HEX #D251B0

RGB 210 81 176

HSL 315.81, 0.59%, 0.57%

LAB 54.78, 61.15, -25.25

 

CMYK 0 / 72 / 19 / 11

HEX #E43FB8

RGB 228 63 184

HSL 316, 0.75%, 0.57%

LAB 55.59, 73.52, -28.41

 

CMYK 0 / 82 / 22 / 4

HEX #F62DC1

RGB 246 45 193

HSL 315.82, 0.92%, 0.57%

LAB 57.39, 83.42, -30.58

 

CMYK 0 / 61 / 16 / 18

HEX #D251B0

RGB 210 81 176

HSL 315.81, 0.59%, 0.57%

LAB 54.78, 61.15, -25.25

 

CMYK 0 / 49 / 13 / 25

HEX #C062A8

RGB 192 98 168

HSL 315.32, 0.43%, 0.57%

LAB 54.83, 46.72, -20.74

 

CMYK 0 / 34 / 9 / 31

HEX #AF749F

RGB 175 116 159

HSL 316.27, 0.27%, 0.57%

LAB 56.2, 29.93, -13.65

 

CMYK 0 / 15 / 4 / 38

HEX #9D8697

RGB 157 134 151

HSL 315.65, 0.11%, 0.57%

LAB 58.46, 11.79, -5.83

 

CMYK 9 / 0 / 7 / 40

HEX #8B988E

RGB 139 152 142

HSL 133.85, 0.06%, 0.57%

LAB 61.57, -6.64, 3.66

 

CMYK 18 / 61 / 0 / 18

HEX #AD51D2

RGB 173 81 210

HSL 282.79, 0.59%, 0.57%

LAB 51.18, 57.58, -50.87

 

CMYK 1 / 61 / 0 / 18

HEX #D051D2

RGB 208 81 210

HSL 299.07, 0.59%, 0.57%

LAB 56.04, 66.02, -42.86

 

CMYK 0 / 61 / 15 / 18

HEX #D251B2

RGB 210 81 178

HSL 314.88, 0.59%, 0.57%

LAB 54.87, 61.44, -26.28

 

CMYK 0 / 61 / 32 / 18

HEX #D2518F

RGB 210 81 143

HSL 331.16, 0.59%, 0.57%

LAB 53.57, 56.73, -7.74

 

CMYK 0 / 61 / 48 / 18

HEX #D2516D

RGB 210 81 109

HSL 346.98, 0.59%, 0.57%

LAB 52.61, 53.12, 11.11

 

CMYK 0 / 74 / 20 / 35

HEX #A62B85

RGB 166 43 133

HSL 316.1, 0.59%, 0.41%

LAB 40.46, 58.08, -22.32

 

CMYK 0 / 74 / 19 / 22

HEX #C633A0

RGB 198 51 160

HSL 315.51, 0.59%, 0.49%

LAB 48.15, 67, -26.27

 

CMYK 0 / 61 / 16 / 18

HEX #D251B0

RGB 210 81 176

HSL 315.81, 0.59%, 0.57%

LAB 54.78, 61.15, -25.25

 

CMYK 0 / 48 / 13 / 14

HEX #DB71BF

RGB 219 113 191

HSL 315.85, 0.6%, 0.65%

LAB 62.2, 51.26, -22.36

 

CMYK 0 / 36 / 9 / 11

HEX #E392CE

RGB 227 146 206

HSL 315.56, 0.59%, 0.73%

LAB 70.42, 39.31, -18.17

 

CMYK 0 / 61 / 16 / 17

HEX #D352B1

RGB 211 82 177

HSL 315.81, 0.59%, 0.57%

LAB 55.13, 61.15, -25.28

 

CMYK 0 / 34 / 61 / 18

HEX #D28B51

RGB 210 139 81

HSL 26.98, 0.59%, 0.57%

LAB 63.97, 21.37, 41.61

 

CMYK 61 / 0 / 9 / 18

HEX #51D2BF

RGB 81 210 191

HSL 171.16, 0.59%, 0.57%

LAB 77.04, -39.81, -1.11

 

CMYK 0 / 61 / 16 / 17

HEX #D352B1

RGB 211 82 177

HSL 315.81, 0.59%, 0.57%

LAB 55.13, 61.15, -25.28

 

CMYK 15 / 0 / 61 / 18

HEX #B2D251

RGB 178 210 81

HSL 74.88, 0.59%, 0.57%

LAB 79.7, -28.99, 58.67

 

CMYK 61 / 15 / 0 / 18

HEX #51B2D2

RGB 81 178 210

HSL 194.88, 0.59%, 0.57%

LAB 68.2, -18.95, -24.71

 

CMYK 0 / 61 / 16 / 17

HEX #D352B1

RGB 211 82 177

HSL 315.81, 0.59%, 0.57%

LAB 55.13, 61.15, -25.28

 

CMYK 0 / 34 / 61 / 18

HEX #D28B51

RGB 210 139 81

HSL 26.98, 0.59%, 0.57%

LAB 63.97, 21.37, 41.61

 

CMYK 61 / 0 / 46 / 18

HEX #51D271

RGB 81 210 113

HSL 134.88, 0.59%, 0.57%

LAB 75.47, -56.05, 37.68

 

CMYK 61 / 28 / 0 / 18

HEX #5198D2

RGB 81 152 210

HSL 206.98, 0.59%, 0.57%

LAB 60.66, -4.79, -36.37

 

CMYK 0 / 61 / 16 / 17

HEX #D352B1

RGB 211 82 177

HSL 315.81, 0.59%, 0.57%

LAB 55.13, 61.15, -25.28

 

CMYK 0 / 15 / 61 / 18

HEX #D2B251

RGB 210 178 81

HSL 45.12, 0.59%, 0.57%

LAB 73.63, 0.39, 52.71

 

CMYK 61 / 0 / 46 / 18

HEX #51D271

RGB 81 210 113

HSL 134.88, 0.59%, 0.57%

LAB 75.47, -56.05, 37.68

 

CMYK 61 / 46 / 0 / 18

HEX #5171D2

RGB 81 113 210

HSL 225.12, 0.59%, 0.57%

LAB 49.75, 18.52, -53.63

 

Description

Color code: HEX #D352B1 | qconv.com Color code: HEX #D352B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 82 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 82 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 16 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 16% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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