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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2C88A it is the complementary color #2D3775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2C88A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2C88A shade: #D7C885, #E8DA98, #F9ECAB, #FFFEBE and #FFFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2C88A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2C88A shade: #D2C88A, #C1B677, #B0A464, #9F9251 and #8E803E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2C88A shade: #D1C789, #D1B489, #D1A189, #D18D89 and #D18989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2C88A shade: #D1C789, #C8D189, #B5D189, #A1D189 and #8ED189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2C88A shade matches the following richer shades: #D1C789, #DFD17C, #ECDA6F and #F9E462

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2C88A shade: #D1C789, #C4BE97, #B7B4A4, #AAABB1 and #9CA1BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2C88A shade: #D1A089, #D1B389, #D1C789, #C9D189 and #B6D189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2C88A shade: #BAAB4E, #C6B96C, #D1C789, #DDD5A7 and #E8E3C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2C88A shade: #D2C88A, #89D18D and #AA89D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2C88A shade: #D2C88A, #89D1C7 and #C789D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2C88A shade: #D2C88A, #89D18D, #8994D1 and #D189CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2C88A shade: #D2C88A, #89D1A3, #8994D1 and #D189B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 34 / 18

HEX #D2C88A

RGB 210 200 138

HSL 51.67, 0.44%, 0.68%

LAB 80.09, -5.72, 32.31

 

Complementary color

CMYK 62 / 53 / 0 / 54

HEX #2D3775

RGB 45 55 117

HSL 231.67, 0.44%, 0.32%

LAB 25.49, 16.42, -37.03

 

CMYK 0 / 7 / 38 / 16

HEX #D7C885

RGB 215 200 133

HSL 49.02, 0.51%, 0.68%

LAB 80.43, -4.34, 35.41

 

CMYK 0 / 6 / 34 / 9

HEX #E8DA98

RGB 232 218 152

HSL 49.5, 0.63%, 0.75%

LAB 86.78, -4.75, 34.26

 

CMYK 0 / 5 / 31 / 2

HEX #F9ECAB

RGB 249 236 171

HSL 50, 0.87%, 0.82%

LAB 93.05, -5.1, 33.16

 

CMYK 0 / 0 / 25 / 0

HEX #FFFEBE

RGB 255 254 190

HSL 59.08, 1%, 0.87%

LAB 98.38, -9.45, 30.82

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 5 / 34 / 18

HEX #D2C88A

RGB 210 200 138

HSL 51.67, 0.44%, 0.68%

LAB 80.09, -5.72, 32.31

 

CMYK 0 / 6 / 38 / 24

HEX #C1B677

RGB 193 182 119

HSL 51.08, 0.37%, 0.61%

LAB 73.63, -5.33, 33.48

 

CMYK 0 / 7 / 43 / 31

HEX #B0A464

RGB 176 164 100

HSL 50.53, 0.32%, 0.54%

LAB 67.05, -4.87, 34.71

 

CMYK 0 / 8 / 49 / 38

HEX #9F9251

RGB 159 146 81

HSL 50, 0.33%, 0.47%

LAB 60.36, -4.3, 35.99

 

CMYK 0 / 10 / 56 / 44

HEX #8E803E

RGB 142 128 62

HSL 49.5, 0.39%, 0.4%

LAB 53.53, -3.59, 37.27

 

CMYK 0 / 5 / 34 / 18

HEX #D1C789

RGB 209 199 137

HSL 51.67, 0.44%, 0.68%

LAB 79.73, -5.72, 32.34

 

CMYK 0 / 14 / 34 / 18

HEX #D1B489

RGB 209 180 137

HSL 35.83, 0.44%, 0.68%

LAB 74.83, 4.26, 25.81

 

CMYK 0 / 23 / 34 / 18

HEX #D1A189

RGB 209 161 137

HSL 20, 0.44%, 0.68%

LAB 70.07, 14.48, 19.34

 

CMYK 0 / 33 / 34 / 18

HEX #D18D89

RGB 209 141 137

HSL 3.33, 0.44%, 0.68%

LAB 65.29, 25.36, 12.69

 

CMYK 0 / 34 / 34 / 18

HEX #D18989

RGB 209 137 137

HSL 0, 0.44%, 0.68%

LAB 64.37, 27.53, 11.39

 

CMYK 0 / 5 / 34 / 18

HEX #D1C789

RGB 209 199 137

HSL 51.67, 0.44%, 0.68%

LAB 79.73, -5.72, 32.34

 

CMYK 4 / 0 / 34 / 18

HEX #C8D189

RGB 200 209 137

HSL 67.5, 0.44%, 0.68%

LAB 81.67, -14.32, 34.74

 

CMYK 13 / 0 / 34 / 18

HEX #B5D189

RGB 181 209 137

HSL 83.33, 0.44%, 0.68%

LAB 80.31, -21.51, 32.71

 

CMYK 23 / 0 / 34 / 18

HEX #A1D189

RGB 161 209 137

HSL 100, 0.44%, 0.68%

LAB 79.03, -28.74, 30.79

 

CMYK 32 / 0 / 34 / 18

HEX #8ED189

RGB 142 209 137

HSL 115.83, 0.44%, 0.68%

LAB 77.97, -35.18, 29.18

 

CMYK 0 / 5 / 34 / 18

HEX #D1C789

RGB 209 199 137

HSL 51.67, 0.44%, 0.68%

LAB 79.73, -5.72, 32.34

 

CMYK 0 / 6 / 44 / 13

HEX #DFD17C

RGB 223 209 124

HSL 51.52, 0.61%, 0.68%

LAB 83.31, -6.72, 43.76

 

CMYK 0 / 8 / 53 / 7

HEX #ECDA6F

RGB 236 218 111

HSL 51.36, 0.77%, 0.68%

LAB 86.57, -7.22, 54.23

 

CMYK 0 / 8 / 61 / 2

HEX #F9E462

RGB 249 228 98

HSL 51.66, 0.93%, 0.68%

LAB 90.09, -7.9, 64.36

 

CMYK 0 / 5 / 34 / 18

HEX #D1C789

RGB 209 199 137

HSL 51.67, 0.44%, 0.68%

LAB 79.73, -5.72, 32.34

 

CMYK 0 / 3 / 23 / 23

HEX #C4BE97

RGB 196 190 151

HSL 52, 0.28%, 0.68%

LAB 76.56, -4.22, 20.5

 

CMYK 0 / 2 / 10 / 28

HEX #B7B4A4

RGB 183 180 164

HSL 50.53, 0.12%, 0.68%

LAB 73.15, -1.76, 8.53

 

CMYK 4 / 3 / 0 / 31

HEX #AAABB1

RGB 170 171 177

HSL 231.43, 0.04%, 0.68%

LAB 70.07, 0.8, -3.21

 

CMYK 18 / 15 / 0 / 25

HEX #9CA1BE

RGB 156 161 190

HSL 231.18, 0.21%, 0.68%

LAB 66.73, 4.33, -15.51

 

CMYK 0 / 23 / 34 / 18

HEX #D1A089

RGB 209 160 137

HSL 19.17, 0.44%, 0.68%

LAB 69.83, 15.03, 19

 

CMYK 0 / 14 / 34 / 18

HEX #D1B389

RGB 209 179 137

HSL 35, 0.44%, 0.68%

LAB 74.57, 4.79, 25.47

 

CMYK 0 / 5 / 34 / 18

HEX #D1C789

RGB 209 199 137

HSL 51.67, 0.44%, 0.68%

LAB 79.73, -5.72, 32.34

 

CMYK 4 / 0 / 34 / 18

HEX #C9D189

RGB 201 209 137

HSL 66.67, 0.44%, 0.68%

LAB 81.74, -13.94, 34.85

 

CMYK 13 / 0 / 34 / 18

HEX #B6D189

RGB 182 209 137

HSL 82.5, 0.44%, 0.68%

LAB 80.38, -21.14, 32.81

 

CMYK 0 / 8 / 58 / 27

HEX #BAAB4E

RGB 186 171 78

HSL 51.67, 0.44%, 0.52%

LAB 69.55, -6.36, 48.91

 

CMYK 0 / 7 / 45 / 22

HEX #C6B96C

RGB 198 185 108

HSL 51.33, 0.44%, 0.6%

LAB 74.69, -6.05, 40.58

 

CMYK 0 / 5 / 34 / 18

HEX #D1C789

RGB 209 199 137

HSL 51.67, 0.44%, 0.68%

LAB 79.73, -5.72, 32.34

 

CMYK 0 / 4 / 24 / 13

HEX #DDD5A7

RGB 221 213 167

HSL 51.11, 0.44%, 0.76%

LAB 84.87, -4.47, 23.78

 

CMYK 0 / 2 / 15 / 9

HEX #E8E3C5

RGB 232 227 197

HSL 51.43, 0.43%, 0.84%

LAB 89.92, -3.24, 15.27

 

CMYK 0 / 5 / 34 / 18

HEX #D2C88A

RGB 210 200 138

HSL 51.67, 0.44%, 0.68%

LAB 80.09, -5.72, 32.31

 

CMYK 34 / 0 / 33 / 18

HEX #89D18D

RGB 137 209 141

HSL 123.33, 0.44%, 0.68%

LAB 77.78, -36.13, 26.81

 

CMYK 19 / 34 / 0 / 18

HEX #AA89D1

RGB 170 137 209

HSL 267.5, 0.44%, 0.68%

LAB 62.54, 26.64, -32.43

 

CMYK 0 / 5 / 34 / 18

HEX #D2C88A

RGB 210 200 138

HSL 51.67, 0.44%, 0.68%

LAB 80.09, -5.72, 32.31

 

CMYK 34 / 0 / 5 / 18

HEX #89D1C7

RGB 137 209 199

HSL 171.67, 0.44%, 0.68%

LAB 79.07, -24.67, -2.19

 

CMYK 5 / 34 / 0 / 18

HEX #C789D1

RGB 199 137 209

HSL 291.67, 0.44%, 0.68%

LAB 65.46, 35.67, -27.68

 

CMYK 0 / 5 / 34 / 18

HEX #D2C88A

RGB 210 200 138

HSL 51.67, 0.44%, 0.68%

LAB 80.09, -5.72, 32.31

 

CMYK 34 / 0 / 33 / 18

HEX #89D18D

RGB 137 209 141

HSL 123.33, 0.44%, 0.68%

LAB 77.78, -36.13, 26.81

 

CMYK 34 / 29 / 0 / 18

HEX #8994D1

RGB 137 148 209

HSL 230.83, 0.44%, 0.68%

LAB 62.59, 10.57, -32.56

 

CMYK 0 / 34 / 1 / 18

HEX #D189CE

RGB 209 137 206

HSL 302.5, 0.44%, 0.68%

LAB 66.45, 38.27, -24.4

 

CMYK 0 / 5 / 34 / 18

HEX #D2C88A

RGB 210 200 138

HSL 51.67, 0.44%, 0.68%

LAB 80.09, -5.72, 32.31

 

CMYK 34 / 0 / 22 / 18

HEX #89D1A3

RGB 137 209 163

HSL 141.67, 0.44%, 0.68%

LAB 78.21, -32.22, 15.81

 

CMYK 34 / 29 / 0 / 18

HEX #8994D1

RGB 137 148 209

HSL 230.83, 0.44%, 0.68%

LAB 62.59, 10.57, -32.56

 

CMYK 0 / 34 / 12 / 18

HEX #D189B8

RGB 209 137 184

HSL 320.83, 0.44%, 0.68%

LAB 65.68, 34.42, -13.24

 

Description

Color code: HEX #D2C88A | qconv.com Color code: HEX #D2C88A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 200 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 200 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 34 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 34% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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