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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2B6C5 it is the complementary color #2D493A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2B6C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2B6C5 shade: #D7B6C0, #E8C8D3, #F9DAE6, #FFECF9 and #FFFEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2B6C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2B6C5 shade: #D2B6C5, #C1A4B2, #B0929F, #9F808C and #8E6E79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2B6C5 shade: #D2B6C5, #D2B6BE and #D2B6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2B6C5 shade: #D2B6C5, #D2B6CD, #D0B6D2, #C9B6D2 and #C1B6D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2B6C5 shade matches the following richer shades: #D2B6C5, #DCADC6, #E5A3C7, #EF9AC7 and #F890C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2B6C5 shade: #D2B6C5, #C9C0C5, #BFC9C4, #B6D3C3 and #ACDCC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2B6C5 shade: #D0B6D2, #D2B6CD, #D2B6C6, #D2B6BE and #D2B6B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2B6C5 shade: #B3839D, #C39DB1, #D2B6C5, #E2D0DA and #F2E9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2B6C5 shade: #D2B6C5, #D2C9B6 and #B6D1D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2B6C5 shade: #D2B6C5, #C6D2B6 and #B6C6D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2B6C5 shade: #D2B6C5, #D2C9B6, #B6D2C3 and #B6C0D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2B6C5 shade: #D2B6C5, #D2D1B6, #B6D2C3 and #B6B8D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

Complementary color

CMYK 38 / 0 / 21 / 71

HEX #2D493A

RGB 45 73 58

HSL 147.86, 0.24%, 0.23%

LAB 28.46, -14.45, 5.67

 

CMYK 0 / 15 / 11 / 16

HEX #D7B6C0

RGB 215 182 192

HSL 341.82, 0.29%, 0.78%

LAB 77.11, 13.48, -0.65

 

CMYK 0 / 14 / 9 / 9

HEX #E8C8D3

RGB 232 200 211

HSL 339.38, 0.41%, 0.85%

LAB 83.53, 13.06, -1.3

 

CMYK 0 / 12 / 8 / 2

HEX #F9DAE6

RGB 249 218 230

HSL 336.77, 0.72%, 0.92%

LAB 89.86, 12.68, -1.93

 

CMYK 0 / 7 / 2 / 0

HEX #FFECF9

RGB 255 236 249

HSL 318.95, 1%, 0.96%

LAB 95.2, 8.63, -3.95

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 0 / 15 / 8 / 24

HEX #C1A4B2

RGB 193 164 178

HSL 331.03, 0.19%, 0.7%

LAB 70.25, 12.98, -3.27

 

CMYK 0 / 17 / 10 / 31

HEX #B0929F

RGB 176 146 159

HSL 334, 0.16%, 0.63%

LAB 63.58, 13.44, -2.63

 

CMYK 0 / 19 / 12 / 38

HEX #9F808C

RGB 159 128 140

HSL 336.77, 0.14%, 0.56%

LAB 56.78, 13.94, -1.95

 

CMYK 0 / 23 / 15 / 44

HEX #8E6E79

RGB 142 110 121

HSL 339.38, 0.13%, 0.49%

LAB 49.84, 14.51, -1.22

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 0 / 13 / 10 / 18

HEX #D2B6BE

RGB 210 182 190

HSL 342.86, 0.24%, 0.77%

LAB 76.6, 11.35, -0.35

HEX #D2B6BE

CMYK 0 / 13 / 13 / 18

HEX #D2B6B6

RGB 210 182 182

HSL 0, 0.24%, 0.77%

LAB 76.4, 10.02, 3.7

HEX #D2B6B6

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 0 / 13 / 2 / 18

HEX #D2B6CD

RGB 210 182 205

HSL 310.71, 0.24%, 0.77%

LAB 77.02, 14, -7.89

 

CMYK 1 / 13 / 0 / 18

HEX #D0B6D2

RGB 208 182 210

HSL 295.71, 0.24%, 0.77%

LAB 76.99, 14.24, -10.67

 

CMYK 4 / 13 / 0 / 18

HEX #C9B6D2

RGB 201 182 210

HSL 280.71, 0.24%, 0.77%

LAB 76.39, 11.87, -11.63

 

CMYK 8 / 13 / 0 / 18

HEX #C1B6D2

RGB 193 182 210

HSL 263.57, 0.24%, 0.77%

LAB 75.73, 9.19, -12.69

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 0 / 21 / 10 / 14

HEX #DCADC6

RGB 220 173 198

HSL 328.09, 0.4%, 0.77%

LAB 75.56, 21.11, -6.14

 

CMYK 0 / 29 / 13 / 10

HEX #E5A3C7

RGB 229 163 199

HSL 327.27, 0.56%, 0.77%

LAB 74.17, 29.78, -8.64

 

CMYK 0 / 36 / 17 / 6

HEX #EF9AC7

RGB 239 154 199

HSL 328.24, 0.73%, 0.77%

LAB 73.28, 37.97, -9.87

 

CMYK 0 / 42 / 19 / 3

HEX #F890C8

RGB 248 144 200

HSL 327.69, 0.88%, 0.77%

LAB 72.28, 46.28, -11.8

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 0 / 4 / 2 / 21

HEX #C9C0C5

RGB 201 192 197

HSL 326.67, 0.08%, 0.77%

LAB 78.55, 4.05, -1.39

 

CMYK 5 / 0 / 2 / 21

HEX #BFC9C4

RGB 191 201 196

HSL 150, 0.08%, 0.77%

LAB 80.09, -4.35, 1.3

 

CMYK 14 / 0 / 8 / 17

HEX #B6D3C3

RGB 182 211 195

HSL 146.9, 0.25%, 0.77%

LAB 82.1, -12.74, 4.67

 

CMYK 22 / 0 / 11 / 14

HEX #ACDCC3

RGB 172 220 195

HSL 148.75, 0.41%, 0.77%

LAB 83.91, -20.52, 7.21

 

CMYK 1 / 13 / 0 / 18

HEX #D0B6D2

RGB 208 182 210

HSL 295.71, 0.24%, 0.77%

LAB 76.99, 14.24, -10.67

 

CMYK 0 / 13 / 2 / 18

HEX #D2B6CD

RGB 210 182 205

HSL 310.71, 0.24%, 0.77%

LAB 77.02, 14, -7.89

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C6

RGB 210 182 198

HSL 325.71, 0.24%, 0.77%

LAB 76.82, 12.74, -4.38

 

CMYK 0 / 13 / 10 / 18

HEX #D2B6BE

RGB 210 182 190

HSL 342.86, 0.24%, 0.77%

LAB 76.6, 11.35, -0.35

HEX #D2B6BE

CMYK 0 / 13 / 13 / 18

HEX #D2B6B7

RGB 210 182 183

HSL 357.86, 0.24%, 0.77%

LAB 76.42, 10.19, 3.19

HEX #D2B6B7

CMYK 0 / 27 / 12 / 30

HEX #B3839D

RGB 179 131 157

HSL 327.5, 0.24%, 0.61%

LAB 60.11, 22.6, -6.58

 

CMYK 0 / 19 / 9 / 24

HEX #C39DB1

RGB 195 157 177

HSL 328.42, 0.24%, 0.69%

LAB 68.67, 17.37, -5.02

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 0 / 8 / 4 / 11

HEX #E2D0DA

RGB 226 208 218

HSL 326.67, 0.24%, 0.85%

LAB 85.17, 7.96, -2.69

 

CMYK 0 / 4 / 2 / 5

HEX #F2E9EE

RGB 242 233 238

HSL 326.67, 0.26%, 0.93%

LAB 93.16, 3.91, -1.35

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 0 / 4 / 13 / 18

HEX #D2C9B6

RGB 210 201 182

HSL 40.71, 0.24%, 0.77%

LAB 81.21, -0.07, 10.61

 

CMYK 13 / 0 / 0 / 18

HEX #B6D1D2

RGB 182 209 210

HSL 182.14, 0.24%, 0.77%

LAB 81.95, -8.77, -3.54

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 6 / 0 / 13 / 18

HEX #C6D2B6

RGB 198 210 182

HSL 85.71, 0.24%, 0.77%

LAB 82.63, -9.05, 12.5

 

CMYK 13 / 6 / 0 / 18

HEX #B6C6D2

RGB 182 198 210

HSL 205.71, 0.24%, 0.77%

LAB 79.03, -3.01, -7.85

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 0 / 4 / 13 / 18

HEX #D2C9B6

RGB 210 201 182

HSL 40.71, 0.24%, 0.77%

LAB 81.21, -0.07, 10.61

 

CMYK 13 / 0 / 7 / 18

HEX #B6D2C3

RGB 182 210 195

HSL 147.86, 0.24%, 0.77%

LAB 81.83, -12.23, 4.28

 

CMYK 13 / 9 / 0 / 18

HEX #B6C0D2

RGB 182 192 210

HSL 218.57, 0.24%, 0.77%

LAB 77.46, 0.18, -10.19

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 0 / 0 / 13 / 18

HEX #D2D1B6

RGB 210 209 182

HSL 57.86, 0.24%, 0.77%

LAB 83.27, -4.24, 13.53

 

CMYK 13 / 0 / 7 / 18

HEX #B6D2C3

RGB 182 210 195

HSL 147.86, 0.24%, 0.77%

LAB 81.83, -12.23, 4.28

 

CMYK 13 / 12 / 0 / 18

HEX #B6B8D2

RGB 182 184 210

HSL 235.71, 0.24%, 0.77%

LAB 75.38, 4.49, -13.3

 

Description

Color code: HEX #D2B6C5 | qconv.com Color code: HEX #D2B6C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 182 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 182 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 6 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 6% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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