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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2D56E it is the complementary color #2D2A91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2D56E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2D56E shade: #D7D569, #E8E77C, #F9F98F, #FFFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2D56E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2D56E shade: #D2D56E, #C1C35B, #B0B148, #9F9F35 and #8E8D22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2D56E shade: #D2D56D, #D5BC6D, #D5A06D, #D5846D and #D56D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2D56E shade: #D2D56D, #B6D56D, #9AD56D, #7ED56D and #6DD578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2D56E shade matches the following richer shades: #D2D56D, #E0E45D and #EEF34E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2D56E shade: #D2D56D, #C3C57C, #B5B68B, #A6A79B and #9897AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2D56E shade: #D59F6D, #D5BB6D, #D3D56D, #B7D56D and #9BD56D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2D56E shade: #B5B936, #C8CB4D, #D2D56D, #DBDE8D and #E5E7AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2D56E shade: #D2D56E, #6DD583 and #AD6DD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2D56E shade: #D2D56E, #6DD3D5 and #D56DD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2D56E shade: #D2D56E, #6DD583, #6E6DD5 and #D56DBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2D56E shade: #D2D56E, #6DD5A2, #6E6DD5 and #D56D9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 48 / 16

HEX #D2D56E

RGB 210 213 110

HSL 61.75, 0.55%, 0.63%

LAB 83.13, -15.28, 50.11

 

Complementary color

CMYK 69 / 71 / 0 / 43

HEX #2D2A91

RGB 45 42 145

HSL 241.75, 0.55%, 0.37%

LAB 24.51, 35.19, -56.18

 

CMYK 0 / 1 / 51 / 16

HEX #D7D569

RGB 215 213 105

HSL 58.91, 0.58%, 0.63%

LAB 83.47, -13.7, 52.96

 

CMYK 0 / 0 / 47 / 9

HEX #E8E77C

RGB 232 231 124

HSL 59.44, 0.7%, 0.7%

LAB 89.75, -14.19, 51.84

 

CMYK 0 / 0 / 43 / 2

HEX #F9F98F

RGB 249 249 143

HSL 60, 0.9%, 0.77%

LAB 95.94, -14.6, 50.7

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 1 / 0 / 48 / 16

HEX #D2D56E

RGB 210 213 110

HSL 61.75, 0.55%, 0.63%

LAB 83.13, -15.28, 50.11

 

CMYK 1 / 0 / 53 / 24

HEX #C1C35B

RGB 193 195 91

HSL 61.15, 0.46%, 0.56%

LAB 76.75, -14.79, 51.23

 

CMYK 1 / 0 / 59 / 31

HEX #B0B148

RGB 176 177 72

HSL 60.57, 0.42%, 0.49%

LAB 70.28, -14.19, 52.23

 

CMYK 0 / 0 / 67 / 38

HEX #9F9F35

RGB 159 159 53

HSL 60, 0.5%, 0.42%

LAB 63.69, -13.45, 52.99

 

CMYK 0 / 1 / 76 / 44

HEX #8E8D22

RGB 142 141 34

HSL 59.44, 0.61%, 0.35%

LAB 56.99, -12.5, 53.21

 

CMYK 1 / 0 / 49 / 16

HEX #D2D56D

RGB 210 213 109

HSL 61.73, 0.55%, 0.63%

LAB 83.12, -15.37, 50.58

 

CMYK 0 / 12 / 49 / 16

HEX #D5BC6D

RGB 213 188 109

HSL 45.58, 0.55%, 0.63%

LAB 76.81, -1.36, 42.99

 

CMYK 0 / 25 / 49 / 16

HEX #D5A06D

RGB 213 160 109

HSL 29.42, 0.55%, 0.63%

LAB 69.75, 13.55, 34.13

 

CMYK 0 / 38 / 49 / 16

HEX #D5846D

RGB 213 132 109

HSL 13.27, 0.55%, 0.63%

LAB 63.14, 28.69, 25.53

 

CMYK 0 / 49 / 49 / 16

HEX #D56D6D

RGB 213 109 109

HSL 0, 0.55%, 0.63%

LAB 58.21, 40.76, 18.92

 

CMYK 1 / 0 / 49 / 16

HEX #D2D56D

RGB 210 213 109

HSL 61.73, 0.55%, 0.63%

LAB 83.12, -15.37, 50.58

 

CMYK 15 / 0 / 49 / 16

HEX #B6D56D

RGB 182 213 109

HSL 77.88, 0.55%, 0.63%

LAB 81.09, -26.38, 47.65

 

CMYK 28 / 0 / 49 / 16

HEX #9AD56D

RGB 154 213 109

HSL 94.04, 0.55%, 0.63%

LAB 79.36, -36.73, 45.15

 

CMYK 41 / 0 / 49 / 16

HEX #7ED56D

RGB 126 213 109

HSL 110.19, 0.55%, 0.63%

LAB 77.95, -46.04, 43.1

 

CMYK 49 / 0 / 44 / 16

HEX #6DD578

RGB 109 213 120

HSL 126.35, 0.55%, 0.63%

LAB 77.4, -49.42, 36.83

 

CMYK 1 / 0 / 49 / 16

HEX #D2D56D

RGB 210 213 109

HSL 61.73, 0.55%, 0.63%

LAB 83.12, -15.37, 50.58

 

CMYK 2 / 0 / 59 / 11

HEX #E0E45D

RGB 224 228 93

HSL 61.78, 0.71%, 0.63%

LAB 88.03, -18.39, 63.64

 

CMYK 2 / 0 / 68 / 5

HEX #EEF34E

RGB 238 243 78

HSL 61.82, 0.87%, 0.63%

LAB 92.94, -20.88, 74.95

 

CMYK 1 / 0 / 49 / 16

HEX #D2D56D

RGB 210 213 109

HSL 61.73, 0.55%, 0.63%

LAB 83.12, -15.37, 50.58

 

CMYK 1 / 0 / 37 / 23

HEX #C3C57C

RGB 195 197 124

HSL 61.64, 0.39%, 0.63%

LAB 77.87, -11.73, 36.4

 

CMYK 1 / 0 / 24 / 29

HEX #B5B68B

RGB 181 182 139

HSL 61.4, 0.23%, 0.63%

LAB 72.99, -7.49, 21.84

 

CMYK 1 / 0 / 7 / 35

HEX #A6A79B

RGB 166 167 155

HSL 65, 0.06%, 0.63%

LAB 68.1, -2.56, 6.07

 

CMYK 11 / 11 / 0 / 33

HEX #9897AA

RGB 152 151 170

HSL 243.16, 0.1%, 0.63%

LAB 63.1, 4.21, -9.78

 

CMYK 0 / 25 / 49 / 16

HEX #D59F6D

RGB 213 159 109

HSL 28.85, 0.55%, 0.63%

LAB 69.5, 14.09, 33.82

 

CMYK 0 / 12 / 49 / 16

HEX #D5BB6D

RGB 213 187 109

HSL 45, 0.55%, 0.63%

LAB 76.55, -0.84, 42.67

 

CMYK 1 / 0 / 49 / 16

HEX #D3D56D

RGB 211 213 109

HSL 61.15, 0.55%, 0.63%

LAB 83.2, -14.96, 50.69

 

CMYK 14 / 0 / 49 / 16

HEX #B7D56D

RGB 183 213 109

HSL 77.31, 0.55%, 0.63%

LAB 81.16, -25.99, 47.75

 

CMYK 27 / 0 / 49 / 16

HEX #9BD56D

RGB 155 213 109

HSL 93.46, 0.55%, 0.63%

LAB 79.42, -36.38, 45.24

 

CMYK 2 / 0 / 71 / 27

HEX #B5B936

RGB 181 185 54

HSL 61.83, 0.55%, 0.47%

LAB 72.75, -17.24, 62.24

 

CMYK 1 / 0 / 62 / 20

HEX #C8CB4D

RGB 200 203 77

HSL 61.43, 0.55%, 0.55%

LAB 79.34, -16.94, 60.44

 

CMYK 1 / 0 / 49 / 16

HEX #D2D56D

RGB 210 213 109

HSL 61.73, 0.55%, 0.63%

LAB 83.12, -15.37, 50.58

 

CMYK 1 / 0 / 36 / 13

HEX #DBDE8D

RGB 219 222 141

HSL 62.22, 0.55%, 0.71%

LAB 86.62, -13.05, 39.41

 

CMYK 1 / 0 / 25 / 9

HEX #E5E7AD

RGB 229 231 173

HSL 62.07, 0.55%, 0.79%

LAB 90.24, -9.8, 28.1

 

CMYK 1 / 0 / 48 / 16

HEX #D2D56E

RGB 210 213 110

HSL 61.75, 0.55%, 0.63%

LAB 83.13, -15.28, 50.11

 

CMYK 49 / 0 / 38 / 16

HEX #6DD583

RGB 109 213 131

HSL 132.69, 0.55%, 0.63%

LAB 77.57, -47.68, 31.47

 

CMYK 19 / 49 / 0 / 16

HEX #AD6DD5

RGB 173 109 213

HSL 276.92, 0.55%, 0.63%

LAB 56.71, 44, -43.79

 

CMYK 1 / 0 / 48 / 16

HEX #D2D56E

RGB 210 213 110

HSL 61.75, 0.55%, 0.63%

LAB 83.13, -15.28, 50.11

 

CMYK 49 / 1 / 0 / 16

HEX #6DD3D5

RGB 109 211 213

HSL 181.15, 0.55%, 0.63%

LAB 78.84, -29.12, -10.17

 

CMYK 0 / 49 / 1 / 16

HEX #D56DD3

RGB 213 109 211

HSL 301.15, 0.55%, 0.63%

LAB 61.47, 54.81, -34.85

 

CMYK 1 / 0 / 48 / 16

HEX #D2D56E

RGB 210 213 110

HSL 61.75, 0.55%, 0.63%

LAB 83.13, -15.28, 50.11

 

CMYK 49 / 0 / 38 / 16

HEX #6DD583

RGB 109 213 131

HSL 132.69, 0.55%, 0.63%

LAB 77.57, -47.68, 31.47

 

CMYK 48 / 49 / 0 / 16

HEX #6E6DD5

RGB 110 109 213

HSL 240.58, 0.55%, 0.63%

LAB 50.75, 27.9, -53.63

 

CMYK 0 / 49 / 11 / 16

HEX #D56DBE

RGB 213 109 190

HSL 313.27, 0.55%, 0.63%

LAB 60.61, 51.26, -24.3

 

CMYK 1 / 0 / 48 / 16

HEX #D2D56E

RGB 210 213 110

HSL 61.75, 0.55%, 0.63%

LAB 83.13, -15.28, 50.11

 

CMYK 49 / 0 / 24 / 16

HEX #6DD5A2

RGB 109 213 162

HSL 150.58, 0.55%, 0.63%

LAB 78.14, -41.93, 16.07

 

CMYK 48 / 49 / 0 / 16

HEX #6E6DD5

RGB 110 109 213

HSL 240.58, 0.55%, 0.63%

LAB 50.75, 27.9, -53.63

 

CMYK 0 / 49 / 25 / 16

HEX #D56D9F

RGB 213 109 159

HSL 331.15, 0.55%, 0.63%

LAB 59.51, 46.59, -8.18

 

Description

Color code: HEX #D2D56E | qconv.com Color code: HEX #D2D56E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 213 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 213 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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