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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D331EA it is the complementary color #2CCE15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D331EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D331EA shade: #D831E5, #E943F8, #FA55FF, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D331EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D331EA shade: #D331EA, #C21FD7, #B10DC4, #A000B1 and #8F009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D331EA shade: #D22FE9, #E92FCE, #E92F9C, #E92F6A and #E92F38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D331EA shade: #D22FE9, #A02FE9, #6E2FE9, #3C2FE9 and #2F2FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D331EA shade matches the following richer shades: #D22FE9 and #E01DFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D331EA shade: #D22FE9, #C442D7, #B654C4, #A867B1 and #9A7A9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D331EA shade: #6D2FE9, #9F2FE9, #D02FE9, #E92FD0 and #E92F9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D331EA shade: #9F13B3, #C017D9, #D22FE9, #DA55ED and #E27AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D331EA shade: #D331EA, #E93C2F and #2FE986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D331EA shade: #D331EA, #E9D02F and #2FE9D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D331EA shade: #D331EA, #E93C2F, #48E92F and #2FDDE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D331EA shade: #D331EA, #E9732F, #48E92F and #2FA5E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 79 / 0 / 8

HEX #D331EA

RGB 211 49 234

HSL 292.54, 0.81%, 0.55%

LAB 54.01, 81.5, -59.63

 

Complementary color

CMYK 79 / 0 / 90 / 19

HEX #2CCE15

RGB 44 206 21

HSL 112.54, 0.81%, 0.45%

LAB 72.72, -69.71, 68.78

 

CMYK 6 / 79 / 0 / 10

HEX #D831E5

RGB 216 49 229

HSL 295.67, 0.78%, 0.55%

LAB 54.5, 81.6, -55.98

 

CMYK 6 / 73 / 0 / 3

HEX #E943F8

RGB 233 67 248

HSL 295.03, 0.93%, 0.62%

LAB 59.99, 82.83, -57.69

 

CMYK 2 / 67 / 0 / 0

HEX #FA55FF

RGB 250 85 255

HSL 298.24, 1%, 0.67%

LAB 65, 81.52, -53.44

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 10 / 79 / 0 / 8

HEX #D331EA

RGB 211 49 234

HSL 292.54, 0.81%, 0.55%

LAB 54.01, 81.5, -59.63

 

CMYK 10 / 86 / 0 / 16

HEX #C21FD7

RGB 194 31 215

HSL 293.15, 0.75%, 0.48%

LAB 48.71, 79.49, -57.53

 

CMYK 10 / 93 / 0 / 23

HEX #B10DC4

RGB 177 13 196

HSL 293.77, 0.88%, 0.41%

LAB 43.68, 76.38, -54.78

 

CMYK 10 / 100 / 0 / 31

HEX #A000B1

RGB 160 0 177

HSL 294.24, 1%, 0.35%

LAB 38.98, 72.01, -51.33

 

CMYK 9 / 100 / 0 / 38

HEX #8F009E

RGB 143 0 158

HSL 294.3, 1%, 0.31%

LAB 34.62, 66.27, -47.11

 

CMYK 10 / 80 / 0 / 9

HEX #D22FE9

RGB 210 47 233

HSL 292.58, 0.81%, 0.55%

LAB 53.62, 81.67, -59.71

 

CMYK 0 / 80 / 12 / 9

HEX #E92FCE

RGB 233 47 206

HSL 308.71, 0.81%, 0.55%

LAB 55.9, 81.97, -40.53

 

CMYK 0 / 80 / 33 / 9

HEX #E92F9C

RGB 233 47 156

HSL 324.84, 0.81%, 0.55%

LAB 53.77, 75.9, -14.74

 

CMYK 0 / 80 / 55 / 9

HEX #E92F6A

RGB 233 47 106

HSL 340.97, 0.81%, 0.55%

LAB 52.28, 71.49, 13.05

 

CMYK 0 / 80 / 76 / 9

HEX #E92F38

RGB 233 47 56

HSL 357.1, 0.81%, 0.55%

LAB 51.43, 68.87, 41.57

 

CMYK 10 / 80 / 0 / 9

HEX #D22FE9

RGB 210 47 233

HSL 292.58, 0.81%, 0.55%

LAB 53.62, 81.67, -59.71

 

CMYK 31 / 80 / 0 / 9

HEX #A02FE9

RGB 160 47 233

HSL 276.45, 0.81%, 0.55%

LAB 46.16, 73.32, -72.13

 

CMYK 53 / 80 / 0 / 9

HEX #6E2FE9

RGB 110 47 233

HSL 260.32, 0.81%, 0.55%

LAB 39.97, 66.48, -82.53

 

CMYK 74 / 80 / 0 / 9

HEX #3C2FE9

RGB 60 47 233

HSL 244.19, 0.81%, 0.55%

LAB 35.75, 61.88, -89.64

 

CMYK 80 / 80 / 0 / 9

HEX #2F2FE9

RGB 47 47 233

HSL 240, 0.81%, 0.55%

LAB 35.04, 61.12, -90.83

 

CMYK 10 / 80 / 0 / 9

HEX #D22FE9

RGB 210 47 233

HSL 292.58, 0.81%, 0.55%

LAB 53.62, 81.67, -59.71

 

CMYK 11 / 88 / 0 / 1

HEX #E01DFC

RGB 224 29 252

HSL 292.47, 0.97%, 0.55%

LAB 55.84, 90.58, -66.65

 

CMYK 10 / 80 / 0 / 9

HEX #D22FE9

RGB 210 47 233

HSL 292.58, 0.81%, 0.55%

LAB 53.62, 81.67, -59.71

 

CMYK 9 / 69 / 0 / 16

HEX #C442D7

RGB 196 66 215

HSL 292.35, 0.65%, 0.55%

LAB 52.44, 70.01, -51.52

 

CMYK 7 / 57 / 0 / 23

HEX #B654C4

RGB 182 84 196

HSL 292.5, 0.49%, 0.55%

LAB 52.14, 55.65, -41.24

 

CMYK 5 / 42 / 0 / 31

HEX #A867B1

RGB 168 103 177

HSL 292.7, 0.32%, 0.55%

LAB 53.17, 38.22, -28.79

 

CMYK 3 / 23 / 0 / 38

HEX #9A7A9F

RGB 154 122 159

HSL 291.89, 0.16%, 0.55%

LAB 55.37, 19.18, -15.11

 

CMYK 53 / 80 / 0 / 9

HEX #6D2FE9

RGB 109 47 233

HSL 260, 0.81%, 0.55%

LAB 39.86, 66.36, -82.71

 

CMYK 32 / 80 / 0 / 9

HEX #9F2FE9

RGB 159 47 233

HSL 276.13, 0.81%, 0.55%

LAB 46.03, 73.17, -72.36

 

CMYK 11 / 80 / 0 / 9

HEX #D02FE9

RGB 208 47 233

HSL 291.94, 0.81%, 0.55%

LAB 53.3, 81.31, -60.23

 

CMYK 0 / 80 / 11 / 9

HEX #E92FD0

RGB 233 47 208

HSL 308.06, 0.81%, 0.55%

LAB 56, 82.24, -41.52

 

CMYK 0 / 80 / 32 / 9

HEX #E92F9F

RGB 233 47 159

HSL 323.87, 0.81%, 0.55%

LAB 53.88, 76.22, -16.35

 

CMYK 11 / 89 / 0 / 30

HEX #9F13B3

RGB 159 19 179

HSL 292.5, 0.81%, 0.39%

LAB 39.73, 69.84, -51.31

 

CMYK 12 / 89 / 0 / 15

HEX #C017D9

RGB 192 23 217

HSL 292.27, 0.81%, 0.47%

LAB 48.04, 80.85, -59.75

 

CMYK 10 / 80 / 0 / 9

HEX #D22FE9

RGB 210 47 233

HSL 292.58, 0.81%, 0.55%

LAB 53.62, 81.67, -59.71

 

CMYK 8 / 64 / 0 / 7

HEX #DA55ED

RGB 218 85 237

HSL 292.5, 0.81%, 0.63%

LAB 59.45, 71.43, -52.56

 

CMYK 6 / 49 / 0 / 5

HEX #E27AF1

RGB 226 122 241

HSL 292.44, 0.81%, 0.71%

LAB 66.85, 57.5, -43.02

 

CMYK 10 / 79 / 0 / 8

HEX #D331EA

RGB 211 49 234

HSL 292.54, 0.81%, 0.55%

LAB 54.01, 81.5, -59.63

 

CMYK 0 / 74 / 80 / 9

HEX #E93C2F

RGB 233 60 47

HSL 4.19, 0.81%, 0.55%

LAB 52.69, 64.81, 47.71

 

CMYK 80 / 0 / 42 / 9

HEX #2FE986

RGB 47 233 134

HSL 148.06, 0.81%, 0.55%

LAB 82.17, -66.06, 35.69

 

CMYK 10 / 79 / 0 / 8

HEX #D331EA

RGB 211 49 234

HSL 292.54, 0.81%, 0.55%

LAB 54.01, 81.5, -59.63

 

CMYK 0 / 11 / 80 / 9

HEX #E9D02F

RGB 233 208 47

HSL 51.94, 0.81%, 0.55%

LAB 83.25, -6.97, 75.79

 

CMYK 80 / 0 / 11 / 9

HEX #2FE9D0

RGB 47 233 208

HSL 171.94, 0.81%, 0.55%

LAB 83.67, -49.7, -0.54

 

CMYK 10 / 79 / 0 / 8

HEX #D331EA

RGB 211 49 234

HSL 292.54, 0.81%, 0.55%

LAB 54.01, 81.5, -59.63

 

CMYK 0 / 74 / 80 / 9

HEX #E93C2F

RGB 233 60 47

HSL 4.19, 0.81%, 0.55%

LAB 52.69, 64.81, 47.71

 

CMYK 69 / 0 / 80 / 9

HEX #48E92F

RGB 72 233 47

HSL 111.94, 0.81%, 0.55%

LAB 81.76, -72.38, 71.25

 

CMYK 80 / 5 / 0 / 9

HEX #2FDDE9

RGB 47 221 233

HSL 183.87, 0.81%, 0.55%

LAB 80.85, -37.42, -17.98

 

CMYK 10 / 79 / 0 / 8

HEX #D331EA

RGB 211 49 234

HSL 292.54, 0.81%, 0.55%

LAB 54.01, 81.5, -59.63

 

CMYK 0 / 51 / 80 / 9

HEX #E9732F

RGB 233 115 47

HSL 21.94, 0.81%, 0.55%

LAB 61.47, 41.53, 56.14

 

CMYK 69 / 0 / 80 / 9

HEX #48E92F

RGB 72 233 47

HSL 111.94, 0.81%, 0.55%

LAB 81.76, -72.38, 71.25

 

CMYK 80 / 29 / 0 / 9

HEX #2FA5E9

RGB 47 165 233

HSL 201.94, 0.81%, 0.55%

LAB 64.48, -9, -43.19

 

Description

Color code: HEX #D331EA | qconv.com Color code: HEX #D331EA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 49 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 49 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 79 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 79% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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