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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2C572 it is the complementary color #2D3A8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2C572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2C572 shade: #D7C56D, #E8D780, #F9E993, #FFFBA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2C572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2C572 shade: #D2C572, #C1B35F, #B0A14C, #9F8F39 and #8E7D26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2C572 shade: #D3C673, #D3AC73, #D39373, #D37973 and #D37373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2C572 shade: #D3C673, #C6D373, #ACD373, #93D373 and #79D373

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2C572 shade matches the following richer shades: #D3C673, #E2D165 and #F1DC56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2C572 shade: #D3C673, #C4BB82, #B5B091, #A6A6A0 and #989BAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2C572 shade: #D39273, #D3AB73, #D3C573, #C8D373 and #AED373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2C572 shade: #B9A83B, #C9B954, #D3C673, #DDD393 and #E7E0B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2C572 shade: #D2C572, #73D378 and #9E73D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2C572 shade: #D2C572, #73D3C5 and #C573D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2C572 shade: #D2C572, #73D378, #7382D3 and #D373CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2C572 shade: #D2C572, #73D395, #7382D3 and #D373B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 46 / 18

HEX #D2C572

RGB 210 197 114

HSL 51.88, 0.52%, 0.64%

LAB 78.95, -6.79, 43.08

 

Complementary color

CMYK 68 / 59 / 0 / 45

HEX #2D3A8D

RGB 45 58 141

HSL 231.88, 0.52%, 0.36%

LAB 28.13, 23.3, -47.78

 

CMYK 0 / 8 / 49 / 16

HEX #D7C56D

RGB 215 197 109

HSL 49.81, 0.57%, 0.64%

LAB 79.32, -5.22, 46.1

 

CMYK 0 / 7 / 45 / 9

HEX #E8D780

RGB 232 215 128

HSL 50.19, 0.69%, 0.71%

LAB 85.66, -5.8, 44.89

 

CMYK 0 / 6 / 41 / 2

HEX #F9E993

RGB 249 233 147

HSL 50.59, 0.89%, 0.78%

LAB 91.92, -6.29, 43.7

 

CMYK 0 / 2 / 35 / 0

HEX #FFFBA6

RGB 255 251 166

HSL 57.3, 1%, 0.83%

LAB 97.23, -10.88, 41.26

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 6 / 46 / 18

HEX #D2C572

RGB 210 197 114

HSL 51.88, 0.52%, 0.64%

LAB 78.95, -6.79, 43.08

 

CMYK 0 / 7 / 51 / 24

HEX #C1B35F

RGB 193 179 95

HSL 51.43, 0.44%, 0.56%

LAB 72.5, -6.21, 44.3

 

CMYK 0 / 9 / 57 / 31

HEX #B0A14C

RGB 176 161 76

HSL 51, 0.4%, 0.49%

LAB 65.94, -5.51, 45.5

 

CMYK 0 / 10 / 64 / 38

HEX #9F8F39

RGB 159 143 57

HSL 50.59, 0.47%, 0.42%

LAB 59.26, -4.65, 46.58

 

CMYK 0 / 12 / 73 / 44

HEX #8E7D26

RGB 142 125 38

HSL 50.19, 0.58%, 0.35%

LAB 52.46, -3.57, 47.34

 

CMYK 0 / 6 / 45 / 17

HEX #D3C673

RGB 211 198 115

HSL 51.88, 0.52%, 0.64%

LAB 79.31, -6.8, 43.05

 

CMYK 0 / 18 / 45 / 17

HEX #D3AC73

RGB 211 172 115

HSL 35.63, 0.52%, 0.64%

LAB 72.62, 6.87, 34.61

 

CMYK 0 / 30 / 45 / 17

HEX #D39373

RGB 211 147 115

HSL 20, 0.52%, 0.64%

LAB 66.48, 20.38, 26.61

 

CMYK 0 / 43 / 45 / 17

HEX #D37973

RGB 211 121 115

HSL 3.75, 0.52%, 0.64%

LAB 60.57, 34.36, 18.65

 

CMYK 0 / 45 / 45 / 17

HEX #D37373

RGB 211 115 115

HSL 0, 0.52%, 0.64%

LAB 59.3, 37.51, 16.9

 

CMYK 0 / 6 / 45 / 17

HEX #D3C673

RGB 211 198 115

HSL 51.88, 0.52%, 0.64%

LAB 79.31, -6.8, 43.05

 

CMYK 6 / 0 / 45 / 17

HEX #C6D373

RGB 198 211 115

HSL 68.13, 0.52%, 0.64%

LAB 81.75, -18.57, 45.82

 

CMYK 18 / 0 / 45 / 17

HEX #ACD373

RGB 172 211 115

HSL 84.38, 0.52%, 0.64%

LAB 79.95, -28.56, 43.2

 

CMYK 30 / 0 / 45 / 17

HEX #93D373

RGB 147 211 115

HSL 100, 0.52%, 0.64%

LAB 78.48, -37.54, 41.04

 

CMYK 43 / 0 / 45 / 17

HEX #79D373

RGB 121 211 115

HSL 116.25, 0.52%, 0.64%

LAB 77.22, -45.91, 39.19

 

CMYK 0 / 6 / 45 / 17

HEX #D3C673

RGB 211 198 115

HSL 51.88, 0.52%, 0.64%

LAB 79.31, -6.8, 43.05

 

CMYK 0 / 8 / 55 / 11

HEX #E2D165

RGB 226 209 101

HSL 51.84, 0.68%, 0.64%

LAB 83.29, -7.53, 54.84

 

CMYK 0 / 9 / 64 / 5

HEX #F1DC56

RGB 241 220 86

HSL 51.87, 0.85%, 0.64%

LAB 87.27, -7.92, 66.15

 

CMYK 0 / 6 / 45 / 17

HEX #D3C673

RGB 211 198 115

HSL 51.88, 0.52%, 0.64%

LAB 79.31, -6.8, 43.05

 

CMYK 0 / 5 / 34 / 23

HEX #C4BB82

RGB 196 187 130

HSL 51.82, 0.36%, 0.64%

LAB 75.38, -5.45, 30.06

 

CMYK 0 / 3 / 20 / 29

HEX #B5B091

RGB 181 176 145

HSL 51.67, 0.2%, 0.64%

LAB 71.5, -3.42, 16.55

 

CMYK 0 / 0 / 4 / 35

HEX #A6A6A0

RGB 166 166 160

HSL 60, 0.03%, 0.64%

LAB 67.96, -1.12, 3.09

 

CMYK 13 / 11 / 0 / 31

HEX #989BAF

RGB 152 155 175

HSL 232.17, 0.13%, 0.64%

LAB 64.33, 3.04, -10.76

 

CMYK 0 / 31 / 45 / 17

HEX #D39273

RGB 211 146 115

HSL 19.38, 0.52%, 0.64%

LAB 66.25, 20.92, 26.29

 

CMYK 0 / 19 / 45 / 17

HEX #D3AB73

RGB 211 171 115

HSL 35, 0.52%, 0.64%

LAB 72.37, 7.4, 34.28

 

CMYK 0 / 7 / 45 / 17

HEX #D3C573

RGB 211 197 115

HSL 51.25, 0.52%, 0.64%

LAB 79.05, -6.28, 42.72

 

CMYK 5 / 0 / 45 / 17

HEX #C8D373

RGB 200 211 115

HSL 66.88, 0.52%, 0.64%

LAB 81.9, -17.78, 46.03

 

CMYK 18 / 0 / 45 / 17

HEX #AED373

RGB 174 211 115

HSL 83.13, 0.52%, 0.64%

LAB 80.08, -27.81, 43.39

 

CMYK 0 / 9 / 68 / 27

HEX #B9A83B

RGB 185 168 59

HSL 51.9, 0.52%, 0.48%

LAB 68.49, -6.47, 56.16

 

CMYK 0 / 8 / 58 / 21

HEX #C9B954

RGB 201 185 84

HSL 51.79, 0.52%, 0.56%

LAB 74.67, -6.88, 52.27

 

CMYK 0 / 6 / 45 / 17

HEX #D3C673

RGB 211 198 115

HSL 51.88, 0.52%, 0.64%

LAB 79.31, -6.8, 43.05

 

CMYK 0 / 5 / 33 / 13

HEX #DDD393

RGB 221 211 147

HSL 51.89, 0.52%, 0.72%

LAB 84, -6.02, 32.98

 

CMYK 0 / 3 / 23 / 9

HEX #E7E0B2

RGB 231 224 178

HSL 52.08, 0.52%, 0.8%

LAB 88.69, -4.85, 23.43

 

CMYK 0 / 6 / 46 / 18

HEX #D2C572

RGB 210 197 114

HSL 51.88, 0.52%, 0.64%

LAB 78.95, -6.79, 43.08

 

CMYK 45 / 0 / 43 / 17

HEX #73D378

RGB 115 211 120

HSL 123.13, 0.52%, 0.64%

LAB 77.03, -46.93, 36.41

 

CMYK 25 / 45 / 0 / 17

HEX #9E73D3

RGB 158 115 211

HSL 266.88, 0.52%, 0.64%

LAB 56.32, 36.07, -43.38

 

CMYK 0 / 6 / 46 / 18

HEX #D2C572

RGB 210 197 114

HSL 51.88, 0.52%, 0.64%

LAB 78.95, -6.79, 43.08

 

CMYK 45 / 0 / 7 / 17

HEX #73D3C5

RGB 115 211 197

HSL 171.25, 0.52%, 0.64%

LAB 78.62, -31.76, -1.89

 

CMYK 7 / 45 / 0 / 17

HEX #C573D3

RGB 197 115 211

HSL 291.25, 0.52%, 0.64%

LAB 60.64, 47.2, -36.3

 

CMYK 0 / 6 / 46 / 18

HEX #D2C572

RGB 210 197 114

HSL 51.88, 0.52%, 0.64%

LAB 78.95, -6.79, 43.08

 

CMYK 45 / 0 / 43 / 17

HEX #73D378

RGB 115 211 120

HSL 123.13, 0.52%, 0.64%

LAB 77.03, -46.93, 36.41

 

CMYK 45 / 38 / 0 / 17

HEX #7382D3

RGB 115 130 211

HSL 230.63, 0.52%, 0.64%

LAB 56.4, 15.84, -43.49

 

CMYK 0 / 45 / 2 / 17

HEX #D373CE

RGB 211 115 206

HSL 303.13, 0.52%, 0.64%

LAB 62.14, 50.38, -31.02

 

CMYK 0 / 6 / 46 / 18

HEX #D2C572

RGB 210 197 114

HSL 51.88, 0.52%, 0.64%

LAB 78.95, -6.79, 43.08

 

CMYK 45 / 0 / 29 / 17

HEX #73D395

RGB 115 211 149

HSL 141.25, 0.52%, 0.64%

LAB 77.52, -42.05, 22.1

 

CMYK 45 / 38 / 0 / 17

HEX #7382D3

RGB 115 130 211

HSL 230.63, 0.52%, 0.64%

LAB 56.4, 15.84, -43.49

 

CMYK 0 / 45 / 16 / 17

HEX #D373B2

RGB 211 115 178

HSL 320.63, 0.52%, 0.64%

LAB 61.07, 45.7, -16.78

 

Description

Color code: HEX #D2C572 | qconv.com Color code: HEX #D2C572 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 197 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 197 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 46 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 46% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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