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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2CBAC4C it is the complementary color #2D34534C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2CBAC4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2CBAC4C shade: #D7CBA74C, #E8DDBA4C, #F9EFCD4C, #FFFFE04C and #FFFFF34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2CBAC4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2CBAC4C shade: #D2CBAC4C, #C1B9994C, #B0A7864C, #9F95734C and #8E83604C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2CBAC4C shade: #D2CBAC, #D2C1AC, #D2B7AC and #D2ACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2CBAC4C shade: #D2CBAC, #CFD2AC, #C5D2AC, #BAD2AC and #B0D2AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2CBAC4C shade matches the following richer shades: #D2CBAC, #DDD2A2, #E7D897, #F1DF8D and #FCE583

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2CBAC4C shade: #D2CBAC, #C8C5B6, #BEBEC1, #B3B8CB and #A9B1D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2CBAC4C shade: #D2B6AC, #D2C1AC, #D2CBAC, #D0D2AC and #C6D2AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2CBAC4C shade: #B5AA76, #C4BB91, #D2CBAC, #E1DCC7 and #EFEDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2CBAC4C shade: #D2CBAC, #ACD2AC and #BBACD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2CBAC4C shade: #D2CBAC, #ACD2CB and #CBACD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2CBAC4C shade: #D2CBAC, #ACD2AC, #ACB4D2 and #D2ACD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2CBAC4C shade: #D2CBAC, #ACD2B8, #ACB4D2 and #D2ACC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 5 / 5

HEX #D2CBAC4C

RGBA 210 203 172 0.3

HSLA 48.95, 0.3%, 0.75%, 0.3

LABA 81.51, -2.67, 16.35, 0.3

 

Complementary color

CMYK 14 / 11 / 0 / 20

HEX #2D34534C

RGBA 45 52 83 0.3

HSLA 228.95, 0.3%, 0.25%, 0.3

LABA 22.44, 6.35, -19.81, 0.3

 

CMYK 0 / 2 / 7 / 5

HEX #D7CBA74C

RGBA 215 203 167 0.3

HSLA 45, 0.38%, 0.75%, 0.3

LABA 81.81, -1.55, 19.49, 0.3

 

CMYK 0 / 1 / 6 / 3

HEX #E8DDBA4C

RGBA 232 221 186 0.3

HSLA 45.65, 0.5%, 0.82%, 0.3

LABA 88.17, -1.81, 18.55, 0.3

 

CMYK 0 / 1 / 5 / 1

HEX #F9EFCD4C

RGBA 249 239 205 0.3

HSLA 46.36, 0.79%, 0.89%, 0.3

LABA 94.43, -2.05, 17.67, 0.3

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFE04C

RGBA 255 255 224 0.3

HSLA 60, 1%, 0.94%, 0.3

LABA 99.28, -5.1, 14.83, 0.3

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFF34C

RGBA 255 255 243 0.3

HSLA 60, 1%, 0.98%, 0.3

LABA 99.71, -2.05, 5.72, 0.3

 

CMYK 0 / 1 / 5 / 5

HEX #D2CBAC4C

RGBA 210 203 172 0.3

HSLA 48.95, 0.3%, 0.75%, 0.3

LABA 81.51, -2.67, 16.35, 0.3

 

CMYK 0 / 1 / 6 / 7

HEX #C1B9994C

RGBA 193 185 153 0.3

HSLA 48, 0.24%, 0.68%, 0.3

LABA 75.04, -2.44, 17.28, 0.3

 

CMYK 0 / 2 / 7 / 9

HEX #B0A7864C

RGBA 176 167 134 0.3

HSLA 47.14, 0.21%, 0.61%, 0.3

LABA 68.45, -2.17, 18.27, 0.3

 

CMYK 0 / 2 / 8 / 11

HEX #9F95734C

RGBA 159 149 115 0.3

HSLA 46.36, 0.19%, 0.54%, 0.3

LABA 61.74, -1.86, 19.32, 0.3

 

CMYK 0 / 2 / 10 / 13

HEX #8E83604C

RGBA 142 131 96 0.3

HSLA 45.65, 0.19%, 0.47%, 0.3

LABA 54.89, -1.48, 20.46, 0.3

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 0 / 8 / 18 / 18

HEX #D2C1AC

RGB 210 193 172

HSL 33.16, 0.3%, 0.75%

LAB 78.94, 2.57, 12.74

 

CMYK 0 / 13 / 18 / 18

HEX #D2B7AC

RGB 210 183 172

HSL 17.37, 0.3%, 0.75%

LAB 76.4, 7.9, 9.14

 

CMYK 0 / 18 / 18 / 18

HEX #D2ACAC

RGB 210 172 172

HSL 0, 0.3%, 0.75%

LAB 73.67, 13.82, 5.21

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 1 / 0 / 18 / 18

HEX #CFD2AC

RGB 207 210 172

HSL 64.74, 0.3%, 0.75%

LAB 83.09, -7.39, 18.53

 

CMYK 6 / 0 / 18 / 18

HEX #C5D2AC

RGB 197 210 172

HSL 80.53, 0.3%, 0.75%

LAB 82.35, -11.03, 17.38

 

CMYK 11 / 0 / 18 / 18

HEX #BAD2AC

RGB 186 210 172

HSL 97.89, 0.3%, 0.75%

LAB 81.57, -14.95, 16.18

 

CMYK 16 / 0 / 18 / 18

HEX #B0D2AC

RGB 176 210 172

HSL 113.68, 0.3%, 0.75%

LAB 80.91, -18.43, 15.15

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 0 / 5 / 27 / 13

HEX #DDD2A2

RGB 221 210 162

HSL 48.81, 0.46%, 0.75%

LAB 84, -3.6, 25.21

 

CMYK 0 / 6 / 35 / 9

HEX #E7D897

RGB 231 216 151

HSL 48.75, 0.63%, 0.75%

LAB 86.17, -4.23, 33.95

 

CMYK 0 / 7 / 41 / 5

HEX #F1DF8D

RGB 241 223 141

HSL 49.2, 0.78%, 0.75%

LAB 88.64, -5, 42.36

 

CMYK 0 / 9 / 48 / 1

HEX #FCE583

RGB 252 229 131

HSL 48.6, 0.95%, 0.75%

LAB 90.95, -4.65, 50.34

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 0 / 1 / 9 / 22

HEX #C8C5B6

RGB 200 197 182

HSL 50, 0.14%, 0.75%

LAB 79.38, -1.58, 7.88

 

CMYK 2 / 2 / 0 / 24

HEX #BEBEC1

RGB 190 190 193

HSL 240, 0.02%, 0.75%

LAB 77.06, 0.56, -1.52

 

CMYK 12 / 9 / 0 / 20

HEX #B3B8CB

RGB 179 184 203

HSL 227.5, 0.19%, 0.75%

LAB 74.94, 2.04, -10.18

 

CMYK 21 / 17 / 0 / 16

HEX #A9B1D5

RGB 169 177 213

HSL 229.09, 0.34%, 0.75%

LAB 72.68, 4.81, -19.09

 

CMYK 0 / 13 / 18 / 18

HEX #D2B6AC

RGB 210 182 172

HSL 15.79, 0.3%, 0.75%

LAB 76.15, 8.43, 8.78

 

CMYK 0 / 8 / 18 / 18

HEX #D2C1AC

RGB 210 193 172

HSL 33.16, 0.3%, 0.75%

LAB 78.94, 2.57, 12.74

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 1 / 0 / 18 / 18

HEX #D0D2AC

RGB 208 210 172

HSL 63.16, 0.3%, 0.75%

LAB 83.17, -7.03, 18.65

 

CMYK 6 / 0 / 18 / 18

HEX #C6D2AC

RGB 198 210 172

HSL 78.95, 0.3%, 0.75%

LAB 82.42, -10.67, 17.49

 

CMYK 0 / 6 / 35 / 29

HEX #B5AA76

RGB 181 170 118

HSL 49.52, 0.3%, 0.59%

LAB 69.38, -3.94, 28.27

 

CMYK 0 / 5 / 26 / 23

HEX #C4BB91

RGB 196 187 145

HSL 49.41, 0.3%, 0.67%

LAB 75.65, -3.49, 22.46

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 0 / 2 / 12 / 12

HEX #E1DCC7

RGB 225 220 199

HSL 48.46, 0.3%, 0.83%

LAB 87.64, -1.83, 10.92

 

CMYK 0 / 1 / 5 / 6

HEX #EFEDE2

RGB 239 237 226

HSL 50.77, 0.29%, 0.91%

LAB 93.63, -1.22, 5.55

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 18 / 0 / 18 / 18

HEX #ACD2AC

RGB 172 210 172

HSL 120, 0.3%, 0.75%

LAB 80.65, -19.8, 14.75

 

CMYK 11 / 18 / 0 / 18

HEX #BBACD2

RGB 187 172 210

HSL 263.68, 0.3%, 0.75%

LAB 72.71, 12.68, -17.28

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 18 / 0 / 3 / 18

HEX #ACD2CB

RGB 172 210 203

HSL 168.95, 0.3%, 0.75%

LAB 81.39, -13.9, -0.7

 

CMYK 3 / 18 / 0 / 18

HEX #CBACD2

RGB 203 172 210

HSL 288.95, 0.3%, 0.75%

LAB 74.1, 17.99, -15.05

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 18 / 0 / 18 / 18

HEX #ACD2AC

RGB 172 210 172

HSL 120, 0.3%, 0.75%

LAB 80.65, -19.8, 14.75

 

CMYK 18 / 14 / 0 / 18

HEX #ACB4D2

RGB 172 180 210

HSL 227.37, 0.3%, 0.75%

LAB 73.59, 3.45, -16.07

 

CMYK 0 / 18 / 0 / 18

HEX #D2ACD2

RGB 210 172 210

HSL 300, 0.3%, 0.75%

LAB 74.74, 20.34, -14.02

 

CMYK 0 / 3 / 18 / 18

HEX #D2CBAC

RGB 210 203 172

HSL 48.95, 0.3%, 0.75%

LAB 81.51, -2.67, 16.35

 

CMYK 18 / 0 / 12 / 18

HEX #ACD2B8

RGB 172 210 184

HSL 138.95, 0.3%, 0.75%

LAB 80.92, -17.62, 8.75

 

CMYK 18 / 14 / 0 / 18

HEX #ACB4D2

RGB 172 180 210

HSL 227.37, 0.3%, 0.75%

LAB 73.59, 3.45, -16.07

 

CMYK 0 / 18 / 5 / 18

HEX #D2ACC7

RGB 210 172 199

HSL 317.37, 0.3%, 0.75%

LAB 74.4, 18.33, -8.51

 

Description

Color code: HEX #D2CBAC4C | qconv.com Color code: HEX #D2CBAC4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 203 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 203 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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