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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2F255 it is the complementary color #2D0DAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2F255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2F255 shade: #D7F250, #E8FF63, #F9FF76, #FFFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2F255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2F255 shade: #D2F255, #C1E042, #B0CE2F, #9FBC1C and #8EAA09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2F255 shade: #D2F254, #F2E854, #F2BD54, #F29354 and #F26854

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2F255 shade: #D2F254, #A7F254, #7DF254, #54F256 and #54F281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2F255 shade matches the following richer shades: #D2F254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2F255 shade: #D2F254, #C9E363, #C0D472, #B8C681 and #AFB790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2F255 shade: #F2BE54, #F2E854, #D3F254, #A8F254 and #7EF254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2F255 shade: #B8E311, #C8EF2E, #D2F254, #DCF57B and #E6F8A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2F255 shade: #D2F255, #54F293 and #D354F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2F255 shade: #D2F255, #54D3F2 and #F254D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2F255 shade: #D2F255, #54F293, #7454F2 and #F254B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2F255 shade: #D2F255, #54F2C3, #7454F2 and #F25484

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 65 / 5

HEX #D2F255

RGB 210 242 85

HSL 72.23, 0.86%, 0.64%

LAB 90.72, -31.14, 69.44

 

Complementary color

CMYK 74 / 92 / 0 / 33

HEX #2D0DAA

RGB 45 13 170

HSL 252.23, 0.86%, 0.36%

LAB 22.82, 56.11, -74.26

 

CMYK 11 / 0 / 67 / 5

HEX #D7F250

RGB 215 242 80

HSL 70, 0.86%, 0.63%

LAB 91.02, -29.48, 71.75

 

CMYK 9 / 0 / 61 / 0

HEX #E8FF63

RGB 232 255 99

HSL 68.85, 1%, 0.69%

LAB 95.82, -27.69, 69.78

 

CMYK 2 / 0 / 54 / 0

HEX #F9FF76

RGB 249 255 118

HSL 62.63, 1%, 0.73%

LAB 97.21, -19.68, 63.67

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 13 / 0 / 65 / 5

HEX #D2F255

RGB 210 242 85

HSL 72.23, 0.86%, 0.64%

LAB 90.72, -31.14, 69.44

 

CMYK 14 / 0 / 71 / 12

HEX #C1E042

RGB 193 224 66

HSL 71.77, 0.72%, 0.57%

LAB 84.51, -30.58, 69.78

 

CMYK 15 / 0 / 77 / 19

HEX #B0CE2F

RGB 176 206 47

HSL 71.32, 0.63%, 0.5%

LAB 78.21, -29.88, 69.58

 

CMYK 15 / 0 / 85 / 26

HEX #9FBC1C

RGB 159 188 28

HSL 70.88, 0.74%, 0.42%

LAB 71.84, -29.02, 68.5

 

CMYK 16 / 0 / 95 / 33

HEX #8EAA09

RGB 142 170 9

HSL 70.43, 0.9%, 0.35%

LAB 65.37, -27.93, 66.04

 

CMYK 13 / 0 / 65 / 5

HEX #D2F254

RGB 210 242 84

HSL 72.15, 0.86%, 0.64%

LAB 90.71, -31.2, 69.81

 

CMYK 0 / 4 / 65 / 5

HEX #F2E854

RGB 242 232 84

HSL 56.2, 0.86%, 0.64%

LAB 90.43, -13.59, 70.26

 

CMYK 0 / 22 / 65 / 5

HEX #F2BD54

RGB 242 189 84

HSL 39.87, 0.86%, 0.64%

LAB 79.56, 8.29, 58.77

 

CMYK 0 / 39 / 65 / 5

HEX #F29354

RGB 242 147 84

HSL 23.92, 0.86%, 0.64%

LAB 69.74, 30.39, 47.81

 

CMYK 0 / 57 / 65 / 5

HEX #F26854

RGB 242 104 84

HSL 7.59, 0.86%, 0.64%

LAB 61.15, 51.8, 37.69

 

CMYK 13 / 0 / 65 / 5

HEX #D2F254

RGB 210 242 84

HSL 72.15, 0.86%, 0.64%

LAB 90.71, -31.2, 69.81

 

CMYK 31 / 0 / 65 / 5

HEX #A7F254

RGB 167 242 84

HSL 88.48, 0.86%, 0.64%

LAB 88.14, -47.18, 66.33

 

CMYK 48 / 0 / 65 / 5

HEX #7DF254

RGB 125 242 84

HSL 104.43, 0.86%, 0.64%

LAB 86.26, -60.5, 63.75

 

CMYK 65 / 0 / 64 / 5

HEX #54F256

RGB 84 242 86

HSL 120.76, 0.86%, 0.64%

LAB 85.03, -70.09, 61.26

 

CMYK 65 / 0 / 47 / 5

HEX #54F281

RGB 84 242 129

HSL 137.09, 0.86%, 0.64%

LAB 85.49, -64.74, 42.54

 

CMYK 13 / 0 / 65 / 5

HEX #D2F254

RGB 210 242 84

HSL 72.15, 0.86%, 0.64%

LAB 90.71, -31.2, 69.81

 

CMYK 13 / 0 / 65 / 5

HEX #D2F254

RGB 210 242 84

HSL 72.15, 0.86%, 0.64%

LAB 90.71, -31.2, 69.81

 

CMYK 11 / 0 / 56 / 11

HEX #C9E363

RGB 201 227 99

HSL 72.19, 0.7%, 0.64%

LAB 86.13, -26.61, 58.48

 

CMYK 9 / 0 / 46 / 17

HEX #C0D472

RGB 192 212 114

HSL 72.24, 0.53%, 0.64%

LAB 81.57, -21.51, 45.99

 

CMYK 7 / 0 / 35 / 22

HEX #B8C681

RGB 184 198 129

HSL 72.17, 0.38%, 0.64%

LAB 77.38, -15.93, 33.03

 

CMYK 4 / 0 / 21 / 28

HEX #AFB790

RGB 175 183 144

HSL 72.31, 0.21%, 0.64%

LAB 72.89, -9.55, 18.94

 

CMYK 0 / 21 / 65 / 5

HEX #F2BE54

RGB 242 190 84

HSL 40.25, 0.86%, 0.64%

LAB 79.81, 7.77, 59.04

 

CMYK 0 / 4 / 65 / 5

HEX #F2E854

RGB 242 232 84

HSL 56.2, 0.86%, 0.64%

LAB 90.43, -13.59, 70.26

 

CMYK 13 / 0 / 65 / 5

HEX #D3F254

RGB 211 242 84

HSL 71.77, 0.86%, 0.64%

LAB 90.78, -30.81, 69.9

 

CMYK 31 / 0 / 65 / 5

HEX #A8F254

RGB 168 242 84

HSL 88.1, 0.86%, 0.64%

LAB 88.19, -46.83, 66.4

 

CMYK 48 / 0 / 65 / 5

HEX #7EF254

RGB 126 242 84

HSL 104.05, 0.86%, 0.64%

LAB 86.3, -60.22, 63.8

 

CMYK 19 / 0 / 93 / 11

HEX #B8E311

RGB 184 227 17

HSL 72.29, 0.86%, 0.48%

LAB 84.57, -37.16, 81.35

 

CMYK 16 / 0 / 81 / 6

HEX #C8EF2E

RGB 200 239 46

HSL 72.12, 0.86%, 0.56%

LAB 89.02, -35.57, 80.13

 

CMYK 13 / 0 / 65 / 5

HEX #D2F254

RGB 210 242 84

HSL 72.15, 0.86%, 0.64%

LAB 90.71, -31.2, 69.81

 

CMYK 10 / 0 / 50 / 4

HEX #DCF57B

RGB 220 245 123

HSL 72.3, 0.86%, 0.72%

LAB 92.55, -25.71, 55.46

 

CMYK 7 / 0 / 35 / 3

HEX #E6F8A1

RGB 230 248 161

HSL 72.41, 0.86%, 0.8%

LAB 94.54, -19.33, 39.87

 

CMYK 13 / 0 / 65 / 5

HEX #D2F255

RGB 210 242 85

HSL 72.23, 0.86%, 0.64%

LAB 90.72, -31.14, 69.44

 

CMYK 65 / 0 / 39 / 5

HEX #54F293

RGB 84 242 147

HSL 143.92, 0.86%, 0.64%

LAB 85.75, -61.8, 34.03

 

CMYK 13 / 65 / 0 / 5

HEX #D354F2

RGB 211 84 242

HSL 288.23, 0.86%, 0.64%

LAB 58.6, 71.17, -56.76

 

CMYK 13 / 0 / 65 / 5

HEX #D2F255

RGB 210 242 85

HSL 72.23, 0.86%, 0.64%

LAB 90.72, -31.14, 69.44

 

CMYK 65 / 13 / 0 / 5

HEX #54D3F2

RGB 84 211 242

HSL 191.77, 0.86%, 0.64%

LAB 78.97, -25.6, -25.56

 

CMYK 0 / 65 / 13 / 5

HEX #F254D3

RGB 242 84 211

HSL 311.77, 0.86%, 0.64%

LAB 61.59, 73.32, -34.36

 

CMYK 13 / 0 / 65 / 5

HEX #D2F255

RGB 210 242 85

HSL 72.23, 0.86%, 0.64%

LAB 90.72, -31.14, 69.44

 

CMYK 65 / 0 / 39 / 5

HEX #54F293

RGB 84 242 147

HSL 143.92, 0.86%, 0.64%

LAB 85.75, -61.8, 34.03

 

CMYK 52 / 65 / 0 / 5

HEX #7454F2

RGB 116 84 242

HSL 252.15, 0.86%, 0.64%

LAB 47.58, 52.19, -75.11

 

CMYK 0 / 65 / 26 / 5

HEX #F254B3

RGB 242 84 179

HSL 323.92, 0.86%, 0.64%

LAB 60.31, 69.03, -18.08

 

CMYK 13 / 0 / 65 / 5

HEX #D2F255

RGB 210 242 85

HSL 72.23, 0.86%, 0.64%

LAB 90.72, -31.14, 69.44

 

CMYK 65 / 0 / 19 / 5

HEX #54F2C3

RGB 84 242 195

HSL 162.15, 0.86%, 0.64%

LAB 86.67, -52.09, 10.68

 

CMYK 52 / 65 / 0 / 5

HEX #7454F2

RGB 116 84 242

HSL 252.15, 0.86%, 0.64%

LAB 47.58, 52.19, -75.11

 

CMYK 0 / 65 / 45 / 5

HEX #F25484

RGB 242 84 132

HSL 341.77, 0.86%, 0.64%

LAB 58.87, 63.95, 7.1

 

Description

Color code: HEX #D2F255 | qconv.com Color code: HEX #D2F255 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 242 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 242 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 65 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 65% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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