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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D332B9 it is the complementary color #2CCD46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D332B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D332B9 shade: #D832B4, #E944C7, #FA56DA, #FF68ED and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D332B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D332B9 shade: #D332B9, #C220A6, #B10E93, #A00080 and #8F006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D332B9 shade: #D331B9, #D3318D, #D33161, #D33136 and #D33131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D332B9 shade: #D331B9, #C231D3, #9631D3, #6A31D3 and #3E31D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D332B9 shade matches the following richer shades: #D331B9, #E71DC7 and #FC08D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D332B9 shade: #D331B9, #BF45AB, #AB599E, #976D90 and #828282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D332B9 shade: #9531D3, #C031D3, #D331BB, #D33190 and #D33164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D332B9 shade: #931F80, #B5269E, #D331B9, #DA53C5 and #E275D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D332B9 shade: #D332B9, #D36A31 and #31D3AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D332B9 shade: #D332B9, #BBD331 and #31BBD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D332B9 shade: #D332B9, #D36A31, #31D349 and #319AD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D332B9 shade: #D332B9, #D39A31, #31D349 and #316AD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 12 / 17

HEX #D332B9

RGB 211 50 185

HSL 309.69, 0.65%, 0.51%

LAB 51.42, 73.69, -35.71

 

Complementary color

CMYK 79 / 0 / 66 / 20

HEX #2CCD46

RGB 44 205 70

HSL 129.69, 0.65%, 0.49%

LAB 72.65, -66.21, 54

 

CMYK 0 / 77 / 17 / 15

HEX #D832B4

RGB 216 50 180

HSL 313.01, 0.68%, 0.52%

LAB 52.03, 74.11, -31.77

 

CMYK 0 / 71 / 15 / 9

HEX #E944C7

RGB 233 68 199

HSL 312.36, 0.79%, 0.59%

LAB 57.64, 75.1, -33.8

 

CMYK 0 / 66 / 13 / 2

HEX #FA56DA

RGB 250 86 218

HSL 311.71, 0.94%, 0.66%

LAB 63.38, 75.54, -35.42

 

CMYK 0 / 59 / 7 / 0

HEX #FF68ED

RGB 255 104 237

HSL 307.15, 1%, 0.7%

LAB 67.48, 72.57, -39.55

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 76 / 12 / 17

HEX #D332B9

RGB 211 50 185

HSL 309.69, 0.65%, 0.51%

LAB 51.42, 73.69, -35.71

 

CMYK 0 / 84 / 14 / 24

HEX #C220A6

RGB 194 32 166

HSL 310.37, 0.72%, 0.44%

LAB 45.98, 71.93, -33.27

 

CMYK 0 / 92 / 17 / 31

HEX #B10E93

RGB 177 14 147

HSL 311.04, 0.85%, 0.37%

LAB 40.84, 69.04, -30.13

 

CMYK 0 / 100 / 20 / 37

HEX #A00080

RGB 160 0 128

HSL 312, 1%, 0.31%

LAB 36.05, 64.87, -26.18

 

CMYK 0 / 100 / 24 / 44

HEX #8F006D

RGB 143 0 109

HSL 314.27, 1%, 0.28%

LAB 31.68, 59.1, -21.24

 

CMYK 0 / 77 / 12 / 17

HEX #D331B9

RGB 211 49 185

HSL 309.63, 0.65%, 0.51%

LAB 51.32, 73.97, -35.86

 

CMYK 0 / 77 / 33 / 17

HEX #D3318D

RGB 211 49 141

HSL 325.93, 0.65%, 0.51%

LAB 49.46, 68.46, -12.7

 

CMYK 0 / 77 / 54 / 17

HEX #D33161

RGB 211 49 97

HSL 342.22, 0.65%, 0.51%

LAB 48.14, 64.4, 12.15

 

CMYK 0 / 77 / 74 / 17

HEX #D33136

RGB 211 49 54

HSL 358.15, 0.65%, 0.51%

LAB 47.38, 61.97, 37.04

 

CMYK 0 / 77 / 77 / 17

HEX #D33131

RGB 211 49 49

HSL 0, 0.65%, 0.51%

LAB 47.32, 61.78, 39.81

 

CMYK 0 / 77 / 12 / 17

HEX #D331B9

RGB 211 49 185

HSL 309.63, 0.65%, 0.51%

LAB 51.32, 73.97, -35.86

 

CMYK 8 / 77 / 0 / 17

HEX #C231D3

RGB 194 49 211

HSL 293.7, 0.65%, 0.51%

LAB 49.94, 74.51, -53.25

 

CMYK 29 / 77 / 0 / 17

HEX #9631D3

RGB 150 49 211

HSL 277.41, 0.65%, 0.51%

LAB 43.34, 66.44, -64.24

 

CMYK 50 / 77 / 0 / 17

HEX #6A31D3

RGB 106 49 211

HSL 261.11, 0.65%, 0.51%

LAB 37.78, 59.52, -73.55

 

CMYK 71 / 77 / 0 / 17

HEX #3E31D3

RGB 62 49 211

HSL 244.81, 0.65%, 0.51%

LAB 33.82, 54.5, -80.2

 

CMYK 0 / 77 / 12 / 17

HEX #D331B9

RGB 211 49 185

HSL 309.63, 0.65%, 0.51%

LAB 51.32, 73.97, -35.86

 

CMYK 0 / 87 / 14 / 9

HEX #E71DC7

RGB 231 29 199

HSL 309.5, 0.81%, 0.51%

LAB 54.02, 84.12, -39.5

 

CMYK 0 / 97 / 16 / 1

HEX #FC08D4

RGB 252 8 212

HSL 309.84, 0.98%, 0.51%

LAB 57.68, 91.67, -40.93

 

CMYK 0 / 77 / 12 / 17

HEX #D331B9

RGB 211 49 185

HSL 309.63, 0.65%, 0.51%

LAB 51.32, 73.97, -35.86

 

CMYK 0 / 64 / 10 / 25

HEX #BF45AB

RGB 191 69 171

HSL 309.84, 0.49%, 0.51%

LAB 49.83, 60.31, -30.25

 

CMYK 0 / 48 / 8 / 33

HEX #AB599E

RGB 171 89 158

HSL 309.51, 0.33%, 0.51%

LAB 49.82, 43.08, -22.83

 

CMYK 0 / 28 / 5 / 41

HEX #976D90

RGB 151 109 144

HSL 310, 0.17%, 0.51%

LAB 51.3, 22.68, -12.54

 

CMYK 0 / 0 / 0 / 49

HEX #828282

RGB 130 130 130

HSL 0, 0%, 0.51%

LAB 54.37, 0, -0.01

 

CMYK 29 / 77 / 0 / 17

HEX #9531D3

RGB 149 49 211

HSL 277.04, 0.65%, 0.51%

LAB 43.2, 66.27, -64.47

 

CMYK 9 / 77 / 0 / 17

HEX #C031D3

RGB 192 49 211

HSL 292.96, 0.65%, 0.51%

LAB 49.62, 74.13, -53.77

 

CMYK 0 / 77 / 11 / 17

HEX #D331BB

RGB 211 49 187

HSL 308.89, 0.65%, 0.51%

LAB 51.42, 74.25, -36.87

 

CMYK 0 / 77 / 32 / 17

HEX #D33190

RGB 211 49 144

HSL 324.81, 0.65%, 0.51%

LAB 49.57, 68.79, -14.34

 

CMYK 0 / 77 / 53 / 17

HEX #D33164

RGB 211 49 100

HSL 341.11, 0.65%, 0.51%

LAB 48.22, 64.63, 10.41

 

CMYK 0 / 79 / 13 / 42

HEX #931F80

RGB 147 31 128

HSL 309.83, 0.65%, 0.35%

LAB 35.48, 56.56, -27.24

 

CMYK 0 / 79 / 13 / 29

HEX #B5269E

RGB 181 38 158

HSL 309.65, 0.65%, 0.43%

LAB 43.77, 66.62, -32.13

 

CMYK 0 / 77 / 12 / 17

HEX #D331B9

RGB 211 49 185

HSL 309.63, 0.65%, 0.51%

LAB 51.32, 73.97, -35.86

 

CMYK 0 / 62 / 10 / 15

HEX #DA53C5

RGB 218 83 197

HSL 309.33, 0.65%, 0.59%

LAB 57.2, 65.6, -33.52

 

CMYK 0 / 48 / 8 / 11

HEX #E275D0

RGB 226 117 208

HSL 309.91, 0.65%, 0.67%

LAB 64.52, 54.15, -28.31

 

CMYK 0 / 76 / 12 / 17

HEX #D332B9

RGB 211 50 185

HSL 309.69, 0.65%, 0.51%

LAB 51.42, 73.69, -35.71

 

CMYK 0 / 50 / 77 / 17

HEX #D36A31

RGB 211 106 49

HSL 21.11, 0.65%, 0.51%

LAB 56.46, 37.55, 49.28

 

CMYK 77 / 0 / 19 / 17

HEX #31D3AB

RGB 49 211 171

HSL 165.19, 0.65%, 0.51%

LAB 76.18, -49.82, 8.28

 

CMYK 0 / 76 / 12 / 17

HEX #D332B9

RGB 211 50 185

HSL 309.69, 0.65%, 0.51%

LAB 51.42, 73.69, -35.71

 

CMYK 11 / 0 / 77 / 17

HEX #BBD331

RGB 187 211 49

HSL 68.89, 0.65%, 0.51%

LAB 80.39, -27.68, 71.26

 

CMYK 77 / 11 / 0 / 17

HEX #31BBD3

RGB 49 187 211

HSL 188.89, 0.65%, 0.51%

LAB 70.1, -27.72, -22.41

 

CMYK 0 / 76 / 12 / 17

HEX #D332B9

RGB 211 50 185

HSL 309.69, 0.65%, 0.51%

LAB 51.42, 73.69, -35.71

 

CMYK 0 / 50 / 77 / 17

HEX #D36A31

RGB 211 106 49

HSL 21.11, 0.65%, 0.51%

LAB 56.46, 37.55, 49.28

 

CMYK 77 / 0 / 65 / 17

HEX #31D349

RGB 49 211 73

HSL 128.89, 0.65%, 0.51%

LAB 74.65, -67.14, 54.97

 

CMYK 77 / 27 / 0 / 17

HEX #319AD3

RGB 49 154 211

HSL 201.11, 0.65%, 0.51%

LAB 60.31, -10.36, -37.55

 

CMYK 0 / 76 / 12 / 17

HEX #D332B9

RGB 211 50 185

HSL 309.69, 0.65%, 0.51%

LAB 51.42, 73.69, -35.71

 

CMYK 0 / 27 / 77 / 17

HEX #D39A31

RGB 211 154 49

HSL 38.89, 0.65%, 0.51%

LAB 67.41, 11.92, 59.95

 

CMYK 77 / 0 / 65 / 17

HEX #31D349

RGB 49 211 73

HSL 128.89, 0.65%, 0.51%

LAB 74.65, -67.14, 54.97

 

CMYK 77 / 50 / 0 / 17

HEX #316AD3

RGB 49 106 211

HSL 218.89, 0.65%, 0.51%

LAB 46.53, 18.55, -59.45

 

Description

Color code: HEX #D332B9 | qconv.com Color code: HEX #D332B9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 50 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 50 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 12 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 12% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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