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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D33981 it is the complementary color #2CC67E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D33981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D33981 shade: #D8397C, #E94B8F, #FA5DA2, #FF6FB5 and #FF81C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D33981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D33981 shade: #D33981, #C2276E, #B1155B, #A00348 and #8F0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D33981 shade: #D43A82, #D43A59 and #D43A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D33981 shade: #D43A82, #D43AAC, #D33AD4, #A93AD4 and #803AD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D33981 shade matches the following richer shades: #D43A82, #E72781 and #FB1480

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D33981 shade: #D43A82, #C04E83, #AD6185, #9A7586 and #868887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D33981 shade: #D13AD4, #D43AAE, #D43A85, #D43A5C and #D4423A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D33981 shade: #9A225A, #BC296E, #D43A82, #DB5C98 and #E37EAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D33981 shade: #D33981, #D4A83A and #3AC2D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D33981 shade: #D33981, #85D43A and #3A85D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D33981 shade: #D33981, #D4A83A, #3AD48A and #3A66D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D33981 shade: #D33981, #D1D43A, #3AD48A and #3D3AD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 39 / 17

HEX #D33981

RGB 211 57 129

HSL 331.95, 0.64%, 0.53%

LAB 49.93, 64.7, -4.76

 

Complementary color

CMYK 78 / 0 / 36 / 22

HEX #2CC67E

RGB 44 198 126

HSL 151.95, 0.64%, 0.47%

LAB 71.17, -55.36, 25.24

 

CMYK 0 / 74 / 43 / 15

HEX #D8397C

RGB 216 57 124

HSL 334.72, 0.67%, 0.54%

LAB 50.66, 65.56, -0.56

 

CMYK 0 / 68 / 39 / 9

HEX #E94B8F

RGB 233 75 143

HSL 334.18, 0.78%, 0.6%

LAB 56.43, 65.85, -3.09

 

CMYK 0 / 63 / 35 / 2

HEX #FA5DA2

RGB 250 93 162

HSL 333.63, 0.94%, 0.67%

LAB 62.31, 65.73, -5.17

 

CMYK 0 / 56 / 29 / 0

HEX #FF6FB5

RGB 255 111 181

HSL 330.83, 1%, 0.72%

LAB 66.49, 61.75, -9.72

 

CMYK 0 / 49 / 22 / 0

HEX #FF81C8

RGB 255 129 200

HSL 326.19, 1%, 0.75%

LAB 70.27, 55.92, -14.73

 

CMYK 0 / 73 / 39 / 17

HEX #D33981

RGB 211 57 129

HSL 331.95, 0.64%, 0.53%

LAB 49.93, 64.7, -4.76

 

CMYK 0 / 80 / 43 / 24

HEX #C2276E

RGB 194 39 110

HSL 332.52, 0.67%, 0.46%

LAB 44.3, 63.78, -1.8

 

CMYK 0 / 88 / 49 / 31

HEX #B1155B

RGB 177 21 91

HSL 333.08, 0.79%, 0.39%

LAB 38.97, 61.9, 1.95

 

CMYK 0 / 98 / 55 / 37

HEX #A00348

RGB 160 3 72

HSL 333.63, 0.96%, 0.32%

LAB 34, 58.84, 6.66

 

CMYK 0 / 100 / 63 / 44

HEX #8F0035

RGB 143 0 53

HSL 337.76, 1%, 0.28%

LAB 29.66, 53.84, 12.71

 

CMYK 0 / 73 / 39 / 17

HEX #D43A82

RGB 212 58 130

HSL 331.95, 0.64%, 0.53%

LAB 50.26, 64.74, -4.86

 

CMYK 0 / 73 / 58 / 17

HEX #D43A59

RGB 212 58 89

HSL 347.92, 0.64%, 0.53%

LAB 49.18, 61.22, 18.48

 

CMYK 0 / 73 / 73 / 17

HEX #D43A3A

RGB 212 58 58

HSL 0, 0.64%, 0.53%

LAB 48.67, 59.5, 36.26

 

CMYK 0 / 73 / 39 / 17

HEX #D43A82

RGB 212 58 130

HSL 331.95, 0.64%, 0.53%

LAB 50.26, 64.74, -4.86

 

CMYK 0 / 73 / 19 / 17

HEX #D43AAC

RGB 212 58 172

HSL 315.58, 0.64%, 0.53%

LAB 51.84, 69.72, -27.44

 

CMYK 0 / 73 / 0 / 17

HEX #D33AD4

RGB 211 58 212

HSL 299.61, 0.64%, 0.53%

LAB 53.63, 75.37, -47.78

 

CMYK 20 / 73 / 0 / 17

HEX #A93AD4

RGB 169 58 212

HSL 283.25, 0.64%, 0.53%

LAB 47.25, 66.87, -58.34

 

CMYK 40 / 73 / 0 / 17

HEX #803AD4

RGB 128 58 212

HSL 267.27, 0.64%, 0.53%

LAB 41.8, 59.26, -67.45

 

CMYK 0 / 73 / 39 / 17

HEX #D43A82

RGB 212 58 130

HSL 331.95, 0.64%, 0.53%

LAB 50.26, 64.74, -4.86

 

CMYK 0 / 83 / 44 / 9

HEX #E72781

RGB 231 39 129

HSL 331.88, 0.8%, 0.53%

LAB 51.87, 74.66, -1.49

 

CMYK 0 / 92 / 49 / 2

HEX #FB1480

RGB 251 20 128

HSL 331.95, 0.97%, 0.53%

LAB 54.62, 82.17, 3.59

 

CMYK 0 / 73 / 39 / 17

HEX #D43A82

RGB 212 58 130

HSL 331.95, 0.64%, 0.53%

LAB 50.26, 64.74, -4.86

 

CMYK 0 / 59 / 32 / 25

HEX #C04E83

RGB 192 78 131

HSL 332.11, 0.48%, 0.53%

LAB 49.85, 51.05, -6.43

 

CMYK 0 / 44 / 23 / 32

HEX #AD6185

RGB 173 97 133

HSL 331.58, 0.32%, 0.53%

LAB 50.84, 35.41, -6.45

 

CMYK 0 / 24 / 13 / 40

HEX #9A7586

RGB 154 117 134

HSL 332.43, 0.15%, 0.53%

LAB 53.29, 17.32, -3.66

 

CMYK 1 / 0 / 1 / 47

HEX #868887

RGB 134 136 135

HSL 150, 0.01%, 0.53%

LAB 56.51, -0.93, 0.27

 

CMYK 1 / 73 / 0 / 17

HEX #D13AD4

RGB 209 58 212

HSL 298.83, 0.64%, 0.53%

LAB 53.31, 74.96, -48.3

 

CMYK 0 / 73 / 18 / 17

HEX #D43AAE

RGB 212 58 174

HSL 314.81, 0.64%, 0.53%

LAB 51.93, 69.99, -28.48

 

CMYK 0 / 73 / 37 / 17

HEX #D43A85

RGB 212 58 133

HSL 330.78, 0.64%, 0.53%

LAB 50.35, 65.05, -6.53

 

CMYK 0 / 73 / 57 / 17

HEX #D43A5C

RGB 212 58 92

HSL 346.75, 0.64%, 0.53%

LAB 49.25, 61.43, 16.75

 

CMYK 0 / 69 / 73 / 17

HEX #D4423A

RGB 212 66 58

HSL 3.12, 0.64%, 0.53%

LAB 49.74, 56.57, 37.48

 

CMYK 0 / 78 / 42 / 40

HEX #9A225A

RGB 154 34 90

HSL 332, 0.64%, 0.37%

LAB 35.5, 52.6, -3.01

 

CMYK 0 / 78 / 41 / 26

HEX #BC296E

RGB 188 41 110

HSL 331.84, 0.64%, 0.45%

LAB 43.36, 61.66, -3.31

 

CMYK 0 / 73 / 39 / 17

HEX #D43A82

RGB 212 58 130

HSL 331.95, 0.64%, 0.53%

LAB 50.26, 64.74, -4.86

 

CMYK 0 / 58 / 31 / 14

HEX #DB5C98

RGB 219 92 152

HSL 331.65, 0.64%, 0.61%

LAB 57.06, 55.71, -7.68

 

CMYK 0 / 44 / 24 / 11

HEX #E37EAD

RGB 227 126 173

HSL 332.08, 0.64%, 0.69%

LAB 65.18, 44.6, -7.56

 

CMYK 0 / 73 / 39 / 17

HEX #D33981

RGB 211 57 129

HSL 331.95, 0.64%, 0.53%

LAB 49.93, 64.7, -4.76

 

CMYK 0 / 21 / 73 / 17

HEX #D4A83A

RGB 212 168 58

HSL 42.86, 0.64%, 0.53%

LAB 71.08, 5.23, 60.03

 

CMYK 73 / 8 / 0 / 17

HEX #3AC2D4

RGB 58 194 212

HSL 187.01, 0.64%, 0.53%

LAB 72.39, -29.84, -19.47

 

CMYK 0 / 73 / 39 / 17

HEX #D33981

RGB 211 57 129

HSL 331.95, 0.64%, 0.53%

LAB 49.93, 64.7, -4.76

 

CMYK 37 / 0 / 73 / 17

HEX #85D43A

RGB 133 212 58

HSL 90.78, 0.64%, 0.53%

LAB 77.51, -48.18, 64.48

 

CMYK 73 / 37 / 0 / 17

HEX #3A85D4

RGB 58 133 212

HSL 210.78, 0.64%, 0.53%

LAB 54.48, 3.28, -47.28

 

CMYK 0 / 73 / 39 / 17

HEX #D33981

RGB 211 57 129

HSL 331.95, 0.64%, 0.53%

LAB 49.93, 64.7, -4.76

 

CMYK 0 / 21 / 73 / 17

HEX #D4A83A

RGB 212 168 58

HSL 42.86, 0.64%, 0.53%

LAB 71.08, 5.23, 60.03

 

CMYK 73 / 0 / 35 / 17

HEX #3AD48A

RGB 58 212 138

HSL 151.17, 0.64%, 0.53%

LAB 75.96, -56.42, 25.46

 

CMYK 73 / 52 / 0 / 17

HEX #3A66D4

RGB 58 102 212

HSL 222.86, 0.64%, 0.53%

LAB 45.85, 22.56, -61.11

 

CMYK 0 / 73 / 39 / 17

HEX #D33981

RGB 211 57 129

HSL 331.95, 0.64%, 0.53%

LAB 49.93, 64.7, -4.76

 

CMYK 1 / 0 / 73 / 17

HEX #D1D43A

RGB 209 212 58

HSL 61.17, 0.64%, 0.53%

LAB 82.35, -18.69, 70.84

 

CMYK 73 / 0 / 35 / 17

HEX #3AD48A

RGB 58 212 138

HSL 151.17, 0.64%, 0.53%

LAB 75.96, -56.42, 25.46

 

CMYK 71 / 73 / 0 / 17

HEX #3D3AD4

RGB 61 58 212

HSL 241.17, 0.64%, 0.53%

LAB 35.54, 49.96, -77.95

 

Description

Color code: HEX #D33981 | qconv.com Color code: HEX #D33981 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 57 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 57 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 39 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 39% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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