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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2AF77 it is the complementary color #2D5088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2AF77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2AF77 shade: #D7AF72, #E8C185, #F9D398, #FFE5AB and #FFF7BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2AF77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2AF77 shade: #D2AF77, #C19D64, #B08B51, #9F793E and #8E672B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2AF77 shade: #D2B079, #D29879, #D28079 and #D27979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2AF77 shade: #D2B079, #D2C879, #C5D279, #ADD279 and #94D279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2AF77 shade matches the following richer shades: #D2B079, #E1B36B, #EFB75C and #FEBA4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2AF77 shade: #D2B079, #C4AD88, #B5A996, #A7A6A4 and #99A3B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2AF77 shade: #D27F79, #D29779, #D2AF79, #D2C679 and #C6D279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2AF77 shade: #BB8B3E, #C89E5A, #D2B079, #DDC298 and #E7D5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2AF77 shade: #D2AF77, #8BD279 and #8B79D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2AF77 shade: #D2AF77, #79D2AF and #AF79D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2AF77 shade: #D2AF77, #8BD279, #799DD2 and #C179D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2AF77 shade: #D2AF77, #79D282, #799DD2 and #D279C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 43 / 18

HEX #D2AF77

RGB 210 175 119

HSL 36.92, 0.5%, 0.65%

LAB 73.35, 5.27, 33.42

 

Complementary color

CMYK 67 / 41 / 0 / 47

HEX #2D5088

RGB 45 80 136

HSL 216.92, 0.5%, 0.35%

LAB 34.13, 6.57, -35.06

 

CMYK 0 / 19 / 47 / 16

HEX #D7AF72

RGB 215 175 114

HSL 36.24, 0.56%, 0.65%

LAB 73.75, 6.8, 36.65

 

CMYK 0 / 17 / 43 / 9

HEX #E8C185

RGB 232 193 133

HSL 36.36, 0.68%, 0.72%

LAB 80.17, 6.07, 35.37

 

CMYK 0 / 15 / 39 / 2

HEX #F9D398

RGB 249 211 152

HSL 36.49, 0.89%, 0.79%

LAB 86.5, 5.44, 34.16

 

CMYK 0 / 10 / 33 / 0

HEX #FFE5AB

RGB 255 229 171

HSL 41.43, 1%, 0.84%

LAB 91.79, 0.7, 31.57

 

CMYK 0 / 3 / 25 / 0

HEX #FFF7BE

RGB 255 247 190

HSL 52.62, 1%, 0.87%

LAB 96.62, -5.98, 28.43

 

CMYK 0 / 17 / 43 / 18

HEX #D2AF77

RGB 210 175 119

HSL 36.92, 0.5%, 0.65%

LAB 73.35, 5.27, 33.42

 

CMYK 0 / 19 / 48 / 24

HEX #C19D64

RGB 193 157 100

HSL 36.77, 0.43%, 0.57%

LAB 66.8, 6.02, 34.73

 

CMYK 0 / 21 / 54 / 31

HEX #B08B51

RGB 176 139 81

HSL 36.63, 0.38%, 0.5%

LAB 60.15, 6.91, 36.11

 

CMYK 0 / 24 / 61 / 38

HEX #9F793E

RGB 159 121 62

HSL 36.49, 0.44%, 0.43%

LAB 53.38, 7.98, 37.53

 

CMYK 0 / 27 / 70 / 44

HEX #8E672B

RGB 142 103 43

HSL 36.36, 0.54%, 0.36%

LAB 46.48, 9.29, 38.91

 

CMYK 0 / 16 / 42 / 18

HEX #D2B079

RGB 210 176 121

HSL 37.08, 0.5%, 0.65%

LAB 73.63, 4.95, 32.74

 

CMYK 0 / 28 / 42 / 18

HEX #D29879

RGB 210 152 121

HSL 20.9, 0.5%, 0.65%

LAB 67.68, 17.9, 24.89

 

CMYK 0 / 39 / 42 / 18

HEX #D28079

RGB 210 128 121

HSL 4.72, 0.5%, 0.65%

LAB 62.1, 30.89, 17.31

 

CMYK 0 / 42 / 42 / 18

HEX #D27979

RGB 210 121 121

HSL 0, 0.5%, 0.65%

LAB 60.57, 34.62, 15.19

 

CMYK 0 / 16 / 42 / 18

HEX #D2B079

RGB 210 176 121

HSL 37.08, 0.5%, 0.65%

LAB 73.63, 4.95, 32.74

 

CMYK 0 / 5 / 42 / 18

HEX #D2C879

RGB 210 200 121

HSL 53.26, 0.5%, 0.65%

LAB 79.84, -7.63, 40.67

 

CMYK 6 / 0 / 42 / 18

HEX #C5D279

RGB 197 210 121

HSL 68.76, 0.5%, 0.65%

LAB 81.48, -17.83, 42.52

 

CMYK 18 / 0 / 42 / 18

HEX #ADD279

RGB 173 210 121

HSL 84.94, 0.5%, 0.65%

LAB 79.82, -27, 40.08

 

CMYK 30 / 0 / 42 / 18

HEX #94D279

RGB 148 210 121

HSL 101.8, 0.5%, 0.65%

LAB 78.33, -35.96, 37.88

 

CMYK 0 / 16 / 42 / 18

HEX #D2B079

RGB 210 176 121

HSL 37.08, 0.5%, 0.65%

LAB 73.63, 4.95, 32.74

 

CMYK 0 / 20 / 52 / 12

HEX #E1B36B

RGB 225 179 107

HSL 36.61, 0.66%, 0.65%

LAB 75.64, 8.14, 42.82

 

CMYK 0 / 23 / 62 / 6

HEX #EFB75C

RGB 239 183 92

HSL 37.14, 0.82%, 0.65%

LAB 77.87, 10.68, 53.14

 

CMYK 0 / 27 / 69 / 0

HEX #FEBA4E

RGB 254 186 78

HSL 36.82, 0.99%, 0.65%

LAB 80.03, 14.53, 62.26

 

CMYK 0 / 16 / 42 / 18

HEX #D2B079

RGB 210 176 121

HSL 37.08, 0.5%, 0.65%

LAB 73.63, 4.95, 32.74

 

CMYK 0 / 12 / 31 / 23

HEX #C4AD88

RGB 196 173 136

HSL 37, 0.34%, 0.65%

LAB 71.83, 2.74, 22.09

 

CMYK 0 / 7 / 17 / 29

HEX #B5A996

RGB 181 169 150

HSL 36.77, 0.17%, 0.65%

LAB 69.75, 1.11, 11.36

 

CMYK 0 / 1 / 2 / 35

HEX #A7A6A4

RGB 167 166 164

HSL 40, 0.02%, 0.65%

LAB 68.14, -0.01, 1.15

 

CMYK 15 / 9 / 0 / 30

HEX #99A3B3

RGB 153 163 179

HSL 216.92, 0.15%, 0.65%

LAB 66.69, -0.2, -9.47

 

CMYK 0 / 40 / 42 / 18

HEX #D27F79

RGB 210 127 121

HSL 4.04, 0.5%, 0.65%

LAB 61.88, 31.42, 17.01

 

CMYK 0 / 28 / 42 / 18

HEX #D29779

RGB 210 151 121

HSL 20.22, 0.5%, 0.65%

LAB 67.44, 18.44, 24.56

 

CMYK 0 / 17 / 42 / 18

HEX #D2AF79

RGB 210 175 121

HSL 36.4, 0.5%, 0.65%

LAB 73.38, 5.48, 32.41

 

CMYK 0 / 6 / 42 / 18

HEX #D2C679

RGB 210 198 121

HSL 51.91, 0.5%, 0.65%

LAB 79.31, -6.6, 40.01

 

CMYK 6 / 0 / 42 / 18

HEX #C6D279

RGB 198 210 121

HSL 68.09, 0.5%, 0.65%

LAB 81.55, -17.44, 42.63

 

CMYK 0 / 26 / 67 / 27

HEX #BB8B3E

RGB 187 139 62

HSL 36.96, 0.5%, 0.49%

LAB 61.11, 10.28, 47.09

 

CMYK 0 / 21 / 55 / 22

HEX #C89E5A

RGB 200 158 90

HSL 37.09, 0.5%, 0.57%

LAB 67.63, 7.52, 41.11

 

CMYK 0 / 16 / 42 / 18

HEX #D2B079

RGB 210 176 121

HSL 37.08, 0.5%, 0.65%

LAB 73.63, 4.95, 32.74

 

CMYK 0 / 12 / 31 / 13

HEX #DDC298

RGB 221 194 152

HSL 36.52, 0.5%, 0.73%

LAB 79.74, 3.42, 24.67

 

CMYK 0 / 8 / 21 / 9

HEX #E7D5B7

RGB 231 213 183

HSL 37.5, 0.5%, 0.81%

LAB 86, 1.51, 17.09

 

CMYK 0 / 17 / 43 / 18

HEX #D2AF77

RGB 210 175 119

HSL 36.92, 0.5%, 0.65%

LAB 73.35, 5.27, 33.42

 

CMYK 34 / 0 / 42 / 18

HEX #8BD279

RGB 139 210 121

HSL 107.87, 0.5%, 0.65%

LAB 77.85, -38.98, 37.17

 

CMYK 34 / 42 / 0 / 18

HEX #8B79D2

RGB 139 121 210

HSL 252.13, 0.5%, 0.65%

LAB 55.9, 27.13, -43.59

 

CMYK 0 / 17 / 43 / 18

HEX #D2AF77

RGB 210 175 119

HSL 36.92, 0.5%, 0.65%

LAB 73.35, 5.27, 33.42

 

CMYK 42 / 0 / 17 / 18

HEX #79D2AF

RGB 121 210 175

HSL 156.4, 0.5%, 0.65%

LAB 78.02, -34.78, 9.06

 

CMYK 17 / 42 / 0 / 18

HEX #AF79D2

RGB 175 121 210

HSL 276.4, 0.5%, 0.65%

LAB 59.38, 37.34, -37.88

 

CMYK 0 / 17 / 43 / 18

HEX #D2AF77

RGB 210 175 119

HSL 36.92, 0.5%, 0.65%

LAB 73.35, 5.27, 33.42

 

CMYK 34 / 0 / 42 / 18

HEX #8BD279

RGB 139 210 121

HSL 107.87, 0.5%, 0.65%

LAB 77.85, -38.98, 37.17

 

CMYK 42 / 25 / 0 / 18

HEX #799DD2

RGB 121 157 210

HSL 215.73, 0.5%, 0.65%

LAB 64.02, 1.35, -30.98

 

CMYK 8 / 42 / 0 / 18

HEX #C179D2

RGB 193 121 210

HSL 288.54, 0.5%, 0.65%

LAB 61.36, 42.67, -34.64

 

CMYK 0 / 17 / 43 / 18

HEX #D2AF77

RGB 210 175 119

HSL 36.92, 0.5%, 0.65%

LAB 73.35, 5.27, 33.42

 

CMYK 42 / 0 / 38 / 18

HEX #79D282

RGB 121 210 130

HSL 126.07, 0.5%, 0.65%

LAB 77.14, -43.23, 31.52

 

CMYK 42 / 25 / 0 / 18

HEX #799DD2

RGB 121 157 210

HSL 215.73, 0.5%, 0.65%

LAB 64.02, 1.35, -30.98

 

CMYK 0 / 42 / 4 / 18

HEX #D279C9

RGB 210 121 201

HSL 306.07, 0.5%, 0.65%

LAB 63.01, 46.13, -26.87

 

Description

Color code: HEX #D2AF77 | qconv.com Color code: HEX #D2AF77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 175 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 175 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 43 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 43% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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