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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BDE0 it is the complementary color #2D421F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BDE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BDE0 shade: #D7BDDB, #E8CFEE, #F9E1FF, #FFF3FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BDE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BDE0 shade: #D2BDE0, #C1ABCD, #B099BA, #9F87A7 and #8E7594

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BDE0 shade: #D2BDE0, #DBBDE0, #E0BDDB, #E0BDD2 and #E0BDC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BDE0 shade: #D2BDE0, #C9BDE0, #BFBDE0 and #BDBDE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BDE0 shade matches the following richer shades: #D2BDE0, #D4B5E8, #D5ADF0 and #D7A6F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BDE0 shade: #D2BDE0, #D0C5D8, #CFCDD0, #CDD5C8 and #CCDCC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BDE0 shade: #BFBDE0, #C9BDE0, #D2BDE0, #DBBDE0 and #E0BDDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BDE0 shade: #AC85C6, #BFA1D3, #D2BDE0, #E5D9ED and #F8F5FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BDE0 shade: #D2BDE0, #E0BDC4 and #BDE0C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BDE0 shade: #D2BDE0, #E0D2BD and #BDE0D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BDE0 shade: #D2BDE0, #E0BDC4, #CBE0BD and #BDE0D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BDE0 shade: #D2BDE0, #E0C1BD, #CBE0BD and #BDDDE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

Complementary color

CMYK 32 / 0 / 53 / 74

HEX #2D421F

RGB 45 66 31

HSL 96, 0.36%, 0.19%

LAB 25.42, -15.8, 18.63

 

CMYK 2 / 14 / 0 / 14

HEX #D7BDDB

RGB 215 189 219

HSL 292, 0.29%, 0.8%

LAB 79.59, 14.52, -11.59

 

CMYK 3 / 13 / 0 / 7

HEX #E8CFEE

RGB 232 207 238

HSL 288.39, 0.48%, 0.87%

LAB 85.98, 14.14, -12.05

 

CMYK 2 / 12 / 0 / 0

HEX #F9E1FF

RGB 249 225 255

HSL 288, 1%, 0.94%

LAB 92.23, 13.42, -11.53

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 6 / 17 / 0 / 20

HEX #C1ABCD

RGB 193 171 205

HSL 278.82, 0.25%, 0.74%

LAB 72.81, 14.2, -14.34

 

CMYK 5 / 18 / 0 / 27

HEX #B099BA

RGB 176 153 186

HSL 281.82, 0.19%, 0.66%

LAB 66.18, 14.63, -13.94

 

CMYK 5 / 19 / 0 / 35

HEX #9F87A7

RGB 159 135 167

HSL 285, 0.15%, 0.59%

LAB 59.42, 15.09, -13.54

 

CMYK 4 / 21 / 0 / 42

HEX #8E7594

RGB 142 117 148

HSL 288.39, 0.13%, 0.52%

LAB 52.52, 15.6, -13.13

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 2 / 16 / 0 / 12

HEX #DBBDE0

RGB 219 189 224

HSL 291.43, 0.36%, 0.81%

LAB 80.09, 16.8, -13.5

 

CMYK 0 / 16 / 2 / 12

HEX #E0BDDB

RGB 224 189 219

HSL 308.57, 0.36%, 0.81%

LAB 80.38, 17.56, -10.33

 

CMYK 0 / 16 / 6 / 12

HEX #E0BDD2

RGB 224 189 210

HSL 324, 0.36%, 0.81%

LAB 80.12, 15.96, -5.86

 

CMYK 0 / 16 / 11 / 12

HEX #E0BDC8

RGB 224 189 200

HSL 341.14, 0.36%, 0.81%

LAB 79.85, 14.26, -0.87

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 10 / 16 / 0 / 12

HEX #C9BDE0

RGB 201 189 224

HSL 260.57, 0.36%, 0.81%

LAB 78.58, 10.86, -15.93

 

CMYK 15 / 16 / 0 / 12

HEX #BFBDE0

RGB 191 189 224

HSL 243.43, 0.36%, 0.81%

LAB 77.79, 7.64, -17.19

 

CMYK 16 / 16 / 0 / 12

HEX #BDBDE0

RGB 189 189 224

HSL 240, 0.36%, 0.81%

LAB 77.64, 7, -17.44

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 9 / 22 / 0 / 9

HEX #D4B5E8

RGB 212 181 232

HSL 276.47, 0.53%, 0.81%

LAB 77.8, 20.38, -21.33

 

CMYK 11 / 28 / 0 / 6

HEX #D5ADF0

RGB 213 173 240

HSL 275.82, 0.69%, 0.81%

LAB 76.27, 26.66, -27.98

 

CMYK 13 / 33 / 0 / 3

HEX #D7A6F8

RGB 215 166 248

HSL 275.85, 0.85%, 0.81%

LAB 75.14, 32.73, -34.03

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 4 / 9 / 0 / 15

HEX #D0C5D8

RGB 208 197 216

HSL 274.74, 0.2%, 0.81%

LAB 80.91, 7.31, -8.08

 

CMYK 0 / 1 / 0 / 18

HEX #CFCDD0

RGB 207 205 208

HSL 280, 0.03%, 0.81%

LAB 82.64, 1.24, -1.25

 

CMYK 4 / 0 / 6 / 16

HEX #CDD5C8

RGB 205 213 200

HSL 96.92, 0.13%, 0.81%

LAB 84.35, -5.06, 5.47

 

CMYK 7 / 0 / 12 / 14

HEX #CCDCC1

RGB 204 220 193

HSL 95.56, 0.28%, 0.81%

LAB 85.94, -10.21, 11.45

 

CMYK 15 / 16 / 0 / 12

HEX #BFBDE0

RGB 191 189 224

HSL 243.43, 0.36%, 0.81%

LAB 77.79, 7.64, -17.19

 

CMYK 10 / 16 / 0 / 12

HEX #C9BDE0

RGB 201 189 224

HSL 260.57, 0.36%, 0.81%

LAB 78.58, 10.86, -15.93

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 2 / 16 / 0 / 12

HEX #DBBDE0

RGB 219 189 224

HSL 291.43, 0.36%, 0.81%

LAB 80.09, 16.8, -13.5

 

CMYK 0 / 16 / 2 / 12

HEX #E0BDDB

RGB 224 189 219

HSL 308.57, 0.36%, 0.81%

LAB 80.38, 17.56, -10.33

 

CMYK 13 / 33 / 0 / 22

HEX #AC85C6

RGB 172 133 198

HSL 276, 0.36%, 0.65%

LAB 61.33, 27.09, -28.12

 

CMYK 9 / 24 / 0 / 17

HEX #BFA1D3

RGB 191 161 211

HSL 276, 0.36%, 0.73%

LAB 70.36, 20.27, -21.35

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 3 / 8 / 0 / 7

HEX #E5D9ED

RGB 229 217 237

HSL 276, 0.36%, 0.89%

LAB 88.16, 7.7, -8.3

 

CMYK 1 / 2 / 0 / 2

HEX #F8F5FA

RGB 248 245 250

HSL 276, 0.33%, 0.97%

LAB 96.89, 1.88, -2.05

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 0 / 16 / 13 / 12

HEX #E0BDC4

RGB 224 189 196

HSL 348, 0.36%, 0.81%

LAB 79.74, 13.6, 1.13

 

CMYK 16 / 0 / 13 / 12

HEX #BDE0C4

RGB 189 224 196

HSL 132, 0.36%, 0.81%

LAB 86.06, -16.8, 9.9

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 0 / 6 / 16 / 12

HEX #E0D2BD

RGB 224 210 189

HSL 36, 0.36%, 0.81%

LAB 84.8, 1.41, 12.14

 

CMYK 16 / 0 / 6 / 12

HEX #BDE0D2

RGB 189 224 210

HSL 156, 0.36%, 0.81%

LAB 86.4, -14.18, 3.01

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 0 / 16 / 13 / 12

HEX #E0BDC4

RGB 224 189 196

HSL 348, 0.36%, 0.81%

LAB 79.74, 13.6, 1.13

 

CMYK 9 / 0 / 16 / 12

HEX #CBE0BD

RGB 203 224 189

HSL 96, 0.36%, 0.81%

LAB 86.84, -13.24, 14.81

 

CMYK 16 / 0 / 3 / 12

HEX #BDE0D9

RGB 189 224 217

HSL 168, 0.36%, 0.81%

LAB 86.57, -12.81, -0.42

 

CMYK 6 / 16 / 0 / 12

HEX #D2BDE0

RGB 210 189 224

HSL 276, 0.36%, 0.81%

LAB 79.32, 13.81, -14.74

 

CMYK 0 / 14 / 16 / 12

HEX #E0C1BD

RGB 224 193 189

HSL 6.86, 0.36%, 0.81%

LAB 80.55, 10.35, 6.07

 

CMYK 9 / 0 / 16 / 12

HEX #CBE0BD

RGB 203 224 189

HSL 96, 0.36%, 0.81%

LAB 86.84, -13.24, 14.81

 

CMYK 16 / 1 / 0 / 12

HEX #BDDDE0

RGB 189 221 224

HSL 185.14, 0.36%, 0.81%

LAB 85.96, -9.87, -5.01

 

Description

Color code: HEX #D2BDE0 | qconv.com Color code: HEX #D2BDE0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 189 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 189 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 16 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 16% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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