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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D299CB it is the complementary color #2D6634. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D299CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D299CB shade: #D799C6, #E8ABD9, #F9BDEC, #FFCFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D299CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D299CB shade: #D299CB, #C187B8, #B075A5, #9F6392 and #8E517F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D299CB shade: #D298CB, #D298BB, #D298AC, #D2989C and #D29898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D299CB shade: #D298CB, #C998D2, #BA98D2, #AA98D2 and #9B98D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D299CB shade matches the following richer shades: #D298CB, #DE8CD4, #EA80DD and #F674E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D299CB shade: #D298CB, #C6A4C2, #BAB0B9, #AEBCB0 and #A2C8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D299CB shade: #BA98D2, #C998D2, #D298CB, #D298BC and #D298AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D299CB shade: #B95FAE, #C57CBC, #D298CB, #DEB5D9 and #EBD2E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D299CB shade: #D299CB, #D2AA98 and #98D2C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D299CB shade: #D299CB, #CBD298 and #98CBD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D299CB shade: #D299CB, #D2AA98, #98D29F and #98C0D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D299CB shade: #D299CB, #D2BC98, #98D29F and #98AED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 3 / 18

HEX #D299CB

RGB 210 153 203

HSL 307.37, 0.39%, 0.71%

LAB 70.03, 29.4, -17.26

 

Complementary color

CMYK 56 / 0 / 49 / 60

HEX #2D6634

RGB 45 102 52

HSL 127.37, 0.39%, 0.29%

LAB 38.39, -30.46, 22.65

 

CMYK 0 / 29 / 8 / 16

HEX #D799C6

RGB 215 153 198

HSL 316.45, 0.44%, 0.72%

LAB 70.39, 30.2, -13.9

 

CMYK 0 / 26 / 6 / 9

HEX #E8ABD9

RGB 232 171 217

HSL 314.75, 0.57%, 0.79%

LAB 76.86, 29.55, -14.44

 

CMYK 0 / 24 / 5 / 2

HEX #F9BDEC

RGB 249 189 236

HSL 313, 0.83%, 0.86%

LAB 83.23, 28.94, -14.95

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 27 / 3 / 18

HEX #D299CB

RGB 210 153 203

HSL 307.37, 0.39%, 0.71%

LAB 70.03, 29.4, -17.26

 

CMYK 0 / 30 / 5 / 24

HEX #C187B8

RGB 193 135 184

HSL 309.31, 0.32%, 0.64%

LAB 63.45, 30.08, -16.78

 

CMYK 0 / 34 / 6 / 31

HEX #B075A5

RGB 176 117 165

HSL 311.19, 0.27%, 0.57%

LAB 56.75, 30.8, -16.26

 

CMYK 0 / 38 / 8 / 38

HEX #9F6392

RGB 159 99 146

HSL 313, 0.24%, 0.51%

LAB 49.94, 31.57, -15.69

 

CMYK 0 / 43 / 11 / 44

HEX #8E517F

RGB 142 81 127

HSL 314.75, 0.27%, 0.44%

LAB 43.02, 32.38, -15.03

 

CMYK 0 / 28 / 3 / 18

HEX #D298CB

RGB 210 152 203

HSL 307.24, 0.39%, 0.71%

LAB 69.8, 29.95, -17.61

 

CMYK 0 / 28 / 11 / 18

HEX #D298BB

RGB 210 152 187

HSL 323.79, 0.39%, 0.71%

LAB 69.29, 27.14, -9.5

 

CMYK 0 / 28 / 18 / 18

HEX #D298AC

RGB 210 152 172

HSL 339.31, 0.39%, 0.71%

LAB 68.85, 24.69, -1.79

 

CMYK 0 / 28 / 26 / 18

HEX #D2989C

RGB 210 152 156

HSL 355.86, 0.39%, 0.71%

LAB 68.43, 22.3, 6.53

 

CMYK 0 / 28 / 28 / 18

HEX #D29898

RGB 210 152 152

HSL 0, 0.39%, 0.71%

LAB 68.33, 21.74, 8.62

 

CMYK 0 / 28 / 3 / 18

HEX #D298CB

RGB 210 152 203

HSL 307.24, 0.39%, 0.71%

LAB 69.8, 29.95, -17.61

 

CMYK 4 / 28 / 0 / 18

HEX #C998D2

RGB 201 152 210

HSL 290.69, 0.39%, 0.71%

LAB 69.13, 28.3, -22.59

 

CMYK 11 / 28 / 0 / 18

HEX #BA98D2

RGB 186 152 210

HSL 275.17, 0.39%, 0.71%

LAB 67.69, 23.45, -24.93

 

CMYK 19 / 28 / 0 / 18

HEX #AA98D2

RGB 170 152 210

HSL 258.62, 0.39%, 0.71%

LAB 66.26, 18.38, -27.25

 

CMYK 26 / 28 / 0 / 18

HEX #9B98D2

RGB 155 152 210

HSL 243.1, 0.39%, 0.71%

LAB 65.02, 13.78, -29.25

 

CMYK 0 / 28 / 3 / 18

HEX #D298CB

RGB 210 152 203

HSL 307.24, 0.39%, 0.71%

LAB 69.8, 29.95, -17.61

 

CMYK 0 / 37 / 5 / 13

HEX #DE8CD4

RGB 222 140 212

HSL 307.32, 0.55%, 0.71%

LAB 68.78, 41.89, -24.04

 

CMYK 0 / 45 / 6 / 8

HEX #EA80DD

RGB 234 128 221

HSL 307.36, 0.72%, 0.71%

LAB 68.13, 53.26, -29.9

 

CMYK 0 / 53 / 7 / 4

HEX #F674E6

RGB 246 116 230

HSL 307.38, 0.88%, 0.71%

LAB 67.87, 63.89, -35.17

 

CMYK 0 / 28 / 3 / 18

HEX #D298CB

RGB 210 152 203

HSL 307.24, 0.39%, 0.71%

LAB 69.8, 29.95, -17.61

 

CMYK 0 / 17 / 2 / 22

HEX #C6A4C2

RGB 198 164 194

HSL 307.06, 0.23%, 0.71%

LAB 71.18, 17.64, -10.68

 

CMYK 0 / 5 / 1 / 27

HEX #BAB0B9

RGB 186 176 185

HSL 306, 0.07%, 0.71%

LAB 72.89, 5.21, -3.31

 

CMYK 7 / 0 / 6 / 26

HEX #AEBCB0

RGB 174 188 176

HSL 128.57, 0.09%, 0.71%

LAB 74.89, -7.1, 4.41

 

CMYK 19 / 0 / 17 / 22

HEX #A2C8A7

RGB 162 200 167

HSL 127.89, 0.26%, 0.71%

LAB 77.15, -19.07, 12.39

 

CMYK 11 / 28 / 0 / 18

HEX #BA98D2

RGB 186 152 210

HSL 275.17, 0.39%, 0.71%

LAB 67.69, 23.45, -24.93

 

CMYK 4 / 28 / 0 / 18

HEX #C998D2

RGB 201 152 210

HSL 290.69, 0.39%, 0.71%

LAB 69.13, 28.3, -22.59

 

CMYK 0 / 28 / 3 / 18

HEX #D298CB

RGB 210 152 203

HSL 307.24, 0.39%, 0.71%

LAB 69.8, 29.95, -17.61

 

CMYK 0 / 28 / 10 / 18

HEX #D298BC

RGB 210 152 188

HSL 322.76, 0.39%, 0.71%

LAB 69.32, 27.31, -10.01

 

CMYK 0 / 28 / 18 / 18

HEX #D298AC

RGB 210 152 172

HSL 339.31, 0.39%, 0.71%

LAB 68.85, 24.69, -1.79

 

CMYK 0 / 49 / 6 / 27

HEX #B95FAE

RGB 185 95 174

HSL 307.33, 0.39%, 0.55%

LAB 53.55, 47.1, -26.28

 

CMYK 0 / 37 / 5 / 23

HEX #C57CBC

RGB 197 124 188

HSL 307.4, 0.39%, 0.63%

LAB 61.58, 38.12, -21.84

 

CMYK 0 / 28 / 3 / 18

HEX #D298CB

RGB 210 152 203

HSL 307.24, 0.39%, 0.71%

LAB 69.8, 29.95, -17.61

 

CMYK 0 / 18 / 2 / 13

HEX #DEB5D9

RGB 222 181 217

HSL 307.32, 0.38%, 0.79%

LAB 78.22, 20.81, -12.49

 

CMYK 0 / 11 / 1 / 8

HEX #EBD2E8

RGB 235 210 232

HSL 307.2, 0.38%, 0.87%

LAB 86.79, 12.46, -7.64

 

CMYK 0 / 27 / 3 / 18

HEX #D299CB

RGB 210 153 203

HSL 307.37, 0.39%, 0.71%

LAB 70.03, 29.4, -17.26

 

CMYK 0 / 19 / 28 / 18

HEX #D2AA98

RGB 210 170 152

HSL 18.62, 0.39%, 0.71%

LAB 72.71, 11.97, 14.8

 

CMYK 28 / 0 / 8 / 18

HEX #98D2C2

RGB 152 210 194

HSL 163.45, 0.39%, 0.71%

LAB 79.99, -21.95, 1.93

 

CMYK 0 / 27 / 3 / 18

HEX #D299CB

RGB 210 153 203

HSL 307.37, 0.39%, 0.71%

LAB 70.03, 29.4, -17.26

 

CMYK 3 / 0 / 28 / 18

HEX #CBD298

RGB 203 210 152

HSL 67.24, 0.39%, 0.71%

LAB 82.41, -11.75, 28.03

 

CMYK 28 / 3 / 0 / 18

HEX #98CBD2

RGB 152 203 210

HSL 187.24, 0.39%, 0.71%

LAB 78.49, -14.88, -8.87

 

CMYK 0 / 27 / 3 / 18

HEX #D299CB

RGB 210 153 203

HSL 307.37, 0.39%, 0.71%

LAB 70.03, 29.4, -17.26

 

CMYK 0 / 19 / 28 / 18

HEX #D2AA98

RGB 210 170 152

HSL 18.62, 0.39%, 0.71%

LAB 72.71, 11.97, 14.8

 

CMYK 28 / 0 / 24 / 18

HEX #98D29F

RGB 152 210 159

HSL 127.24, 0.39%, 0.71%

LAB 79.2, -28.73, 19.43

 

CMYK 28 / 9 / 0 / 18

HEX #98C0D2

RGB 152 192 210

HSL 198.62, 0.39%, 0.71%

LAB 75.47, -9.15, -13.37

 

CMYK 0 / 27 / 3 / 18

HEX #D299CB

RGB 210 153 203

HSL 307.37, 0.39%, 0.71%

LAB 70.03, 29.4, -17.26

 

CMYK 0 / 10 / 28 / 18

HEX #D2BC98

RGB 210 188 152

HSL 37.24, 0.39%, 0.71%

LAB 77.24, 2.34, 21.09

 

CMYK 28 / 0 / 24 / 18

HEX #98D29F

RGB 152 210 159

HSL 127.24, 0.39%, 0.71%

LAB 79.2, -28.73, 19.43

 

CMYK 28 / 17 / 0 / 18

HEX #98AED2

RGB 152 174 210

HSL 217.24, 0.39%, 0.71%

LAB 70.59, 0.56, -20.73

 

Description

Color code: HEX #D299CB | qconv.com Color code: HEX #D299CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 153 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 153 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 3 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 3% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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