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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BF7F it is the complementary color #2D4080. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BF7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BF7F shade: #D7BF7A, #E8D18D, #F9E3A0, #FFF5B3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BF7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BF7F shade: #D2BF7F, #C1AD6C, #B09B59, #9F8946 and #8E7733

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BF7F shade: #D2BF7F, #D2A87F, #D2927F and #D27F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BF7F shade: #D2BF7F, #CFD27F, #B8D27F, #A2D27F and #8BD27F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BF7F shade matches the following richer shades: #D2BF7F, #E0C671, #EECE63 and #FCD655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BF7F shade: #D2BF7F, #C4B78D, #B6B09B, #A8A8A9 and #9AA0B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BF7F shade: #D2927F, #D2A87F, #D2BE7F, #CFD27F and #B9D27F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BF7F shade: #BCA042, #C7B060, #D2BF7F, #DDCE9D and #E7DDBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BF7F shade: #D2BF7F, #81D27F and #9D7FD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BF7F shade: #D2BF7F, #7FD2BE and #BE7FD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BF7F shade: #D2BF7F, #81D27F, #7F92D2 and #CF7FD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BF7F shade: #D2BF7F, #7FD295, #7F92D2 and #D27FBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

Complementary color

CMYK 65 / 50 / 0 / 50

HEX #2D4080

RGB 45 64 128

HSL 226.27, 0.48%, 0.34%

LAB 28.86, 14.33, -38.54

 

CMYK 0 / 11 / 43 / 16

HEX #D7BF7A

RGB 215 191 122

HSL 44.52, 0.54%, 0.66%

LAB 77.94, -0.84, 37.86

 

CMYK 0 / 10 / 39 / 9

HEX #E8D18D

RGB 232 209 141

HSL 44.84, 0.66%, 0.73%

LAB 84.32, -1.39, 36.65

 

CMYK 0 / 9 / 36 / 2

HEX #F9E3A0

RGB 249 227 160

HSL 45.17, 0.88%, 0.8%

LAB 90.6, -1.86, 35.49

 

CMYK 0 / 4 / 30 / 0

HEX #FFF5B3

RGB 255 245 179

HSL 52.11, 1%, 0.85%

LAB 95.92, -6.38, 33.05

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 0 / 10 / 44 / 24

HEX #C1AD6C

RGB 193 173 108

HSL 45.88, 0.41%, 0.59%

LAB 71.08, -1.78, 35.95

 

CMYK 0 / 12 / 49 / 31

HEX #B09B59

RGB 176 155 89

HSL 45.52, 0.36%, 0.52%

LAB 64.48, -1.14, 37.24

 

CMYK 0 / 14 / 56 / 38

HEX #9F8946

RGB 159 137 70

HSL 45.17, 0.39%, 0.45%

LAB 57.76, -0.36, 38.54

 

CMYK 0 / 16 / 64 / 44

HEX #8E7733

RGB 142 119 51

HSL 44.84, 0.47%, 0.38%

LAB 50.9, 0.61, 39.8

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 0 / 20 / 40 / 18

HEX #D2A87F

RGB 210 168 127

HSL 29.64, 0.48%, 0.66%

LAB 71.72, 9.9, 27.02

 

CMYK 0 / 30 / 40 / 18

HEX #D2927F

RGB 210 146 127

HSL 13.73, 0.48%, 0.66%

LAB 66.36, 21.83, 19.79

 

CMYK 0 / 40 / 40 / 18

HEX #D27F7F

RGB 210 127 127

HSL 0, 0.48%, 0.66%

LAB 62.01, 32.09, 13.78

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 1 / 0 / 40 / 18

HEX #CFD27F

RGB 207 210 127

HSL 62.17, 0.48%, 0.66%

LAB 82.32, -13.26, 40.75

 

CMYK 12 / 0 / 40 / 18

HEX #B8D27F

RGB 184 210 127

HSL 78.8, 0.48%, 0.66%

LAB 80.64, -22.15, 38.26

 

CMYK 23 / 0 / 40 / 18

HEX #A2D27F

RGB 162 210 127

HSL 94.7, 0.48%, 0.66%

LAB 79.22, -30.26, 36.15

 

CMYK 34 / 0 / 40 / 18

HEX #8BD27F

RGB 139 210 127

HSL 111.33, 0.48%, 0.66%

LAB 77.94, -38.12, 34.25

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 0 / 12 / 50 / 12

HEX #E0C671

RGB 224 198 113

HSL 45.95, 0.64%, 0.66%

LAB 80.42, -1.7, 45.65

 

CMYK 0 / 13 / 58 / 7

HEX #EECE63

RGB 238 206 99

HSL 46.19, 0.8%, 0.66%

LAB 83.56, -1.21, 56.34

 

CMYK 0 / 15 / 66 / 1

HEX #FCD655

RGB 252 214 85

HSL 46.35, 0.97%, 0.66%

LAB 86.72, -0.39, 66.28

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 0 / 7 / 28 / 23

HEX #C4B78D

RGB 196 183 141

HSL 45.82, 0.32%, 0.66%

LAB 74.52, -1.93, 23.07

 

CMYK 0 / 3 / 15 / 29

HEX #B6B09B

RGB 182 176 155

HSL 46.67, 0.16%, 0.66%

LAB 71.8, -1.48, 11.52

 

CMYK 1 / 1 / 0 / 34

HEX #A8A8A9

RGB 168 168 169

HSL 240, 0.01%, 0.66%

LAB 68.89, 0.19, -0.52

 

CMYK 16 / 13 / 0 / 28

HEX #9AA0B7

RGB 154 160 183

HSL 227.59, 0.17%, 0.66%

LAB 66.08, 2.67, -12.6

 

CMYK 0 / 30 / 40 / 18

HEX #D2927F

RGB 210 146 127

HSL 13.73, 0.48%, 0.66%

LAB 66.36, 21.83, 19.79

 

CMYK 0 / 20 / 40 / 18

HEX #D2A87F

RGB 210 168 127

HSL 29.64, 0.48%, 0.66%

LAB 71.72, 9.9, 27.02

 

CMYK 0 / 10 / 40 / 18

HEX #D2BE7F

RGB 210 190 127

HSL 45.54, 0.48%, 0.66%

LAB 77.32, -1.8, 34.39

 

CMYK 1 / 0 / 40 / 18

HEX #CFD27F

RGB 207 210 127

HSL 62.17, 0.48%, 0.66%

LAB 82.32, -13.26, 40.75

 

CMYK 12 / 0 / 40 / 18

HEX #B9D27F

RGB 185 210 127

HSL 78.07, 0.48%, 0.66%

LAB 80.71, -21.77, 38.36

 

CMYK 0 / 15 / 65 / 26

HEX #BCA042

RGB 188 160 66

HSL 46.23, 0.48%, 0.5%

LAB 66.69, -0.48, 51.33

 

CMYK 0 / 12 / 52 / 22

HEX #C7B060

RGB 199 176 96

HSL 46.6, 0.48%, 0.58%

LAB 72.25, -2.03, 43.64

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 0 / 7 / 29 / 13

HEX #DDCE9D

RGB 221 206 157

HSL 45.94, 0.48%, 0.74%

LAB 82.89, -2.19, 26.31

 

CMYK 0 / 4 / 19 / 9

HEX #E7DDBC

RGB 231 221 188

HSL 46.05, 0.47%, 0.82%

LAB 88.13, -1.88, 17.44

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 39 / 0 / 40 / 18

HEX #81D27F

RGB 129 210 127

HSL 118.55, 0.48%, 0.66%

LAB 77.46, -41.29, 33.53

 

CMYK 25 / 40 / 0 / 18

HEX #9D7FD2

RGB 157 127 210

HSL 261.69, 0.48%, 0.66%

LAB 58.97, 28.71, -38.65

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 40 / 0 / 10 / 18

HEX #7FD2BE

RGB 127 210 190

HSL 165.54, 0.48%, 0.66%

LAB 78.65, -29.9, 1.97

 

CMYK 10 / 40 / 0 / 18

HEX #BE7FD2

RGB 190 127 210

HSL 285.54, 0.48%, 0.66%

LAB 62.32, 38.53, -33.18

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 39 / 0 / 40 / 18

HEX #81D27F

RGB 129 210 127

HSL 118.55, 0.48%, 0.66%

LAB 77.46, -41.29, 33.53

 

CMYK 40 / 30 / 0 / 18

HEX #7F92D2

RGB 127 146 210

HSL 226.27, 0.48%, 0.66%

LAB 61.41, 9.24, -35.01

 

CMYK 1 / 40 / 0 / 18

HEX #CF7FD2

RGB 207 127 210

HSL 297.83, 0.48%, 0.66%

LAB 64.24, 43.71, -30.05

 

CMYK 0 / 9 / 40 / 18

HEX #D2BF7F

RGB 210 191 127

HSL 46.27, 0.48%, 0.66%

LAB 77.58, -2.32, 34.72

 

CMYK 40 / 0 / 29 / 18

HEX #7FD295

RGB 127 210 149

HSL 135.9, 0.48%, 0.66%

LAB 77.74, -38.24, 22.49

 

CMYK 40 / 30 / 0 / 18

HEX #7F92D2

RGB 127 146 210

HSL 226.27, 0.48%, 0.66%

LAB 61.41, 9.24, -35.01

 

CMYK 0 / 40 / 10 / 18

HEX #D27FBC

RGB 210 127 188

HSL 315.9, 0.48%, 0.66%

LAB 63.76, 40.76, -18.38

 

Description

Color code: HEX #D2BF7F | qconv.com Color code: HEX #D2BF7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 191 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 191 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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