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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2D094 it is the complementary color #2D2F6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2D094. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2D094 shade: #D7D08F, #E8E2A2, #F9F4B5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2D094. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2D094 shade: #D2D094, #C1BE81, #B0AC6E, #9F9A5B and #8E8848

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2D094 shade: #D2D093, #D2BF93, #D2AE93, #D29D93 and #D29393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2D094 shade: #D2D093, #C3D293, #B2D293, #A1D293 and #93D296

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2D094 shade matches the following richer shades: #D2D093, #DEDB87, #EBE77A and #F7F36E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2D094 shade: #D2D093, #C5C4A0, #B9B9AC, #ADADB8 and #A0A2C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2D094 shade: #D2AE93, #D2BF93, #D2D093, #C3D293 and #B3D293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2D094 shade: #BAB659, #C6C376, #D2D093, #DEDDB0 and #EAE9CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2D094 shade: #D2D094, #93D29E and #B793D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2D094 shade: #D2D094, #93D2D0 and #D093D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2D094 shade: #D2D094, #93D29E, #9395D2 and #D293C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2D094 shade: #D2D094, #93D2B0, #9395D2 and #D293B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 30 / 18

HEX #D2D094

RGB 210 208 148

HSL 58.06, 0.41%, 0.7%

LAB 82.35, -8.6, 30.12

 

Complementary color

CMYK 58 / 56 / 0 / 58

HEX #2D2F6B

RGB 45 47 107

HSL 238.06, 0.41%, 0.3%

LAB 22.49, 18.31, -35.46

 

CMYK 0 / 3 / 33 / 16

HEX #D7D08F

RGB 215 208 143

HSL 54.17, 0.47%, 0.7%

LAB 82.67, -7.29, 33.2

 

CMYK 0 / 3 / 30 / 9

HEX #E8E2A2

RGB 232 226 162

HSL 54.86, 0.6%, 0.77%

LAB 89, -7.59, 32.09

 

CMYK 0 / 2 / 27 / 2

HEX #F9F4B5

RGB 249 244 181

HSL 55.59, 0.85%, 0.84%

LAB 95.24, -7.85, 31.04

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 1 / 30 / 18

HEX #D2D094

RGB 210 208 148

HSL 58.06, 0.41%, 0.7%

LAB 82.35, -8.6, 30.12

 

CMYK 0 / 2 / 33 / 24

HEX #C1BE81

RGB 193 190 129

HSL 57.19, 0.34%, 0.63%

LAB 75.92, -8.32, 31.24

 

CMYK 0 / 2 / 38 / 31

HEX #B0AC6E

RGB 176 172 110

HSL 56.36, 0.29%, 0.56%

LAB 69.37, -7.99, 32.42

 

CMYK 0 / 3 / 43 / 38

HEX #9F9A5B

RGB 159 154 91

HSL 55.59, 0.27%, 0.49%

LAB 62.71, -7.59, 33.65

 

CMYK 0 / 4 / 49 / 44

HEX #8E8848

RGB 142 136 72

HSL 54.86, 0.33%, 0.42%

LAB 55.91, -7.08, 34.92

 

CMYK 0 / 1 / 30 / 18

HEX #D2D093

RGB 210 208 147

HSL 58.1, 0.41%, 0.7%

LAB 82.34, -8.72, 30.62

 

CMYK 0 / 9 / 30 / 18

HEX #D2BF93

RGB 210 191 147

HSL 41.9, 0.41%, 0.7%

LAB 77.92, 0.09, 24.68

 

CMYK 0 / 17 / 30 / 18

HEX #D2AE93

RGB 210 174 147

HSL 25.71, 0.41%, 0.7%

LAB 73.6, 9.14, 18.76

 

CMYK 0 / 25 / 30 / 18

HEX #D29D93

RGB 210 157 147

HSL 9.52, 0.41%, 0.7%

LAB 69.41, 18.34, 12.93

 

CMYK 0 / 30 / 30 / 18

HEX #D29393

RGB 210 147 147

HSL 0, 0.41%, 0.7%

LAB 67.03, 23.78, 9.56

 

CMYK 0 / 1 / 30 / 18

HEX #D2D093

RGB 210 208 147

HSL 58.1, 0.41%, 0.7%

LAB 82.34, -8.72, 30.62

 

CMYK 7 / 0 / 30 / 18

HEX #C3D293

RGB 195 210 147

HSL 74.29, 0.41%, 0.7%

LAB 81.73, -15.43, 29.61

 

CMYK 15 / 0 / 30 / 18

HEX #B2D293

RGB 178 210 147

HSL 90.48, 0.41%, 0.7%

LAB 80.55, -21.7, 27.82

 

CMYK 23 / 0 / 30 / 18

HEX #A1D293

RGB 161 210 147

HSL 106.67, 0.41%, 0.7%

LAB 79.49, -27.71, 26.2

 

CMYK 30 / 0 / 29 / 18

HEX #93D296

RGB 147 210 150

HSL 122.86, 0.41%, 0.7%

LAB 78.75, -31.9, 23.51

 

CMYK 0 / 1 / 30 / 18

HEX #D2D093

RGB 210 208 147

HSL 58.1, 0.41%, 0.7%

LAB 82.34, -8.72, 30.62

 

CMYK 0 / 1 / 39 / 13

HEX #DEDB87

RGB 222 219 135

HSL 57.93, 0.57%, 0.7%

LAB 85.98, -11.05, 41.64

 

CMYK 0 / 2 / 48 / 8

HEX #EBE77A

RGB 235 231 122

HSL 57.88, 0.74%, 0.7%

LAB 89.96, -13.18, 53.09

 

CMYK 0 / 2 / 55 / 3

HEX #F7F36E

RGB 247 243 110

HSL 58.25, 0.9%, 0.7%

LAB 93.88, -15.28, 63.34

 

CMYK 0 / 1 / 30 / 18

HEX #D2D093

RGB 210 208 147

HSL 58.1, 0.41%, 0.7%

LAB 82.34, -8.72, 30.62

 

CMYK 0 / 1 / 19 / 23

HEX #C5C4A0

RGB 197 196 160

HSL 58.38, 0.24%, 0.7%

LAB 78.4, -5.66, 18.25

 

CMYK 0 / 0 / 7 / 27

HEX #B9B9AC

RGB 185 185 172

HSL 60, 0.08%, 0.7%

LAB 74.82, -2.33, 6.59

 

CMYK 6 / 6 / 0 / 28

HEX #ADADB8

RGB 173 173 184

HSL 240, 0.07%, 0.7%

LAB 71.03, 2.13, -5.62

 

CMYK 19 / 18 / 0 / 23

HEX #A0A2C5

RGB 160 162 197

HSL 236.76, 0.24%, 0.7%

LAB 67.54, 6.64, -18.15

 

CMYK 0 / 17 / 30 / 18

HEX #D2AE93

RGB 210 174 147

HSL 25.71, 0.41%, 0.7%

LAB 73.6, 9.14, 18.76

 

CMYK 0 / 9 / 30 / 18

HEX #D2BF93

RGB 210 191 147

HSL 41.9, 0.41%, 0.7%

LAB 77.92, 0.09, 24.68

 

CMYK 0 / 1 / 30 / 18

HEX #D2D093

RGB 210 208 147

HSL 58.1, 0.41%, 0.7%

LAB 82.34, -8.72, 30.62

 

CMYK 7 / 0 / 30 / 18

HEX #C3D293

RGB 195 210 147

HSL 74.29, 0.41%, 0.7%

LAB 81.73, -15.43, 29.61

 

CMYK 15 / 0 / 30 / 18

HEX #B3D293

RGB 179 210 147

HSL 89.52, 0.41%, 0.7%

LAB 80.62, -21.34, 27.92

 

CMYK 0 / 2 / 52 / 27

HEX #BAB659

RGB 186 182 89

HSL 57.53, 0.41%, 0.54%

LAB 72.64, -11.21, 47.24

 

CMYK 0 / 2 / 40 / 22

HEX #C6C376

RGB 198 195 118

HSL 57.75, 0.41%, 0.62%

LAB 77.49, -10.18, 39.02

 

CMYK 0 / 1 / 30 / 18

HEX #D2D093

RGB 210 208 147

HSL 58.1, 0.41%, 0.7%

LAB 82.34, -8.72, 30.62

 

CMYK 0 / 0 / 21 / 13

HEX #DEDDB0

RGB 222 221 176

HSL 58.7, 0.41%, 0.78%

LAB 87.18, -6.92, 22.28

 

CMYK 0 / 0 / 12 / 8

HEX #EAE9CD

RGB 234 233 205

HSL 57.93, 0.41%, 0.86%

LAB 91.76, -4.34, 13.74

 

CMYK 0 / 1 / 30 / 18

HEX #D2D094

RGB 210 208 148

HSL 58.06, 0.41%, 0.7%

LAB 82.35, -8.6, 30.12

 

CMYK 30 / 0 / 25 / 18

HEX #93D29E

RGB 147 210 158

HSL 130.48, 0.41%, 0.7%

LAB 78.91, -30.52, 19.51

 

CMYK 13 / 30 / 0 / 18

HEX #B793D2

RGB 183 147 210

HSL 274.29, 0.41%, 0.7%

LAB 66.2, 25.28, -27.23

 

CMYK 0 / 1 / 30 / 18

HEX #D2D094

RGB 210 208 148

HSL 58.06, 0.41%, 0.7%

LAB 82.35, -8.6, 30.12

 

CMYK 30 / 0 / 1 / 18

HEX #93D2D0

RGB 147 210 208

HSL 178.1, 0.41%, 0.7%

LAB 80.1, -20.32, -5.44

 

CMYK 1 / 30 / 0 / 18

HEX #D093D2

RGB 208 147 210

HSL 298.1, 0.41%, 0.7%

LAB 68.7, 33.3, -23.19

 

CMYK 0 / 1 / 30 / 18

HEX #D2D094

RGB 210 208 148

HSL 58.06, 0.41%, 0.7%

LAB 82.35, -8.6, 30.12

 

CMYK 30 / 0 / 25 / 18

HEX #93D29E

RGB 147 210 158

HSL 130.48, 0.41%, 0.7%

LAB 78.91, -30.52, 19.51

 

CMYK 30 / 29 / 0 / 18

HEX #9395D2

RGB 147 149 210

HSL 238.1, 0.41%, 0.7%

LAB 63.63, 13.13, -31.45

 

CMYK 0 / 30 / 5 / 18

HEX #D293C7

RGB 210 147 199

HSL 310.48, 0.41%, 0.7%

LAB 68.53, 31.94, -17.32

 

CMYK 0 / 1 / 30 / 18

HEX #D2D094

RGB 210 208 148

HSL 58.06, 0.41%, 0.7%

LAB 82.35, -8.6, 30.12

 

CMYK 30 / 0 / 16 / 18

HEX #93D2B0

RGB 147 210 176

HSL 147.62, 0.41%, 0.7%

LAB 79.29, -27.14, 10.49

 

CMYK 30 / 29 / 0 / 18

HEX #9395D2

RGB 147 149 210

HSL 238.1, 0.41%, 0.7%

LAB 63.63, 13.13, -31.45

 

CMYK 0 / 30 / 14 / 18

HEX #D293B5

RGB 210 147 181

HSL 327.62, 0.41%, 0.7%

LAB 67.95, 28.86, -8.15

 

Description

Color code: HEX #D2D094 | qconv.com Color code: HEX #D2D094 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 208 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 208 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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