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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BC27 it is the complementary color #2D43D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BC27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BC27 shade: #D7BC22, #E8CE35, #F9E048, #FFF25B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BC27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BC27 shade: #D2BC27, #C1AA14, #B09801, #9F8600 and #8E7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BC27 shade: #D3BD27, #D38E27, #D36027, #D33127 and #D32727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BC27 shade: #D3BD27, #BBD327, #8CD327, #5ED327 and #2FD327

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BC27 shade matches the following richer shades: #D3BD27 and #E7CC13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BC27 shade: #D3BD27, #BFAE3B, #AB9F4F, #979063 and #828178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BC27 shade: #D36027, #D38E27, #D3BC27, #BCD327 and #8ED327

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BC27 shade: #8D7F1A, #B09E20, #D3BD27, #DDCA46 and #E3D469

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BC27 shade: #D2BC27, #27D332 and #7727D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BC27 shade: #D2BC27, #27D3BC and #BC27D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BC27 shade: #D2BC27, #27D332, #273ED3 and #D327C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BC27 shade: #D2BC27, #27D366, #273ED3 and #D32794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 81 / 18

HEX #D2BC27

RGB 210 188 39

HSL 52.28, 0.69%, 0.49%

LAB 75.96, -6.87, 70.89

 

Complementary color

CMYK 79 / 69 / 0 / 15

HEX #2D43D8

RGB 45 67 216

HSL 232.28, 0.69%, 0.51%

LAB 36.99, 44.69, -77.9

 

CMYK 0 / 13 / 84 / 16

HEX #D7BC22

RGB 215 188 34

HSL 51.05, 0.73%, 0.49%

LAB 76.39, -4.84, 72.74

 

CMYK 0 / 11 / 77 / 9

HEX #E8CE35

RGB 232 206 53

HSL 51.28, 0.8%, 0.56%

LAB 82.68, -6.18, 73.45

 

CMYK 0 / 10 / 71 / 2

HEX #F9E048

RGB 249 224 72

HSL 51.53, 0.94%, 0.63%

LAB 88.88, -7.34, 73.41

 

CMYK 0 / 5 / 64 / 0

HEX #FFF25B

RGB 255 242 91

HSL 55.24, 1%, 0.68%

LAB 94.11, -12.8, 71.67

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 10 / 81 / 18

HEX #D2BC27

RGB 210 188 39

HSL 52.28, 0.69%, 0.49%

LAB 75.96, -6.87, 70.89

 

CMYK 0 / 12 / 90 / 24

HEX #C1AA14

RGB 193 170 20

HSL 52.02, 0.81%, 0.42%

LAB 69.57, -5.42, 69.42

 

CMYK 0 / 14 / 99 / 31

HEX #B09801

RGB 176 152 1

HSL 51.77, 0.99%, 0.35%

LAB 63.08, -3.74, 66.65

 

CMYK 0 / 16 / 100 / 38

HEX #9F8600

RGB 159 134 0

HSL 50.57, 1%, 0.31%

LAB 56.51, -1.75, 61.35

 

CMYK 0 / 18 / 100 / 44

HEX #8E7400

RGB 142 116 0

HSL 49.01, 1%, 0.28%

LAB 49.79, 0.34, 55.81

 

CMYK 0 / 10 / 82 / 17

HEX #D3BD27

RGB 211 189 39

HSL 52.33, 0.69%, 0.49%

LAB 76.31, -6.95, 71.23

 

CMYK 0 / 33 / 82 / 17

HEX #D38E27

RGB 211 142 39

HSL 35.93, 0.69%, 0.49%

LAB 64.44, 18.06, 60.88

 

CMYK 0 / 55 / 82 / 17

HEX #D36027

RGB 211 96 39

HSL 19.88, 0.69%, 0.49%

LAB 54.41, 42.21, 51.84

 

CMYK 0 / 77 / 82 / 17

HEX #D33127

RGB 211 49 39

HSL 3.49, 0.69%, 0.49%

LAB 47.23, 61.47, 45.11

 

CMYK 0 / 82 / 82 / 17

HEX #D32727

RGB 211 39 39

HSL 0, 0.69%, 0.49%

LAB 46.24, 64.24, 44.16

 

CMYK 0 / 10 / 82 / 17

HEX #D3BD27

RGB 211 189 39

HSL 52.33, 0.69%, 0.49%

LAB 76.31, -6.95, 71.23

 

CMYK 11 / 0 / 82 / 17

HEX #BBD327

RGB 187 211 39

HSL 68.37, 0.69%, 0.49%

LAB 80.35, -28.05, 73.96

 

CMYK 34 / 0 / 82 / 17

HEX #8CD327

RGB 140 211 39

HSL 84.77, 0.69%, 0.49%

LAB 77.47, -46.29, 70.32

 

CMYK 55 / 0 / 82 / 17

HEX #5ED327

RGB 94 211 39

HSL 100.81, 0.69%, 0.49%

LAB 75.52, -60.71, 67.84

 

CMYK 78 / 0 / 82 / 17

HEX #2FD327

RGB 47 211 39

HSL 117.21, 0.69%, 0.49%

LAB 74.41, -70.04, 66.4

 

CMYK 0 / 10 / 82 / 17

HEX #D3BD27

RGB 211 189 39

HSL 52.33, 0.69%, 0.49%

LAB 76.31, -6.95, 71.23

 

CMYK 0 / 12 / 92 / 9

HEX #E7CC13

RGB 231 204 19

HSL 52.36, 0.85%, 0.49%

LAB 81.96, -6.43, 80.63

 

CMYK 0 / 10 / 82 / 17

HEX #D3BD27

RGB 211 189 39

HSL 52.33, 0.69%, 0.49%

LAB 76.31, -6.95, 71.23

 

CMYK 0 / 9 / 69 / 25

HEX #BFAE3B

RGB 191 174 59

HSL 52.27, 0.53%, 0.49%

LAB 70.64, -7.01, 58.52

 

CMYK 0 / 7 / 54 / 33

HEX #AB9F4F

RGB 171 159 79

HSL 52.17, 0.37%, 0.49%

LAB 64.98, -6.34, 42.8

 

CMYK 0 / 5 / 34 / 41

HEX #979063

RGB 151 144 99

HSL 51.92, 0.21%, 0.49%

LAB 59.37, -4.55, 24.89

 

CMYK 0 / 1 / 8 / 49

HEX #828178

RGB 130 129 120

HSL 54, 0.04%, 0.49%

LAB 53.82, -1.34, 5

 

CMYK 0 / 55 / 82 / 17

HEX #D36027

RGB 211 96 39

HSL 19.88, 0.69%, 0.49%

LAB 54.41, 42.21, 51.84

 

CMYK 0 / 33 / 82 / 17

HEX #D38E27

RGB 211 142 39

HSL 35.93, 0.69%, 0.49%

LAB 64.44, 18.06, 60.88

 

CMYK 0 / 11 / 82 / 17

HEX #D3BC27

RGB 211 188 39

HSL 51.98, 0.69%, 0.49%

LAB 76.05, -6.44, 71

 

CMYK 11 / 0 / 82 / 17

HEX #BCD327

RGB 188 211 39

HSL 68.02, 0.69%, 0.49%

LAB 80.42, -27.64, 74.05

 

CMYK 33 / 0 / 82 / 17

HEX #8ED327

RGB 142 211 39

HSL 84.07, 0.69%, 0.49%

LAB 77.57, -45.57, 70.45

 

CMYK 0 / 10 / 82 / 45

HEX #8D7F1A

RGB 141 127 26

HSL 52.7, 0.69%, 0.33%

LAB 52.86, -5.68, 52.09

 

CMYK 0 / 10 / 82 / 31

HEX #B09E20

RGB 176 158 32

HSL 52.5, 0.69%, 0.41%

LAB 64.79, -6.34, 62

 

CMYK 0 / 10 / 82 / 17

HEX #D3BD27

RGB 211 189 39

HSL 52.33, 0.69%, 0.49%

LAB 76.31, -6.95, 71.23

 

CMYK 0 / 9 / 68 / 13

HEX #DDCA46

RGB 221 202 70

HSL 52.45, 0.69%, 0.57%

LAB 80.77, -8.05, 65.28

 

CMYK 0 / 7 / 54 / 11

HEX #E3D469

RGB 227 212 105

HSL 52.62, 0.69%, 0.65%

LAB 84.19, -8.33, 54.06

 

CMYK 0 / 10 / 81 / 18

HEX #D2BC27

RGB 210 188 39

HSL 52.28, 0.69%, 0.49%

LAB 75.96, -6.87, 70.89

 

CMYK 82 / 0 / 76 / 17

HEX #27D332

RGB 39 211 50

HSL 123.84, 0.69%, 0.49%

LAB 74.35, -70.34, 63.09

 

CMYK 44 / 82 / 0 / 17

HEX #7727D3

RGB 119 39 211

HSL 267.91, 0.69%, 0.49%

LAB 37.98, 65.18, -73.16

 

CMYK 0 / 10 / 81 / 18

HEX #D2BC27

RGB 210 188 39

HSL 52.28, 0.69%, 0.49%

LAB 75.96, -6.87, 70.89

 

CMYK 82 / 0 / 11 / 17

HEX #27D3BC

RGB 39 211 188

HSL 171.98, 0.69%, 0.49%

LAB 76.47, -46.41, -0.44

 

CMYK 11 / 82 / 0 / 17

HEX #BC27D3

RGB 188 39 211

HSL 291.98, 0.69%, 0.49%

LAB 48.06, 76.07, -56.31

 

CMYK 0 / 10 / 81 / 18

HEX #D2BC27

RGB 210 188 39

HSL 52.28, 0.69%, 0.49%

LAB 75.96, -6.87, 70.89

 

CMYK 82 / 0 / 76 / 17

HEX #27D332

RGB 39 211 50

HSL 123.84, 0.69%, 0.49%

LAB 74.35, -70.34, 63.09

 

CMYK 82 / 71 / 0 / 17

HEX #273ED3

RGB 39 62 211

HSL 231.98, 0.69%, 0.49%

LAB 35.16, 45.51, -78.03

 

CMYK 0 / 82 / 5 / 17

HEX #D327C8

RGB 211 39 200

HSL 303.84, 0.69%, 0.49%

LAB 51.23, 78.59, -44.7

 

CMYK 0 / 10 / 81 / 18

HEX #D2BC27

RGB 210 188 39

HSL 52.28, 0.69%, 0.49%

LAB 75.96, -6.87, 70.89

 

CMYK 82 / 0 / 52 / 17

HEX #27D366

RGB 39 211 102

HSL 141.98, 0.69%, 0.49%

LAB 74.81, -64.67, 42.07

 

CMYK 82 / 71 / 0 / 17

HEX #273ED3

RGB 39 62 211

HSL 231.98, 0.69%, 0.49%

LAB 35.16, 45.51, -78.03

 

CMYK 0 / 82 / 30 / 17

HEX #D32794

RGB 211 39 148

HSL 321.98, 0.69%, 0.49%

LAB 48.81, 71.85, -17.89

 

Description

Color code: HEX #D2BC27 | qconv.com Color code: HEX #D2BC27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 188 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 188 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 81 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 81% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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