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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2D9A1 it is the complementary color #2D265E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2D9A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2D9A1 shade: #D7D99C, #E8EBAF, #F9FDC2, #FFFFD5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2D9A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2D9A1 shade: #D2D9A1, #C1C78E, #B0B57B, #9FA368 and #8E9155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2D9A1 shade: #D1D8A0, #D8D0A0, #D8C1A0, #D8B2A0 and #D8A3A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2D9A1 shade: #D1D8A0, #C2D8A0, #B3D8A0, #A4D8A0 and #A0D8AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2D9A1 shade matches the following richer shades: #D1D8A0, #D9E396, #E1EE8B and #E9F880

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2D9A1 shade: #D1D8A0, #C9CDAB, #C1C3B6, #B9B8C1 and #B1ADCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2D9A1 shade: #D8C1A0, #D8D0A0, #D2D8A0, #C3D8A0 and #B4D8A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2D9A1 shade: #B5C066, #C3CC83, #D1D8A0, #DFE4BE and #EDF0DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2D9A1 shade: #D2D9A1, #A0D8B2 and #C8A0D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2D9A1 shade: #D2D9A1, #A0D2D8 and #D8A0D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2D9A1 shade: #D2D9A1, #A0D8B2, #A7A0D8 and #D8A0C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2D9A1 shade: #D2D9A1, #A0D8C3, #A7A0D8 and #D8A0B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 26 / 15

HEX #D2D9A1

RGB 210 217 161

HSL 67.5, 0.42%, 0.74%

LAB 84.95, -11.44, 26.87

 

Complementary color

CMYK 52 / 60 / 0 / 63

HEX #2D265E

RGB 45 38 94

HSL 247.5, 0.42%, 0.26%

LAB 19.02, 19.94, -32.54

 

CMYK 1 / 0 / 28 / 15

HEX #D7D99C

RGB 215 217 156

HSL 61.97, 0.45%, 0.73%

LAB 85.24, -10.24, 29.91

 

CMYK 1 / 0 / 26 / 8

HEX #E8EBAF

RGB 232 235 175

HSL 63, 0.6%, 0.8%

LAB 91.54, -10.43, 28.87

 

CMYK 2 / 0 / 23 / 1

HEX #F9FDC2

RGB 249 253 194

HSL 64.07, 0.94%, 0.88%

LAB 97.75, -10.6, 27.87

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A1

RGB 210 217 161

HSL 67.5, 0.42%, 0.74%

LAB 84.95, -11.44, 26.87

 

CMYK 3 / 0 / 29 / 22

HEX #C1C78E

RGB 193 199 142

HSL 66.32, 0.34%, 0.67%

LAB 78.54, -11.29, 27.92

 

CMYK 3 / 0 / 32 / 29

HEX #B0B57B

RGB 176 181 123

HSL 65.17, 0.28%, 0.6%

LAB 72.03, -11.1, 29.03

 

CMYK 2 / 0 / 36 / 36

HEX #9FA368

RGB 159 163 104

HSL 64.07, 0.24%, 0.52%

LAB 65.41, -10.87, 30.2

 

CMYK 2 / 0 / 41 / 43

HEX #8E9155

RGB 142 145 85

HSL 63, 0.26%, 0.45%

LAB 58.66, -10.57, 31.43

 

CMYK 3 / 0 / 26 / 15

HEX #D1D8A0

RGB 209 216 160

HSL 67.5, 0.42%, 0.74%

LAB 84.59, -11.45, 26.89

 

CMYK 0 / 4 / 26 / 15

HEX #D8D0A0

RGB 216 208 160

HSL 51.43, 0.42%, 0.74%

LAB 83.05, -4.73, 24.88

 

CMYK 0 / 11 / 26 / 15

HEX #D8C1A0

RGB 216 193 160

HSL 35.36, 0.42%, 0.74%

LAB 79.2, 3.09, 19.6

 

CMYK 0 / 18 / 26 / 15

HEX #D8B2A0

RGB 216 178 160

HSL 19.29, 0.42%, 0.74%

LAB 75.44, 11.07, 14.36

 

CMYK 0 / 25 / 26 / 15

HEX #D8A3A0

RGB 216 163 160

HSL 3.21, 0.42%, 0.74%

LAB 71.78, 19.15, 9.18

 

CMYK 3 / 0 / 26 / 15

HEX #D1D8A0

RGB 209 216 160

HSL 67.5, 0.42%, 0.74%

LAB 84.59, -11.45, 26.89

 

CMYK 10 / 0 / 26 / 15

HEX #C2D8A0

RGB 194 216 160

HSL 83.57, 0.42%, 0.74%

LAB 83.51, -16.97, 25.24

 

CMYK 17 / 0 / 26 / 15

HEX #B3D8A0

RGB 179 216 160

HSL 99.64, 0.42%, 0.74%

LAB 82.5, -22.33, 23.71

 

CMYK 24 / 0 / 26 / 15

HEX #A4D8A0

RGB 164 216 160

HSL 115.71, 0.42%, 0.74%

LAB 81.59, -27.48, 22.31

 

CMYK 26 / 0 / 20 / 15

HEX #A0D8AC

RGB 160 216 172

HSL 132.86, 0.42%, 0.74%

LAB 81.6, -26.71, 15.98

 

CMYK 3 / 0 / 26 / 15

HEX #D1D8A0

RGB 209 216 160

HSL 67.5, 0.42%, 0.74%

LAB 84.59, -11.45, 26.89

 

CMYK 4 / 0 / 34 / 11

HEX #D9E396

RGB 217 227 150

HSL 67.79, 0.58%, 0.74%

LAB 87.92, -15.24, 36.54

 

CMYK 5 / 0 / 42 / 7

HEX #E1EE8B

RGB 225 238 139

HSL 67.88, 0.74%, 0.74%

LAB 91.24, -18.85, 46.37

 

CMYK 6 / 0 / 48 / 3

HEX #E9F880

RGB 233 248 128

HSL 67.5, 0.9%, 0.74%

LAB 94.32, -21.7, 55.49

 

CMYK 3 / 0 / 26 / 15

HEX #D1D8A0

RGB 209 216 160

HSL 67.5, 0.42%, 0.74%

LAB 84.59, -11.45, 26.89

 

CMYK 2 / 0 / 17 / 20

HEX #C9CDAB

RGB 201 205 171

HSL 67.06, 0.25%, 0.74%

LAB 81.3, -7.17, 16.49

 

CMYK 1 / 0 / 7 / 24

HEX #C1C3B6

RGB 193 195 182

HSL 69.23, 0.1%, 0.74%

LAB 78.31, -3.03, 6.28

 

CMYK 4 / 5 / 0 / 24

HEX #B9B8C1

RGB 185 184 193

HSL 246.67, 0.07%, 0.74%

LAB 75.11, 2.06, -4.43

 

CMYK 13 / 15 / 0 / 20

HEX #B1ADCB

RGB 177 173 203

HSL 248, 0.22%, 0.74%

LAB 71.92, 7.38, -14.7

 

CMYK 0 / 11 / 26 / 15

HEX #D8C1A0

RGB 216 193 160

HSL 35.36, 0.42%, 0.74%

LAB 79.2, 3.09, 19.6

 

CMYK 0 / 4 / 26 / 15

HEX #D8D0A0

RGB 216 208 160

HSL 51.43, 0.42%, 0.74%

LAB 83.05, -4.73, 24.88

 

CMYK 3 / 0 / 26 / 15

HEX #D2D8A0

RGB 210 216 160

HSL 66.43, 0.42%, 0.74%

LAB 84.66, -11.07, 27

 

CMYK 10 / 0 / 26 / 15

HEX #C3D8A0

RGB 195 216 160

HSL 82.5, 0.42%, 0.74%

LAB 83.57, -16.61, 25.34

 

CMYK 17 / 0 / 26 / 15

HEX #B4D8A0

RGB 180 216 160

HSL 98.57, 0.42%, 0.74%

LAB 82.57, -21.98, 23.81

 

CMYK 6 / 0 / 47 / 25

HEX #B5C066

RGB 181 192 102

HSL 67.33, 0.42%, 0.58%

LAB 75.13, -17.15, 43.8

 

CMYK 4 / 0 / 36 / 20

HEX #C3CC83

RGB 195 204 131

HSL 67.4, 0.42%, 0.66%

LAB 79.86, -14.46, 35.38

 

CMYK 3 / 0 / 26 / 15

HEX #D1D8A0

RGB 209 216 160

HSL 67.5, 0.42%, 0.74%

LAB 84.59, -11.45, 26.89

 

CMYK 2 / 0 / 17 / 11

HEX #DFE4BE

RGB 223 228 190

HSL 67.89, 0.41%, 0.82%

LAB 89.34, -8.04, 18.01

 

CMYK 1 / 0 / 9 / 6

HEX #EDF0DB

RGB 237 240 219

HSL 68.57, 0.41%, 0.9%

LAB 94.07, -4.59, 9.8

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A1

RGB 210 217 161

HSL 67.5, 0.42%, 0.74%

LAB 84.95, -11.44, 26.87

 

CMYK 26 / 0 / 18 / 15

HEX #A0D8B2

RGB 160 216 178

HSL 139.29, 0.42%, 0.74%

LAB 81.73, -25.61, 12.99

 

CMYK 7 / 26 / 0 / 15

HEX #C8A0D8

RGB 200 160 216

HSL 282.86, 0.42%, 0.74%

LAB 71.13, 24.76, -22.86

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A1

RGB 210 217 161

HSL 67.5, 0.42%, 0.74%

LAB 84.95, -11.44, 26.87

 

CMYK 26 / 3 / 0 / 15

HEX #A0D2D8

RGB 160 210 216

HSL 186.43, 0.42%, 0.74%

LAB 81.03, -14.77, -8.26

 

CMYK 0 / 26 / 3 / 15

HEX #D8A0D2

RGB 216 160 210

HSL 306.43, 0.42%, 0.74%

LAB 72.49, 28.88, -17.35

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A1

RGB 210 217 161

HSL 67.5, 0.42%, 0.74%

LAB 84.95, -11.44, 26.87

 

CMYK 26 / 0 / 18 / 15

HEX #A0D8B2

RGB 160 216 178

HSL 139.29, 0.42%, 0.74%

LAB 81.73, -25.61, 12.99

 

CMYK 23 / 26 / 0 / 15

HEX #A7A0D8

RGB 167 160 216

HSL 247.5, 0.42%, 0.74%

LAB 68.25, 14.33, -27.52

 

CMYK 0 / 26 / 8 / 15

HEX #D8A0C6

RGB 216 160 198

HSL 319.29, 0.42%, 0.74%

LAB 72.11, 26.75, -11.32

 

CMYK 3 / 0 / 26 / 15

HEX #D2D9A1

RGB 210 217 161

HSL 67.5, 0.42%, 0.74%

LAB 84.95, -11.44, 26.87

 

CMYK 26 / 0 / 10 / 15

HEX #A0D8C3

RGB 160 216 195

HSL 157.5, 0.42%, 0.74%

LAB 82.12, -22.29, 4.54

 

CMYK 23 / 26 / 0 / 15

HEX #A7A0D8

RGB 167 160 216

HSL 247.5, 0.42%, 0.74%

LAB 68.25, 14.33, -27.52

 

CMYK 0 / 26 / 16 / 15

HEX #D8A0B6

RGB 216 160 182

HSL 336.43, 0.42%, 0.74%

LAB 71.63, 24.09, -3.18

 

Description

Color code: HEX #D2D9A1 | qconv.com Color code: HEX #D2D9A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 217 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 217 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 26 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 26% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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