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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2DB92 it is the complementary color #2D246D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2DB92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2DB92 shade: #D7DB8D, #E8EDA0, #F9FFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2DB92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2DB92 shade: #D2DB92, #C1C97F, #B0B76C, #9FA559 and #8E9346

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2DB92 shade: #D2DB94, #DBD194, #DBBE94, #DBAA94 and #DB9794

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2DB92 shade: #D2DB94, #BFDB94, #ACDB94, #99DB94 and #94DBA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2DB92 shade matches the following richer shades: #D2DB94, #DBE788, #E4F27D and #EDFE71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2DB92 shade: #D2DB94, #CAD09F, #C1C4AB, #B8B9B7 and #B0ADC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2DB92 shade: #DBBE94, #DBD194, #D3DB94, #C0DB94 and #ADDB94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2DB92 shade: #B9C756, #C6D175, #D2DB94, #DFE6B3 and #ECF0D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2DB92 shade: #D2DB92, #94DBAB and #C794DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2DB92 shade: #D2DB92, #94D3DB and #DB94D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2DB92 shade: #D2DB92, #94DBAB, #9C94DB and #DB94C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2DB92 shade: #D2DB92, #94DBC0, #9C94DB and #DB94AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 33 / 14

HEX #D2DB92

RGB 210 219 146

HSL 67.4, 0.5%, 0.72%

LAB 85.22, -14.41, 34.94

 

Complementary color

CMYK 59 / 67 / 0 / 57

HEX #2D246D

RGB 45 36 109

HSL 247.4, 0.5%, 0.28%

LAB 19.74, 26.49, -41.21

 

CMYK 2 / 0 / 36 / 14

HEX #D7DB8D

RGB 215 219 141

HSL 63.08, 0.52%, 0.71%

LAB 85.52, -13.09, 37.94

 

CMYK 2 / 0 / 32 / 7

HEX #E8EDA0

RGB 232 237 160

HSL 63.9, 0.68%, 0.78%

LAB 91.8, -13.33, 36.82

 

CMYK 2 / 0 / 30 / 0

HEX #F9FFB3

RGB 249 255 179

HSL 64.74, 1%, 0.85%

LAB 98, -13.53, 35.74

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 4 / 0 / 33 / 14

HEX #D2DB92

RGB 210 219 146

HSL 67.4, 0.5%, 0.72%

LAB 85.22, -14.41, 34.94

 

CMYK 4 / 0 / 37 / 21

HEX #C1C97F

RGB 193 201 127

HSL 66.49, 0.41%, 0.64%

LAB 78.84, -14.2, 36.08

 

CMYK 4 / 0 / 41 / 28

HEX #B0B76C

RGB 176 183 108

HSL 65.6, 0.34%, 0.57%

LAB 72.35, -13.95, 37.26

 

CMYK 4 / 0 / 46 / 35

HEX #9FA559

RGB 159 165 89

HSL 64.74, 0.3%, 0.5%

LAB 65.75, -13.63, 38.47

 

CMYK 3 / 0 / 52 / 42

HEX #8E9346

RGB 142 147 70

HSL 63.9, 0.35%, 0.43%

LAB 59.03, -13.21, 39.67

 

CMYK 4 / 0 / 32 / 14

HEX #D2DB94

RGB 210 219 148

HSL 67.61, 0.5%, 0.72%

LAB 85.25, -14.16, 33.96

 

CMYK 0 / 5 / 32 / 14

HEX #DBD194

RGB 219 209 148

HSL 51.55, 0.5%, 0.72%

LAB 83.34, -5.64, 31.56

 

CMYK 0 / 13 / 32 / 14

HEX #DBBE94

RGB 219 190 148

HSL 35.49, 0.5%, 0.72%

LAB 78.48, 4.25, 25.04

 

CMYK 0 / 22 / 32 / 14

HEX #DBAA94

RGB 219 170 148

HSL 18.59, 0.5%, 0.72%

LAB 73.51, 14.91, 18.24

 

CMYK 0 / 31 / 32 / 14

HEX #DB9794

RGB 219 151 148

HSL 2.54, 0.5%, 0.72%

LAB 68.99, 25.16, 11.92

 

CMYK 4 / 0 / 32 / 14

HEX #D2DB94

RGB 210 219 148

HSL 67.61, 0.5%, 0.72%

LAB 85.25, -14.16, 33.96

 

CMYK 13 / 0 / 32 / 14

HEX #BFDB94

RGB 191 219 148

HSL 83.66, 0.5%, 0.72%

LAB 83.9, -21.25, 31.93

 

CMYK 21 / 0 / 32 / 14

HEX #ACDB94

RGB 172 219 148

HSL 99.72, 0.5%, 0.72%

LAB 82.69, -28.05, 30.1

 

CMYK 30 / 0 / 32 / 14

HEX #99DB94

RGB 153 219 148

HSL 115.77, 0.5%, 0.72%

LAB 81.61, -34.47, 28.46

 

CMYK 32 / 0 / 26 / 14

HEX #94DBA2

RGB 148 219 162

HSL 131.83, 0.5%, 0.72%

LAB 81.6, -33.72, 21.14

 

CMYK 4 / 0 / 32 / 14

HEX #D2DB94

RGB 210 219 148

HSL 67.61, 0.5%, 0.72%

LAB 85.25, -14.16, 33.96

 

CMYK 5 / 0 / 41 / 9

HEX #DBE788

RGB 219 231 136

HSL 67.58, 0.66%, 0.72%

LAB 88.92, -18.06, 44.82

 

CMYK 6 / 0 / 48 / 5

HEX #E4F27D

RGB 228 242 125

HSL 67.18, 0.82%, 0.72%

LAB 92.34, -21.02, 54.42

 

CMYK 7 / 0 / 56 / 0

HEX #EDFE71

RGB 237 254 113

HSL 67.23, 0.99%, 0.72%

LAB 96.03, -24.27, 64.26

 

CMYK 4 / 0 / 32 / 14

HEX #D2DB94

RGB 210 219 148

HSL 67.61, 0.5%, 0.72%

LAB 85.25, -14.16, 33.96

 

CMYK 3 / 0 / 24 / 18

HEX #CAD09F

RGB 202 208 159

HSL 67.35, 0.34%, 0.72%

LAB 81.93, -10.13, 23.71

 

CMYK 2 / 0 / 13 / 23

HEX #C1C4AB

RGB 193 196 171

HSL 67.2, 0.17%, 0.72%

LAB 78.32, -5.41, 12.21

 

CMYK 1 / 0 / 1 / 27

HEX #B8B9B7

RGB 184 185 183

HSL 90, 0.01%, 0.72%

LAB 75.02, -0.72, 0.88

 

CMYK 9 / 11 / 0 / 24

HEX #B0ADC2

RGB 176 173 194

HSL 248.57, 0.15%, 0.72%

LAB 71.56, 5.17, -10.31

 

CMYK 0 / 13 / 32 / 14

HEX #DBBE94

RGB 219 190 148

HSL 35.49, 0.5%, 0.72%

LAB 78.48, 4.25, 25.04

 

CMYK 0 / 5 / 32 / 14

HEX #DBD194

RGB 219 209 148

HSL 51.55, 0.5%, 0.72%

LAB 83.34, -5.64, 31.56

 

CMYK 4 / 0 / 32 / 14

HEX #D3DB94

RGB 211 219 148

HSL 66.76, 0.5%, 0.72%

LAB 85.33, -13.78, 34.08

 

CMYK 12 / 0 / 32 / 14

HEX #C0DB94

RGB 192 219 148

HSL 82.82, 0.5%, 0.72%

LAB 83.97, -20.88, 32.03

 

CMYK 21 / 0 / 32 / 14

HEX #ADDB94

RGB 173 219 148

HSL 98.87, 0.5%, 0.72%

LAB 82.75, -27.7, 30.19

 

CMYK 7 / 0 / 57 / 22

HEX #B9C756

RGB 185 199 86

HSL 67.43, 0.5%, 0.56%

LAB 77.18, -20.47, 53.84

 

CMYK 5 / 0 / 44 / 18

HEX #C6D175

RGB 198 209 117

HSL 67.17, 0.5%, 0.64%

LAB 81.23, -17.37, 44.2

 

CMYK 4 / 0 / 32 / 14

HEX #D2DB94

RGB 210 219 148

HSL 67.61, 0.5%, 0.72%

LAB 85.25, -14.16, 33.96

 

CMYK 3 / 0 / 22 / 10

HEX #DFE6B3

RGB 223 230 179

HSL 68.24, 0.5%, 0.8%

LAB 89.64, -10.67, 24.12

 

CMYK 2 / 0 / 13 / 6

HEX #ECF0D2

RGB 236 240 210

HSL 68, 0.5%, 0.88%

LAB 93.8, -6.39, 14.05

 

CMYK 4 / 0 / 33 / 14

HEX #D2DB92

RGB 210 219 146

HSL 67.4, 0.5%, 0.72%

LAB 85.22, -14.41, 34.94

 

CMYK 32 / 0 / 22 / 14

HEX #94DBAB

RGB 148 219 171

HSL 139.44, 0.5%, 0.72%

LAB 81.78, -32.09, 16.67

 

CMYK 9 / 32 / 0 / 14

HEX #C794DB

RGB 199 148 219

HSL 283.1, 0.5%, 0.72%

LAB 68.34, 31.65, -28.8

 

CMYK 4 / 0 / 33 / 14

HEX #D2DB92

RGB 210 219 146

HSL 67.4, 0.5%, 0.72%

LAB 85.22, -14.41, 34.94

 

CMYK 32 / 4 / 0 / 14

HEX #94D3DB

RGB 148 211 219

HSL 186.76, 0.5%, 0.72%

LAB 80.74, -17.99, -10.36

 

CMYK 0 / 32 / 4 / 14

HEX #DB94D3

RGB 219 148 211

HSL 306.76, 0.5%, 0.72%

LAB 70.14, 36.51, -21.44

 

CMYK 4 / 0 / 33 / 14

HEX #D2DB92

RGB 210 219 146

HSL 67.4, 0.5%, 0.72%

LAB 85.22, -14.41, 34.94

 

CMYK 32 / 0 / 22 / 14

HEX #94DBAB

RGB 148 219 171

HSL 139.44, 0.5%, 0.72%

LAB 81.78, -32.09, 16.67

 

CMYK 29 / 32 / 0 / 14

HEX #9C94DB

RGB 156 148 219

HSL 246.76, 0.5%, 0.72%

LAB 64.45, 18.59, -35.13

 

CMYK 0 / 32 / 10 / 14

HEX #DB94C5

RGB 219 148 197

HSL 318.59, 0.5%, 0.72%

LAB 69.66, 34.07, -14.4

 

CMYK 4 / 0 / 33 / 14

HEX #D2DB92

RGB 210 219 146

HSL 67.4, 0.5%, 0.72%

LAB 85.22, -14.41, 34.94

 

CMYK 32 / 0 / 12 / 14

HEX #94DBC0

RGB 148 219 192

HSL 157.18, 0.5%, 0.72%

LAB 82.25, -27.95, 6.24

 

CMYK 29 / 32 / 0 / 14

HEX #9C94DB

RGB 156 148 219

HSL 246.76, 0.5%, 0.72%

LAB 64.45, 18.59, -35.13

 

CMYK 0 / 32 / 20 / 14

HEX #DB94AF

RGB 219 148 175

HSL 337.18, 0.5%, 0.72%

LAB 68.99, 30.55, -3.14

 

Description

Color code: HEX #D2DB92 | qconv.com Color code: HEX #D2DB92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 219 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 219 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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