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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D34E76 it is the complementary color #2CB189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D34E76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D34E76 shade: #D84E71, #E96084, #FA7297, #FF84AA and #FF96BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D34E76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D34E76 shade: #D34E76, #C23C63, #B12A50, #A0183D and #8F062A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D34E76 shade: #D35077, #D35054 and #D35050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D34E76 shade: #D35077, #D3509B, #D350BE, #C550D3 and #A150D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D34E76 shade matches the following richer shades: #D35077, #E53E70 and #F72C69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D34E76 shade: #D35077, #C1617E, #B07385, #9E858C and #8C9793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D34E76 shade: #D350BF, #D3509C, #D35079, #D35056 and #D36C50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D34E76 shade: #A72A4F, #C8325F, #D35077, #DB7191 and #E492AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D34E76 shade: #D34E76, #D3C450 and #50AED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D34E76 shade: #D34E76, #79D350 and #5079D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D34E76 shade: #D34E76, #D3C450, #50D3A9 and #505FD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D34E76 shade: #D34E76, #BBD350, #50D3A9 and #6850D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 44 / 17

HEX #D34E76

RGB 211 78 118

HSL 341.95, 0.6%, 0.57%

LAB 52.52, 55.59, 5.62

 

Complementary color

CMYK 75 / 0 / 23 / 31

HEX #2CB189

RGB 44 177 137

HSL 161.95, 0.6%, 0.43%

LAB 64.79, -44.65, 10.52

 

CMYK 0 / 64 / 48 / 15

HEX #D84E71

RGB 216 78 113

HSL 344.78, 0.64%, 0.58%

LAB 53.21, 56.7, 9.71

 

CMYK 0 / 59 / 43 / 9

HEX #E96084

RGB 233 96 132

HSL 344.23, 0.76%, 0.65%

LAB 59.3, 56.12, 7.53

 

CMYK 0 / 54 / 40 / 2

HEX #FA7297

RGB 250 114 151

HSL 343.68, 0.93%, 0.71%

LAB 65.43, 55.38, 5.69

 

CMYK 0 / 48 / 33 / 0

HEX #FF84AA

RGB 255 132 170

HSL 341.46, 1%, 0.76%

LAB 69.94, 50.59, 1.57

 

CMYK 0 / 41 / 26 / 0

HEX #FF96BD

RGB 255 150 189

HSL 337.71, 1%, 0.79%

LAB 74.03, 44.02, -3.03

 

CMYK 0 / 63 / 44 / 17

HEX #D34E76

RGB 211 78 118

HSL 341.95, 0.6%, 0.57%

LAB 52.52, 55.59, 5.62

 

CMYK 0 / 69 / 49 / 24

HEX #C23C63

RGB 194 60 99

HSL 342.54, 0.53%, 0.5%

LAB 46.45, 55.89, 8.09

 

CMYK 0 / 76 / 55 / 31

HEX #B12A50

RGB 177 42 80

HSL 343.11, 0.62%, 0.43%

LAB 40.54, 55.68, 11.19

 

CMYK 0 / 85 / 62 / 37

HEX #A0183D

RGB 160 24 61

HSL 343.68, 0.74%, 0.36%

LAB 34.93, 54.61, 15.14

 

CMYK 0 / 96 / 71 / 44

HEX #8F062A

RGB 143 6 42

HSL 344.23, 0.92%, 0.29%

LAB 29.76, 52.28, 20.19

 

CMYK 0 / 62 / 44 / 17

HEX #D35077

RGB 211 80 119

HSL 342.14, 0.6%, 0.57%

LAB 52.86, 54.83, 5.51

 

CMYK 0 / 62 / 60 / 17

HEX #D35054

RGB 211 80 84

HSL 358.17, 0.6%, 0.57%

LAB 52.09, 51.9, 25.28

 

CMYK 0 / 62 / 62 / 17

HEX #D35050

RGB 211 80 80

HSL 0, 0.6%, 0.57%

LAB 52.02, 51.64, 27.54

 

CMYK 0 / 62 / 44 / 17

HEX #D35077

RGB 211 80 119

HSL 342.14, 0.6%, 0.57%

LAB 52.86, 54.83, 5.51

 

CMYK 0 / 62 / 27 / 17

HEX #D3509B

RGB 211 80 155

HSL 325.65, 0.6%, 0.57%

LAB 53.98, 58.96, -14.19

 

CMYK 0 / 62 / 10 / 17

HEX #D350BE

RGB 211 80 190

HSL 309.62, 0.6%, 0.57%

LAB 55.38, 63.94, -32.4

 

CMYK 7 / 62 / 0 / 17

HEX #C550D3

RGB 197 80 211

HSL 293.59, 0.6%, 0.57%

LAB 54.36, 63.96, -46.19

 

CMYK 24 / 62 / 0 / 17

HEX #A150D3

RGB 161 80 211

HSL 277.1, 0.6%, 0.57%

LAB 49.52, 55.46, -54.19

 

CMYK 0 / 62 / 44 / 17

HEX #D35077

RGB 211 80 119

HSL 342.14, 0.6%, 0.57%

LAB 52.86, 54.83, 5.51

 

CMYK 0 / 73 / 51 / 10

HEX #E53E70

RGB 229 62 112

HSL 342.04, 0.76%, 0.57%

LAB 53.25, 66.47, 10.68

 

CMYK 0 / 82 / 57 / 3

HEX #F72C69

RGB 247 44 105

HSL 341.97, 0.93%, 0.57%

LAB 54.65, 75.72, 17.34

 

CMYK 0 / 62 / 44 / 17

HEX #D35077

RGB 211 80 119

HSL 342.14, 0.6%, 0.57%

LAB 52.86, 54.83, 5.51

 

CMYK 0 / 50 / 35 / 24

HEX #C1617E

RGB 193 97 126

HSL 341.88, 0.44%, 0.57%

LAB 53.38, 41.52, 1.75

 

CMYK 0 / 35 / 24 / 31

HEX #B07385

RGB 176 115 133

HSL 342.3, 0.28%, 0.57%

LAB 55.26, 26.59, 0.11

 

CMYK 0 / 16 / 11 / 38

HEX #9E858C

RGB 158 133 140

HSL 343.2, 0.11%, 0.57%

LAB 57.98, 10.71, -0.21

 

CMYK 7 / 0 / 3 / 41

HEX #8C9793

RGB 140 151 147

HSL 158.18, 0.05%, 0.57%

LAB 61.49, -4.74, 0.74

 

CMYK 0 / 62 / 9 / 17

HEX #D350BF

RGB 211 80 191

HSL 309.16, 0.6%, 0.57%

LAB 55.43, 64.1, -32.91

 

CMYK 0 / 62 / 26 / 17

HEX #D3509C

RGB 211 80 156

HSL 325.19, 0.6%, 0.57%

LAB 54.01, 59.09, -14.73

 

CMYK 0 / 62 / 43 / 17

HEX #D35079

RGB 211 80 121

HSL 341.22, 0.6%, 0.57%

LAB 52.91, 55.03, 4.4

 

CMYK 0 / 62 / 59 / 17

HEX #D35056

RGB 211 80 86

HSL 357.25, 0.6%, 0.57%

LAB 52.13, 52.04, 24.15

 

CMYK 0 / 49 / 62 / 17

HEX #D36C50

RGB 211 108 80

HSL 12.82, 0.6%, 0.57%

LAB 57.22, 38.18, 34.04

 

CMYK 0 / 75 / 53 / 35

HEX #A72A4F

RGB 167 42 79

HSL 342.24, 0.6%, 0.41%

LAB 38.61, 52.66, 8.84

 

CMYK 0 / 75 / 53 / 22

HEX #C8325F

RGB 200 50 95

HSL 342, 0.6%, 0.49%

LAB 46.16, 60.86, 10.3

 

CMYK 0 / 62 / 44 / 17

HEX #D35077

RGB 211 80 119

HSL 342.14, 0.6%, 0.57%

LAB 52.86, 54.83, 5.51

 

CMYK 0 / 48 / 34 / 14

HEX #DB7191

RGB 219 113 145

HSL 341.89, 0.6%, 0.65%

LAB 60.71, 44.78, 1.75

 

CMYK 0 / 36 / 25 / 11

HEX #E492AA

RGB 228 146 170

HSL 342.44, 0.6%, 0.73%

LAB 69.44, 34.1, 0.42

 

CMYK 0 / 63 / 44 / 17

HEX #D34E76

RGB 211 78 118

HSL 341.95, 0.6%, 0.57%

LAB 52.52, 55.59, 5.62

 

CMYK 0 / 7 / 62 / 17

HEX #D3C450

RGB 211 196 80

HSL 53.13, 0.6%, 0.57%

LAB 78.41, -8.62, 58.43

 

CMYK 62 / 18 / 0 / 17

HEX #50AED3

RGB 80 174 211

HSL 196.95, 0.6%, 0.57%

LAB 67.04, -16.72, -27.04

 

CMYK 0 / 63 / 44 / 17

HEX #D34E76

RGB 211 78 118

HSL 341.95, 0.6%, 0.57%

LAB 52.52, 55.59, 5.62

 

CMYK 43 / 0 / 62 / 17

HEX #79D350

RGB 121 211 80

HSL 101.22, 0.6%, 0.57%

LAB 76.82, -49.99, 55.03

 

CMYK 62 / 43 / 0 / 17

HEX #5079D3

RGB 80 121 211

HSL 221.22, 0.6%, 0.57%

LAB 51.93, 13.74, -50.72

 

CMYK 0 / 63 / 44 / 17

HEX #D34E76

RGB 211 78 118

HSL 341.95, 0.6%, 0.57%

LAB 52.52, 55.59, 5.62

 

CMYK 0 / 7 / 62 / 17

HEX #D3C450

RGB 211 196 80

HSL 53.13, 0.6%, 0.57%

LAB 78.41, -8.62, 58.43

 

CMYK 62 / 0 / 20 / 17

HEX #50D3A9

RGB 80 211 169

HSL 160.76, 0.6%, 0.57%

LAB 76.77, -45.78, 10.29

 

CMYK 62 / 55 / 0 / 17

HEX #505FD3

RGB 80 95 211

HSL 233.13, 0.6%, 0.57%

LAB 45.07, 29.92, -61.74

 

CMYK 0 / 63 / 44 / 17

HEX #D34E76

RGB 211 78 118

HSL 341.95, 0.6%, 0.57%

LAB 52.52, 55.59, 5.62

 

CMYK 11 / 0 / 62 / 17

HEX #BBD350

RGB 187 211 80

HSL 70.99, 0.6%, 0.57%

LAB 80.59, -25.96, 60.23

 

CMYK 62 / 0 / 20 / 17

HEX #50D3A9

RGB 80 211 169

HSL 160.76, 0.6%, 0.57%

LAB 76.77, -45.78, 10.29

 

CMYK 51 / 62 / 0 / 17

HEX #6850D3

RGB 104 80 211

HSL 250.99, 0.6%, 0.57%

LAB 43.34, 43.29, -64.48

 

Description

Color code: HEX #D34E76 | qconv.com Color code: HEX #D34E76 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 78 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 78 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 44 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 44% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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