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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BA20 it is the complementary color #2D45DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BA20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BA20 shade: #D7BA1B, #E8CC2E, #F9DE41, #FFF054 and #FFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BA20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BA20 shade: #D2BA20, #C1A80D, #B09600, #9F8400 and #8E7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BA20 shade: #D1B91F, #D1891F, #D1591F, #D1291F and #D11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BA20 shade: #D1B91F, #B9D11F, #89D11F, #59D11F and #29D11F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BA20 shade matches the following richer shades: #D1B91F and #E4C70C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BA20 shade: #D1B91F, #BDAA33, #AA9C46, #968E59 and #83806D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BA20 shade: #D1571F, #D1871F, #D1B61F, #BCD11F and #8DD11F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BA20 shade: #897914, #AD991A, #D1B91F, #E1CA38 and #E7D45C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BA20 shade: #D2BA20, #1FD128 and #6F1FD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BA20 shade: #D2BA20, #1FD1B6 and #B61FD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BA20 shade: #D2BA20, #1FD128, #1F3AD1 and #D11FC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BA20 shade: #D2BA20, #1FD15D, #1F3AD1 and #D11F92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 85 / 18

HEX #D2BA20

RGB 210 186 32

HSL 51.91, 0.74%, 0.47%

LAB 75.4, -6.03, 72.22

 

Complementary color

CMYK 80 / 69 / 0 / 13

HEX #2D45DF

RGB 45 69 223

HSL 231.91, 0.74%, 0.53%

LAB 38.1, 45.92, -80.08

 

CMYK 0 / 13 / 87 / 16

HEX #D7BA1B

RGB 215 186 27

HSL 50.74, 0.78%, 0.47%

LAB 75.85, -3.97, 73.88

 

CMYK 0 / 12 / 80 / 9

HEX #E8CC2E

RGB 232 204 46

HSL 50.97, 0.8%, 0.55%

LAB 82.13, -5.4, 75.06

 

CMYK 0 / 11 / 74 / 2

HEX #F9DE41

RGB 249 222 65

HSL 51.2, 0.94%, 0.62%

LAB 88.34, -6.64, 75.32

 

CMYK 0 / 6 / 67 / 0

HEX #FFF054

RGB 255 240 84

HSL 54.74, 1%, 0.66%

LAB 93.55, -12.21, 73.79

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 11 / 85 / 18

HEX #D2BA20

RGB 210 186 32

HSL 51.91, 0.74%, 0.47%

LAB 75.4, -6.03, 72.22

 

CMYK 0 / 13 / 93 / 24

HEX #C1A80D

RGB 193 168 13

HSL 51.67, 0.87%, 0.4%

LAB 69.02, -4.47, 70.14

 

CMYK 0 / 15 / 100 / 31

HEX #B09600

RGB 176 150 0

HSL 51.14, 1%, 0.35%

LAB 62.54, -2.68, 66.41

 

CMYK 0 / 17 / 100 / 38

HEX #9F8400

RGB 159 132 0

HSL 49.81, 1%, 0.31%

LAB 55.96, -0.65, 60.97

 

CMYK 0 / 20 / 100 / 44

HEX #8E7200

RGB 142 114 0

HSL 48.17, 1%, 0.28%

LAB 49.23, 1.48, 55.42

 

CMYK 0 / 11 / 85 / 18

HEX #D1B91F

RGB 209 185 31

HSL 51.91, 0.74%, 0.47%

LAB 75.05, -5.97, 72.12

 

CMYK 0 / 34 / 85 / 18

HEX #D1891F

RGB 209 137 31

HSL 35.73, 0.74%, 0.47%

LAB 62.97, 19.67, 62.15

 

CMYK 0 / 57 / 85 / 18

HEX #D1591F

RGB 209 89 31

HSL 19.55, 0.74%, 0.47%

LAB 52.73, 44.62, 53.58

 

CMYK 0 / 80 / 85 / 18

HEX #D1291F

RGB 209 41 31

HSL 3.37, 0.74%, 0.47%

LAB 45.96, 62.96, 47.82

 

CMYK 0 / 85 / 85 / 18

HEX #D11F1F

RGB 209 31 31

HSL 0, 0.74%, 0.47%

LAB 45.13, 65.33, 47.1

 

CMYK 0 / 11 / 85 / 18

HEX #D1B91F

RGB 209 185 31

HSL 51.91, 0.74%, 0.47%

LAB 75.05, -5.97, 72.12

 

CMYK 11 / 0 / 85 / 18

HEX #B9D11F

RGB 185 209 31

HSL 68.09, 0.74%, 0.47%

LAB 79.62, -28.16, 75.12

 

CMYK 34 / 0 / 85 / 18

HEX #89D11F

RGB 137 209 31

HSL 84.27, 0.74%, 0.47%

LAB 76.69, -46.82, 71.46

 

CMYK 57 / 0 / 85 / 18

HEX #59D11F

RGB 89 209 31

HSL 100.45, 0.74%, 0.47%

LAB 74.71, -61.64, 68.97

 

CMYK 80 / 0 / 85 / 18

HEX #29D11F

RGB 41 209 31

HSL 116.63, 0.74%, 0.47%

LAB 73.66, -70.59, 67.64

 

CMYK 0 / 11 / 85 / 18

HEX #D1B91F

RGB 209 185 31

HSL 51.91, 0.74%, 0.47%

LAB 75.05, -5.97, 72.12

 

CMYK 0 / 13 / 95 / 11

HEX #E4C70C

RGB 228 199 12

HSL 51.94, 0.9%, 0.47%

LAB 80.39, -5.25, 80.19

 

CMYK 0 / 11 / 85 / 18

HEX #D1B91F

RGB 209 185 31

HSL 51.91, 0.74%, 0.47%

LAB 75.05, -5.97, 72.12

 

CMYK 0 / 10 / 73 / 26

HEX #BDAA33

RGB 189 170 51

HSL 51.74, 0.58%, 0.47%

LAB 69.33, -6.19, 60.26

 

CMYK 0 / 8 / 59 / 33

HEX #AA9C46

RGB 170 156 70

HSL 51.6, 0.42%, 0.47%

LAB 63.97, -5.9, 45.99

 

CMYK 0 / 5 / 41 / 41

HEX #968E59

RGB 150 142 89

HSL 52.13, 0.26%, 0.47%

LAB 58.56, -5.1, 29.29

 

CMYK 0 / 2 / 17 / 49

HEX #83806D

RGB 131 128 109

HSL 51.82, 0.09%, 0.47%

LAB 53.35, -2.32, 10.73

 

CMYK 0 / 58 / 85 / 18

HEX #D1571F

RGB 209 87 31

HSL 18.88, 0.74%, 0.47%

LAB 52.37, 45.57, 53.27

 

CMYK 0 / 35 / 85 / 18

HEX #D1871F

RGB 209 135 31

HSL 35.06, 0.74%, 0.47%

LAB 62.49, 20.75, 61.76

 

CMYK 0 / 13 / 85 / 18

HEX #D1B61F

RGB 209 182 31

HSL 50.9, 0.74%, 0.47%

LAB 74.26, -4.41, 71.48

 

CMYK 10 / 0 / 85 / 18

HEX #BCD11F

RGB 188 209 31

HSL 67.08, 0.74%, 0.47%

LAB 79.84, -26.92, 75.38

 

CMYK 33 / 0 / 85 / 18

HEX #8DD11F

RGB 141 209 31

HSL 82.92, 0.74%, 0.47%

LAB 76.9, -45.37, 71.72

 

CMYK 0 / 12 / 85 / 46

HEX #897914

RGB 137 121 20

HSL 51.79, 0.75%, 0.31%

LAB 50.74, -4.41, 51.92

 

CMYK 0 / 12 / 85 / 32

HEX #AD991A

RGB 173 153 26

HSL 51.84, 0.74%, 0.39%

LAB 63.13, -5.2, 62.12

 

CMYK 0 / 11 / 85 / 18

HEX #D1B91F

RGB 209 185 31

HSL 51.91, 0.74%, 0.47%

LAB 75.05, -5.97, 72.12

 

CMYK 0 / 10 / 75 / 12

HEX #E1CA38

RGB 225 202 56

HSL 51.83, 0.74%, 0.55%

LAB 81.03, -7.01, 70.74

 

CMYK 0 / 8 / 60 / 9

HEX #E7D45C

RGB 231 212 92

HSL 51.8, 0.74%, 0.63%

LAB 84.41, -7.64, 60.26

 

CMYK 0 / 11 / 85 / 18

HEX #D2BA20

RGB 210 186 32

HSL 51.91, 0.74%, 0.47%

LAB 75.4, -6.03, 72.22

 

CMYK 85 / 0 / 81 / 18

HEX #1FD128

RGB 31 209 40

HSL 123.03, 0.74%, 0.47%

LAB 73.58, -71.18, 65.29

 

CMYK 47 / 85 / 0 / 18

HEX #6F1FD1

RGB 111 31 209

HSL 266.97, 0.74%, 0.47%

LAB 35.91, 66.29, -75.44

 

CMYK 0 / 11 / 85 / 18

HEX #D2BA20

RGB 210 186 32

HSL 51.91, 0.74%, 0.47%

LAB 75.4, -6.03, 72.22

 

CMYK 85 / 0 / 13 / 18

HEX #1FD1B6

RGB 31 209 182

HSL 170.9, 0.74%, 0.47%

LAB 75.62, -47.77, 1.54

 

CMYK 13 / 85 / 0 / 18

HEX #B61FD1

RGB 182 31 209

HSL 290.9, 0.74%, 0.47%

LAB 46.35, 76.49, -57.98

 

CMYK 0 / 11 / 85 / 18

HEX #D2BA20

RGB 210 186 32

HSL 51.91, 0.74%, 0.47%

LAB 75.4, -6.03, 72.22

 

CMYK 85 / 0 / 81 / 18

HEX #1FD128

RGB 31 209 40

HSL 123.03, 0.74%, 0.47%

LAB 73.58, -71.18, 65.29

 

CMYK 85 / 72 / 0 / 18

HEX #1F3AD1

RGB 31 58 209

HSL 230.9, 0.74%, 0.47%

LAB 33.82, 46.7, -79.1

 

CMYK 0 / 85 / 4 / 18

HEX #D11FC8

RGB 209 31 200

HSL 303.03, 0.74%, 0.47%

LAB 50.34, 79.82, -46.14

 

CMYK 0 / 11 / 85 / 18

HEX #D2BA20

RGB 210 186 32

HSL 51.91, 0.74%, 0.47%

LAB 75.4, -6.03, 72.22

 

CMYK 85 / 0 / 56 / 18

HEX #1FD15D

RGB 31 209 93

HSL 140.9, 0.74%, 0.47%

LAB 73.99, -66.06, 45.32

 

CMYK 85 / 72 / 0 / 18

HEX #1F3AD1

RGB 31 58 209

HSL 230.9, 0.74%, 0.47%

LAB 33.82, 46.7, -79.1

 

CMYK 0 / 85 / 30 / 18

HEX #D11F92

RGB 209 31 146

HSL 321.24, 0.74%, 0.47%

LAB 47.77, 72.89, -18.32

 

Description

Color code: HEX #D2BA20 | qconv.com Color code: HEX #D2BA20 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 186 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 186 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 85 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 85% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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