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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D324CF it is the complementary color #2CDB30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D324CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D324CF shade: #D824CA, #E936DD, #FA48F0, #FF5AFF and #FF6CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D324CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D324CF shade: #D324CF, #C212BC, #B100A9, #A00096 and #8F0083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D324CF shade: #D123CD, #D1239E, #D12370, #D12341 and #D12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D324CF shade: #D123CD, #A623D1, #7823D1, #4923D1 and #2323D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D324CF shade matches the following richer shades: #D123CD and #E510E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D324CF shade: #D123CD, #BD37BA, #AA4BA8, #965F95 and #827382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D324CF shade: #7823D1, #A623D1, #D123CE, #D123A0 and #D12372

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D324CF shade: #8B1888, #AE1EAB, #D123CD, #DF40DB and #E563E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D324CF shade: #D324CF, #D14923 and #23D18F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D324CF shade: #D324CF, #CED123 and #23CED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D324CF shade: #D324CF, #D14923, #23D126 and #23ACD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D324CF shade: #D324CF, #D17D23, #23D126 and #2378D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 2 / 17

HEX #D324CF

RGB 211 36 207

HSL 301.37, 0.71%, 0.48%

LAB 51.4, 80.26, -48.46

 

Complementary color

CMYK 80 / 0 / 78 / 14

HEX #2CDB30

RGB 44 219 48

HSL 121.37, 0.71%, 0.52%

LAB 76.93, -72.26, 66.23

 

CMYK 0 / 83 / 6 / 15

HEX #D824CA

RGB 216 36 202

HSL 304.67, 0.71%, 0.49%

LAB 51.98, 80.46, -44.62

 

CMYK 0 / 77 / 5 / 9

HEX #E936DD

RGB 233 54 221

HSL 304.02, 0.8%, 0.56%

LAB 57.25, 82.36, -46.92

 

CMYK 0 / 71 / 4 / 2

HEX #FA48F0

RGB 250 72 240

HSL 303.37, 0.95%, 0.63%

LAB 62.72, 83.5, -48.75

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 83 / 2 / 17

HEX #D324CF

RGB 211 36 207

HSL 301.37, 0.71%, 0.48%

LAB 51.4, 80.26, -48.46

 

CMYK 0 / 91 / 3 / 24

HEX #C212BC

RGB 194 18 188

HSL 302.05, 0.83%, 0.42%

LAB 46.36, 77.39, -45.66

 

CMYK 0 / 100 / 5 / 31

HEX #B100A9

RGB 177 0 169

HSL 302.71, 1%, 0.35%

LAB 41.55, 73.54, -42.27

 

CMYK 0 / 100 / 6 / 37

HEX #A00096

RGB 160 0 150

HSL 303.75, 1%, 0.31%

LAB 37.25, 67.86, -37.84

 

CMYK 0 / 100 / 8 / 44

HEX #8F0083

RGB 143 0 131

HSL 305.03, 1%, 0.28%

LAB 32.87, 62.07, -33.28

 

CMYK 0 / 83 / 2 / 18

HEX #D123CD

RGB 209 35 205

HSL 301.38, 0.71%, 0.48%

LAB 50.88, 79.79, -48.16

 

CMYK 0 / 83 / 24 / 18

HEX #D1239E

RGB 209 35 158

HSL 317.59, 0.71%, 0.48%

LAB 48.54, 73.45, -24.31

 

CMYK 0 / 83 / 46 / 18

HEX #D12370

RGB 209 35 112

HSL 333.45, 0.71%, 0.48%

LAB 46.88, 68.72, 1.07

 

CMYK 0 / 83 / 69 / 18

HEX #D12341

RGB 209 35 65

HSL 349.66, 0.71%, 0.48%

LAB 45.82, 65.61, 28.61

 

CMYK 0 / 83 / 83 / 18

HEX #D12323

RGB 209 35 35

HSL 0, 0.71%, 0.48%

LAB 45.47, 64.54, 45.38

 

CMYK 0 / 83 / 2 / 18

HEX #D123CD

RGB 209 35 205

HSL 301.38, 0.71%, 0.48%

LAB 50.88, 79.79, -48.16

 

CMYK 21 / 83 / 0 / 18

HEX #A623D1

RGB 166 35 209

HSL 285.17, 0.71%, 0.48%

LAB 44.11, 72.96, -61.73

 

CMYK 43 / 83 / 0 / 18

HEX #7823D1

RGB 120 35 209

HSL 269.31, 0.71%, 0.48%

LAB 37.48, 66.17, -72.82

 

CMYK 65 / 83 / 0 / 18

HEX #4923D1

RGB 73 35 209

HSL 253.1, 0.71%, 0.48%

LAB 32.31, 61.12, -81.53

 

CMYK 83 / 83 / 0 / 18

HEX #2323D1

RGB 35 35 209

HSL 240, 0.71%, 0.48%

LAB 29.82, 58.81, -85.73

 

CMYK 0 / 83 / 2 / 18

HEX #D123CD

RGB 209 35 205

HSL 301.38, 0.71%, 0.48%

LAB 50.88, 79.79, -48.16

 

CMYK 0 / 93 / 2 / 10

HEX #E510E0

RGB 229 16 224

HSL 301.41, 0.87%, 0.48%

LAB 54.46, 88.72, -53.1

 

CMYK 0 / 83 / 2 / 18

HEX #D123CD

RGB 209 35 205

HSL 301.38, 0.71%, 0.48%

LAB 50.88, 79.79, -48.16

 

CMYK 0 / 71 / 2 / 26

HEX #BD37BA

RGB 189 55 186

HSL 301.34, 0.55%, 0.48%

LAB 48.38, 67.46, -41.33

 

CMYK 0 / 56 / 1 / 33

HEX #AA4BA8

RGB 170 75 168

HSL 301.26, 0.39%, 0.48%

LAB 47.5, 51.53, -32.35

 

CMYK 0 / 37 / 1 / 41

HEX #965F95

RGB 150 95 149

HSL 301.09, 0.22%, 0.48%

LAB 48.06, 31.33, -20.45

 

CMYK 0 / 12 / 0 / 49

HEX #827382

RGB 130 115 130

HSL 300, 0.06%, 0.48%

LAB 50.24, 8.71, -6.09

 

CMYK 43 / 83 / 0 / 18

HEX #7823D1

RGB 120 35 209

HSL 269.31, 0.71%, 0.48%

LAB 37.48, 66.17, -72.82

 

CMYK 21 / 83 / 0 / 18

HEX #A623D1

RGB 166 35 209

HSL 285.17, 0.71%, 0.48%

LAB 44.11, 72.96, -61.73

 

CMYK 0 / 83 / 1 / 18

HEX #D123CE

RGB 209 35 206

HSL 301.03, 0.71%, 0.48%

LAB 50.94, 79.94, -48.65

 

CMYK 0 / 83 / 23 / 18

HEX #D123A0

RGB 209 35 160

HSL 316.9, 0.71%, 0.48%

LAB 48.63, 73.7, -25.37

 

CMYK 0 / 83 / 45 / 18

HEX #D12372

RGB 209 35 114

HSL 332.76, 0.71%, 0.48%

LAB 46.94, 68.89, -0.07

 

CMYK 0 / 83 / 2 / 45

HEX #8B1888

RGB 139 24 136

HSL 301.57, 0.71%, 0.32%

LAB 33.82, 57.97, -34.94

 

CMYK 0 / 83 / 2 / 32

HEX #AE1EAB

RGB 174 30 171

HSL 301.25, 0.71%, 0.4%

LAB 42.56, 69.08, -41.89

 

CMYK 0 / 83 / 2 / 18

HEX #D123CD

RGB 209 35 205

HSL 301.38, 0.71%, 0.48%

LAB 50.88, 79.79, -48.16

 

CMYK 0 / 71 / 2 / 13

HEX #DF40DB

RGB 223 64 219

HSL 301.51, 0.71%, 0.56%

LAB 56.55, 77.11, -47

 

CMYK 0 / 57 / 1 / 10

HEX #E563E2

RGB 229 99 226

HSL 301.38, 0.71%, 0.64%

LAB 62.57, 66.32, -41.39

 

CMYK 0 / 83 / 2 / 17

HEX #D324CF

RGB 211 36 207

HSL 301.37, 0.71%, 0.48%

LAB 51.4, 80.26, -48.46

 

CMYK 0 / 65 / 83 / 18

HEX #D14923

RGB 209 73 35

HSL 13.1, 0.71%, 0.48%

LAB 50.03, 51.93, 49.52

 

CMYK 83 / 0 / 32 / 18

HEX #23D18F

RGB 35 209 143

HSL 157.24, 0.71%, 0.48%

LAB 74.79, -56.86, 21.19

 

CMYK 0 / 83 / 2 / 17

HEX #D324CF

RGB 211 36 207

HSL 301.37, 0.71%, 0.48%

LAB 51.4, 80.26, -48.46

 

CMYK 1 / 0 / 83 / 18

HEX #CED123

RGB 206 209 35

HSL 61.03, 0.71%, 0.48%

LAB 81.21, -19.28, 76.21

 

CMYK 83 / 1 / 0 / 18

HEX #23CED1

RGB 35 206 209

HSL 181.03, 0.71%, 0.48%

LAB 75.52, -38.58, -13.16

 

CMYK 0 / 83 / 2 / 17

HEX #D324CF

RGB 211 36 207

HSL 301.37, 0.71%, 0.48%

LAB 51.4, 80.26, -48.46

 

CMYK 0 / 65 / 83 / 18

HEX #D14923

RGB 209 73 35

HSL 13.1, 0.71%, 0.48%

LAB 50.03, 51.93, 49.52

 

CMYK 83 / 0 / 82 / 18

HEX #23D126

RGB 35 209 38

HSL 121.03, 0.71%, 0.48%

LAB 73.61, -70.91, 65.87

 

CMYK 83 / 18 / 0 / 18

HEX #23ACD1

RGB 35 172 209

HSL 192.76, 0.71%, 0.48%

LAB 65.33, -22.06, -28.65

 

CMYK 0 / 83 / 2 / 17

HEX #D324CF

RGB 211 36 207

HSL 301.37, 0.71%, 0.48%

LAB 51.4, 80.26, -48.46

 

CMYK 0 / 40 / 83 / 18

HEX #D17D23

RGB 209 125 35

HSL 31.03, 0.71%, 0.48%

LAB 60.2, 26.26, 58.48

 

CMYK 83 / 0 / 82 / 18

HEX #23D126

RGB 35 209 38

HSL 121.03, 0.71%, 0.48%

LAB 73.61, -70.91, 65.87

 

CMYK 83 / 43 / 0 / 18

HEX #2378D1

RGB 35 120 209

HSL 210.69, 0.71%, 0.48%

LAB 49.97, 7.58, -52.8

 

Description

Color code: HEX #D324CF | qconv.com Color code: HEX #D324CF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 36 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 36 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 2 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 2% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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