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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2F073 it is the complementary color #2D0F8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2F073. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2F073 shade: #D7F06E, #E8FF81, #F9FF94, #FFFFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2F073. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2F073 shade: #D2F073, #C1DE60, #B0CC4D, #9FBA3A and #8EA827

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2F073 shade: #D3F075, #F0ED75, #F0CB75, #F0AA75 and #F08975

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2F073 shade: #D3F075, #B1F075, #90F075, #75F07B and #75F09C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2F073 shade matches the following richer shades: #D3F075 and #D9FD68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2F073 shade: #D3F075, #CCE481, #C6D88D, #BFCB9A and #B9BFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2F073 shade: #F0CB75, #F0EC75, #D4F075, #B3F075 and #91F075

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2F073 shade: #BBE92A, #C7ED4F, #D3F075, #DFF49A and #EBF8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2F073 shade: #D2F073, #75F0AA and #DC75F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2F073 shade: #D2F073, #75D4F0 and #F075D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2F073 shade: #D2F073, #75F0AA, #9175F0 and #F075BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2F073 shade: #D2F073, #75F0CF, #9175F0 and #F07596

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 52 / 6

HEX #D2F073

RGB 210 240 115

HSL 74.4, 0.81%, 0.7%

LAB 90.44, -27.9, 56.45

 

Complementary color

CMYK 68 / 89 / 0 / 45

HEX #2D0F8C

RGB 45 15 140

HSL 254.4, 0.81%, 0.3%

LAB 19.19, 47.24, -61.84

 

CMYK 10 / 0 / 54 / 6

HEX #D7F06E

RGB 215 240 110

HSL 71.54, 0.81%, 0.69%

LAB 90.73, -26.42, 59.12

 

CMYK 9 / 0 / 49 / 0

HEX #E8FF81

RGB 232 255 129

HSL 70.95, 1%, 0.75%

LAB 96.1, -25.31, 57.14

 

CMYK 2 / 0 / 42 / 0

HEX #F9FF94

RGB 249 255 148

HSL 63.36, 1%, 0.79%

LAB 97.55, -17.02, 50.31

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 13 / 0 / 52 / 6

HEX #D2F073

RGB 210 240 115

HSL 74.4, 0.81%, 0.7%

LAB 90.44, -27.9, 56.45

 

CMYK 13 / 0 / 57 / 13

HEX #C1DE60

RGB 193 222 96

HSL 73.81, 0.66%, 0.62%

LAB 84.19, -27.61, 57.45

 

CMYK 14 / 0 / 62 / 20

HEX #B0CC4D

RGB 176 204 77

HSL 73.23, 0.55%, 0.55%

LAB 77.85, -27.22, 58.31

 

CMYK 15 / 0 / 69 / 27

HEX #9FBA3A

RGB 159 186 58

HSL 72.66, 0.52%, 0.48%

LAB 71.42, -26.72, 58.87

 

CMYK 15 / 0 / 77 / 34

HEX #8EA827

RGB 142 168 39

HSL 72.09, 0.62%, 0.41%

LAB 64.89, -26.06, 58.89

 

CMYK 12 / 0 / 51 / 6

HEX #D3F075

RGB 211 240 117

HSL 74.15, 0.8%, 0.7%

LAB 90.53, -27.34, 55.66

 

CMYK 0 / 1 / 51 / 6

HEX #F0ED75

RGB 240 237 117

HSL 58.54, 0.8%, 0.7%

LAB 91.85, -14.58, 57.74

 

CMYK 0 / 15 / 51 / 6

HEX #F0CB75

RGB 240 203 117

HSL 41.95, 0.8%, 0.7%

LAB 83.19, 2.57, 47.4

 

CMYK 0 / 29 / 51 / 6

HEX #F0AA75

RGB 240 170 117

HSL 25.85, 0.8%, 0.7%

LAB 75.18, 19.89, 37.43

 

CMYK 0 / 43 / 51 / 6

HEX #F08975

RGB 240 137 117

HSL 9.76, 0.8%, 0.7%

LAB 67.8, 37.22, 27.89

 

CMYK 12 / 0 / 51 / 6

HEX #D3F075

RGB 211 240 117

HSL 74.15, 0.8%, 0.7%

LAB 90.53, -27.34, 55.66

 

CMYK 26 / 0 / 51 / 6

HEX #B1F075

RGB 177 240 117

HSL 90.73, 0.8%, 0.7%

LAB 88.42, -39.85, 52.64

 

CMYK 40 / 0 / 51 / 6

HEX #90F075

RGB 144 240 117

HSL 106.83, 0.8%, 0.7%

LAB 86.77, -50.76, 50.26

 

CMYK 51 / 0 / 49 / 6

HEX #75F07B

RGB 117 240 123

HSL 122.93, 0.8%, 0.7%

LAB 85.77, -57.62, 45.97

 

CMYK 51 / 0 / 35 / 6

HEX #75F09C

RGB 117 240 156

HSL 139.02, 0.8%, 0.7%

LAB 86.26, -52.52, 30.34

 

CMYK 12 / 0 / 51 / 6

HEX #D3F075

RGB 211 240 117

HSL 74.15, 0.8%, 0.7%

LAB 90.53, -27.34, 55.66

 

CMYK 14 / 0 / 59 / 1

HEX #D9FD68

RGB 217 253 104

HSL 74.5, 0.97%, 0.7%

LAB 94.31, -32.19, 65.79

 

CMYK 12 / 0 / 51 / 6

HEX #D3F075

RGB 211 240 117

HSL 74.15, 0.8%, 0.7%

LAB 90.53, -27.34, 55.66

 

CMYK 11 / 0 / 43 / 11

HEX #CCE481

RGB 204 228 129

HSL 74.55, 0.65%, 0.7%

LAB 86.95, -23.08, 45.54

 

CMYK 8 / 0 / 35 / 15

HEX #C6D88D

RGB 198 216 141

HSL 74.4, 0.49%, 0.7%

LAB 83.46, -18.08, 35.02

 

CMYK 6 / 0 / 24 / 20

HEX #BFCB9A

RGB 191 203 154

HSL 74.69, 0.32%, 0.7%

LAB 79.68, -12.4, 23.13

 

CMYK 3 / 0 / 13 / 25

HEX #B9BFA6

RGB 185 191 166

HSL 74.4, 0.16%, 0.7%

LAB 76.27, -6.52, 11.91

 

CMYK 0 / 15 / 51 / 6

HEX #F0CB75

RGB 240 203 117

HSL 41.95, 0.8%, 0.7%

LAB 83.19, 2.57, 47.4

 

CMYK 0 / 2 / 51 / 6

HEX #F0EC75

RGB 240 236 117

HSL 58.05, 0.8%, 0.7%

LAB 91.6, -14.09, 57.44

 

CMYK 12 / 0 / 51 / 6

HEX #D4F075

RGB 212 240 117

HSL 73.66, 0.8%, 0.7%

LAB 90.6, -26.96, 55.76

 

CMYK 25 / 0 / 51 / 6

HEX #B3F075

RGB 179 240 117

HSL 89.76, 0.8%, 0.7%

LAB 88.54, -39.15, 52.8

 

CMYK 40 / 0 / 51 / 6

HEX #91F075

RGB 145 240 117

HSL 106.34, 0.8%, 0.7%

LAB 86.81, -50.46, 50.32

 

CMYK 20 / 0 / 82 / 9

HEX #BBE92A

RGB 187 233 42

HSL 74.45, 0.81%, 0.54%

LAB 86.51, -38.09, 78.58

 

CMYK 16 / 0 / 67 / 7

HEX #C7ED4F

RGB 199 237 79

HSL 74.43, 0.81%, 0.62%

LAB 88.58, -33.49, 69.28

 

CMYK 12 / 0 / 51 / 6

HEX #D3F075

RGB 211 240 117

HSL 74.15, 0.8%, 0.7%

LAB 90.53, -27.34, 55.66

 

CMYK 9 / 0 / 37 / 4

HEX #DFF49A

RGB 223 244 154

HSL 74, 0.8%, 0.78%

LAB 92.89, -20.83, 41.1

 

CMYK 5 / 0 / 23 / 3

HEX #EBF8BF

RGB 235 248 191

HSL 73.68, 0.8%, 0.86%

LAB 95.4, -13.58, 26.01

 

CMYK 13 / 0 / 52 / 6

HEX #D2F073

RGB 210 240 115

HSL 74.4, 0.81%, 0.7%

LAB 90.44, -27.9, 56.45

 

CMYK 51 / 0 / 29 / 6

HEX #75F0AA

RGB 117 240 170

HSL 145.85, 0.8%, 0.7%

LAB 86.51, -49.98, 23.53

 

CMYK 8 / 51 / 0 / 6

HEX #DC75F0

RGB 220 117 240

HSL 290.24, 0.8%, 0.7%

LAB 65.14, 58.14, -45.2

 

CMYK 13 / 0 / 52 / 6

HEX #D2F073

RGB 210 240 115

HSL 74.4, 0.81%, 0.7%

LAB 90.44, -27.9, 56.45

 

CMYK 51 / 12 / 0 / 6

HEX #75D4F0

RGB 117 212 240

HSL 193.66, 0.8%, 0.7%

LAB 80.27, -20.67, -22.42

 

CMYK 0 / 51 / 12 / 6

HEX #F075D4

RGB 240 117 212

HSL 313.66, 0.8%, 0.7%

LAB 66.52, 58.88, -27.31

 

CMYK 13 / 0 / 52 / 6

HEX #D2F073

RGB 210 240 115

HSL 74.4, 0.81%, 0.7%

LAB 90.44, -27.9, 56.45

 

CMYK 51 / 0 / 29 / 6

HEX #75F0AA

RGB 117 240 170

HSL 145.85, 0.8%, 0.7%

LAB 86.51, -49.98, 23.53

 

CMYK 40 / 51 / 0 / 6

HEX #9175F0

RGB 145 117 240

HSL 253.66, 0.8%, 0.7%

LAB 57.11, 39, -58.46

 

CMYK 0 / 51 / 22 / 6

HEX #F075BB

RGB 240 117 187

HSL 325.85, 0.8%, 0.7%

LAB 65.62, 55.19, -14.63

 

CMYK 13 / 0 / 52 / 6

HEX #D2F073

RGB 210 240 115

HSL 74.4, 0.81%, 0.7%

LAB 90.44, -27.9, 56.45

 

CMYK 51 / 0 / 14 / 6

HEX #75F0CF

RGB 117 240 207

HSL 163.9, 0.8%, 0.7%

LAB 87.29, -42.25, 5.45

 

CMYK 40 / 51 / 0 / 6

HEX #9175F0

RGB 145 117 240

HSL 253.66, 0.8%, 0.7%

LAB 57.11, 39, -58.46

 

CMYK 0 / 51 / 38 / 6

HEX #F07596

RGB 240 117 150

HSL 343.9, 0.8%, 0.7%

LAB 64.52, 50.54, 4.77

 

Description

Color code: HEX #D2F073 | qconv.com Color code: HEX #D2F073 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 240 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 240 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 52 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 52% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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