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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2EDB9 it is the complementary color #2D1246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2EDB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2EDB9 shade: #D7EDB4, #E8FFC7, #F9FFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2EDB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2EDB9 shade: #D2EDB9, #C1DBA6, #B0C993, #9FB780 and #8EA56D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2EDB9 shade: #D2EDBA, #E0EDBA, #EDECBA, #EDDEBA and #EDD0BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2EDB9 shade: #D2EDBA, #C4EDBA, #BAEDBD, #BAEDCA and #BAEDD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2EDB9 shade matches the following richer shades: #D2EDBA, #D2F4B3 and #D2FBAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2EDB9 shade: #D2EDBA, #D2E6C1, #D3DFC8, #D3D8CF and #D3D1D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2EDB9 shade: #EDECBA, #E0EDBA, #D2EDBA, #C5EDBA and #BAEDBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2EDB9 shade: #A8DC78, #BDE499, #D2EDBA, #E7F5DA and #FCFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2EDB9 shade: #D2EDB9, #BAEDDE and #EDBAE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2EDB9 shade: #D2EDB9, #BAD2ED and #EDBAD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2EDB9 shade: #D2EDB9, #BAEDDE, #D4BAED and #EDBAC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2EDB9 shade: #D2EDB9, #BAECED, #D4BAED and #EDBABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 22 / 7

HEX #D2EDB9

RGB 210 237 185

HSL 91.15, 0.59%, 0.83%

LAB 90.68, -17.9, 22.31

 

Complementary color

CMYK 36 / 74 / 0 / 73

HEX #2D1246

RGB 45 18 70

HSL 271.15, 0.59%, 0.17%

LAB 12.17, 25.33, -27.3

 

CMYK 9 / 0 / 24 / 7

HEX #D7EDB4

RGB 215 237 180

HSL 83.16, 0.61%, 0.82%

LAB 90.92, -16.89, 25.27

 

CMYK 9 / 0 / 22 / 0

HEX #E8FFC7

RGB 232 255 199

HSL 84.64, 1%, 0.89%

LAB 97.15, -16.9, 24.32

 

CMYK 2 / 0 / 15 / 0

HEX #F9FFDA

RGB 249 255 218

HSL 69.73, 1%, 0.93%

LAB 98.72, -8.11, 17.03

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDB9

RGB 210 237 185

HSL 91.15, 0.59%, 0.83%

LAB 90.68, -17.9, 22.31

 

CMYK 12 / 0 / 24 / 14

HEX #C1DBA6

RGB 193 219 166

HSL 89.43, 0.42%, 0.75%

LAB 84.36, -17.93, 23.27

 

CMYK 12 / 0 / 27 / 21

HEX #B0C993

RGB 176 201 147

HSL 87.78, 0.33%, 0.68%

LAB 77.94, -17.96, 24.27

 

CMYK 13 / 0 / 30 / 28

HEX #9FB780

RGB 159 183 128

HSL 86.18, 0.28%, 0.61%

LAB 71.42, -17.98, 25.33

 

CMYK 14 / 0 / 34 / 35

HEX #8EA56D

RGB 142 165 109

HSL 84.64, 0.24%, 0.54%

LAB 64.78, -17.99, 26.45

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDBA

RGB 210 237 186

HSL 91.76, 0.59%, 0.83%

LAB 90.7, -17.75, 21.82

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 0 / 0 / 22 / 7

HEX #EDECBA

RGB 237 236 186

HSL 58.82, 0.59%, 0.83%

LAB 92.37, -7.59, 24.44

 

CMYK 0 / 6 / 22 / 7

HEX #EDDEBA

RGB 237 222 186

HSL 42.35, 0.59%, 0.83%

LAB 88.82, -0.49, 19.53

 

CMYK 0 / 12 / 22 / 7

HEX #EDD0BA

RGB 237 208 186

HSL 25.88, 0.59%, 0.83%

LAB 85.33, 6.75, 14.64

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDBA

RGB 210 237 186

HSL 91.76, 0.59%, 0.83%

LAB 90.7, -17.75, 21.82

 

CMYK 17 / 0 / 22 / 7

HEX #C4EDBA

RGB 196 237 186

HSL 108.24, 0.59%, 0.83%

LAB 89.79, -22.56, 20.43

 

CMYK 22 / 0 / 20 / 7

HEX #BAEDBD

RGB 186 237 189

HSL 123.53, 0.59%, 0.83%

LAB 89.24, -25.39, 18.02

 

CMYK 22 / 0 / 15 / 7

HEX #BAEDCA

RGB 186 237 202

HSL 138.82, 0.59%, 0.83%

LAB 89.52, -23.08, 11.67

 

CMYK 22 / 0 / 9 / 7

HEX #BAEDD8

RGB 186 237 216

HSL 155.29, 0.59%, 0.83%

LAB 89.84, -20.44, 4.83

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDBA

RGB 210 237 186

HSL 91.76, 0.59%, 0.83%

LAB 90.7, -17.75, 21.82

 

CMYK 14 / 0 / 27 / 4

HEX #D2F4B3

RGB 210 244 179

HSL 91.38, 0.75%, 0.83%

LAB 92.42, -22.21, 27.78

 

CMYK 16 / 0 / 31 / 2

HEX #D2FBAC

RGB 210 251 172

HSL 91.14, 0.91%, 0.83%

LAB 94.17, -26.55, 33.67

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDBA

RGB 210 237 186

HSL 91.76, 0.59%, 0.83%

LAB 90.7, -17.75, 21.82

 

CMYK 9 / 0 / 16 / 10

HEX #D2E6C1

RGB 210 230 193

HSL 92.43, 0.43%, 0.83%

LAB 88.99, -13.16, 15.82

 

CMYK 5 / 0 / 10 / 13

HEX #D3DFC8

RGB 211 223 200

HSL 91.3, 0.26%, 0.83%

LAB 87.39, -8.12, 9.89

 

CMYK 2 / 0 / 4 / 15

HEX #D3D8CF

RGB 211 216 207

HSL 93.33, 0.1%, 0.83%

LAB 85.74, -3.31, 3.83

 

CMYK 1 / 2 / 0 / 16

HEX #D3D1D6

RGB 211 209 214

HSL 264, 0.06%, 0.83%

LAB 84.12, 1.6, -2.24

 

CMYK 0 / 0 / 22 / 7

HEX #EDECBA

RGB 237 236 186

HSL 58.82, 0.59%, 0.83%

LAB 92.37, -7.59, 24.44

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDBA

RGB 210 237 186

HSL 91.76, 0.59%, 0.83%

LAB 90.7, -17.75, 21.82

 

CMYK 17 / 0 / 22 / 7

HEX #C5EDBA

RGB 197 237 186

HSL 107.06, 0.59%, 0.83%

LAB 89.85, -22.22, 20.52

 

CMYK 22 / 0 / 21 / 7

HEX #BAEDBC

RGB 186 237 188

HSL 122.35, 0.59%, 0.83%

LAB 89.22, -25.56, 18.51

 

CMYK 24 / 0 / 45 / 14

HEX #A8DC78

RGB 168 220 120

HSL 91.2, 0.59%, 0.67%

LAB 82.31, -33.66, 43.63

 

CMYK 17 / 0 / 33 / 11

HEX #BDE499

RGB 189 228 153

HSL 91.2, 0.58%, 0.75%

LAB 86.31, -25.65, 32.55

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDBA

RGB 210 237 186

HSL 91.76, 0.59%, 0.83%

LAB 90.7, -17.75, 21.82

 

CMYK 6 / 0 / 11 / 4

HEX #E7F5DA

RGB 231 245 218

HSL 91.11, 0.57%, 0.91%

LAB 94.89, -9.33, 11.42

 

CMYK 1 / 0 / 1 / 0

HEX #FCFEFB

RGB 252 254 251

HSL 100, 0.6%, 0.99%

LAB 99.43, -1.18, 1.19

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDB9

RGB 210 237 185

HSL 91.15, 0.59%, 0.83%

LAB 90.68, -17.9, 22.31

 

CMYK 22 / 0 / 6 / 7

HEX #BAEDDE

RGB 186 237 222

HSL 162.35, 0.59%, 0.83%

LAB 89.99, -19.25, 1.92

 

CMYK 0 / 22 / 3 / 7

HEX #EDBAE7

RGB 237 186 231

HSL 307.06, 0.59%, 0.83%

LAB 81.23, 25.68, -15.38

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDB9

RGB 210 237 185

HSL 91.15, 0.59%, 0.83%

LAB 90.68, -17.9, 22.31

 

CMYK 22 / 11 / 0 / 7

HEX #BAD2ED

RGB 186 210 237

HSL 211.76, 0.59%, 0.83%

LAB 83.26, -2.32, -15.96

 

CMYK 0 / 22 / 11 / 7

HEX #EDBAD2

RGB 237 186 210

HSL 331.76, 0.59%, 0.83%

LAB 80.61, 22.07, -5

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDB9

RGB 210 237 185

HSL 91.15, 0.59%, 0.83%

LAB 90.68, -17.9, 22.31

 

CMYK 22 / 0 / 6 / 7

HEX #BAEDDE

RGB 186 237 222

HSL 162.35, 0.59%, 0.83%

LAB 89.99, -19.25, 1.92

 

CMYK 11 / 22 / 0 / 7

HEX #D4BAED

RGB 212 186 237

HSL 270.59, 0.59%, 0.83%

LAB 79.17, 18.68, -21.94

 

CMYK 0 / 22 / 16 / 7

HEX #EDBAC8

RGB 237 186 200

HSL 343.53, 0.59%, 0.83%

LAB 80.34, 20.47, -0

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDB9

RGB 210 237 185

HSL 91.15, 0.59%, 0.83%

LAB 90.68, -17.9, 22.31

 

CMYK 22 / 0 / 0 / 7

HEX #BAECED

RGB 186 236 237

HSL 181.18, 0.59%, 0.83%

LAB 90.11, -15.66, -5.74

 

CMYK 11 / 22 / 0 / 7

HEX #D4BAED

RGB 212 186 237

HSL 270.59, 0.59%, 0.83%

LAB 79.17, 18.68, -21.94

 

CMYK 0 / 22 / 22 / 7

HEX #EDBABA

RGB 237 186 186

HSL 0, 0.59%, 0.83%

LAB 79.99, 18.34, 7.04

 

Description

Color code: HEX #D2EDB9 | qconv.com Color code: HEX #D2EDB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 237 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 237 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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