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Color name
HEX #D2AC5C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2AC5C it is the complementary color #2D53A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2AC5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2AC5C shade: #D7AC57, #E8BE6A, #F9D07D, #FFE290 and #FFF4A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2AC5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2AC5C shade: #D2AC5C, #C19A49, #B08836, #9F7623 and #8E6410

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2AC5C shade: #D2AC5B, #D28C5B, #D26B5B and #D25B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2AC5C shade: #D2AC5B, #D2CC5B, #B8D25B, #98D25B and #78D25B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2AC5C shade matches the following richer shades: #D2AC5B, #E3B24A and #F4B839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2AC5C shade: #D2AC5B, #C1A66C, #B0A07D, #9F9A8E and #8E949F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2AC5C shade: #D26B5B, #D28B5B, #D2AA5B, #D2CA5B and #BAD25B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2AC5C shade: #AB832F, #C99B3A, #D2AC5B, #DBBC7B and #E4CD9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2AC5C shade: #D2AC5C, #6BD25B and #7B5BD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2AC5C shade: #D2AC5C, #5BD2AA and #AA5BD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2AC5C shade: #D2AC5C, #6BD25B, #5B83D2 and #C25BD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2AC5C shade: #D2AC5C, #5BD26F, #5B83D2 and #D25BBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 56 / 18

HEX #D2AC5C

RGB 210 172 92

HSL 40.68, 0.57%, 0.59%

LAB 72.21, 4.38, 45.83

 

Complementary color

CMYK 72 / 49 / 0 / 36

HEX #2D53A3

RGB 45 83 163

HSL 220.68, 0.57%, 0.41%

LAB 36.72, 14.82, -47.26

 

CMYK 0 / 20 / 60 / 16

HEX #D7AC57

RGB 215 172 87

HSL 39.84, 0.62%, 0.59%

LAB 72.65, 6.11, 48.9

 

CMYK 0 / 18 / 54 / 9

HEX #E8BE6A

RGB 232 190 106

HSL 40, 0.73%, 0.66%

LAB 79.05, 5.15, 47.61

 

CMYK 0 / 16 / 50 / 2

HEX #F9D07D

RGB 249 208 125

HSL 40.16, 0.91%, 0.73%

LAB 85.37, 4.31, 46.33

 

CMYK 0 / 11 / 44 / 0

HEX #FFE290

RGB 255 226 144

HSL 44.32, 1%, 0.78%

LAB 90.63, -0.73, 43.64

 

CMYK 0 / 4 / 36 / 0

HEX #FFF4A3

RGB 255 244 163

HSL 52.83, 1%, 0.82%

LAB 95.42, -7.76, 40.38

 

CMYK 0 / 18 / 56 / 18

HEX #D2AC5C

RGB 210 172 92

HSL 40.68, 0.57%, 0.59%

LAB 72.21, 4.38, 45.83

 

CMYK 0 / 20 / 62 / 24

HEX #C19A49

RGB 193 154 73

HSL 40.5, 0.49%, 0.52%

LAB 65.69, 5.4, 47.1

 

CMYK 0 / 23 / 69 / 31

HEX #B08836

RGB 176 136 54

HSL 40.33, 0.53%, 0.45%

LAB 59.07, 6.61, 48.26

 

CMYK 0 / 26 / 78 / 38

HEX #9F7623

RGB 159 118 35

HSL 40.16, 0.64%, 0.38%

LAB 52.34, 8.08, 49.06

 

CMYK 0 / 30 / 89 / 44

HEX #8E6410

RGB 142 100 16

HSL 40, 0.8%, 0.31%

LAB 45.5, 9.87, 48.94

 

CMYK 0 / 18 / 57 / 18

HEX #D2AC5B

RGB 210 172 91

HSL 40.84, 0.57%, 0.59%

LAB 72.2, 4.3, 46.3

 

CMYK 0 / 33 / 57 / 18

HEX #D28C5B

RGB 210 140 91

HSL 24.71, 0.57%, 0.59%

LAB 64.33, 21.58, 36.81

 

CMYK 0 / 49 / 57 / 18

HEX #D26B5B

RGB 210 107 91

HSL 8.07, 0.57%, 0.59%

LAB 57.05, 39.11, 27.61

 

CMYK 0 / 57 / 57 / 18

HEX #D25B5B

RGB 210 91 91

HSL 0, 0.57%, 0.59%

LAB 53.96, 47.02, 23.59

 

CMYK 0 / 18 / 57 / 18

HEX #D2AC5B

RGB 210 172 91

HSL 40.84, 0.57%, 0.59%

LAB 72.2, 4.3, 46.3

 

CMYK 0 / 3 / 57 / 18

HEX #D2CC5B

RGB 210 204 91

HSL 56.97, 0.57%, 0.59%

LAB 80.54, -12.33, 55.9

 

CMYK 12 / 0 / 57 / 18

HEX #B8D25B

RGB 184 210 91

HSL 73.11, 0.57%, 0.59%

LAB 80.2, -25.83, 54.99

 

CMYK 28 / 0 / 57 / 18

HEX #98D25B

RGB 152 210 91

HSL 89.24, 0.57%, 0.59%

LAB 78.18, -38, 52.15

 

CMYK 43 / 0 / 57 / 18

HEX #78D25B

RGB 120 210 91

HSL 105.38, 0.57%, 0.59%

LAB 76.58, -48.78, 49.88

 

CMYK 0 / 18 / 57 / 18

HEX #D2AC5B

RGB 210 172 91

HSL 40.84, 0.57%, 0.59%

LAB 72.2, 4.3, 46.3

 

CMYK 0 / 22 / 67 / 11

HEX #E3B24A

RGB 227 178 74

HSL 40.78, 0.73%, 0.59%

LAB 75.24, 7.18, 58.09

 

CMYK 0 / 25 / 77 / 4

HEX #F4B839

RGB 244 184 57

HSL 40.75, 0.89%, 0.59%

LAB 78.35, 10.45, 68.55

 

CMYK 0 / 18 / 57 / 18

HEX #D2AC5B

RGB 210 172 91

HSL 40.84, 0.57%, 0.59%

LAB 72.2, 4.3, 46.3

 

CMYK 0 / 14 / 44 / 24

HEX #C1A66C

RGB 193 166 108

HSL 40.94, 0.41%, 0.59%

LAB 69.25, 1.97, 33.62

 

CMYK 0 / 9 / 29 / 31

HEX #B0A07D

RGB 176 160 125

HSL 41.18, 0.24%, 0.59%

LAB 66.41, 0.35, 20.4

 

CMYK 0 / 3 / 11 / 38

HEX #9F9A8E

RGB 159 154 142

HSL 42.35, 0.08%, 0.59%

LAB 63.7, -0.34, 6.94

 

CMYK 11 / 7 / 0 / 38

HEX #8E949F

RGB 142 148 159

HSL 218.82, 0.08%, 0.59%

LAB 61.16, 0.11, -6.53

 

CMYK 0 / 49 / 57 / 18

HEX #D26B5B

RGB 210 107 91

HSL 8.07, 0.57%, 0.59%

LAB 57.05, 39.11, 27.61

 

CMYK 0 / 34 / 57 / 18

HEX #D28B5B

RGB 210 139 91

HSL 24.2, 0.57%, 0.59%

LAB 64.1, 22.12, 36.52

 

CMYK 0 / 19 / 57 / 18

HEX #D2AA5B

RGB 210 170 91

HSL 39.83, 0.57%, 0.59%

LAB 71.69, 5.37, 45.7

 

CMYK 0 / 4 / 57 / 18

HEX #D2CA5B

RGB 210 202 91

HSL 55.97, 0.57%, 0.59%

LAB 80.01, -11.32, 55.31

 

CMYK 11 / 0 / 57 / 18

HEX #BAD25B

RGB 186 210 91

HSL 72.1, 0.57%, 0.59%

LAB 80.34, -25.03, 55.19

 

CMYK 0 / 23 / 73 / 33

HEX #AB832F

RGB 171 131 47

HSL 40.65, 0.57%, 0.43%

LAB 57.17, 6.78, 49.24

 

CMYK 0 / 23 / 71 / 21

HEX #C99B3A

RGB 201 155 58

HSL 40.7, 0.57%, 0.51%

LAB 66.65, 7.44, 55.19

 

CMYK 0 / 18 / 57 / 18

HEX #D2AC5B

RGB 210 172 91

HSL 40.84, 0.57%, 0.59%

LAB 72.2, 4.3, 46.3

 

CMYK 0 / 14 / 44 / 14

HEX #DBBC7B

RGB 219 188 123

HSL 40.63, 0.57%, 0.67%

LAB 77.55, 2.45, 36.92

 

CMYK 0 / 10 / 32 / 11

HEX #E4CD9C

RGB 228 205 156

HSL 40.83, 0.57%, 0.75%

LAB 83.21, 0.88, 27.36

 

CMYK 0 / 18 / 56 / 18

HEX #D2AC5C

RGB 210 172 92

HSL 40.68, 0.57%, 0.59%

LAB 72.21, 4.38, 45.83

 

CMYK 49 / 0 / 57 / 18

HEX #6BD25B

RGB 107 210 91

HSL 111.93, 0.57%, 0.59%

LAB 76.05, -52.61, 49.13

 

CMYK 41 / 57 / 0 / 18

HEX #7B5BD2

RGB 123 91 210

HSL 256.13, 0.57%, 0.59%

LAB 47.43, 40.62, -57.2

 

CMYK 0 / 18 / 56 / 18

HEX #D2AC5C

RGB 210 172 92

HSL 40.68, 0.57%, 0.59%

LAB 72.21, 4.38, 45.83

 

CMYK 57 / 0 / 19 / 18

HEX #5BD2AA

RGB 91 210 170

HSL 159.83, 0.57%, 0.59%

LAB 76.81, -42.98, 9.85

 

CMYK 19 / 57 / 0 / 18

HEX #AA5BD2

RGB 170 91 210

HSL 279.83, 0.57%, 0.59%

LAB 52.6, 51.97, -48.63

 

CMYK 0 / 18 / 56 / 18

HEX #D2AC5C

RGB 210 172 92

HSL 40.68, 0.57%, 0.59%

LAB 72.21, 4.38, 45.83

 

CMYK 49 / 0 / 57 / 18

HEX #6BD25B

RGB 107 210 91

HSL 111.93, 0.57%, 0.59%

LAB 76.05, -52.61, 49.13

 

CMYK 57 / 38 / 0 / 18

HEX #5B83D2

RGB 91 131 210

HSL 219.83, 0.57%, 0.59%

LAB 55.19, 9.47, -44.94

 

CMYK 8 / 57 / 0 / 18

HEX #C25BD2

RGB 194 91 210

HSL 291.93, 0.57%, 0.59%

LAB 55.69, 58.11, -43.53

 

CMYK 0 / 18 / 56 / 18

HEX #D2AC5C

RGB 210 172 92

HSL 40.68, 0.57%, 0.59%

LAB 72.21, 4.38, 45.83

 

CMYK 57 / 0 / 47 / 18

HEX #5BD26F

RGB 91 210 111

HSL 130.08, 0.57%, 0.59%

LAB 75.74, -54.13, 39.07

 

CMYK 57 / 38 / 0 / 18

HEX #5B83D2

RGB 91 131 210

HSL 219.83, 0.57%, 0.59%

LAB 55.19, 9.47, -44.94

 

CMYK 0 / 57 / 10 / 18

HEX #D25BBE

RGB 210 91 190

HSL 310.08, 0.57%, 0.59%

LAB 56.98, 58.92, -29.93

 

Description

Color code: HEX #D2AC5C | qconv.com Color code: HEX #D2AC5C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 172 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 172 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 56 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 56% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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