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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2CD93 it is the complementary color #2D326C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2CD93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2CD93 shade: #D7CD8E, #E8DFA1, #F9F1B4, #FFFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2CD93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2CD93 shade: #D2CD93, #C1BB80, #B0A96D, #9F975A and #8E8547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2CD93 shade: #D2CD93, #D2BC93, #D2AB93, #D29A93 and #D29393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2CD93 shade: #D2CD93, #C6D293, #B5D293, #A4D293 and #93D293

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2CD93 shade matches the following richer shades: #D2CD93, #DED787, #EBE27A and #F7EC6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2CD93 shade: #D2CD93, #C5C2A0, #B9B8AC, #ADAEB8 and #A0A3C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2CD93 shade: #D2AB93, #D2BC93, #D2CD93, #C6D293 and #B6D293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2CD93 shade: #BAB259, #C6BF76, #D2CD93, #DEDAB0 and #EAE8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2CD93 shade: #D2CD93, #93D29A and #B493D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2CD93 shade: #D2CD93, #93D2CD and #CD93D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2CD93 shade: #D2CD93, #93D29A, #9398D2 and #D293CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2CD93 shade: #D2CD93, #93D2AD, #9398D2 and #D293B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

Complementary color

CMYK 58 / 54 / 0 / 58

HEX #2D326C

RGB 45 50 108

HSL 235.24, 0.41%, 0.3%

LAB 23.41, 16.59, -34.61

 

CMYK 0 / 5 / 34 / 16

HEX #D7CD8E

RGB 215 205 142

HSL 51.78, 0.48%, 0.7%

LAB 81.87, -5.87, 32.66

 

CMYK 0 / 4 / 31 / 9

HEX #E8DFA1

RGB 232 223 161

HSL 52.39, 0.61%, 0.77%

LAB 88.21, -6.2, 31.55

 

CMYK 0 / 3 / 28 / 2

HEX #F9F1B4

RGB 249 241 180

HSL 53.04, 0.85%, 0.84%

LAB 94.46, -6.49, 30.5

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 0 / 3 / 34 / 24

HEX #C1BB80

RGB 193 187 128

HSL 54.46, 0.34%, 0.63%

LAB 75.1, -6.88, 30.69

 

CMYK 0 / 4 / 38 / 31

HEX #B0A96D

RGB 176 169 109

HSL 53.73, 0.3%, 0.56%

LAB 68.54, -6.52, 31.88

 

CMYK 0 / 5 / 43 / 38

HEX #9F975A

RGB 159 151 90

HSL 53.04, 0.28%, 0.49%

LAB 61.86, -6.08, 33.12

 

CMYK 0 / 6 / 50 / 44

HEX #8E8547

RGB 142 133 71

HSL 52.39, 0.33%, 0.42%

LAB 55.05, -5.53, 34.4

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 0 / 10 / 30 / 18

HEX #D2BC93

RGB 210 188 147

HSL 39.05, 0.41%, 0.7%

LAB 77.15, 1.67, 23.63

 

CMYK 0 / 19 / 30 / 18

HEX #D2AB93

RGB 210 171 147

HSL 22.86, 0.41%, 0.7%

LAB 72.85, 10.75, 17.73

 

CMYK 0 / 27 / 30 / 18

HEX #D29A93

RGB 210 154 147

HSL 6.67, 0.41%, 0.7%

LAB 68.69, 19.97, 11.91

 

CMYK 0 / 30 / 30 / 18

HEX #D29393

RGB 210 147 147

HSL 0, 0.41%, 0.7%

LAB 67.03, 23.78, 9.56

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 6 / 0 / 30 / 18

HEX #C6D293

RGB 198 210 147

HSL 71.43, 0.41%, 0.7%

LAB 81.95, -14.31, 29.94

 

CMYK 14 / 0 / 30 / 18

HEX #B5D293

RGB 181 210 147

HSL 87.62, 0.41%, 0.7%

LAB 80.75, -20.61, 28.13

 

CMYK 22 / 0 / 30 / 18

HEX #A4D293

RGB 164 210 147

HSL 103.81, 0.41%, 0.7%

LAB 79.67, -26.67, 26.48

 

CMYK 30 / 0 / 30 / 18

HEX #93D293

RGB 147 210 147

HSL 120, 0.41%, 0.7%

LAB 78.7, -32.4, 25

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 0 / 3 / 39 / 13

HEX #DED787

RGB 222 215 135

HSL 55.17, 0.57%, 0.7%

LAB 84.94, -9.03, 40.31

 

CMYK 0 / 4 / 48 / 8

HEX #EBE27A

RGB 235 226 122

HSL 55.22, 0.74%, 0.7%

LAB 88.67, -10.7, 51.53

 

CMYK 0 / 4 / 55 / 3

HEX #F7EC6E

RGB 247 236 110

HSL 55.18, 0.9%, 0.7%

LAB 92.08, -11.85, 61.3

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 0 / 2 / 19 / 23

HEX #C5C2A0

RGB 197 194 160

HSL 55.14, 0.24%, 0.7%

LAB 77.87, -4.62, 17.51

 

CMYK 0 / 1 / 7 / 27

HEX #B9B8AC

RGB 185 184 172

HSL 55.38, 0.08%, 0.7%

LAB 74.56, -1.8, 6.21

 

CMYK 6 / 5 / 0 / 28

HEX #ADAEB8

RGB 173 174 184

HSL 234.55, 0.07%, 0.7%

LAB 71.29, 1.59, -5.23

 

CMYK 19 / 17 / 0 / 23

HEX #A0A3C5

RGB 160 163 197

HSL 235.14, 0.24%, 0.7%

LAB 67.8, 6.08, -17.75

 

CMYK 0 / 19 / 30 / 18

HEX #D2AB93

RGB 210 171 147

HSL 22.86, 0.41%, 0.7%

LAB 72.85, 10.75, 17.73

 

CMYK 0 / 10 / 30 / 18

HEX #D2BC93

RGB 210 188 147

HSL 39.05, 0.41%, 0.7%

LAB 77.15, 1.67, 23.63

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 6 / 0 / 30 / 18

HEX #C6D293

RGB 198 210 147

HSL 71.43, 0.41%, 0.7%

LAB 81.95, -14.31, 29.94

 

CMYK 13 / 0 / 30 / 18

HEX #B6D293

RGB 182 210 147

HSL 86.67, 0.41%, 0.7%

LAB 80.82, -20.25, 28.23

 

CMYK 0 / 4 / 52 / 27

HEX #BAB259

RGB 186 178 89

HSL 55.05, 0.41%, 0.54%

LAB 71.56, -9.14, 45.97

 

CMYK 0 / 4 / 40 / 22

HEX #C6BF76

RGB 198 191 118

HSL 54.75, 0.41%, 0.62%

LAB 76.42, -8.12, 37.67

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 0 / 2 / 21 / 13

HEX #DEDAB0

RGB 222 218 176

HSL 54.78, 0.41%, 0.78%

LAB 86.41, -5.39, 21.21

 

CMYK 0 / 1 / 12 / 8

HEX #EAE8CD

RGB 234 232 205

HSL 55.86, 0.41%, 0.86%

LAB 91.51, -3.83, 13.38

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 30 / 0 / 27 / 18

HEX #93D29A

RGB 147 210 154

HSL 126.67, 0.41%, 0.7%

LAB 78.83, -31.22, 21.51

 

CMYK 14 / 30 / 0 / 18

HEX #B493D2

RGB 180 147 210

HSL 271.43, 0.41%, 0.7%

LAB 65.92, 24.34, -27.69

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 30 / 0 / 2 / 18

HEX #93D2CD

RGB 147 210 205

HSL 175.24, 0.41%, 0.7%

LAB 80.01, -21, -3.96

 

CMYK 2 / 30 / 0 / 18

HEX #CD93D2

RGB 205 147 210

HSL 295.24, 0.41%, 0.7%

LAB 68.39, 32.33, -23.69

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 30 / 0 / 27 / 18

HEX #93D29A

RGB 147 210 154

HSL 126.67, 0.41%, 0.7%

LAB 78.83, -31.22, 21.51

 

CMYK 30 / 28 / 0 / 18

HEX #9398D2

RGB 147 152 210

HSL 235.24, 0.41%, 0.7%

LAB 64.41, 11.41, -30.24

 

CMYK 0 / 30 / 3 / 18

HEX #D293CB

RGB 210 147 203

HSL 306.67, 0.41%, 0.7%

LAB 68.66, 32.66, -19.34

 

CMYK 0 / 2 / 30 / 18

HEX #D2CD93

RGB 210 205 147

HSL 55.24, 0.41%, 0.7%

LAB 81.55, -7.19, 29.57

 

CMYK 30 / 0 / 18 / 18

HEX #93D2AD

RGB 147 210 173

HSL 144.76, 0.41%, 0.7%

LAB 79.22, -27.73, 12

 

CMYK 30 / 28 / 0 / 18

HEX #9398D2

RGB 147 152 210

HSL 235.24, 0.41%, 0.7%

LAB 64.41, 11.41, -30.24

 

CMYK 0 / 30 / 12 / 18

HEX #D293B8

RGB 210 147 184

HSL 324.76, 0.41%, 0.7%

LAB 68.04, 29.35, -9.69

 

Description

Color code: HEX #D2CD93 | qconv.com Color code: HEX #D2CD93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 205 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 205 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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