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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BE3E it is the complementary color #2D41C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BE3E shade: #D7BE39, #E8D04C, #F9E25F, #FFF472 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BE3E shade: #D2BE3E, #C1AC2B, #B09A18, #9F8805 and #8E7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BE3E shade: #D1BD3D, #D1953D, #D16D3D, #D1453D and #D13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BE3E shade: #D1BD3D, #BDD13D, #95D13D, #6DD13D and #45D13D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BE3E shade matches the following richer shades: #D1BD3D, #E5CC29 and #F8DA16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BE3E shade: #D1BD3D, #BEAF50, #ABA164, #979377 and #84858A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BE3E shade: #D16C3D, #D1943D, #D1BB3D, #C0D13D and #98D13D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BE3E shade: #988824, #BAA62C, #D1BD3D, #D9C95E and #E1D480

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BE3E shade: #D2BE3E, #3DD144 and #803DD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BE3E shade: #D2BE3E, #3DD1BB and #BB3DD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BE3E shade: #D2BE3E, #3DD144, #3D53D1 and #D13DCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BE3E shade: #D2BE3E, #3DD171, #3D53D1 and #D13D9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 70 / 18

HEX #D2BE3E

RGB 210 190 62

HSL 51.89, 0.62%, 0.53%

LAB 76.6, -6.99, 63.88

 

Complementary color

CMYK 77 / 66 / 0 / 24

HEX #2D41C1

RGB 45 65 193

HSL 231.89, 0.62%, 0.47%

LAB 34.37, 37.81, -68.85

 

CMYK 0 / 12 / 73 / 16

HEX #D7BE39

RGB 215 190 57

HSL 50.51, 0.66%, 0.53%

LAB 77.02, -5.08, 66.29

 

CMYK 0 / 10 / 67 / 9

HEX #E8D04C

RGB 232 208 76

HSL 50.77, 0.77%, 0.6%

LAB 83.33, -6.16, 65.84

 

CMYK 0 / 9 / 62 / 2

HEX #F9E25F

RGB 249 226 95

HSL 51.04, 0.93%, 0.67%

LAB 89.56, -7.09, 65.05

 

CMYK 0 / 4 / 55 / 0

HEX #FFF472

RGB 255 244 114

HSL 55.32, 1%, 0.72%

LAB 94.81, -12.29, 62.81

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 10 / 70 / 18

HEX #D2BE3E

RGB 210 190 62

HSL 51.89, 0.62%, 0.53%

LAB 76.6, -6.99, 63.88

 

CMYK 0 / 11 / 78 / 24

HEX #C1AC2B

RGB 193 172 43

HSL 51.6, 0.64%, 0.46%

LAB 70.19, -5.82, 63.99

 

CMYK 0 / 13 / 86 / 31

HEX #B09A18

RGB 176 154 24

HSL 51.32, 0.76%, 0.39%

LAB 63.68, -4.43, 63.19

 

CMYK 0 / 14 / 97 / 38

HEX #9F8805

RGB 159 136 5

HSL 51.04, 0.94%, 0.32%

LAB 57.07, -2.78, 60.92

 

CMYK 0 / 17 / 100 / 44

HEX #8E7600

RGB 142 118 0

HSL 49.86, 1%, 0.28%

LAB 50.34, -0.79, 56.2

 

CMYK 0 / 10 / 71 / 18

HEX #D1BD3D

RGB 209 189 61

HSL 51.89, 0.62%, 0.53%

LAB 76.25, -6.95, 63.87

 

CMYK 0 / 29 / 71 / 18

HEX #D1953D

RGB 209 149 61

HSL 35.68, 0.62%, 0.53%

LAB 66.05, 14.31, 53.55

 

CMYK 0 / 48 / 71 / 18

HEX #D16D3D

RGB 209 109 61

HSL 19.46, 0.62%, 0.53%

LAB 56.91, 35.75, 43.76

 

CMYK 0 / 67 / 71 / 18

HEX #D1453D

RGB 209 69 61

HSL 3.24, 0.62%, 0.53%

LAB 49.68, 54.54, 35.57

 

CMYK 0 / 71 / 71 / 18

HEX #D13D3D

RGB 209 61 61

HSL 0, 0.62%, 0.53%

LAB 48.55, 57.63, 34.25

 

CMYK 0 / 10 / 71 / 18

HEX #D1BD3D

RGB 209 189 61

HSL 51.89, 0.62%, 0.53%

LAB 76.25, -6.95, 63.87

 

CMYK 10 / 0 / 71 / 18

HEX #BDD13D

RGB 189 209 61

HSL 68.11, 0.62%, 0.53%

LAB 80.04, -25.35, 67.06

 

CMYK 29 / 0 / 71 / 18

HEX #95D13D

RGB 149 209 61

HSL 84.32, 0.62%, 0.53%

LAB 77.48, -41.03, 63.66

 

CMYK 48 / 0 / 71 / 18

HEX #6DD13D

RGB 109 209 61

HSL 100.54, 0.62%, 0.53%

LAB 75.57, -54.45, 61.11

 

CMYK 67 / 0 / 71 / 18

HEX #45D13D

RGB 69 209 61

HSL 116.76, 0.62%, 0.53%

LAB 74.32, -64.33, 59.43

 

CMYK 0 / 10 / 71 / 18

HEX #D1BD3D

RGB 209 189 61

HSL 51.89, 0.62%, 0.53%

LAB 76.25, -6.95, 63.87

 

CMYK 0 / 11 / 82 / 10

HEX #E5CC29

RGB 229 204 41

HSL 52.02, 0.78%, 0.53%

LAB 81.84, -6.83, 76.06

 

CMYK 0 / 12 / 91 / 3

HEX #F8DA16

RGB 248 218 22

HSL 52.04, 0.94%, 0.53%

LAB 87.07, -6.2, 84.76

 

CMYK 0 / 10 / 71 / 18

HEX #D1BD3D

RGB 209 189 61

HSL 51.89, 0.62%, 0.53%

LAB 76.25, -6.95, 63.87

 

CMYK 0 / 8 / 58 / 25

HEX #BEAF50

RGB 190 175 80

HSL 51.82, 0.46%, 0.53%

LAB 71, -6.61, 49.71

 

CMYK 0 / 6 / 42 / 33

HEX #ABA164

RGB 171 161 100

HSL 51.55, 0.3%, 0.53%

LAB 65.8, -5.34, 33.03

 

CMYK 0 / 3 / 21 / 41

HEX #979377

RGB 151 147 119

HSL 52.5, 0.13%, 0.53%

LAB 60.59, -3.36, 15.38

 

CMYK 4 / 4 / 0 / 46

HEX #84858A

RGB 132 133 138

HSL 230, 0.02%, 0.53%

LAB 55.6, 0.64, -2.82

 

CMYK 0 / 48 / 71 / 18

HEX #D16C3D

RGB 209 108 61

HSL 19.05, 0.62%, 0.53%

LAB 56.7, 36.27, 43.53

 

CMYK 0 / 29 / 71 / 18

HEX #D1943D

RGB 209 148 61

HSL 35.27, 0.62%, 0.53%

LAB 65.8, 14.85, 53.29

 

CMYK 0 / 11 / 71 / 18

HEX #D1BB3D

RGB 209 187 61

HSL 51.08, 0.62%, 0.53%

LAB 75.72, -5.91, 63.35

 

CMYK 8 / 0 / 71 / 18

HEX #C0D13D

RGB 192 209 61

HSL 66.89, 0.62%, 0.53%

LAB 80.26, -24.12, 67.35

 

CMYK 27 / 0 / 71 / 18

HEX #98D13D

RGB 152 209 61

HSL 83.11, 0.62%, 0.53%

LAB 77.65, -39.91, 63.89

 

CMYK 0 / 11 / 76 / 40

HEX #988824

RGB 152 136 36

HSL 51.72, 0.62%, 0.37%

LAB 56.5, -5.16, 52.35

 

CMYK 0 / 11 / 76 / 27

HEX #BAA62C

RGB 186 166 44

HSL 51.55, 0.62%, 0.45%

LAB 67.94, -5.7, 61.36

 

CMYK 0 / 10 / 71 / 18

HEX #D1BD3D

RGB 209 189 61

HSL 51.89, 0.62%, 0.53%

LAB 76.25, -6.95, 63.87

 

CMYK 0 / 7 / 57 / 15

HEX #D9C95E

RGB 217 201 94

HSL 52.2, 0.62%, 0.61%

LAB 80.37, -7.69, 54.5

 

CMYK 0 / 6 / 43 / 12

HEX #E1D480

RGB 225 212 128

HSL 51.96, 0.62%, 0.69%

LAB 84.3, -7.06, 43.06

 

CMYK 0 / 10 / 70 / 18

HEX #D2BE3E

RGB 210 190 62

HSL 51.89, 0.62%, 0.53%

LAB 76.6, -6.99, 63.88

 

CMYK 71 / 0 / 67 / 18

HEX #3DD144

RGB 61 209 68

HSL 122.84, 0.62%, 0.53%

LAB 74.2, -65.17, 56.56

 

CMYK 39 / 71 / 0 / 18

HEX #803DD1

RGB 128 61 209

HSL 267.16, 0.62%, 0.53%

LAB 42.05, 57.16, -65.31

 

CMYK 0 / 10 / 70 / 18

HEX #D2BE3E

RGB 210 190 62

HSL 51.89, 0.62%, 0.53%

LAB 76.6, -6.99, 63.88

 

CMYK 71 / 0 / 11 / 18

HEX #3DD1BB

RGB 61 209 187

HSL 171.08, 0.62%, 0.53%

LAB 76.18, -43.46, -0.28

 

CMYK 11 / 71 / 0 / 18

HEX #BB3DD1

RGB 187 61 209

HSL 291.08, 0.62%, 0.53%

LAB 50.1, 68.86, -51.9

 

CMYK 0 / 10 / 70 / 18

HEX #D2BE3E

RGB 210 190 62

HSL 51.89, 0.62%, 0.53%

LAB 76.6, -6.99, 63.88

 

CMYK 71 / 0 / 67 / 18

HEX #3DD144

RGB 61 209 68

HSL 122.84, 0.62%, 0.53%

LAB 74.2, -65.17, 56.56

 

CMYK 71 / 60 / 0 / 18

HEX #3D53D1

RGB 61 83 209

HSL 231.08, 0.62%, 0.53%

LAB 40.87, 33.95, -67.48

 

CMYK 0 / 71 / 3 / 18

HEX #D13DCA

RGB 209 61 202

HSL 302.84, 0.62%, 0.53%

LAB 53.12, 72.41, -42.88

 

CMYK 0 / 10 / 70 / 18

HEX #D2BE3E

RGB 210 190 62

HSL 51.89, 0.62%, 0.53%

LAB 76.6, -6.99, 63.88

 

CMYK 71 / 0 / 46 / 18

HEX #3DD171

RGB 61 209 113

HSL 141.08, 0.62%, 0.53%

LAB 74.69, -59.38, 36.59

 

CMYK 71 / 60 / 0 / 18

HEX #3D53D1

RGB 61 83 209

HSL 231.08, 0.62%, 0.53%

LAB 40.87, 33.95, -67.48

 

CMYK 0 / 71 / 25 / 18

HEX #D13D9D

RGB 209 61 157

HSL 321.08, 0.62%, 0.53%

LAB 51.07, 66.02, -19.83

 

Description

Color code: HEX #D2BE3E | qconv.com Color code: HEX #D2BE3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 190 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 190 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 70 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 70% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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