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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2D519 it is the complementary color #2D2AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2D519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2D519 shade: #D7D514, #E8E727, #F9F93A, #FFFF4D and #FFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2D519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2D519 shade: #D2D519, #C1C306, #B0B100, #9F9F00 and #8E8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2D519 shade: #D4D719, #D7A619, #D77319, #D74019 and #D71919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2D519 shade: #D4D719, #A0D719, #6DD719, #3AD719 and #19D72B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2D519 shade matches the following richer shades: #D4D719 and #E6EA06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2D519 shade: #D4D719, #C1C32D, #AEB040, #9B9C53 and #888967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2D519 shade: #D77219, #D7A419, #D7D719, #A4D719 and #72D719

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2D519 shade: #8B8D11, #AFB215, #D4D719, #E4E732 and #E9EB57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2D519 shade: #D2D519, #19D73F and #8B19D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2D519 shade: #D2D519, #19D7D7 and #D719D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2D519 shade: #D2D519, #19D73F, #1919D7 and #D719B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2D519 shade: #D2D519, #19D778, #1919D7 and #D71978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 88 / 16

HEX #D2D519

RGB 210 213 25

HSL 60.96, 0.79%, 0.47%

LAB 82.57, -19.78, 79.42

 

Complementary color

CMYK 80 / 82 / 0 / 10

HEX #2D2AE6

RGB 45 42 230

HSL 240.96, 0.79%, 0.53%

LAB 33.83, 62.4, -91.14

 

CMYK 0 / 1 / 91 / 16

HEX #D7D514

RGB 215 213 20

HSL 59.38, 0.83%, 0.46%

LAB 82.96, -17.75, 80.66

 

CMYK 0 / 0 / 83 / 9

HEX #E8E727

RGB 232 231 39

HSL 59.69, 0.81%, 0.53%

LAB 89.14, -19.03, 82.76

 

CMYK 0 / 0 / 77 / 2

HEX #F9F93A

RGB 249 249 58

HSL 60, 0.94%, 0.6%

LAB 95.24, -20.13, 83.81

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 1 / 0 / 88 / 16

HEX #D2D519

RGB 210 213 25

HSL 60.96, 0.79%, 0.47%

LAB 82.57, -19.78, 79.42

 

CMYK 1 / 0 / 97 / 24

HEX #C1C306

RGB 193 195 6

HSL 60.63, 0.94%, 0.39%

LAB 76.3, -18.41, 76.41

 

CMYK 1 / 0 / 100 / 31

HEX #B0B100

RGB 176 177 0

HSL 60.34, 1%, 0.35%

LAB 69.95, -16.83, 71.75

 

CMYK 0 / 0 / 100 / 38

HEX #9F9F00

RGB 159 159 0

HSL 60, 1%, 0.31%

LAB 63.48, -15.14, 66.37

 

CMYK 0 / 1 / 100 / 44

HEX #8E8D00

RGB 142 141 0

HSL 59.58, 1%, 0.28%

LAB 56.88, -13.41, 60.89

 

CMYK 1 / 0 / 88 / 16

HEX #D4D719

RGB 212 215 25

HSL 60.95, 0.79%, 0.47%

LAB 83.27, -19.92, 80.04

 

CMYK 0 / 23 / 88 / 16

HEX #D7A619

RGB 215 166 25

HSL 44.53, 0.79%, 0.47%

LAB 70.73, 6.52, 70.25

 

CMYK 0 / 47 / 88 / 16

HEX #D77319

RGB 215 115 25

HSL 28.42, 0.79%, 0.47%

LAB 58.77, 33.8, 60.91

 

CMYK 0 / 70 / 88 / 16

HEX #D74019

RGB 215 64 25

HSL 12.32, 0.79%, 0.47%

LAB 49.72, 57.29, 53.95

 

CMYK 0 / 88 / 88 / 16

HEX #D71919

RGB 215 25 25

HSL 0, 0.79%, 0.47%

LAB 45.92, 67.93, 51.07

 

CMYK 1 / 0 / 88 / 16

HEX #D4D719

RGB 212 215 25

HSL 60.95, 0.79%, 0.47%

LAB 83.27, -19.92, 80.04

 

CMYK 26 / 0 / 88 / 16

HEX #A0D719

RGB 160 215 25

HSL 77.37, 0.79%, 0.47%

LAB 79.7, -41.02, 75.66

 

CMYK 49 / 0 / 88 / 16

HEX #6DD719

RGB 109 215 25

HSL 93.47, 0.79%, 0.47%

LAB 77.23, -58.5, 72.61

 

CMYK 73 / 0 / 88 / 16

HEX #3AD719

RGB 58 215 25

HSL 109.58, 0.79%, 0.47%

LAB 75.8, -70.22, 70.82

 

CMYK 88 / 0 / 80 / 16

HEX #19D72B

RGB 25 215 43

HSL 125.68, 0.79%, 0.47%

LAB 75.44, -73.19, 66.19

 

CMYK 1 / 0 / 88 / 16

HEX #D4D719

RGB 212 215 25

HSL 60.95, 0.79%, 0.47%

LAB 83.27, -19.92, 80.04

 

CMYK 2 / 0 / 97 / 8

HEX #E6EA06

RGB 230 234 6

HSL 61.05, 0.95%, 0.47%

LAB 89.71, -21.81, 87.7

 

CMYK 1 / 0 / 88 / 16

HEX #D4D719

RGB 212 215 25

HSL 60.95, 0.79%, 0.47%

LAB 83.27, -19.92, 80.04

 

CMYK 1 / 0 / 77 / 24

HEX #C1C32D

RGB 193 195 45

HSL 60.8, 0.63%, 0.47%

LAB 76.41, -17.54, 69.01

 

CMYK 1 / 0 / 64 / 31

HEX #AEB040

RGB 174 176 64

HSL 61.07, 0.47%, 0.47%

LAB 69.77, -15.08, 55.11

 

CMYK 1 / 0 / 47 / 39

HEX #9B9C53

RGB 155 156 83

HSL 60.82, 0.31%, 0.47%

LAB 62.82, -11.18, 37.88

 

CMYK 1 / 0 / 25 / 46

HEX #888967

RGB 136 137 103

HSL 61.76, 0.14%, 0.47%

LAB 56.19, -6.3, 18.17

 

CMYK 0 / 47 / 88 / 16

HEX #D77219

RGB 215 114 25

HSL 28.11, 0.79%, 0.47%

LAB 58.56, 34.32, 60.75

 

CMYK 0 / 24 / 88 / 16

HEX #D7A419

RGB 215 164 25

HSL 43.89, 0.79%, 0.47%

LAB 70.22, 7.59, 69.86

 

CMYK 0 / 0 / 88 / 16

HEX #D7D719

RGB 215 215 25

HSL 60, 0.79%, 0.47%

LAB 83.5, -18.65, 80.33

 

CMYK 24 / 0 / 88 / 16

HEX #A4D719

RGB 164 215 25

HSL 76.11, 0.79%, 0.47%

LAB 79.93, -39.48, 75.95

 

CMYK 47 / 0 / 88 / 16

HEX #72D719

RGB 114 215 25

HSL 91.89, 0.79%, 0.47%

LAB 77.43, -57.01, 72.85

 

CMYK 1 / 0 / 88 / 45

HEX #8B8D11

RGB 139 141 17

HSL 60.97, 0.78%, 0.31%

LAB 56.66, -14.46, 57.67

 

CMYK 2 / 0 / 88 / 30

HEX #AFB215

RGB 175 178 21

HSL 61.15, 0.79%, 0.39%

LAB 70.18, -17.46, 69.06

 

CMYK 1 / 0 / 88 / 16

HEX #D4D719

RGB 212 215 25

HSL 60.95, 0.79%, 0.47%

LAB 83.27, -19.92, 80.04

 

CMYK 1 / 0 / 78 / 9

HEX #E4E732

RGB 228 231 50

HSL 60.99, 0.79%, 0.55%

LAB 88.86, -20.37, 79.72

 

CMYK 1 / 0 / 63 / 8

HEX #E9EB57

RGB 233 235 87

HSL 60.81, 0.79%, 0.63%

LAB 90.52, -18.54, 68.96

 

CMYK 1 / 0 / 88 / 16

HEX #D2D519

RGB 210 213 25

HSL 60.96, 0.79%, 0.47%

LAB 82.57, -19.78, 79.42

 

CMYK 88 / 0 / 71 / 16

HEX #19D73F

RGB 25 215 63

HSL 132, 0.79%, 0.47%

LAB 75.55, -71.74, 59.77

 

CMYK 35 / 88 / 0 / 16

HEX #8B19D7

RGB 139 25 215

HSL 276, 0.79%, 0.47%

LAB 39.73, 72.52, -72.49

 

CMYK 1 / 0 / 88 / 16

HEX #D2D519

RGB 210 213 25

HSL 60.96, 0.79%, 0.47%

LAB 82.57, -19.78, 79.42

 

CMYK 88 / 0 / 0 / 16

HEX #19D7D7

RGB 25 215 215

HSL 180, 0.79%, 0.47%

LAB 78.29, -41.47, -12.24

 

CMYK 0 / 88 / 0 / 16

HEX #D719D7

RGB 215 25 215

HSL 300, 0.79%, 0.47%

LAB 51.89, 84.04, -52.22

 

CMYK 1 / 0 / 88 / 16

HEX #D2D519

RGB 210 213 25

HSL 60.96, 0.79%, 0.47%

LAB 82.57, -19.78, 79.42

 

CMYK 88 / 0 / 71 / 16

HEX #19D73F

RGB 25 215 63

HSL 132, 0.79%, 0.47%

LAB 75.55, -71.74, 59.77

 

CMYK 88 / 88 / 0 / 16

HEX #1919D7

RGB 25 25 215

HSL 240, 0.79%, 0.47%

LAB 28.92, 64.07, -90.71

 

CMYK 0 / 88 / 18 / 16

HEX #D719B1

RGB 215 25 177

HSL 312, 0.79%, 0.47%

LAB 49.88, 78.83, -33.4

 

CMYK 1 / 0 / 88 / 16

HEX #D2D519

RGB 210 213 25

HSL 60.96, 0.79%, 0.47%

LAB 82.57, -19.78, 79.42

 

CMYK 88 / 0 / 44 / 16

HEX #19D778

RGB 25 215 120

HSL 150, 0.79%, 0.47%

LAB 76.17, -64.23, 34.88

 

CMYK 88 / 88 / 0 / 16

HEX #1919D7

RGB 25 25 215

HSL 240, 0.79%, 0.47%

LAB 28.92, 64.07, -90.71

 

CMYK 0 / 88 / 44 / 16

HEX #D71978

RGB 215 25 120

HSL 330, 0.79%, 0.47%

LAB 47.62, 72.74, -2.62

 

Description

Color code: HEX #D2D519 | qconv.com Color code: HEX #D2D519 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 213 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 213 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 88 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 88% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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