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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2AD2D it is the complementary color #2D52D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2AD2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2AD2D shade: #D7AD28, #E8BF3B, #F9D14E, #FFE361 and #FFF574

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2AD2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2AD2D shade: #D2AD2D, #C19B1A, #B08907, #9F7700 and #8E6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2AD2D shade: #D2AD2D, #D2812D, #D2542D and #D22D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2AD2D shade: #D2AD2D, #CBD22D, #9ED22D, #71D22D and #45D22D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2AD2D shade matches the following richer shades: #D2AD2D, #E7B918 and #FCC403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2AD2D shade: #D2AD2D, #BEA241, #A99656, #948B6B and #80807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2AD2D shade: #D2532D, #D2802D, #D2AC2D, #CDD22D and #A1D22D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2AD2D shade: #8E751E, #B09125, #D2AD2D, #DABA4F and #E1C871

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2AD2D shade: #D2AD2D, #32D22D and #692DD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2AD2D shade: #D2AD2D, #2DD2AC and #AC2DD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2AD2D shade: #D2AD2D, #32D22D, #2D53D2 and #CD2DD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2AD2D shade: #D2AD2D, #2DD259, #2D53D2 and #D22DA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

Complementary color

CMYK 79 / 61 / 0 / 18

HEX #2D52D2

RGB 45 82 210

HSL 226.55, 0.65%, 0.5%

LAB 39.99, 33.19, -69.51

 

CMYK 0 / 20 / 81 / 16

HEX #D7AD28

RGB 215 173 40

HSL 45.6, 0.69%, 0.5%

LAB 72.55, 3.18, 67.84

 

CMYK 0 / 18 / 75 / 9

HEX #E8BF3B

RGB 232 191 59

HSL 45.78, 0.79%, 0.57%

LAB 78.89, 1.77, 67.91

 

CMYK 0 / 16 / 69 / 2

HEX #F9D14E

RGB 249 209 78

HSL 45.96, 0.93%, 0.64%

LAB 85.14, 0.54, 67.39

 

CMYK 0 / 11 / 62 / 0

HEX #FFE361

RGB 255 227 97

HSL 49.37, 1%, 0.69%

LAB 90.35, -5.01, 65.21

 

CMYK 0 / 4 / 55 / 0

HEX #FFF574

RGB 255 245 116

HSL 55.68, 1%, 0.73%

LAB 95.09, -12.63, 62.24

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 0 / 20 / 87 / 24

HEX #C19B1A

RGB 193 155 26

HSL 46.35, 0.76%, 0.43%

LAB 65.64, 2.71, 64.99

 

CMYK 0 / 22 / 96 / 31

HEX #B08907

RGB 176 137 7

HSL 46.15, 0.92%, 0.36%

LAB 59.1, 4.52, 62.88

 

CMYK 0 / 25 / 100 / 38

HEX #9F7700

RGB 159 119 0

HSL 44.91, 1%, 0.31%

LAB 52.47, 6.64, 58.54

 

CMYK 0 / 29 / 100 / 44

HEX #8E6500

RGB 142 101 0

HSL 42.68, 1%, 0.28%

LAB 45.71, 8.97, 53

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 0 / 39 / 79 / 18

HEX #D2812D

RGB 210 129 45

HSL 30.55, 0.65%, 0.5%

LAB 61.3, 24.86, 55.7

 

CMYK 0 / 60 / 79 / 18

HEX #D2542D

RGB 210 84 45

HSL 14.18, 0.65%, 0.5%

LAB 52.1, 47.74, 46.78

 

CMYK 0 / 79 / 79 / 18

HEX #D22D2D

RGB 210 45 45

HSL 0, 0.65%, 0.5%

LAB 46.67, 62.53, 41.28

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 3 / 0 / 79 / 18

HEX #CBD22D

RGB 203 210 45

HSL 62.55, 0.65%, 0.5%

LAB 81.28, -20.73, 73.66

 

CMYK 25 / 0 / 79 / 18

HEX #9ED22D

RGB 158 210 45

HSL 78.91, 0.65%, 0.5%

LAB 78.2, -38.92, 69.73

 

CMYK 46 / 0 / 79 / 18

HEX #71D22D

RGB 113 210 45

HSL 95.27, 0.65%, 0.5%

LAB 75.94, -54.63, 66.82

 

CMYK 67 / 0 / 79 / 18

HEX #45D22D

RGB 69 210 45

HSL 111.27, 0.65%, 0.5%

LAB 74.54, -65.78, 65

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 0 / 20 / 90 / 9

HEX #E7B918

RGB 231 185 24

HSL 46.67, 0.81%, 0.5%

LAB 77.13, 3.45, 76.14

 

CMYK 0 / 22 / 99 / 1

HEX #FCC403

RGB 252 196 3

HSL 46.51, 0.98%, 0.5%

LAB 81.94, 6.54, 83.23

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 0 / 15 / 66 / 25

HEX #BEA241

RGB 190 162 65

HSL 46.56, 0.49%, 0.5%

LAB 67.4, -0.74, 52.6

 

CMYK 0 / 11 / 49 / 34

HEX #A99656

RGB 169 150 86

HSL 46.27, 0.33%, 0.5%

LAB 62.44, -1.7, 36.14

 

CMYK 0 / 6 / 28 / 42

HEX #948B6B

RGB 148 139 107

HSL 46.83, 0.16%, 0.5%

LAB 57.87, -1.93, 18.36

 

CMYK 0 / 0 / 1 / 50

HEX #80807F

RGB 128 128 127

HSL 60, 0%, 0.5%

LAB 53.56, -0.2, 0.54

 

CMYK 0 / 60 / 79 / 18

HEX #D2532D

RGB 210 83 45

HSL 13.82, 0.65%, 0.5%

LAB 51.92, 48.2, 46.61

 

CMYK 0 / 39 / 79 / 18

HEX #D2802D

RGB 210 128 45

HSL 30.18, 0.65%, 0.5%

LAB 61.07, 25.4, 55.48

 

CMYK 0 / 18 / 79 / 18

HEX #D2AC2D

RGB 210 172 45

HSL 46.18, 0.65%, 0.5%

LAB 71.82, 1.7, 65.42

 

CMYK 2 / 0 / 79 / 18

HEX #CDD22D

RGB 205 210 45

HSL 61.82, 0.65%, 0.5%

LAB 81.44, -19.89, 73.85

 

CMYK 23 / 0 / 79 / 18

HEX #A1D22D

RGB 161 210 45

HSL 77.82, 0.65%, 0.5%

LAB 78.38, -37.76, 69.96

 

CMYK 0 / 18 / 79 / 44

HEX #8E751E

RGB 142 117 30

HSL 46.61, 0.65%, 0.34%

LAB 50.18, 0.56, 48.3

 

CMYK 0 / 18 / 79 / 31

HEX #B09125

RGB 176 145 37

HSL 46.62, 0.65%, 0.42%

LAB 61.32, 0.85, 57.32

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 0 / 15 / 64 / 15

HEX #DABA4F

RGB 218 186 79

HSL 46.19, 0.65%, 0.58%

LAB 76.43, -0.55, 56.9

 

CMYK 0 / 11 / 50 / 12

HEX #E1C871

RGB 225 200 113

HSL 46.61, 0.65%, 0.66%

LAB 81.02, -2.33, 46.41

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 76 / 0 / 79 / 18

HEX #32D22D

RGB 50 210 45

HSL 118.18, 0.65%, 0.5%

LAB 74.16, -68.99, 64.51

 

CMYK 50 / 79 / 0 / 18

HEX #692DD2

RGB 105 45 210

HSL 261.82, 0.65%, 0.5%

LAB 36.99, 60.82, -74.27

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 79 / 0 / 18 / 18

HEX #2DD2AC

RGB 45 210 172

HSL 166.18, 0.65%, 0.5%

LAB 75.84, -49.58, 7.26

 

CMYK 18 / 79 / 0 / 18

HEX #AC2DD2

RGB 172 45 210

HSL 286.18, 0.65%, 0.5%

LAB 46.04, 71.43, -59.13

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 76 / 0 / 79 / 18

HEX #32D22D

RGB 50 210 45

HSL 118.18, 0.65%, 0.5%

LAB 74.16, -68.99, 64.51

 

CMYK 79 / 60 / 0 / 18

HEX #2D53D2

RGB 45 83 210

HSL 226.18, 0.65%, 0.5%

LAB 40.24, 32.55, -69.1

 

CMYK 2 / 79 / 0 / 18

HEX #CD2DD2

RGB 205 45 210

HSL 298.18, 0.65%, 0.5%

LAB 51.28, 77.54, -50.44

 

CMYK 0 / 18 / 79 / 18

HEX #D2AD2D

RGB 210 173 45

HSL 46.55, 0.65%, 0.5%

LAB 72.08, 1.17, 65.66

 

CMYK 79 / 0 / 58 / 18

HEX #2DD259

RGB 45 210 89

HSL 136, 0.65%, 0.5%

LAB 74.43, -65.48, 47.74

 

CMYK 79 / 60 / 0 / 18

HEX #2D53D2

RGB 45 83 210

HSL 226.18, 0.65%, 0.5%

LAB 40.24, 32.55, -69.1

 

CMYK 0 / 79 / 21 / 18

HEX #D22DA6

RGB 210 45 166

HSL 316, 0.65%, 0.5%

LAB 49.9, 72.29, -26.95

 

Description

Color code: HEX #D2AD2D | qconv.com Color code: HEX #D2AD2D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 173 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 173 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 79 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 79% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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