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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2ABE6 it is the complementary color #2D5419. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2ABE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2ABE6 shade: #D7ABE1, #E8BDF4, #F9CFFF, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2ABE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2ABE6 shade: #D2ABE6, #C199D3, #B087C0, #9F75AD and #8E639A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2ABE6 shade: #D3ADE6, #E2ADE6, #E6ADDB, #E6ADCB and #E6ADBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2ABE6 shade: #D3ADE6, #C3ADE6, #B4ADE6 and #ADADE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2ABE6 shade matches the following richer shades: #D3ADE6, #D6A4EF and #D89BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2ABE6 shade: #D3ADE6, #D0B5DE, #CDBED5, #CAC7CC and #C8CFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2ABE6 shade: #B3ADE6, #C3ADE6, #D2ADE6, #E2ADE6 and #E6ADDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2ABE6 shade: #B16DD3, #C28DDD, #D3ADE6, #E4CCF0 and #F5ECF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2ABE6 shade: #D2ABE6, #E6ADB5 and #ADE6BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2ABE6 shade: #D2ABE6, #E6D2AD and #ADE6D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2ABE6 shade: #D2ABE6, #E6ADB5, #C1E6AD and #ADE6DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2ABE6 shade: #D2ABE6, #E6B5AD, #C1E6AD and #ADDEE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 26 / 0 / 10

HEX #D2ABE6

RGB 210 171 230

HSL 279.66, 0.54%, 0.79%

LAB 75.16, 24.77, -24.27

 

Complementary color

CMYK 46 / 0 / 70 / 67

HEX #2D5419

RGB 45 84 25

HSL 99.66, 0.54%, 0.21%

LAB 31.74, -25.85, 29.26

 

CMYK 4 / 24 / 0 / 12

HEX #D7ABE1

RGB 215 171 225

HSL 288.89, 0.47%, 0.78%

LAB 75.46, 25.4, -21.07

 

CMYK 5 / 23 / 0 / 4

HEX #E8BDF4

RGB 232 189 244

HSL 286.91, 0.71%, 0.85%

LAB 81.88, 24.85, -21.41

 

CMYK 2 / 19 / 0 / 0

HEX #F9CFFF

RGB 249 207 255

HSL 292.5, 1%, 0.91%

LAB 87.96, 22.85, -17.92

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 9 / 26 / 0 / 10

HEX #D2ABE6

RGB 210 171 230

HSL 279.66, 0.54%, 0.79%

LAB 75.16, 24.77, -24.27

 

CMYK 9 / 27 / 0 / 17

HEX #C199D3

RGB 193 153 211

HSL 281.38, 0.4%, 0.71%

LAB 68.62, 25.35, -23.99

 

CMYK 8 / 30 / 0 / 25

HEX #B087C0

RGB 176 135 192

HSL 283.16, 0.31%, 0.64%

LAB 61.97, 25.98, -23.72

 

CMYK 8 / 32 / 0 / 32

HEX #9F75AD

RGB 159 117 173

HSL 285, 0.25%, 0.57%

LAB 55.19, 26.65, -23.44

 

CMYK 8 / 36 / 0 / 40

HEX #8E639A

RGB 142 99 154

HSL 286.91, 0.22%, 0.5%

LAB 48.27, 27.39, -23.16

 

CMYK 8 / 25 / 0 / 10

HEX #D3ADE6

RGB 211 173 230

HSL 280, 0.53%, 0.79%

LAB 75.73, 24, -23.4

 

CMYK 2 / 25 / 0 / 10

HEX #E2ADE6

RGB 226 173 230

HSL 295.79, 0.53%, 0.79%

LAB 77.14, 28.84, -21.12

 

CMYK 0 / 25 / 5 / 10

HEX #E6ADDB

RGB 230 173 219

HSL 311.58, 0.53%, 0.79%

LAB 77.18, 28.16, -15.07

 

CMYK 0 / 25 / 12 / 10

HEX #E6ADCB

RGB 230 173 203

HSL 328.42, 0.53%, 0.79%

LAB 76.69, 25.43, -7.08

 

CMYK 0 / 25 / 18 / 10

HEX #E6ADBC

RGB 230 173 188

HSL 344.21, 0.53%, 0.79%

LAB 76.28, 23.04, 0.49

 

CMYK 8 / 25 / 0 / 10

HEX #D3ADE6

RGB 211 173 230

HSL 280, 0.53%, 0.79%

LAB 75.73, 24, -23.4

 

CMYK 15 / 25 / 0 / 10

HEX #C3ADE6

RGB 195 173 230

HSL 263.16, 0.53%, 0.79%

LAB 74.32, 18.93, -25.68

 

CMYK 22 / 25 / 0 / 10

HEX #B4ADE6

RGB 180 173 230

HSL 247.37, 0.53%, 0.79%

LAB 73.09, 14.29, -27.67

 

CMYK 25 / 25 / 0 / 10

HEX #ADADE6

RGB 173 173 230

HSL 240, 0.53%, 0.79%

LAB 72.55, 12.18, -28.55

 

CMYK 8 / 25 / 0 / 10

HEX #D3ADE6

RGB 211 173 230

HSL 280, 0.53%, 0.79%

LAB 75.73, 24, -23.4

 

CMYK 10 / 31 / 0 / 6

HEX #D6A4EF

RGB 214 164 239

HSL 280, 0.7%, 0.79%

LAB 74.24, 31.66, -30.54

 

CMYK 13 / 38 / 0 / 3

HEX #D89BF8

RGB 216 155 248

HSL 279.35, 0.87%, 0.79%

LAB 72.77, 38.97, -37.69

 

CMYK 8 / 25 / 0 / 10

HEX #D3ADE6

RGB 211 173 230

HSL 280, 0.53%, 0.79%

LAB 75.73, 24, -23.4

 

CMYK 6 / 18 / 0 / 13

HEX #D0B5DE

RGB 208 181 222

HSL 279.51, 0.38%, 0.79%

LAB 77.12, 17.09, -16.98

 

CMYK 4 / 11 / 0 / 16

HEX #CDBED5

RGB 205 190 213

HSL 279.13, 0.21%, 0.79%

LAB 78.82, 9.48, -9.6

 

CMYK 1 / 2 / 0 / 20

HEX #CAC7CC

RGB 202 199 204

HSL 276, 0.05%, 0.79%

LAB 80.61, 1.96, -2.13

 

CMYK 3 / 0 / 5 / 19

HEX #C8CFC4

RGB 200 207 196

HSL 98.18, 0.1%, 0.79%

LAB 82.32, -4.39, 4.62

 

CMYK 22 / 25 / 0 / 10

HEX #B3ADE6

RGB 179 173 230

HSL 246.32, 0.53%, 0.79%

LAB 73.01, 13.99, -27.8

 

CMYK 15 / 25 / 0 / 10

HEX #C3ADE6

RGB 195 173 230

HSL 263.16, 0.53%, 0.79%

LAB 74.32, 18.93, -25.68

 

CMYK 9 / 25 / 0 / 10

HEX #D2ADE6

RGB 210 173 230

HSL 278.95, 0.53%, 0.79%

LAB 75.64, 23.68, -23.55

 

CMYK 2 / 25 / 0 / 10

HEX #E2ADE6

RGB 226 173 230

HSL 295.79, 0.53%, 0.79%

LAB 77.14, 28.84, -21.12

 

CMYK 0 / 25 / 4 / 10

HEX #E6ADDC

RGB 230 173 220

HSL 310.53, 0.53%, 0.79%

LAB 77.21, 28.34, -15.56

 

CMYK 16 / 48 / 0 / 17

HEX #B16DD3

RGB 177 109 211

HSL 280, 0.54%, 0.63%

LAB 57.06, 44.67, -42.07

 

CMYK 12 / 36 / 0 / 13

HEX #C28DDD

RGB 194 141 221

HSL 279.75, 0.54%, 0.71%

LAB 66.32, 34.36, -33.07

 

CMYK 8 / 25 / 0 / 10

HEX #D3ADE6

RGB 211 173 230

HSL 280, 0.53%, 0.79%

LAB 75.73, 24, -23.4

 

CMYK 5 / 15 / 0 / 6

HEX #E4CCF0

RGB 228 204 240

HSL 280, 0.55%, 0.87%

LAB 84.98, 14.79, -14.64

 

CMYK 2 / 5 / 0 / 2

HEX #F5ECF9

RGB 245 236 249

HSL 281.54, 0.52%, 0.95%

LAB 94.42, 5.32, -5.19

 

CMYK 9 / 26 / 0 / 10

HEX #D2ABE6

RGB 210 171 230

HSL 279.66, 0.54%, 0.79%

LAB 75.16, 24.77, -24.27

 

CMYK 0 / 25 / 21 / 10

HEX #E6ADB5

RGB 230 173 181

HSL 351.58, 0.53%, 0.79%

LAB 76.1, 21.99, 4.05

 

CMYK 25 / 0 / 19 / 10

HEX #ADE6BB

RGB 173 230 187

HSL 134.74, 0.53%, 0.79%

LAB 86.54, -26.58, 15.15

 

CMYK 9 / 26 / 0 / 10

HEX #D2ABE6

RGB 210 171 230

HSL 279.66, 0.54%, 0.79%

LAB 75.16, 24.77, -24.27

 

CMYK 0 / 9 / 25 / 10

HEX #E6D2AD

RGB 230 210 173

HSL 38.95, 0.53%, 0.79%

LAB 84.96, 1.28, 20.88

 

CMYK 25 / 0 / 9 / 10

HEX #ADE6D2

RGB 173 230 210

HSL 158.95, 0.53%, 0.79%

LAB 87.06, -22.18, 3.86

 

CMYK 9 / 26 / 0 / 10

HEX #D2ABE6

RGB 210 171 230

HSL 279.66, 0.54%, 0.79%

LAB 75.16, 24.77, -24.27

 

CMYK 0 / 25 / 21 / 10

HEX #E6ADB5

RGB 230 173 181

HSL 351.58, 0.53%, 0.79%

LAB 76.1, 21.99, 4.05

 

CMYK 16 / 0 / 25 / 10

HEX #C1E6AD

RGB 193 230 173

HSL 98.95, 0.53%, 0.79%

LAB 87.46, -22.26, 23.89

 

CMYK 25 / 0 / 3 / 10

HEX #ADE6DE

RGB 173 230 222

HSL 171.58, 0.53%, 0.79%

LAB 87.36, -19.7, -2.01

 

CMYK 9 / 26 / 0 / 10

HEX #D2ABE6

RGB 210 171 230

HSL 279.66, 0.54%, 0.79%

LAB 75.16, 24.77, -24.27

 

CMYK 0 / 21 / 25 / 10

HEX #E6B5AD

RGB 230 181 173

HSL 8.42, 0.53%, 0.79%

LAB 77.81, 16.56, 10.85

 

CMYK 16 / 0 / 25 / 10

HEX #C1E6AD

RGB 193 230 173

HSL 98.95, 0.53%, 0.79%

LAB 87.46, -22.26, 23.89

 

CMYK 25 / 3 / 0 / 10

HEX #ADDEE6

RGB 173 222 230

HSL 188.42, 0.53%, 0.79%

LAB 85.42, -13.95, -9.09

 

Description

Color code: HEX #D2ABE6 | qconv.com Color code: HEX #D2ABE6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 171 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 171 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 26 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 26% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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