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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2A752 it is the complementary color #2D58AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2A752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2A752 shade: #D7A74D, #E8B960, #F9CB73, #FFDD86 and #FFEF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2A752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2A752 shade: #D2A752, #C1953F, #B0832C, #9F7119 and #8E5F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2A752 shade: #D2A751, #D28451, #D26151 and #D25151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2A752 shade: #D2A751, #D2C951, #B8D251, #95D251 and #72D251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2A752 shade matches the following richer shades: #D2A751, #E4AC3F and #F6B22D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2A752 shade: #D2A751, #C0A162, #AF9B74, #9D9586 and #8B8F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2A752 shade: #D26051, #D28251, #D2A551, #D2C751 and #BAD251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2A752 shade: #A67C2B, #C69533, #D2A751, #DBB771 and #E3C892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2A752 shade: #D2A752, #64D251 and #7151D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2A752 shade: #D2A752, #51D2A5 and #A551D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2A752 shade: #D2A752, #64D251, #517ED2 and #BF51D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2A752 shade: #D2A752, #51D264, #517ED2 and #D251BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 61 / 18

HEX #D2A752

RGB 210 167 82

HSL 39.84, 0.59%, 0.57%

LAB 70.84, 6.31, 49.08

 

Complementary color

CMYK 74 / 49 / 0 / 32

HEX #2D58AD

RGB 45 88 173

HSL 219.84, 0.59%, 0.43%

LAB 38.82, 15.34, -49.83

 

CMYK 0 / 22 / 64 / 16

HEX #D7A74D

RGB 215 167 77

HSL 39.13, 0.63%, 0.57%

LAB 71.3, 8.1, 52.1

 

CMYK 0 / 20 / 59 / 9

HEX #E8B960

RGB 232 185 96

HSL 39.26, 0.75%, 0.64%

LAB 77.7, 7, 50.86

 

CMYK 0 / 18 / 54 / 2

HEX #F9CB73

RGB 249 203 115

HSL 39.4, 0.92%, 0.71%

LAB 84.01, 6.05, 49.57

 

CMYK 0 / 13 / 47 / 0

HEX #FFDD86

RGB 255 221 134

HSL 43.14, 1%, 0.76%

LAB 89.25, 0.86, 46.84

 

CMYK 0 / 6 / 40 / 0

HEX #FFEF99

RGB 255 239 153

HSL 50.59, 1%, 0.8%

LAB 94.01, -6.35, 43.51

 

CMYK 0 / 20 / 61 / 18

HEX #D2A752

RGB 210 167 82

HSL 39.84, 0.59%, 0.57%

LAB 70.84, 6.31, 49.08

 

CMYK 0 / 23 / 67 / 24

HEX #C1953F

RGB 193 149 63

HSL 39.69, 0.51%, 0.5%

LAB 64.32, 7.48, 50.28

 

CMYK 0 / 26 / 75 / 31

HEX #B0832C

RGB 176 131 44

HSL 39.55, 0.6%, 0.43%

LAB 57.7, 8.88, 51.22

 

CMYK 0 / 29 / 84 / 38

HEX #9F7119

RGB 159 113 25

HSL 39.4, 0.73%, 0.36%

LAB 50.98, 10.55, 51.52

 

CMYK 0 / 33 / 96 / 44

HEX #8E5F06

RGB 142 95 6

HSL 39.26, 0.92%, 0.29%

LAB 44.16, 12.57, 50.44

 

CMYK 0 / 20 / 61 / 18

HEX #D2A751

RGB 210 167 81

HSL 40, 0.59%, 0.57%

LAB 70.82, 6.24, 49.55

 

CMYK 0 / 37 / 61 / 18

HEX #D28451

RGB 210 132 81

HSL 23.72, 0.59%, 0.57%

LAB 62.34, 25.16, 39.67

 

CMYK 0 / 54 / 61 / 18

HEX #D26151

RGB 210 97 81

HSL 7.44, 0.59%, 0.57%

LAB 54.91, 43.4, 30.58

 

CMYK 0 / 61 / 61 / 18

HEX #D25151

RGB 210 81 81

HSL 0, 0.59%, 0.57%

LAB 52.04, 50.92, 26.94

 

CMYK 0 / 20 / 61 / 18

HEX #D2A751

RGB 210 167 81

HSL 40, 0.59%, 0.57%

LAB 70.82, 6.24, 49.55

 

CMYK 0 / 4 / 61 / 18

HEX #D2C951

RGB 210 201 81

HSL 55.81, 0.59%, 0.57%

LAB 79.65, -11.52, 59.32

 

CMYK 12 / 0 / 61 / 18

HEX #B8D251

RGB 184 210 81

HSL 72.09, 0.59%, 0.57%

LAB 80.11, -26.61, 59.23

 

CMYK 29 / 0 / 61 / 18

HEX #95D251

RGB 149 210 81

HSL 88.37, 0.59%, 0.57%

LAB 77.92, -39.99, 56.21

 

CMYK 46 / 0 / 61 / 18

HEX #72D251

RGB 114 210 81

HSL 104.65, 0.59%, 0.57%

LAB 76.23, -51.64, 53.86

 

CMYK 0 / 20 / 61 / 18

HEX #D2A751

RGB 210 167 81

HSL 40, 0.59%, 0.57%

LAB 70.82, 6.24, 49.55

 

CMYK 0 / 25 / 72 / 11

HEX #E4AC3F

RGB 228 172 63

HSL 39.64, 0.75%, 0.57%

LAB 73.78, 10.22, 61.25

 

CMYK 0 / 28 / 82 / 4

HEX #F6B22D

RGB 246 178 45

HSL 39.7, 0.92%, 0.57%

LAB 77.05, 14.04, 71.49

 

CMYK 0 / 20 / 61 / 18

HEX #D2A751

RGB 210 167 81

HSL 40, 0.59%, 0.57%

LAB 70.82, 6.24, 49.55

 

CMYK 0 / 16 / 49 / 25

HEX #C0A162

RGB 192 161 98

HSL 40.21, 0.43%, 0.57%

LAB 67.71, 3.24, 36.9

 

CMYK 0 / 11 / 34 / 31

HEX #AF9B74

RGB 175 155 116

HSL 39.66, 0.27%, 0.57%

LAB 64.82, 1.48, 23.18

 

CMYK 0 / 5 / 15 / 38

HEX #9D9586

RGB 157 149 134

HSL 39.13, 0.11%, 0.57%

LAB 61.98, 0.29, 8.97

 

CMYK 9 / 6 / 0 / 40

HEX #8B8F98

RGB 139 143 152

HSL 221.54, 0.06%, 0.57%

LAB 59.34, 0.39, -5.27

 

CMYK 0 / 54 / 61 / 18

HEX #D26051

RGB 210 96 81

HSL 6.98, 0.59%, 0.57%

LAB 54.72, 43.89, 30.34

 

CMYK 0 / 38 / 61 / 18

HEX #D28251

RGB 210 130 81

HSL 22.79, 0.59%, 0.57%

LAB 61.88, 26.23, 39.12

 

CMYK 0 / 21 / 61 / 18

HEX #D2A551

RGB 210 165 81

HSL 39.07, 0.59%, 0.57%

LAB 70.32, 7.31, 48.98

 

CMYK 0 / 5 / 61 / 18

HEX #D2C751

RGB 210 199 81

HSL 54.88, 0.59%, 0.57%

LAB 79.12, -10.5, 58.75

 

CMYK 11 / 0 / 61 / 18

HEX #BAD251

RGB 186 210 81

HSL 71.16, 0.59%, 0.57%

LAB 80.25, -25.81, 59.43

 

CMYK 0 / 25 / 74 / 35

HEX #A67C2B

RGB 166 124 43

HSL 39.51, 0.59%, 0.41%

LAB 54.76, 8.24, 48.36

 

CMYK 0 / 25 / 74 / 22

HEX #C69533

RGB 198 149 51

HSL 40, 0.59%, 0.49%

LAB 64.76, 9.04, 56.1

 

CMYK 0 / 20 / 61 / 18

HEX #D2A751

RGB 210 167 81

HSL 40, 0.59%, 0.57%

LAB 70.82, 6.24, 49.55

 

CMYK 0 / 16 / 48 / 14

HEX #DBB771

RGB 219 183 113

HSL 39.62, 0.6%, 0.65%

LAB 76.14, 4.1, 40.26

 

CMYK 0 / 12 / 36 / 11

HEX #E3C892

RGB 227 200 146

HSL 40, 0.59%, 0.73%

LAB 81.68, 1.88, 30.52

 

CMYK 0 / 20 / 61 / 18

HEX #D2A752

RGB 210 167 82

HSL 39.84, 0.59%, 0.57%

LAB 70.84, 6.31, 49.08

 

CMYK 52 / 0 / 61 / 18

HEX #64D251

RGB 100 210 81

HSL 111.16, 0.59%, 0.57%

LAB 75.7, -55.62, 53.11

 

CMYK 46 / 61 / 0 / 18

HEX #7151D2

RGB 113 81 210

HSL 254.88, 0.59%, 0.57%

LAB 44.3, 44.18, -62.3

 

CMYK 0 / 20 / 61 / 18

HEX #D2A752

RGB 210 167 82

HSL 39.84, 0.59%, 0.57%

LAB 70.84, 6.31, 49.08

 

CMYK 61 / 0 / 21 / 18

HEX #51D2A5

RGB 81 210 165

HSL 159.07, 0.59%, 0.57%

LAB 76.41, -46.08, 11.91

 

CMYK 21 / 61 / 0 / 18

HEX #A551D2

RGB 165 81 210

HSL 279.07, 0.59%, 0.57%

LAB 50.14, 55.69, -52.59

 

CMYK 0 / 20 / 61 / 18

HEX #D2A752

RGB 210 167 82

HSL 39.84, 0.59%, 0.57%

LAB 70.84, 6.31, 49.08

 

CMYK 52 / 0 / 61 / 18

HEX #64D251

RGB 100 210 81

HSL 111.16, 0.59%, 0.57%

LAB 75.7, -55.62, 53.11

 

CMYK 61 / 40 / 0 / 18

HEX #517ED2

RGB 81 126 210

HSL 219.07, 0.59%, 0.57%

LAB 53.3, 10.53, -47.96

 

CMYK 9 / 61 / 0 / 18

HEX #BF51D2

RGB 191 81 210

HSL 291.16, 0.59%, 0.57%

LAB 53.62, 61.9, -46.85

 

CMYK 0 / 20 / 61 / 18

HEX #D2A752

RGB 210 167 82

HSL 39.84, 0.59%, 0.57%

LAB 70.84, 6.31, 49.08

 

CMYK 61 / 0 / 52 / 18

HEX #51D264

RGB 81 210 100

HSL 128.84, 0.59%, 0.57%

LAB 75.3, -57.95, 43.82

 

CMYK 61 / 40 / 0 / 18

HEX #517ED2

RGB 81 126 210

HSL 219.07, 0.59%, 0.57%

LAB 53.3, 10.53, -47.96

 

CMYK 0 / 61 / 9 / 18

HEX #D251BF

RGB 210 81 191

HSL 308.84, 0.59%, 0.57%

LAB 55.43, 63.42, -32.92

 

Description

Color code: HEX #D2A752 | qconv.com Color code: HEX #D2A752 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 167 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 167 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 61 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 61% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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