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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BAD2 it is the complementary color #2D452D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BAD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BAD2 shade: #D7BACD, #E8CCE0, #F9DEF3 and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BAD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BAD2 shade: #D2BAD2, #C1A8BF, #B096AC, #9F8499 and #8E7286

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BAD2 shade: #D2BBD2, #D2BBCC, #D2BBC5, #D2BBBF and #D2BBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BAD2 shade: #D2BBD2, #CCBBD2, #C5BBD2, #BFBBD2 and #BBBBD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BAD2 shade matches the following richer shades: #D2BBD2, #DBB2DB, #E4A8E4, #ED9FED and #F696F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BAD2 shade: #D2BBD2, #C9C4C9, #C0CDC0, #B7D6B7 and #AEDFAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BAD2 shade: #C6BBD2, #CCBBD2, #D2BBD2, #D2BBCC and #D2BBC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BAD2 shade: #B289B2, #C2A2C2, #D2BBD2, #E2D4E2 and #F3EDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BAD2 shade: #D2BAD2, #D2BFBB and #BBD2C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BAD2 shade: #D2BAD2, #D2D2BB and #BBD2D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BAD2 shade: #D2BAD2, #D2BFBB, #BBD2BB and #BBCDD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BAD2 shade: #D2BAD2, #D2C6BB, #BBD2BB and #BBC6D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 0 / 18

HEX #D2BAD2

RGB 210 186 210

HSL 300, 0.21%, 0.78%

LAB 78.15, 12.76, -8.92

 

Complementary color

CMYK 35 / 0 / 35 / 73

HEX #2D452D

RGB 45 69 45

HSL 120, 0.21%, 0.22%

LAB 26.75, -15.03, 11.63

 

CMYK 0 / 13 / 5 / 16

HEX #D7BACD

RGB 215 186 205

HSL 320.69, 0.27%, 0.79%

LAB 78.45, 13.57, -5.73

 

CMYK 0 / 12 / 3 / 9

HEX #E8CCE0

RGB 232 204 224

HSL 317.14, 0.38%, 0.85%

LAB 84.86, 13.18, -6.29

 

CMYK 0 / 11 / 2 / 2

HEX #F9DEF3

RGB 249 222 243

HSL 313.33, 0.69%, 0.92%

LAB 91.17, 12.83, -6.82

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 11 / 0 / 18

HEX #D2BAD2

RGB 210 186 210

HSL 300, 0.21%, 0.78%

LAB 78.15, 12.76, -8.92

 

CMYK 0 / 13 / 1 / 24

HEX #C1A8BF

RGB 193 168 191

HSL 304.8, 0.17%, 0.71%

LAB 71.63, 13.15, -8.41

 

CMYK 0 / 15 / 2 / 31

HEX #B096AC

RGB 176 150 172

HSL 309.23, 0.14%, 0.64%

LAB 64.98, 13.57, -7.89

 

CMYK 0 / 17 / 4 / 38

HEX #9F8499

RGB 159 132 153

HSL 313.33, 0.12%, 0.57%

LAB 58.2, 14.04, -7.35

 

CMYK 0 / 20 / 6 / 44

HEX #8E7286

RGB 142 114 134

HSL 317.14, 0.11%, 0.5%

LAB 51.27, 14.56, -6.78

 

CMYK 0 / 11 / 0 / 18

HEX #D2BBD2

RGB 210 187 210

HSL 300, 0.2%, 0.78%

LAB 78.4, 12.22, -8.55

 

CMYK 0 / 11 / 3 / 18

HEX #D2BBCC

RGB 210 187 204

HSL 315.65, 0.2%, 0.78%

LAB 78.23, 11.12, -5.56

 

CMYK 0 / 11 / 6 / 18

HEX #D2BBC5

RGB 210 187 197

HSL 333.91, 0.2%, 0.78%

LAB 78.04, 9.88, -2.05

 

CMYK 0 / 11 / 9 / 18

HEX #D2BBBF

RGB 210 187 191

HSL 349.57, 0.2%, 0.78%

LAB 77.88, 8.84, 0.96

 

CMYK 0 / 11 / 11 / 18

HEX #D2BBBB

RGB 210 187 187

HSL 0, 0.2%, 0.78%

LAB 77.77, 8.16, 2.98

 

CMYK 0 / 11 / 0 / 18

HEX #D2BBD2

RGB 210 187 210

HSL 300, 0.2%, 0.78%

LAB 78.4, 12.22, -8.55

 

CMYK 3 / 11 / 0 / 18

HEX #CCBBD2

RGB 204 187 210

HSL 284.35, 0.2%, 0.78%

LAB 77.89, 10.18, -9.36

 

CMYK 6 / 11 / 0 / 18

HEX #C5BBD2

RGB 197 187 210

HSL 266.09, 0.2%, 0.78%

LAB 77.32, 7.82, -10.28

 

CMYK 9 / 11 / 0 / 18

HEX #BFBBD2

RGB 191 187 210

HSL 250.43, 0.2%, 0.78%

LAB 76.84, 5.82, -11.04

 

CMYK 11 / 11 / 0 / 18

HEX #BBBBD2

RGB 187 187 210

HSL 240, 0.2%, 0.78%

LAB 76.53, 4.5, -11.53

 

CMYK 0 / 11 / 0 / 18

HEX #D2BBD2

RGB 210 187 210

HSL 300, 0.2%, 0.78%

LAB 78.4, 12.22, -8.55

 

CMYK 0 / 19 / 0 / 14

HEX #DBB2DB

RGB 219 178 219

HSL 300, 0.36%, 0.78%

LAB 77.29, 21.79, -15

 

CMYK 0 / 26 / 0 / 11

HEX #E4A8E4

RGB 228 168 228

HSL 300, 0.53%, 0.78%

LAB 76.13, 31.8, -21.55

 

CMYK 0 / 33 / 0 / 7

HEX #ED9FED

RGB 237 159 237

HSL 300, 0.68%, 0.78%

LAB 75.4, 41.09, -27.48

 

CMYK 0 / 39 / 0 / 4

HEX #F696F6

RGB 246 150 246

HSL 300, 0.84%, 0.78%

LAB 74.86, 50.1, -33.11

 

CMYK 0 / 11 / 0 / 18

HEX #D2BBD2

RGB 210 187 210

HSL 300, 0.2%, 0.78%

LAB 78.4, 12.22, -8.55

 

CMYK 0 / 2 / 0 / 21

HEX #C9C4C9

RGB 201 196 201

HSL 300, 0.04%, 0.78%

LAB 79.68, 2.65, -1.89

 

CMYK 6 / 0 / 6 / 20

HEX #C0CDC0

RGB 192 205 192

HSL 120, 0.12%, 0.78%

LAB 81.11, -6.83, 4.94

 

CMYK 14 / 0 / 14 / 16

HEX #B7D6B7

RGB 183 214 183

HSL 120, 0.27%, 0.78%

LAB 82.69, -16.13, 11.9

 

CMYK 22 / 0 / 22 / 13

HEX #AEDFAE

RGB 174 223 174

HSL 120, 0.43%, 0.78%

LAB 84.4, -25.16, 18.96

 

CMYK 6 / 11 / 0 / 18

HEX #C6BBD2

RGB 198 187 210

HSL 268.7, 0.2%, 0.78%

LAB 77.4, 8.16, -10.15

 

CMYK 3 / 11 / 0 / 18

HEX #CCBBD2

RGB 204 187 210

HSL 284.35, 0.2%, 0.78%

LAB 77.89, 10.18, -9.36

 

CMYK 0 / 11 / 0 / 18

HEX #D2BBD2

RGB 210 187 210

HSL 300, 0.2%, 0.78%

LAB 78.4, 12.22, -8.55

 

CMYK 0 / 11 / 3 / 18

HEX #D2BBCC

RGB 210 187 204

HSL 315.65, 0.2%, 0.78%

LAB 78.23, 11.12, -5.56

 

CMYK 0 / 11 / 6 / 18

HEX #D2BBC6

RGB 210 187 198

HSL 331.3, 0.2%, 0.78%

LAB 78.06, 10.05, -2.55

 

CMYK 0 / 23 / 0 / 30

HEX #B289B2

RGB 178 137 178

HSL 300, 0.21%, 0.62%

LAB 62.14, 22.72, -15.51

 

CMYK 0 / 16 / 0 / 24

HEX #C2A2C2

RGB 194 162 194

HSL 300, 0.21%, 0.7%

LAB 70.32, 17.36, -12.01

 

CMYK 0 / 11 / 0 / 18

HEX #D2BBD2

RGB 210 187 210

HSL 300, 0.2%, 0.78%

LAB 78.4, 12.22, -8.55

 

CMYK 0 / 6 / 0 / 11

HEX #E2D4E2

RGB 226 212 226

HSL 300, 0.19%, 0.86%

LAB 86.38, 7.29, -5.15

 

CMYK 0 / 2 / 0 / 5

HEX #F3EDF3

RGB 243 237 243

HSL 300, 0.2%, 0.94%

LAB 94.35, 3.07, -2.19

 

CMYK 0 / 11 / 0 / 18

HEX #D2BAD2

RGB 210 186 210

HSL 300, 0.21%, 0.78%

LAB 78.15, 12.76, -8.92

 

CMYK 0 / 9 / 11 / 18

HEX #D2BFBB

RGB 210 191 187

HSL 10.43, 0.2%, 0.78%

LAB 78.78, 6.03, 4.44

 

CMYK 11 / 0 / 4 / 18

HEX #BBD2C9

RGB 187 210 201

HSL 156.52, 0.2%, 0.78%

LAB 82.31, -9.43, 1.83

 

CMYK 0 / 11 / 0 / 18

HEX #D2BAD2

RGB 210 186 210

HSL 300, 0.21%, 0.78%

LAB 78.15, 12.76, -8.92

 

CMYK 0 / 0 / 11 / 18

HEX #D2D2BB

RGB 210 210 187

HSL 60, 0.2%, 0.78%

LAB 83.64, -3.95, 11.41

 

CMYK 11 / 0 / 0 / 18

HEX #BBD2D2

RGB 187 210 210

HSL 180, 0.2%, 0.78%

LAB 82.55, -7.67, -2.62

 

CMYK 0 / 11 / 0 / 18

HEX #D2BAD2

RGB 210 186 210

HSL 300, 0.21%, 0.78%

LAB 78.15, 12.76, -8.92

 

CMYK 0 / 9 / 11 / 18

HEX #D2BFBB

RGB 210 191 187

HSL 10.43, 0.2%, 0.78%

LAB 78.78, 6.03, 4.44

 

CMYK 11 / 0 / 11 / 18

HEX #BBD2BB

RGB 187 210 187

HSL 120, 0.2%, 0.78%

LAB 81.97, -12.02, 8.8

 

CMYK 11 / 2 / 0 / 18

HEX #BBCDD2

RGB 187 205 210

HSL 193.04, 0.2%, 0.78%

LAB 81.23, -5.07, -4.57

 

CMYK 0 / 11 / 0 / 18

HEX #D2BAD2

RGB 210 186 210

HSL 300, 0.21%, 0.78%

LAB 78.15, 12.76, -8.92

 

CMYK 0 / 6 / 11 / 18

HEX #D2C6BB

RGB 210 198 187

HSL 28.7, 0.2%, 0.78%

LAB 80.56, 2.32, 7

 

CMYK 11 / 0 / 11 / 18

HEX #BBD2BB

RGB 187 210 187

HSL 120, 0.2%, 0.78%

LAB 81.97, -12.02, 8.8

 

CMYK 11 / 6 / 0 / 18

HEX #BBC6D2

RGB 187 198 210

HSL 211.3, 0.2%, 0.78%

LAB 79.39, -1.38, -7.28

 

Description

Color code: HEX #D2BAD2 | qconv.com Color code: HEX #D2BAD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 186 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 186 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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