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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2B5E7 it is the complementary color #2D4A18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2B5E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2B5E7 shade: #D7B5E2, #E8C7F5, #F9D9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2B5E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2B5E7 shade: #D2B5E7, #C1A3D4, #B091C1, #9F7FAE and #8E6D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2B5E7 shade: #D3B6E7, #E0B6E7, #E7B6E1, #E7B6D4 and #E7B6C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2B5E7 shade: #D3B6E7, #C5B6E7, #B8B6E7 and #B6B6E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2B5E7 shade matches the following richer shades: #D3B6E7, #D4AEEF, #D5A6F7 and #D69EFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2B5E7 shade: #D3B6E7, #D1BEDF, #D0C6D8, #CFCDD0 and #CDD5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2B5E7 shade: #B7B6E7, #C5B6E7, #D2B6E7, #DFB6E7 and #E7B6E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2B5E7 shade: #AD78D3, #C097DD, #D3B6E7, #E5D5F1 and #F8F4FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2B5E7 shade: #D2B5E7, #E7B6C1 and #B6E7BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2B5E7 shade: #D2B5E7, #E7D2B6 and #B6E7D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2B5E7 shade: #D2B5E7, #E7B6C1, #CBE7B6 and #B6E7DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2B5E7 shade: #D2B5E7, #E7B9B6, #CBE7B6 and #B6E4E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 22 / 0 / 9

HEX #D2B5E7

RGB 210 181 231

HSL 274.8, 0.51%, 0.81%

LAB 77.59, 19.53, -21.12

 

Complementary color

CMYK 39 / 0 / 68 / 71

HEX #2D4A18

RGB 45 74 24

HSL 94.8, 0.51%, 0.19%

LAB 28.17, -21, 25.83

 

CMYK 5 / 20 / 0 / 11

HEX #D7B5E2

RGB 215 181 226

HSL 285.33, 0.44%, 0.8%

LAB 77.87, 20.17, -17.96

 

CMYK 5 / 19 / 0 / 4

HEX #E8C7F5

RGB 232 199 245

HSL 283.04, 0.7%, 0.87%

LAB 84.27, 19.71, -18.33

 

CMYK 2 / 15 / 0 / 0

HEX #F9D9FF

RGB 249 217 255

HSL 290.53, 1%, 0.93%

LAB 90.31, 17.6, -14.39

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 9 / 22 / 0 / 9

HEX #D2B5E7

RGB 210 181 231

HSL 274.8, 0.51%, 0.81%

LAB 77.59, 19.53, -21.12

 

CMYK 9 / 23 / 0 / 17

HEX #C1A3D4

RGB 193 163 212

HSL 276.73, 0.36%, 0.74%

LAB 71.07, 20.02, -20.82

 

CMYK 9 / 25 / 0 / 24

HEX #B091C1

RGB 176 145 193

HSL 278.75, 0.28%, 0.66%

LAB 64.43, 20.55, -20.52

 

CMYK 9 / 27 / 0 / 32

HEX #9F7FAE

RGB 159 127 174

HSL 280.85, 0.22%, 0.59%

LAB 57.66, 21.13, -20.22

 

CMYK 8 / 30 / 0 / 39

HEX #8E6D9B

RGB 142 109 155

HSL 283.04, 0.19%, 0.52%

LAB 50.75, 21.77, -19.93

 

CMYK 9 / 21 / 0 / 9

HEX #D3B6E7

RGB 211 182 231

HSL 275.51, 0.51%, 0.81%

LAB 77.92, 19.31, -20.61

 

CMYK 3 / 21 / 0 / 9

HEX #E0B6E7

RGB 224 182 231

HSL 291.43, 0.51%, 0.81%

LAB 79.08, 23.54, -18.74

 

CMYK 0 / 21 / 3 / 9

HEX #E7B6E1

RGB 231 182 225

HSL 307.35, 0.51%, 0.81%

LAB 79.55, 24.74, -14.74

 

CMYK 0 / 21 / 8 / 9

HEX #E7B6D4

RGB 231 182 212

HSL 323.27, 0.51%, 0.81%

LAB 79.16, 22.47, -8.3

 

CMYK 0 / 21 / 14 / 9

HEX #E7B6C7

RGB 231 182 199

HSL 339.18, 0.51%, 0.81%

LAB 78.79, 20.31, -1.8

 

CMYK 9 / 21 / 0 / 9

HEX #D3B6E7

RGB 211 182 231

HSL 275.51, 0.51%, 0.81%

LAB 77.92, 19.31, -20.61

 

CMYK 15 / 21 / 0 / 9

HEX #C5B6E7

RGB 197 182 231

HSL 258.37, 0.51%, 0.81%

LAB 76.74, 14.84, -22.52

 

CMYK 20 / 21 / 0 / 9

HEX #B8B6E7

RGB 184 182 231

HSL 242.45, 0.51%, 0.81%

LAB 75.71, 10.79, -24.18

 

CMYK 21 / 21 / 0 / 9

HEX #B6B6E7

RGB 182 182 231

HSL 240, 0.51%, 0.81%

LAB 75.56, 10.17, -24.42

 

CMYK 9 / 21 / 0 / 9

HEX #D3B6E7

RGB 211 182 231

HSL 275.51, 0.51%, 0.81%

LAB 77.92, 19.31, -20.61

 

CMYK 11 / 27 / 0 / 6

HEX #D4AEEF

RGB 212 174 239

HSL 275.08, 0.67%, 0.81%

LAB 76.38, 25.6, -27.28

 

CMYK 14 / 33 / 0 / 3

HEX #D5A6F7

RGB 213 166 247

HSL 274.81, 0.84%, 0.81%

LAB 74.91, 31.92, -33.86

 

CMYK 16 / 38 / 0 / 0

HEX #D69EFF

RGB 214 158 255

HSL 274.64, 1%, 0.81%

LAB 73.53, 38.23, -40.33

 

CMYK 9 / 21 / 0 / 9

HEX #D3B6E7

RGB 211 182 231

HSL 275.51, 0.51%, 0.81%

LAB 77.92, 19.31, -20.61

 

CMYK 6 / 15 / 0 / 13

HEX #D1BEDF

RGB 209 190 223

HSL 274.55, 0.34%, 0.81%

LAB 79.45, 12.75, -14.01

 

CMYK 4 / 8 / 0 / 15

HEX #D0C6D8

RGB 208 198 216

HSL 273.33, 0.19%, 0.81%

LAB 81.16, 6.78, -7.71

 

CMYK 0 / 1 / 0 / 18

HEX #CFCDD0

RGB 207 205 208

HSL 280, 0.03%, 0.81%

LAB 82.64, 1.24, -1.25

 

CMYK 4 / 0 / 6 / 16

HEX #CDD5C8

RGB 205 213 200

HSL 96.92, 0.13%, 0.81%

LAB 84.35, -5.06, 5.47

 

CMYK 21 / 21 / 0 / 9

HEX #B7B6E7

RGB 183 182 231

HSL 241.22, 0.51%, 0.81%

LAB 75.63, 10.48, -24.3

 

CMYK 15 / 21 / 0 / 9

HEX #C5B6E7

RGB 197 182 231

HSL 258.37, 0.51%, 0.81%

LAB 76.74, 14.84, -22.52

 

CMYK 9 / 21 / 0 / 9

HEX #D2B6E7

RGB 210 182 231

HSL 274.29, 0.51%, 0.81%

LAB 77.83, 18.99, -20.75

 

CMYK 3 / 21 / 0 / 9

HEX #DFB6E7

RGB 223 182 231

HSL 290.2, 0.51%, 0.81%

LAB 78.99, 23.21, -18.89

 

CMYK 0 / 21 / 2 / 9

HEX #E7B6E2

RGB 231 182 226

HSL 306.12, 0.51%, 0.81%

LAB 79.58, 24.92, -15.23

 

CMYK 18 / 43 / 0 / 17

HEX #AD78D3

RGB 173 120 211

HSL 274.95, 0.51%, 0.65%

LAB 58.99, 37.54, -39.07

 

CMYK 13 / 32 / 0 / 13

HEX #C097DD

RGB 192 151 221

HSL 275.14, 0.51%, 0.73%

LAB 68.43, 28.22, -29.82

 

CMYK 9 / 21 / 0 / 9

HEX #D3B6E7

RGB 211 182 231

HSL 275.51, 0.51%, 0.81%

LAB 77.92, 19.31, -20.61

 

CMYK 5 / 12 / 0 / 5

HEX #E5D5F1

RGB 229 213 241

HSL 274.29, 0.5%, 0.89%

LAB 87.29, 10.55, -11.71

 

CMYK 1 / 3 / 0 / 2

HEX #F8F4FB

RGB 248 244 251

HSL 274.29, 0.47%, 0.97%

LAB 96.67, 2.57, -2.89

 

CMYK 9 / 22 / 0 / 9

HEX #D2B5E7

RGB 210 181 231

HSL 274.8, 0.51%, 0.81%

LAB 77.59, 19.53, -21.12

 

CMYK 0 / 21 / 16 / 9

HEX #E7B6C1

RGB 231 182 193

HSL 346.53, 0.51%, 0.81%

LAB 78.63, 19.36, 1.22

 

CMYK 21 / 0 / 18 / 9

HEX #B6E7BE

RGB 182 231 190

HSL 129.8, 0.51%, 0.81%

LAB 87.39, -23.62, 14.87

 

CMYK 9 / 22 / 0 / 9

HEX #D2B5E7

RGB 210 181 231

HSL 274.8, 0.51%, 0.81%

LAB 77.59, 19.53, -21.12

 

CMYK 0 / 9 / 21 / 9

HEX #E7D2B6

RGB 231 210 182

HSL 34.29, 0.51%, 0.81%

LAB 85.23, 2.92, 16.53

 

CMYK 21 / 0 / 9 / 9

HEX #B6E7D2

RGB 182 231 210

HSL 154.29, 0.51%, 0.81%

LAB 87.85, -19.9, 5.06

 

CMYK 9 / 22 / 0 / 9

HEX #D2B5E7

RGB 210 181 231

HSL 274.8, 0.51%, 0.81%

LAB 77.59, 19.53, -21.12

 

CMYK 0 / 21 / 16 / 9

HEX #E7B6C1

RGB 231 182 193

HSL 346.53, 0.51%, 0.81%

LAB 78.63, 19.36, 1.22

 

CMYK 12 / 0 / 21 / 9

HEX #CBE7B6

RGB 203 231 182

HSL 94.29, 0.51%, 0.81%

LAB 88.56, -17.86, 20.85

 

CMYK 21 / 0 / 5 / 9

HEX #B6E7DC

RGB 182 231 220

HSL 166.53, 0.51%, 0.81%

LAB 88.1, -17.91, 0.17

 

CMYK 9 / 22 / 0 / 9

HEX #D2B5E7

RGB 210 181 231

HSL 274.8, 0.51%, 0.81%

LAB 77.59, 19.53, -21.12

 

CMYK 0 / 20 / 21 / 9

HEX #E7B9B6

RGB 231 185 182

HSL 3.67, 0.51%, 0.81%

LAB 79.08, 16.09, 7.81

 

CMYK 12 / 0 / 21 / 9

HEX #CBE7B6

RGB 203 231 182

HSL 94.29, 0.51%, 0.81%

LAB 88.56, -17.86, 20.85

 

CMYK 21 / 1 / 0 / 9

HEX #B6E4E7

RGB 182 228 231

HSL 183.67, 0.51%, 0.81%

LAB 87.58, -14.11, -6.36

 

Description

Color code: HEX #D2B5E7 | qconv.com Color code: HEX #D2B5E7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 181 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 181 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 22 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 22% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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