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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2AFC7 it is the complementary color #2D5038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2AFC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2AFC7 shade: #D7AFC2, #E8C1D5, #F9D3E8, #FFE5FB and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2AFC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2AFC7 shade: #D2AFC7, #C19DB4, #B08BA1, #9F798E and #8E677B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2AFC7 shade: #D1ADC6, #D1ADBC, #D1ADB3 and #D1ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2AFC7 shade: #D1ADC6, #D1ADD0, #C9ADD1, #BFADD1 and #B6ADD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2AFC7 shade matches the following richer shades: #D1ADC6, #DBA3CA, #E699CE, #F08ED1 and #FA84D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2AFC7 shade: #D1ADC6, #C7B8C2, #BCC2BE, #B2CCBA and #A8D7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2AFC7 shade: #C9ADD1, #D1ADD0, #D1ADC6, #D1ADBD and #D1ADB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2AFC7 shade: #B379A1, #C293B3, #D1ADC6, #E0C8D8 and #EFE2EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2AFC7 shade: #D2AFC7, #D1BFAD and #ADD1CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2AFC7 shade: #D2AFC7, #C6D1AD and #ADC6D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2AFC7 shade: #D2AFC7, #D1BFAD, #ADD1B8 and #ADBFD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2AFC7 shade: #D2AFC7, #D1CAAD, #ADD1B8 and #ADB5D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 5 / 18

HEX #D2AFC7

RGB 210 175 199

HSL 318.86, 0.28%, 0.75%

LAB 75.13, 16.71, -7.43

 

Complementary color

CMYK 44 / 0 / 30 / 69

HEX #2D5038

RGB 45 80 56

HSL 138.86, 0.28%, 0.25%

LAB 30.83, -18.8, 10.26

 

CMYK 0 / 19 / 10 / 16

HEX #D7AFC2

RGB 215 175 194

HSL 331.5, 0.33%, 0.76%

LAB 75.45, 17.59, -4.17

 

CMYK 0 / 17 / 8 / 9

HEX #E8C1D5

RGB 232 193 213

HSL 329.23, 0.46%, 0.83%

LAB 81.89, 17.11, -4.78

 

CMYK 0 / 15 / 7 / 2

HEX #F9D3E8

RGB 249 211 232

HSL 326.84, 0.76%, 0.9%

LAB 88.23, 16.67, -5.37

 

CMYK 0 / 10 / 2 / 0

HEX #FFE5FB

RGB 255 229 251

HSL 309.23, 1%, 0.95%

LAB 93.56, 12.6, -7.4

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 17 / 5 / 18

HEX #D2AFC7

RGB 210 175 199

HSL 318.86, 0.28%, 0.75%

LAB 75.13, 16.71, -7.43

 

CMYK 0 / 19 / 7 / 24

HEX #C19DB4

RGB 193 157 180

HSL 321.67, 0.23%, 0.69%

LAB 68.57, 17.19, -6.86

 

CMYK 0 / 21 / 9 / 31

HEX #B08BA1

RGB 176 139 161

HSL 324.32, 0.19%, 0.62%

LAB 61.89, 17.72, -6.27

 

CMYK 0 / 24 / 11 / 38

HEX #9F798E

RGB 159 121 142

HSL 326.84, 0.17%, 0.55%

LAB 55.07, 18.31, -5.64

 

CMYK 0 / 27 / 13 / 44

HEX #8E677B

RGB 142 103 123

HSL 329.23, 0.16%, 0.48%

LAB 48.11, 18.97, -4.96

 

CMYK 0 / 17 / 5 / 18

HEX #D1ADC6

RGB 209 173 198

HSL 318.33, 0.28%, 0.75%

LAB 74.52, 17.27, -7.8

 

CMYK 0 / 17 / 10 / 18

HEX #D1ADBC

RGB 209 173 188

HSL 335, 0.28%, 0.75%

LAB 74.24, 15.52, -2.74

 

CMYK 0 / 17 / 14 / 18

HEX #D1ADB3

RGB 209 173 179

HSL 350, 0.28%, 0.75%

LAB 74, 14.03, 1.84

 

CMYK 0 / 17 / 17 / 18

HEX #D1ADAD

RGB 209 173 173

HSL 0, 0.28%, 0.75%

LAB 73.84, 13.07, 4.9

 

CMYK 0 / 17 / 5 / 18

HEX #D1ADC6

RGB 209 173 198

HSL 318.33, 0.28%, 0.75%

LAB 74.52, 17.27, -7.8

 

CMYK 0 / 17 / 0 / 18

HEX #D1ADD0

RGB 209 173 208

HSL 301.67, 0.28%, 0.75%

LAB 74.82, 19.09, -12.81

 

CMYK 4 / 17 / 0 / 18

HEX #C9ADD1

RGB 201 173 209

HSL 286.67, 0.28%, 0.75%

LAB 74.13, 16.58, -14.47

 

CMYK 9 / 17 / 0 / 18

HEX #BFADD1

RGB 191 173 209

HSL 270, 0.28%, 0.75%

LAB 73.26, 13.24, -15.86

 

CMYK 13 / 17 / 0 / 18

HEX #B6ADD1

RGB 182 173 209

HSL 255, 0.28%, 0.75%

LAB 72.52, 10.29, -17.06

 

CMYK 0 / 17 / 5 / 18

HEX #D1ADC6

RGB 209 173 198

HSL 318.33, 0.28%, 0.75%

LAB 74.52, 17.27, -7.8

 

CMYK 0 / 26 / 8 / 14

HEX #DBA3CA

RGB 219 163 202

HSL 318.21, 0.44%, 0.75%

LAB 73.23, 26.85, -11.81

 

CMYK 0 / 33 / 10 / 10

HEX #E699CE

RGB 230 153 206

HSL 318.7, 0.61%, 0.75%

LAB 72.27, 36.6, -15.34

 

CMYK 0 / 41 / 13 / 6

HEX #F08ED1

RGB 240 142 209

HSL 318.98, 0.77%, 0.75%

LAB 71.2, 46.09, -18.5

 

CMYK 0 / 47 / 15 / 2

HEX #FA84D5

RGB 250 132 213

HSL 318.81, 0.92%, 0.75%

LAB 70.62, 54.83, -21.48

 

CMYK 0 / 17 / 5 / 18

HEX #D1ADC6

RGB 209 173 198

HSL 318.33, 0.28%, 0.75%

LAB 74.52, 17.27, -7.8

 

CMYK 0 / 8 / 3 / 22

HEX #C7B8C2

RGB 199 184 194

HSL 320, 0.12%, 0.75%

LAB 76.26, 7.09, -3.14

 

CMYK 3 / 0 / 2 / 24

HEX #BCC2BE

RGB 188 194 190

HSL 140, 0.05%, 0.75%

LAB 77.87, -2.81, 1.28

 

CMYK 13 / 0 / 9 / 20

HEX #B2CCBA

RGB 178 204 186

HSL 138.46, 0.2%, 0.75%

LAB 79.73, -12.19, 6.02

 

CMYK 22 / 0 / 15 / 16

HEX #A8D7B7

RGB 168 215 183

HSL 139.15, 0.37%, 0.75%

LAB 82.03, -21.61, 10.83

 

CMYK 4 / 17 / 0 / 18

HEX #C9ADD1

RGB 201 173 209

HSL 286.67, 0.28%, 0.75%

LAB 74.13, 16.58, -14.47

 

CMYK 0 / 17 / 0 / 18

HEX #D1ADD0

RGB 209 173 208

HSL 301.67, 0.28%, 0.75%

LAB 74.82, 19.09, -12.81

 

CMYK 0 / 17 / 5 / 18

HEX #D1ADC6

RGB 209 173 198

HSL 318.33, 0.28%, 0.75%

LAB 74.52, 17.27, -7.8

 

CMYK 0 / 17 / 10 / 18

HEX #D1ADBD

RGB 209 173 189

HSL 333.33, 0.28%, 0.75%

LAB 74.26, 15.69, -3.25

 

CMYK 0 / 17 / 14 / 18

HEX #D1ADB3

RGB 209 173 179

HSL 350, 0.28%, 0.75%

LAB 74, 14.03, 1.84

 

CMYK 0 / 32 / 10 / 30

HEX #B379A1

RGB 179 121 161

HSL 318.62, 0.28%, 0.59%

LAB 57.88, 28.9, -12.22

 

CMYK 0 / 24 / 8 / 24

HEX #C293B3

RGB 194 147 179

HSL 319.15, 0.28%, 0.67%

LAB 66.21, 22.89, -9.81

 

CMYK 0 / 17 / 5 / 18

HEX #D1ADC6

RGB 209 173 198

HSL 318.33, 0.28%, 0.75%

LAB 74.52, 17.27, -7.8

 

CMYK 0 / 11 / 4 / 12

HEX #E0C8D8

RGB 224 200 216

HSL 320, 0.28%, 0.83%

LAB 82.97, 11.15, -4.87

 

CMYK 0 / 5 / 2 / 6

HEX #EFE2EB

RGB 239 226 235

HSL 318.46, 0.29%, 0.91%

LAB 91.12, 5.98, -2.8

 

CMYK 0 / 17 / 5 / 18

HEX #D2AFC7

RGB 210 175 199

HSL 318.86, 0.28%, 0.75%

LAB 75.13, 16.71, -7.43

 

CMYK 0 / 9 / 17 / 18

HEX #D1BFAD

RGB 209 191 173

HSL 30, 0.28%, 0.75%

LAB 78.36, 3.42, 11.38

 

CMYK 17 / 0 / 1 / 18

HEX #ADD1CE

RGB 173 209 206

HSL 175, 0.28%, 0.75%

LAB 81.26, -12.46, -2.48

 

CMYK 0 / 17 / 5 / 18

HEX #D2AFC7

RGB 210 175 199

HSL 318.86, 0.28%, 0.75%

LAB 75.13, 16.71, -7.43

 

CMYK 5 / 0 / 17 / 18

HEX #C6D1AD

RGB 198 209 173

HSL 78.33, 0.28%, 0.75%

LAB 82.18, -10, 16.62

 

CMYK 17 / 5 / 0 / 18

HEX #ADC6D1

RGB 173 198 209

HSL 198.33, 0.28%, 0.75%

LAB 78.39, -6.11, -8.33

 

CMYK 0 / 17 / 5 / 18

HEX #D2AFC7

RGB 210 175 199

HSL 318.86, 0.28%, 0.75%

LAB 75.13, 16.71, -7.43

 

CMYK 0 / 9 / 17 / 18

HEX #D1BFAD

RGB 209 191 173

HSL 30, 0.28%, 0.75%

LAB 78.36, 3.42, 11.38

 

CMYK 17 / 0 / 12 / 18

HEX #ADD1B8

RGB 173 209 184

HSL 138.33, 0.28%, 0.75%

LAB 80.71, -16.79, 8.46

 

CMYK 17 / 9 / 0 / 18

HEX #ADBFD1

RGB 173 191 209

HSL 210, 0.28%, 0.75%

LAB 76.53, -2.39, -11.11

 

CMYK 0 / 17 / 5 / 18

HEX #D2AFC7

RGB 210 175 199

HSL 318.86, 0.28%, 0.75%

LAB 75.13, 16.71, -7.43

 

CMYK 0 / 3 / 17 / 18

HEX #D1CAAD

RGB 209 202 173

HSL 48.33, 0.28%, 0.75%

LAB 81.19, -2.37, 15.36

 

CMYK 17 / 0 / 12 / 18

HEX #ADD1B8

RGB 173 209 184

HSL 138.33, 0.28%, 0.75%

LAB 80.71, -16.79, 8.46

 

CMYK 17 / 13 / 0 / 18

HEX #ADB5D1

RGB 173 181 209

HSL 226.67, 0.28%, 0.75%

LAB 73.89, 3, -15.06

 

Description

Color code: HEX #D2AFC7 | qconv.com Color code: HEX #D2AFC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 175 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 175 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 5 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 5% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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