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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BDF43F it is the complementary color #2D420B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BDF43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BDF43F shade: #D7BDEF3F, #E8CFFF3F, #F9E1FF3F, #FFF3FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BDF43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BDF43F shade: #D2BDF43F, #C1ABE13F, #B099CE3F, #9F87BB3F and #8E75A83F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BDF43F shade: #D2BEF4, #E1BEF4, #F0BEF4, #F4BEEA and #F4BEDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BDF43F shade: #D2BEF4, #C4BEF4 and #BEBEF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BDF43F shade matches the following richer shades: #D2BEF4 and #D1B7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BDF43F shade: #D2BEF4, #D4C4EE, #D5CAE8, #D7D0E1 and #D8D6DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BDF43F shade: #BEC7F4, #C3BEF4, #D2BEF4, #E0BEF4 and #EEBEF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BDF43F shade: #A277E8, #BA9AEE, #D2BEF4, #EAE1FA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BDF43F shade: #D2BDF4, #F4BED5 and #BFF4BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BDF43F shade: #D2BDF4, #F4D2BE and #BEF4D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BDF43F shade: #D2BDF4, #F4BED5, #E0F4BE and #BEF4DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BDF43F shade: #D2BDF4, #F4BEC5, #E0F4BE and #BEF4ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 6 / 0 / 1

HEX #D2BDF43F

RGBA 210 189 244 0.25

HSLA 262.91, 0.71%, 0.85%, 0.25

LABA 79.97, 17.87, -24.5, 0.25

 

Complementary color

CMYK 8 / 0 / 21 / 19

HEX #2D420B3F

RGBA 45 66 11 0.25

HSLA 82.91, 0.71%, 0.15%, 0.25

LABA 25.19, -17.97, 28.89, 0.25

 

CMYK 3 / 5 / 0 / 2

HEX #D7BDEF3F

RGBA 215 189 239 0.25

HSLA 271.2, 0.61%, 0.84%, 0.25

LABA 80.22, 18.42, -21.39, 0.25

 

CMYK 2 / 5 / 0 / 0

HEX #E8CFFF3F

RGBA 232 207 255 0.25

HSLA 271.25, 1%, 0.91%, 0.25

LABA 86.5, 17.4, -20.26, 0.25

 

CMYK 1 / 3 / 0 / 0

HEX #F9E1FF3F

RGBA 249 225 255 0.25

HSLA 288, 1%, 0.94%, 0.25

LABA 92.23, 13.42, -11.53, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 3 / 6 / 0 / 1

HEX #D2BDF43F

RGBA 210 189 244 0.25

HSLA 262.91, 0.71%, 0.85%, 0.25

LABA 79.97, 17.87, -24.5, 0.25

 

CMYK 4 / 6 / 0 / 3

HEX #C1ABE13F

RGBA 193 171 225 0.25

HSLA 264.44, 0.47%, 0.78%, 0.25

LABA 73.48, 18.33, -24.26, 0.25

 

CMYK 4 / 6 / 0 / 5

HEX #B099CE3F

RGBA 176 153 206 0.25

HSLA 266.04, 0.35%, 0.7%, 0.25

LABA 66.88, 18.83, -24.03, 0.25

 

CMYK 4 / 7 / 0 / 7

HEX #9F87BB3F

RGBA 159 135 187 0.25

HSLA 267.69, 0.28%, 0.63%, 0.25

LABA 60.15, 19.37, -23.82, 0.25

 

CMYK 4 / 8 / 0 / 9

HEX #8E75A83F

RGBA 142 117 168 0.25

HSLA 269.41, 0.23%, 0.56%, 0.25

LABA 53.28, 19.97, -23.63, 0.25

 

CMYK 14 / 22 / 0 / 4

HEX #D2BEF4

RGB 210 190 244

HSL 262.22, 0.71%, 0.85%

LAB 80.21, 17.33, -24.13

 

CMYK 8 / 22 / 0 / 4

HEX #E1BEF4

RGB 225 190 244

HSL 278.89, 0.71%, 0.85%

LAB 81.49, 22.08, -22.06

 

CMYK 2 / 22 / 0 / 4

HEX #F0BEF4

RGB 240 190 244

HSL 295.56, 0.71%, 0.85%

LAB 82.85, 26.9, -19.87

 

CMYK 0 / 22 / 4 / 4

HEX #F4BEEA

RGB 244 190 234

HSL 311.11, 0.71%, 0.85%

LAB 82.91, 26.41, -14.4

 

CMYK 0 / 22 / 10 / 4

HEX #F4BEDB

RGB 244 190 219

HSL 327.78, 0.71%, 0.85%

LAB 82.47, 23.85, -7.02

 

CMYK 14 / 22 / 0 / 4

HEX #D2BEF4

RGB 210 190 244

HSL 262.22, 0.71%, 0.85%

LAB 80.21, 17.33, -24.13

 

CMYK 20 / 22 / 0 / 4

HEX #C4BEF4

RGB 196 190 244

HSL 246.67, 0.71%, 0.85%

LAB 79.1, 13, -25.93

 

CMYK 22 / 22 / 0 / 4

HEX #BEBEF4

RGB 190 190 244

HSL 240, 0.71%, 0.85%

LAB 78.64, 11.18, -26.67

 

CMYK 14 / 22 / 0 / 4

HEX #D2BEF4

RGB 210 190 244

HSL 262.22, 0.71%, 0.85%

LAB 80.21, 17.33, -24.13

 

CMYK 16 / 27 / 0 / 2

HEX #D1B7FA

RGB 209 183 250

HSL 263.28, 0.87%, 0.85%

LAB 78.65, 22.09, -29.74

 

CMYK 14 / 22 / 0 / 4

HEX #D2BEF4

RGB 210 190 244

HSL 262.22, 0.71%, 0.85%

LAB 80.21, 17.33, -24.13

 

CMYK 11 / 18 / 0 / 7

HEX #D4C4EE

RGB 212 196 238

HSL 262.86, 0.55%, 0.85%

LAB 81.65, 13.49, -18.72

 

CMYK 8 / 13 / 0 / 9

HEX #D5CAE8

RGB 213 202 232

HSL 262, 0.39%, 0.85%

LAB 83.03, 9.4, -13.44

 

CMYK 4 / 8 / 0 / 12

HEX #D7D0E1

RGB 215 208 225

HSL 264.71, 0.22%, 0.85%

LAB 84.48, 5.53, -7.53

 

CMYK 1 / 2 / 0 / 14

HEX #D8D6DB

RGB 216 214 219

HSL 264, 0.06%, 0.85%

LAB 85.91, 1.59, -2.23

 

CMYK 22 / 18 / 0 / 4

HEX #BEC7F4

RGB 190 199 244

HSL 230, 0.71%, 0.85%

LAB 80.92, 6.31, -23.19

 

CMYK 20 / 22 / 0 / 4

HEX #C3BEF4

RGB 195 190 244

HSL 245.56, 0.71%, 0.85%

LAB 79.02, 12.7, -26.06

 

CMYK 14 / 22 / 0 / 4

HEX #D2BEF4

RGB 210 190 244

HSL 262.22, 0.71%, 0.85%

LAB 80.21, 17.33, -24.13

 

CMYK 8 / 22 / 0 / 4

HEX #E0BEF4

RGB 224 190 244

HSL 277.78, 0.71%, 0.85%

LAB 81.4, 21.76, -22.2

 

CMYK 2 / 22 / 0 / 4

HEX #EEBEF4

RGB 238 190 244

HSL 293.33, 0.71%, 0.85%

LAB 82.67, 26.25, -20.17

 

CMYK 30 / 49 / 0 / 9

HEX #A277E8

RGB 162 119 232

HSL 262.83, 0.71%, 0.69%

LAB 58.7, 40, -51.38

 

CMYK 22 / 35 / 0 / 7

HEX #BA9AEE

RGB 186 154 238

HSL 262.86, 0.71%, 0.77%

LAB 69.27, 28.5, -37.9

 

CMYK 14 / 22 / 0 / 4

HEX #D2BEF4

RGB 210 190 244

HSL 262.22, 0.71%, 0.85%

LAB 80.21, 17.33, -24.13

 

CMYK 6 / 10 / 0 / 2

HEX #EAE1FA

RGB 234 225 250

HSL 261.6, 0.71%, 0.93%

LAB 90.89, 7.6, -11.03

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 14 / 23 / 0 / 4

HEX #D2BDF4

RGB 210 189 244

HSL 262.91, 0.71%, 0.85%

LAB 79.97, 17.87, -24.5

 

CMYK 0 / 22 / 13 / 4

HEX #F4BED5

RGB 244 190 213

HSL 334.44, 0.71%, 0.85%

LAB 82.31, 22.87, -4.04

 

CMYK 22 / 0 / 22 / 4

HEX #BFF4BE

RGB 191 244 190

HSL 118.89, 0.71%, 0.85%

LAB 91.46, -26.93, 20.64

 

CMYK 14 / 23 / 0 / 4

HEX #D2BDF4

RGB 210 189 244

HSL 262.91, 0.71%, 0.85%

LAB 79.97, 17.87, -24.5

 

CMYK 0 / 14 / 22 / 4

HEX #F4D2BE

RGB 244 210 190

HSL 22.22, 0.71%, 0.85%

LAB 86.53, 8.86, 14.3

 

CMYK 22 / 0 / 14 / 4

HEX #BEF4D2

RGB 190 244 210

HSL 142.22, 0.71%, 0.85%

LAB 91.82, -23.73, 10.82

 

CMYK 14 / 23 / 0 / 4

HEX #D2BDF4

RGB 210 189 244

HSL 262.91, 0.71%, 0.85%

LAB 79.97, 17.87, -24.5

 

CMYK 0 / 22 / 13 / 4

HEX #F4BED5

RGB 244 190 213

HSL 334.44, 0.71%, 0.85%

LAB 82.31, 22.87, -4.04

 

CMYK 8 / 0 / 22 / 4

HEX #E0F4BE

RGB 224 244 190

HSL 82.22, 0.71%, 0.85%

LAB 93.57, -15.66, 23.88

 

CMYK 22 / 0 / 10 / 4

HEX #BEF4DC

RGB 190 244 220

HSL 153.33, 0.71%, 0.85%

LAB 92.05, -21.84, 5.97

 

CMYK 14 / 23 / 0 / 4

HEX #D2BDF4

RGB 210 189 244

HSL 262.91, 0.71%, 0.85%

LAB 79.97, 17.87, -24.5

 

CMYK 0 / 22 / 19 / 4

HEX #F4BEC5

RGB 244 190 197

HSL 352.22, 0.71%, 0.85%

LAB 81.89, 20.39, 3.94

 

CMYK 8 / 0 / 22 / 4

HEX #E0F4BE

RGB 224 244 190

HSL 82.22, 0.71%, 0.85%

LAB 93.57, -15.66, 23.88

 

CMYK 22 / 0 / 3 / 4

HEX #BEF4ED

RGB 190 244 237

HSL 172.22, 0.71%, 0.85%

LAB 92.47, -18.45, -2.25

 

Description

Color code: HEX #D2BDF43F | qconv.com Color code: HEX #D2BDF43F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 189 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 189 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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